My Bodyguard
(1980)
PG | 98 mins | Drama | 11 July 1980
Director:
Tony BillWriter:
Alan OrmsbyProducer:
Don DevlinCinematographer:
Michael D. MarguliesEditor:
Stu LinderProduction Designer:
Jackson De GoviaProduction Company:
Melvin Simon ProductionsMy Bodyguard marked Tony Bill’s directorial debut, but he was already known at the time for his work as an actor and as one of the Academy Award-winning producers of The Sting (1973, see entry). As noted in an 11 Jul 1980 LAT review of My Bodyguard, Tony Bill ran an office on Market Street in Venice, CA, to promote up-and-coming filmmakers. Opening credits introduce the picture as “a Market Street film.”
In an effort to share his knowledge about the film industry, Tony Bill became an instructor at Sherwood Oaks Experimental College in Los Angeles, CA, and in 1978, a colleague gave him Alan Ormsby’s script for My Bodyguard. Bill told the 10 Aug 1980 NYT that he was attracted to the story because it went “against the grain of movies about adolescents” which followed the formula of American Graffiti (1973, see entry), portraying teens in typecast roles of rebels, virgins, car racers, and rock ‘n’ roll fanatics. Intrigued by the vulnerability and emotional complexity of Ormsby’s characters, Bill telephoned the unknown screenwriter and announced that he was going to option the property with his own money. He promised to call back as soon as he secured financing from a studio.
After deciding to direct the picture himself, Tony Bill spent nearly five months pitching the project to Hollywood studios, but executives could not be convinced it was economically viable because there were no suitable roles for celebrities. According to Bill, many studios offered him the opportunity to direct another movie when they rejected ...
My Bodyguard marked Tony Bill’s directorial debut, but he was already known at the time for his work as an actor and as one of the Academy Award-winning producers of The Sting (1973, see entry). As noted in an 11 Jul 1980 LAT review of My Bodyguard, Tony Bill ran an office on Market Street in Venice, CA, to promote up-and-coming filmmakers. Opening credits introduce the picture as “a Market Street film.”
In an effort to share his knowledge about the film industry, Tony Bill became an instructor at Sherwood Oaks Experimental College in Los Angeles, CA, and in 1978, a colleague gave him Alan Ormsby’s script for My Bodyguard. Bill told the 10 Aug 1980 NYT that he was attracted to the story because it went “against the grain of movies about adolescents” which followed the formula of American Graffiti (1973, see entry), portraying teens in typecast roles of rebels, virgins, car racers, and rock ‘n’ roll fanatics. Intrigued by the vulnerability and emotional complexity of Ormsby’s characters, Bill telephoned the unknown screenwriter and announced that he was going to option the property with his own money. He promised to call back as soon as he secured financing from a studio.
After deciding to direct the picture himself, Tony Bill spent nearly five months pitching the project to Hollywood studios, but executives could not be convinced it was economically viable because there were no suitable roles for celebrities. According to Bill, many studios offered him the opportunity to direct another movie when they rejected My Bodyguard, but he remained committed to Ormsby’s script. By late 1978, independent producer Melvin Simon agreed to finance the project with a $4 million budget.
On 30 Oct 1978, DV announced that Tony Bill was finishing work as executive producer on Boulevard Nights (1979, see entry) and as an actor in Heat Beat (1980, see entry) to start production on My Bodyguard. However, the project remained in limbo for nearly nine months, until a 10 Jul 1979 DV news item stated that principal photography was scheduled to begin on 6 Aug 1979 in Chicago, IL. A follow-up DV report on 13 Aug 1979 noted that the eight-week production had been delayed, and a 15 Aug 1979 DV brief noted that filming was set to begin “this week.” Eight days later, the 23 Aug 1979 DV confirmed that shooting was underway. One month into production, sequences for the first day of school were filmed at Lake View High School with nearly 350 teenage background actors, according to a 26 Sep 1979 DV column. It was reportedly the first time filming had been permitted at a Chicago school. The movie remained on DV production charts through mid-Oct 1979.
Despite the studios’ presumption that My Bodyguard would not attract stars, the film helped launch the careers of several young actors. Fifteen-year-old Chris Makepeace was cast due the surprise success of his first feature film, Meatballs (1979), which was produced in his Canadian homeland. However, My Bodyguard gave Makepeace his first starring role, and made him an instant teen idol. The picture marked the motion picture debut of Adam Baldwin, although he also performed in a later 1980 release, Ordinary People (see entry). Joan Cusack made her first feature film appearance in My Bodyguard, and shared the screen with her father, Richard Cusack, who played the role of “Principal Rath.” The picture marked Richard Cusack’s final film before his 2003 death. For Matt Dillion, My Bodyguard marked the third and most successful picture in a series of 1980 breakout releases which included Over the Edge and Little Darlings (1980, see entries).
Shortly after principal photography concluded, Twentieth Century-Fox Film Corp. acquired the film for distribution, according the 10 Aug 1980 NYT. Although the studio had initially turned down the property, it purchased fifty percent of its shares upon completion. The following year, a 6 Jul 1981 DV article announced a “first rights” option deal between Melvin Simon Productions and Tony Bill, giving Simon priority over Bill’s future projects.
My Bodyguard was favorably received by critics, many of whom compared the movie to the 1979 Academy Award winner, Breaking Away (see entry). One month after opening in Los Angeles, CA, My Bodyguard broke a house record in one of the two theaters at Mann’s Chinese Twin, and was subsequently exhibited in both movie houses, according to a 27 Aug 1980 Globe and Mail (Toronto) column. The picture eventually grossed $22.5 million.
On 24 Sep 2004, Screen Daily announced that Intellectual Properties Worldwide (IPW) had recently brokered a deal for Dimension Films to acquire remake rights to My Bodyguard, and a 28 Jul 2004 Var article added that Jerry Lieber was hired to adapt the script. Nearly one year later, the 5 May 2005 Var stated that IPW was developing the remake at Walt Disney Studios. As of Sep 2015, an updated version of My Bodyguard had not been released.
End credits include the following acknowledgements: “The filmmakers wish to thank: Second City; the Ambassador East Hotel; the Pump Room; Dr. Joseph P. Hannon, Chicago Board of Education; Ms. Billy Pillings, State of Illinois Department of Labor; Ms. Mable Platt; United States Department of Immigration and Naturalization and Lt. Dominick Frigo, Chicago Police Department; Joe Bucz; Marian Brayton; Susan Spinks and Robert Mundy,” and, “With Special Thanks to: the Illinois Film Commission and especially Lucy Salenger.”
In Chicago, Illinois, teenager Clifford Peache lives in the Ambassador East Hotel with his father, hotel manager Mr. Larry C. Peache, and his eccentric “Gramma,” who makes mischief in the hotel’s Pump Room bar. On his first day of public school, Clifford arrives at the inner city campus in an Ambassador Hotel limousine and unwittingly becomes the enemy of the class bully, Melvin “Big M” Moody, by making a quip about the boy’s initials, “B. M.” Fearing retaliation, Clifford lingers behind when school lets out for the day, but Moody and his gang lurk in the hall for a surprise attack. They drag Clifford inside a filthy restroom and warn him about a fellow sophomore named Ricky Linderman. The boy is rumored to be a psychotic killer, and Moody has convinced the student body to pay him $1 from their lunch money every day to employ his services as a “bodyguard” against Linderman. When Clifford refuses to pay, Moody shoves a cup of toilet water toward his mouth, but Clifford tosses it back in Moody’s face and leads a chase to his awaiting limousine. Back at the hotel, Clifford’s driver reports the incident to Mr. Peache, who telephones the school principal to protect his son. Although Moody is punished the next day, his rage toward Clifford increases. During English class, Ms. Jump lectures about Romeo and Juliet as the hulking and disheveled Ricky Linderman lumbers into class, much to the horror of the students. Clifford spends the rest of the day dodging Moody’s reprisals, but realizes the bully ...
In Chicago, Illinois, teenager Clifford Peache lives in the Ambassador East Hotel with his father, hotel manager Mr. Larry C. Peache, and his eccentric “Gramma,” who makes mischief in the hotel’s Pump Room bar. On his first day of public school, Clifford arrives at the inner city campus in an Ambassador Hotel limousine and unwittingly becomes the enemy of the class bully, Melvin “Big M” Moody, by making a quip about the boy’s initials, “B. M.” Fearing retaliation, Clifford lingers behind when school lets out for the day, but Moody and his gang lurk in the hall for a surprise attack. They drag Clifford inside a filthy restroom and warn him about a fellow sophomore named Ricky Linderman. The boy is rumored to be a psychotic killer, and Moody has convinced the student body to pay him $1 from their lunch money every day to employ his services as a “bodyguard” against Linderman. When Clifford refuses to pay, Moody shoves a cup of toilet water toward his mouth, but Clifford tosses it back in Moody’s face and leads a chase to his awaiting limousine. Back at the hotel, Clifford’s driver reports the incident to Mr. Peache, who telephones the school principal to protect his son. Although Moody is punished the next day, his rage toward Clifford increases. During English class, Ms. Jump lectures about Romeo and Juliet as the hulking and disheveled Ricky Linderman lumbers into class, much to the horror of the students. Clifford spends the rest of the day dodging Moody’s reprisals, but realizes the bully and his friends have one weakness: They are terrified of Linderman. Clifford follows Linderman into the school gymnasium and tells him about Moody’s “bodyguard” scam, in which Linderman is pegged as the school’s biggest threat. Hoping to put an end to Moody’s tyranny once and for all, Clifford solicits Linderman to take over the role of “bodyguard” and protect his classmates from Moody. Although Linderman refuses to help, Clifford continues his boycott of Moody’s shakedown scheme and other teens follow suit. When Moody traps Clifford in an empty locker, Linderman reluctantly comes to his rescue. Later, at a delicatessen, Clifford sprays bottled condiments and soda pop on the faces of his adversaries. Moody and his friends give chase only to find themselves confronted by Linderman in a nearby alleyway. As classmates look on, Clifford introduces Linderman as his new bodyguard and announces that Moody’s services are no longer needed. However, Linderman turns his back on Clifford, disinterested in his new “job.” Back at school, Clifford asks Ms. Jump about Linderman’s mysterious past and learns that the boy’s younger brother accidentally killed himself with their father’s gun. Linderman found the body. Clifford remains determined to seek friendship with his wayward classmate and instructs his chauffeur to follow the boy into a destitute neighborhood. When Linderman turns down an alley, Clifford follows on foot. After leading the boy on a maze of Chicago back streets, Linderman stops Clifford in his tracks and orders the boy to go away, but he relents when Clifford admits he is lost. Linderman takes Clifford to a mechanic’s shop, where he has nearly finished rebuilding a motorcycle. The bike is missing a rare cylinder that is no longer in production. As the new friends comb junkyards looking for the spare part, Clifford reveals that his mother died several years earlier in an automobile accident and Linderman talks about his dead brother. In time, Clifford discovers the missing cylinder and the boys ride through the city on Linderman’s motorcycle. Clifford invites Linderman to the Ambassador Hotel, where they dine with “Gramma.” As she foretells Linderman’s future by reading his palm, she reveals scars on his wrist from an attempted suicide and assures him that he will have a long life. With new confidence, Linderman lets down his guard and makes friends with his schoolmates, but his contentment is cut short when Moody interrupts a social picnic in the park. The bully introduces Linderman to an intimidating gangster named Mike and claims that the hoodlum is his new bodyguard. Linderman refuses to fight and attempts to get away on his motorcycle, but Mike knocks him over and bashes the bike. While Linderman is on the ground, Moody rolls his prized motorcycle into a nearby lake. Clifford complains about Linderman’s failure to defend himself and the boy runs away. After an unfruitful search for Linderman around the city, Clifford is surprised to find his friend hiding in the shadows of the Ambassador Hotel rooftop. Linderman demands money and lowers himself down the fire escape but Clifford gives chase. At a nearby subway station, Clifford insists that Linderman must come to terms with his brother’s death, but the boy tearfully reveals that Ms. Jump’s version of the killing was inaccurate: His brother did not shoot himself. Instead, the trigger went off in Linderman’s hands, but he placed the gun in his brother’s palm to absolve himself from guilt. Boarding a subway train in despair, Linderman tells Clifford that the true story has remained his secret until now. He asks Clifford to go on without him. Back at school, Moody regains control over the student body. Clifford loses hope of seeing Linderman again, but the boy unexpectedly appears in the park, dragging his motorcycle out of the lake. Just then, the reunited friends are confronted by Moody, who tries to take the bike away from Linderman. When Linderman refuses to give up his motorcycle, Moody’s “bodyguard,” Mike, steps in to threaten him. This time, Linderman fights back and overcomes the gangster while Clifford battles Moody. Although Clifford is smaller and weaker than his adversary, Linderman coaches his friend to win the fight by breaking Moody’s nose. In the wake of his success, Clifford learns he does not need a bodyguard, after all.
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