Mad Youth (1939)

61 mins | Melodrama | 1939

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HISTORY

The working titles of this film were Girls of the Underworld and Modern Mothers. Although no confirmed release date has been found, evidence indicates that the film was released in 1939. Although onscreen credits list Melville Shyer as director, the Var and FD reviews credit Willis Kent as director. Similarly, although onscreen credits list Robert Jahns as film editor, the Var credits I. R. Johns. It is possible that Johns and Jahns are the same person. The credits also include the acknowledgment: "Orchestra and all acts courtesy of La Golondrina Cafe of Los Angeles." La Golondrina is the oldest Mexican restaurant in the city. ...

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The working titles of this film were Girls of the Underworld and Modern Mothers. Although no confirmed release date has been found, evidence indicates that the film was released in 1939. Although onscreen credits list Melville Shyer as director, the Var and FD reviews credit Willis Kent as director. Similarly, although onscreen credits list Robert Jahns as film editor, the Var credits I. R. Johns. It is possible that Johns and Jahns are the same person. The credits also include the acknowledgment: "Orchestra and all acts courtesy of La Golondrina Cafe of Los Angeles." La Golondrina is the oldest Mexican restaurant in the city.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
20 May 1940
p. 26
Variety
22 May 1940
p. 33
DETAILS
Alternate Titles:
Girls of the Underworld
Modern Mothers
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Real Life Drama
20 March 1939
LP8726
Physical Properties:
Sound
Black and White
Duration(in mins):
61
Length(in reels):
8
Country:
United States
SYNOPSIS

Mrs. Lola Morgan, a woman in her forties, calls an escort service, requesting a young man to accompany her to a bridge party and is assigned Count De Koven. Mrs. Morgan then asks her daughter Marian, a girl of twenty, to lend her some money because she has already spent her month's alimony. While her mother is at the bridge party, Marian invites her friends Helen Johnson, Harry and Bill, to a party at the Morgan house. At Marian's party, wild dancing and games of strip poker prevail, while at the bridge party, Mrs. Morgan gossips with her aging women friends about their many affairs. After Marian's friends leave, Mrs. Morgan returns home and introduces her daughter to the count, whom Marian calls a gigolo. Mrs. Morgan sends her daughter to bed, but Marian watches her mother and the count through a keyhole and later learns that her mother expects to marry the count. Meanwhile, Helen, having left Marian's party, returns to her grandmother's home and sneaks in through a window. Time passes and the count, tired of being an escort, asks Marian to La Golondrina Cafe, where she meets Helen and her other friends. That night, Helen's grandmother discovers that she is missing and locks her out of the house. At the club, Marian drinks too much and is taken home by the count, where she finds Helen waiting. Refusing to return to her grandmother's home, Helen decides to marry a Mr. Bowman of Pittsburgh, whom she has met through a lonely-hearts correspondence service. Over the next few months, the count continues to see Marian, but then abruptly ...

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Mrs. Lola Morgan, a woman in her forties, calls an escort service, requesting a young man to accompany her to a bridge party and is assigned Count De Koven. Mrs. Morgan then asks her daughter Marian, a girl of twenty, to lend her some money because she has already spent her month's alimony. While her mother is at the bridge party, Marian invites her friends Helen Johnson, Harry and Bill, to a party at the Morgan house. At Marian's party, wild dancing and games of strip poker prevail, while at the bridge party, Mrs. Morgan gossips with her aging women friends about their many affairs. After Marian's friends leave, Mrs. Morgan returns home and introduces her daughter to the count, whom Marian calls a gigolo. Mrs. Morgan sends her daughter to bed, but Marian watches her mother and the count through a keyhole and later learns that her mother expects to marry the count. Meanwhile, Helen, having left Marian's party, returns to her grandmother's home and sneaks in through a window. Time passes and the count, tired of being an escort, asks Marian to La Golondrina Cafe, where she meets Helen and her other friends. That night, Helen's grandmother discovers that she is missing and locks her out of the house. At the club, Marian drinks too much and is taken home by the count, where she finds Helen waiting. Refusing to return to her grandmother's home, Helen decides to marry a Mr. Bowman of Pittsburgh, whom she has met through a lonely-hearts correspondence service. Over the next few months, the count continues to see Marian, but then abruptly ends their relationship without explanation. When Mrs. Morgan reads her daughter's diary and learns of the affair, Marian leaves home to visit Helen in Pittsburgh. There, Marian discovers that Helen, now called Maisie, is living in a brothel, where she has been forced to work after being lured to the house by the prospect of marriage. Marian is taken prisoner and a similar fate awaits her. Meanwhile, a now reformed count, discovering that Marian has left home, lectures Mrs. Morgan on the responsibilities of motherhood and then begins a search for Marian. He finds her, and after a fight with the residents of the house, rescues Marian and Helen. Now an American citizen with a legitimate job, the count proposes to Mary.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.