The Blues Brothers
(1980)
R | 133 mins | Comedy | 20 June 1980
Cast:
John Belushi, Dan Aykroyd, James Brown [ More ]Director:
John LandisWriters:
Dan Aykroyd, John LandisProducer:
Robert K. WeissCinematographer:
Stephen M. KatzEditor:
George Folsey, Jr.Production Designer:
John LloydProduction Company:
Universal PicturesThe print viewed for this record contained extra footage not included in the 1980 release.
The following acknowledgments appear in the end credits: “The Filmmakers wish to thank: The People of Chicago; The City of Chicago; The State of Illinois; Mayor Jane M. Byrne; Governor James R. Thompson; The Illinois State Film Office; The Chicago Police Department; The Chicago Fire Department; The Federal Aviation Authority District Office #3; The Chicago Transit Authority; The Chicago Park District; The Chicago Department of Public Works; The Chicago Department of Streets and Sanitation; The Cook County Offices and Administration; The Illinois Department of Corrections; The Staff and Residents of the Joliet Correctional Center; The Illinois Department of Transportation; The Illinois Secretary of State; The Illinois State Toll Highway Authority; Wrigley Field; The City of Milwaukee; The City of Harvey; The City of Park Ridge; The City of Wauconda; The City of Waukegan; The Illinois State Police Department; The Harvey Police Department; The Wauconda Police Department; The Tri-State Chapter of the Military Vehicle Collector’s Club.”
The following statement appears at the end of the film: “When in Hollywood visit Universal Studios (Ask for Babs).” “Barbara Sue Jansen” was a character from National Lampoon’s Animal House (1978, see entry), who became a tour guide at Universal Studios, as noted in a postscript at the end of the film.
According to a 5 Aug 1980 Us article, actors Dan Aykroyd and John Belushi said the genesis of The Blues Brothers grew out of seeing Wayne Cochran and his Miami R&B band perform at the El Mocambo Club in Toronto, Canada. Concert attire worn by Roy Orbison inspired ...
The print viewed for this record contained extra footage not included in the 1980 release.
The following acknowledgments appear in the end credits: “The Filmmakers wish to thank: The People of Chicago; The City of Chicago; The State of Illinois; Mayor Jane M. Byrne; Governor James R. Thompson; The Illinois State Film Office; The Chicago Police Department; The Chicago Fire Department; The Federal Aviation Authority District Office #3; The Chicago Transit Authority; The Chicago Park District; The Chicago Department of Public Works; The Chicago Department of Streets and Sanitation; The Cook County Offices and Administration; The Illinois Department of Corrections; The Staff and Residents of the Joliet Correctional Center; The Illinois Department of Transportation; The Illinois Secretary of State; The Illinois State Toll Highway Authority; Wrigley Field; The City of Milwaukee; The City of Harvey; The City of Park Ridge; The City of Wauconda; The City of Waukegan; The Illinois State Police Department; The Harvey Police Department; The Wauconda Police Department; The Tri-State Chapter of the Military Vehicle Collector’s Club.”
The following statement appears at the end of the film: “When in Hollywood visit Universal Studios (Ask for Babs).” “Barbara Sue Jansen” was a character from National Lampoon’s Animal House (1978, see entry), who became a tour guide at Universal Studios, as noted in a postscript at the end of the film.
According to a 5 Aug 1980 Us article, actors Dan Aykroyd and John Belushi said the genesis of The Blues Brothers grew out of seeing Wayne Cochran and his Miami R&B band perform at the El Mocambo Club in Toronto, Canada. Concert attire worn by Roy Orbison inspired the brothers’ outfits, and the actors worked with a choreographer to perfect their footwork on stage. Director John Landis, Belushi, and Aykroyd discovered that they had similar musical tastes on cross-country road trips together from NY to CA. As The Blues Brothers concept coalesced, Aykroyd and Belushi would use the act to warm up audiences on the television comedy series Saturday Night Live (NBC, 11 Oct 1975--). A 7 Aug 1980 Rolling Stone article stated the musical warm ups began in fall 1977, but by mid-1978, the band was rehearsed enough to open for comedian-actor-musician Steve Martin, during nine sold-out concerts in Los Angeles.
While the band mixed its 1978 album Briefcase Full of Blues, a live recording of the aforementioned concerts, Belushi, Aykroyd, and manager Bernie Brillstein outlined the concept of the movie to Universal Studio executive Sean Daniel in a telephone call. Based on the popularity of National Lampoon’s Animal House (1978, see entry) and “Saturday Night Live,” Daniel offered the duo a movie deal. By Mar 1979, Aykroyd had written a 324-page screenplay titled The Return of the Blues Brothers, but when Landis came on board in spring 1979 after dropping out of Universal’s The Incredible Shrinking Woman (1981, see entry), he helped streamline the script to a workable length.
According to production notes in AMPAS library files, the following six musicians formed the original band in 1977: Steve Cropper (lead guitar), Alan Rubin (trumpet), Donald “Duck” Dunn (bass guitar), “Blue” Lou Marini (saxophone), Willie “Too Big” Hall (drums), and Tom “Bones” Malone (trombone, tenor sax).
A 4 Feb 1980 DV news brief stated that principal photography began Aug 1979.
A 20 Apr 1980 LAT article reported that the film’s budget was in the range of $30 to $35 million, as opposed to the $5 million that Var had announced the previous year. However, 12 May 1980 DV and 23 Jun 1980 Box articles stated that Universal Pictures President Ned Tanen and director Landis denied that the budget had escalated to that extent. Tanen quoted the cost of production as approximately $27.5 million. MCA Chairman Lew Wasserman told stockholders that the film would have to earn $40 to $50 million to recoup its costs. Alternately, Landis stated that an additional $3 million was spent on the $24 million-budgeted film. He attributed the added cost to a “300 to 400 percent” increase in production costs, as well as additional stunt work. Also, 10,000 cast and crewmembers were reportedly on the film’s payroll.
Us stated that an actual shopping mall in IL was used to film the shopping center sequence. Merchandise was purchased wholesale to stock shelves and whatever was not destroyed was returned. The sequence involved 300 collisions, involving 120 cars, of which sixty vehicles were destroyed. Additionally, the production used six Ford Pintos, of which four were wrecked, as well as twelve specially outfitted Blues Mobiles. Before the Pinto could be dropped 1,400 feet (120 stories) in downtown Chicago, IL, filmmakers had to test drop two Pintos, as required by Chicago officials and the FAA.
The 4 Feb 1980 DV news brief announced that principal photography was completed 1 Feb 1980 after six months. Rolling Stone reported that the film earned $4.66 million its first weekend in release and $13 million on 590 screens after its first ten days.
According to the 20 Apr 1980 LAT article, media events involving the launch of a soundtrack album, two paperback novelizations, and a nationwide Blues Brothers concert tour coincided with the release of the film. Jove Books published an expanded version of the movie’s plot, while Perigee Books came out with a farcical pictorial Blues Brothers’ “documentary history.” Judy Jacklin, John Belushi’s wife, teamed up with Tino Insana to design the faux documentary project. Atlantic Records planned to release a movie soundtrack album due in stores on 15 May 1980 with a single set to debut in early May. The Blues Brothers band expected to kick off their tour on 27 Jun 1980 in Chicago, IL, and play dates at the Universal Amphitheater in Universal City, CA, in tandem with the film’s opening in Los Angeles, CA.
A 20 Aug 1990 LAT news item reported that composers Mike Stoller and Jerry Leiber had filed a lawsuit, alleging that Universal Studios had used their song “Jailhouse Rock” in The Blues Brothers without authorization. Although the “initial term of copyright ownership” belonged to Elvis Presley Music Inc., the rights reverted back to Leiber and Stoller in 1986. The suit sought to prevent Universal from further copyright infringement and asked for unspecified profits and damages. The outcome of the lawsuit is undetermined.
Musicians Cropper, Rubin, “Duck” Dunn, Marini, Hall, and Matt “Guitar” Murphy (guitar) made their theatrical film debuts in The Blues Brothers. The film also marked the theatrical film debut of Judy Jacklin in a cameo role as a “cocktail waitress.”
Elwood Blues greets his brother, Joliet Jake, after Jake is released from the Joliet Correctional Center in Joliet, Illinois. As they leave, Jake learns that Elwood traded the Cadillac, aka the “Blues Mobile,” to buy a microphone, and he is disgusted that his brother bought a Mount Prospect police car at auction to replace the other vehicle. To prove what a great car it is, Elwood floors the accelerator and clears an open drawbridge, crossing to a road on the other side. The brothers visit Sister Mary Stigmata at the Saint Helen of the Blessed Shroud Orphanage, where they were raised. The sister informs them that the church plans to sell the building rather than pay the new $5,000 county tax assessment. When Jake offers to donate the money, Sister Mary stipulates that she will not take stolen money. She criticizes their filthy language and bad attitudes, and warns them not to return until they have redeemed themselves. Curtis, the orphanage custodian, informs the brothers that the institution has eleven days to pay the tax, and suggests that they might visit Triple Rock Baptist Church. There, the Reverend Cleophus James sings, the congregation dances in the aisles, and Jake claims to see the light. Later, Jake suggests they reunite the Blues Brothers Band and raise the tax money through legitimate concerts. Elwood says the only hitch is that the band members have taken jobs, and their whereabouts are unknown. Elwood drives through a yellow light and state troopers signal the car to pull over. When the officers discover that Elwood is driving with a suspended license, the brothers speed away with the police in close pursuit. ...
Elwood Blues greets his brother, Joliet Jake, after Jake is released from the Joliet Correctional Center in Joliet, Illinois. As they leave, Jake learns that Elwood traded the Cadillac, aka the “Blues Mobile,” to buy a microphone, and he is disgusted that his brother bought a Mount Prospect police car at auction to replace the other vehicle. To prove what a great car it is, Elwood floors the accelerator and clears an open drawbridge, crossing to a road on the other side. The brothers visit Sister Mary Stigmata at the Saint Helen of the Blessed Shroud Orphanage, where they were raised. The sister informs them that the church plans to sell the building rather than pay the new $5,000 county tax assessment. When Jake offers to donate the money, Sister Mary stipulates that she will not take stolen money. She criticizes their filthy language and bad attitudes, and warns them not to return until they have redeemed themselves. Curtis, the orphanage custodian, informs the brothers that the institution has eleven days to pay the tax, and suggests that they might visit Triple Rock Baptist Church. There, the Reverend Cleophus James sings, the congregation dances in the aisles, and Jake claims to see the light. Later, Jake suggests they reunite the Blues Brothers Band and raise the tax money through legitimate concerts. Elwood says the only hitch is that the band members have taken jobs, and their whereabouts are unknown. Elwood drives through a yellow light and state troopers signal the car to pull over. When the officers discover that Elwood is driving with a suspended license, the brothers speed away with the police in close pursuit. As the officers call for back up, the chase continues at a shopping mall. There, Elwood drives through several stores, creating various roadblocks that enable the brothers to evade the police. One trooper vows to arrest Elwood no matter what it takes. After the brothers escape, they hide the car, and take refuge in Jake’s room at a transient hotel. The next morning, Burton Mercer, a corrections officer, and state troopers visit the hotel, looking for the brothers. However, a mystery woman parked on the street blows up the building just as the troopers ambush Jake and Elwood, and the brothers walk away from the wreckage. Later, Jake and Elwood track down a few former bandmates at the Holiday Inn, performing as “Murph and the Magictones.” Murph, Donald “Duck” Dunn, Willie “Too Big” Hall, “Bones” Malone, and “Blue” Lou Marini are willing to restart the band, but they insist the group will not be complete without horn players such as “Mr. Fabulous,” who is the top Maître d’ at the Chez Paul restaurant, and Matt “Guitar” Murphy, who runs a successful soul food restaurant with his wife and employs “Blue” Lou Marini. When the brothers visit Mr. Fabulous at Chez Paul, he is not happy to see them. Jake and Elwood occupy a table in the restaurant dining room, ordering shrimp cocktail and a bottle of Dom Perignon. When surrounding diners complain about the brothers’ rude behavior, Jake warns Mr. Fabulous that he and Elwood will continue to disturb the clientele until Mr. Fabulous agrees to play with band, and he is persuaded. Traveling to the Soul Food Café, the brothers are stopped in traffic by a parade of Nazis. As the brothers proceed to crash their car into the gathering, the Nazis jump from a bridge to the water below to avoid being hit, and the head Nazi vows revenge. Meanwhile, Jake and Elwood arrive at the Soul Food Café to recruit Matt “Guitar” Murphy and “Blue” Lou, who are eager to play with the brothers despite threats from Matt’s wife. After the band buys instruments at Ray’s Music Exchange, they stop at a Howard Johnson restaurant. While Jake and Elwood use the pay phone to call booking agent, Maury Sline, the mystery woman shoots the propane tank next to the booth with her flamethrower. The explosion propels the booth into the air. However, it lands safely and the brothers collect the spare change lying on the ground. Elsewhere, a Nazi tracks down Elwood’s license plate, and the head Nazi instructs party members to monitor police scanners in their hunt for the brothers. On the road, Jake arbitrarily chooses a roadside inn called Bob’s Country Bunker to debut the Blues Brothers band, impersonating another band called the Good Ole Boys. They play blues but switch to country after being pelted with beer bottles from the audience. After they finish the set, owner Bob says their salary is $200, but they consumed $300 worth of beer. The musicians escape without paying, but Bob follows and shoots at them with his shotgun. Elwood floors the accelerator as state troopers recognize the speeding car, but before the pursuit begins, the troopers accidentally crash into Bob’s vehicle. Soon, Jake and Elwood convince Maury Sline to book them in a large hall called the Palace Hotel Ballroom, while Curtis recruits boys at the orphanage to publicize the fund-raiser concert. However, the brothers run out of gas and are late for their show. Before they arrive on stage, the brothers sabotage the patrol cars in the parking lot. Troopers station themselves around the hall, waiting to arrest Jake and Elwood. When the brothers perform, the crowd is enthusiastic. When Jake and Elwood exit the stage, the president of Clarion Records offers them a record contract, and gives them a $10,000 advance. Jake asks the president to deliver $1,400 to Ray’s Music Exchange and give the rest of the money to the band. Then, Jake instructs the band to play while the brothers escape. In the tunnels below the ballroom, the mystery woman confronts the brothers. She intends to kill them because Jake jilted her at their wedding. At first, Jake begs for mercy, then melts her anger with a kiss. During her momentary euphoria, the brothers escape. Hearing gunshots, the troopers return to their cars to find their car tires have exploded, while others give chase. Tucker McElroy, the leader of the Good Ole Boys, also joins the pursuit, but he finds his shoe is glued to the accelerator and crashes through a warehouse, and into the water. Meanwhile, Elwood abruptly exits the highway, causing a pile up of trooper cars. When the police scanner announces that the Blues brothers are being chased, the head Nazi is ready for revenge. Once the brothers enter the city limits, troopers, the city police force and officers in boats pursue them. Suddenly, the head Nazi, traveling in a Ford Pinto, joins the chase and follows the brothers down a stretch of closed highway. Elwood brakes to avoid falling off an unfinished road, then reverses the car and flies over the Nazi’s vehicle. In turn, the Pinto falls over the cliff, crashing into the pavement below. The brothers enter the Cook County Administration building on foot, and take the elevator to the eleventh floor, while law enforcement trails behind. At the tax assessor’s office, the clerk writes Jake and Elwood a receipt for their $5,000 for payment of the orphanage tax, as the brothers are surrounded by hundreds of officers. Later in prison, the Blues Brothers band performs before fellow convicts, singing “Jailhouse Rock.”
TOP SEARCHES
Casablanca
In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: Warner ... >>
Sunset Blvd.
The film's working title was A Can of Beans. Although most contemporary and modern sources refer to the film as Sunset Boulevard, the opening title ... >>
Some Like It Hot
The Var review erroneously listed a running time of 105 minutes for the film. The title of the film refers to the contemporary description of interpreting jazz ... >>
The Lady from Shanghai
Working titles for this film were Black Irish , If I Die Before I Wake and Take This Woman . Orson Welles's onscreen credit ... >>
The Big Heat
William P. McGivern's novel was serialized in SEP (Dec 1952--Feb 1953). A Dec 1952 DV news item notes that Jerry Wald, then executive producer of ... >>
