Take This Job and Shove It
(1981)
PG | 100 mins | Comedy-drama | 15 May 1981
Director:
Gus TrikonisWriters:
Barry Schneider, Jeffrey BerniniProducer:
Greg BlackwellCinematographer:
James DevisEditor:
Richard BeldingProduction Designer:
Jim DultzProduction Companies:
G. S. Blackwell Productions, Inc., Cinema Group, Inc.
End credits also include: “Our thanks to the City and the People of Dubuque, Iowa and especially to Burke McCormick,” “A special thanks to the Pickett Family and the Pickett’s Brewery which is still the only operating brewery in the state of Iowa,” and, “Special thanks to: Black Dog Volkswagen, Minneapolis, Minnesota; City of Minneapolis, Minnesota; Computerland Computers of Cedar Rapids, Iowa; Nick Edwards and the Minneapolis Film Commission, The Lake Point Association, Minneapolis, Minnesota; Schoen’s Antiques, Dubuque, Iowa.”
End credits state: “Work clothes supplied by Big Ben and Blue Bell, Greensboro, North Carolina,” “Work shoes supplied by Safety First Shoes, Allentown, Pennyslvania,” “Mr. Hays’ and Mr. Mull’s wardrobe courtesy of Jaeger International,” “Shoes supplied by Footgear by Roger Bowman, Beverly Hills, California,” “’Bigfoot’ supplied by Bob Chandler & Midwest 4 Wheel Drive Center, Inc., 5511 N. Lindbergh Blvd., Hazelwood, Missouri,” “’Silver Bullet’ & ‘Thunder ‘N Lightning’ supplied by Everett Jasmer & Off Road Specialities, 8445 Sunset Road, Spring Lake Park, Minn.,” “’Palladin’ supplied by Ron & Donna Tolles, 38 Lake Charles Dr., St. Peters, Missouri,” and, “Mechanic Extraordinaire George Link.”
On 17 May 1978, Var announced that Mark Lester would produce and direct a film based on the song, Take This Job And Shove It, written by David Allan Coe and sung by Johnny Paycheck, with Elia Katz writing the screenplay. However, the 20 Aug 1979 DV reported that Al Kasha and Paul Baratta purchased the screen rights by Jul 1979, intending to make their screenwriting debut. Ultimately, Kasha and Baratta were not credited onscreen as writers, but became associate producers. As tracked in ...
End credits also include: “Our thanks to the City and the People of Dubuque, Iowa and especially to Burke McCormick,” “A special thanks to the Pickett Family and the Pickett’s Brewery which is still the only operating brewery in the state of Iowa,” and, “Special thanks to: Black Dog Volkswagen, Minneapolis, Minnesota; City of Minneapolis, Minnesota; Computerland Computers of Cedar Rapids, Iowa; Nick Edwards and the Minneapolis Film Commission, The Lake Point Association, Minneapolis, Minnesota; Schoen’s Antiques, Dubuque, Iowa.”
End credits state: “Work clothes supplied by Big Ben and Blue Bell, Greensboro, North Carolina,” “Work shoes supplied by Safety First Shoes, Allentown, Pennyslvania,” “Mr. Hays’ and Mr. Mull’s wardrobe courtesy of Jaeger International,” “Shoes supplied by Footgear by Roger Bowman, Beverly Hills, California,” “’Bigfoot’ supplied by Bob Chandler & Midwest 4 Wheel Drive Center, Inc., 5511 N. Lindbergh Blvd., Hazelwood, Missouri,” “’Silver Bullet’ & ‘Thunder ‘N Lightning’ supplied by Everett Jasmer & Off Road Specialities, 8445 Sunset Road, Spring Lake Park, Minn.,” “’Palladin’ supplied by Ron & Donna Tolles, 38 Lake Charles Dr., St. Peters, Missouri,” and, “Mechanic Extraordinaire George Link.”
On 17 May 1978, Var announced that Mark Lester would produce and direct a film based on the song, Take This Job And Shove It, written by David Allan Coe and sung by Johnny Paycheck, with Elia Katz writing the screenplay. However, the 20 Aug 1979 DV reported that Al Kasha and Paul Baratta purchased the screen rights by Jul 1979, intending to make their screenwriting debut. Ultimately, Kasha and Baratta were not credited onscreen as writers, but became associate producers. As tracked in the 17 Oct 1979 Var, the 23 Oct 1980 DV, and production notes in AMPAS library files, Kasha and Baratta brought the project to aspiring producer Greg Blackwell, who was then working as an associate producer on Hometown U.S.A. (1979, see entry) with director Max Baer. Blackwell approached Baer with the project, but Baer was not interested. Warner Bros., owners of the song’s publishing rights, had first right of refusal, and passed on the film. Avco Embassy Pictures recognized the project’s potential and helped arranged financing for first-time producer Blackwell, who began developing a script. Avco Embassy acquired the worldwide distribution rights, including all ancillary markets, and planned to provide one-third to one-half of the $4 million budget. The 6 Aug 1980 DV reported that Take This Job And Shove It would be the first feature film financed by the Cinema Group Inc., with Avco Embassy president Robert Rehme noting that the financing from Cinema Group Inc. would “stretch production capital further,” and allow Avco Embassy to have more prints in distribution. DV noted that Jeffrey Bernini developed the story based on David Allan Coe’s song, and Barry Schneider, who also received “story by” credit, wrote the screenplay. In addition to credit for the title song, Coe co-starred in the film as the character, “Mooney.” Johnny Paycheck, famous for performing the title song, had a small role as “Man with hamburgers,” and production notes reported that other country music performers co-starred in the film and contributed to the film’s soundtrack, including Charlie Rich, Lacy J. Dalton, and George Lindsey. Take This Job and Shove It marked the feature film music scoring debut of country songwriter-producer Billy Sherrill.
The 26 Aug 1980 HR reported that Mac Davis was approached to star in the film, but he declined and the filmmakers decided to hire someone younger and chose Robert Hays. His contract was signed during the week that Airplane (1980, see entry), his feature film debut, was released to great box-office success.
The 17 Oct 1979 Var noted principal photography was originally planned for Alabama. However, according to the 26 Aug 1980 HR and production notes, the filmmakers scouted the country and looked at approximately 250 breweries before choosing the Pickett Brewing Company in Dubuque, IA. Coincidentally, Pickett had recently been acquired by a conglomerate, mirroring the film’s story line. The script had initially featured a fictional brewery and town, but due to Pickett’s real-life parallel to the script, the filmmakers chose to use the Pickett name and set the film in Dubuque.
The 24 Jul 1980 DV, the 26 Aug 1980 HR, and the 23 Oct 1980 DV reported that the 1980 Screen Actors Guild (SAG) strike began as principal photography on Take This Job and Shove It was about to commence. According to Blackwell, the film’s production contingencies, including cast commitments only until mid-September 1980, made it imperative to sign an interim agreement, or risk losing the project. Blackwell was the first producer to sign an interim agreement with SAG, and principal photography began 28 Jul 1980 in Dubuque. The company also filmed along the Mississippi River, and on location in Minneapolis, MN. According to the 23 Oct 1980 DV, the project had a seven-week shooting schedule and finished a half-day early.
The 28 Apr 1981 HR announced the film would premiere in Dubuque, IA, on 14 May 1981. The film opened on 15 May 1981, and the 20 May 1981 Var reported a strong first weekend box-office gross of $3,121,046 at 490 theaters in Los Angeles, CA, Houston, TX, Dallas, TX, Oklahoma City, OK, Tulsa, OK, Miami, FL, Omaha, NE, Kansas City, MO, St. Louis, MO, Jacksonville, FL, and Dubuque, IA. Avco Embassy planned to release the film in 225 additional venues for the 1981 Memorial Day weekend, with a wider release on 5 Jun 1981. An item in the 28 May 1981 DV reported the film’s first eleven day box-office gross was $5,247,095. The 24 Jun 1981 DV and the 25 Jun 1981 HR announced the film’s domestic box-office gross had reached $12,110,106.
End credits include the following statements: “Bobby Bare and David Allan Coe appear through the courtesy of CBS Records,” “Lacy J. Dalton appears through the courtesy of CBS Records & Sherrill, Inc.,” “Steve Davis appears through the courtesy of Epic Records & Sherrill, Inc.,” “Johnny Paycheck appears through the courtesy of Epic Records,” “Charlie Rich appears through the courtesy of Elektra Records.”
Rising corporate executive at the Ellison Group, Frank Macklin, sits beside his co-worker, Dick Ebersol, as their boss, Ellison, discusses the company’s recent acquisition of four breweries, including Star Brewery in Dubuque, Iowa. Ellison purchased the plant from Charlie Pickett, and is going to rename it “Pickett Brewery.” Ellison appoints Frank to oversee the transition, and demands a fifty percent production increase within four weeks. Later, Frank complains to Dick that Dubuque is his hometown and he does not want to return to his former employer as a corporate autocrat. However, Dick insists the job is a test, and if Frank succeeds, he will be promoted to Ellison Group’s senior vice president. Frank kisses his girl friend, Madelyn, goodbye and drives to Iowa. As he nears Dubuque, Frank unsuccessfully attempts to pass two Star Brewery employees in an old, slow-moving car. When the men challenge Frank to a fight, he recognizes his former high school friends, Ray Binkowski and Harry Meade. They invite him to Mooney’s bar that night, but Frank insists he has to work, and agrees to meet them Saturday. Later, at the brewery, Charlie Pickett is surprised that Frank is Ellison’s field executive, and complains that he does not want take orders from a “kid” who once worked for him. Frank ignores Charlie and addresses the management team. He demands immediate installment of the new Ellison equipment, and wants everyone prepared for a major production increase. On the factory floor, the workers learn the company has been taken over. When Ray and Harry see their childhood friend with Charlie, they are ignored by ...
Rising corporate executive at the Ellison Group, Frank Macklin, sits beside his co-worker, Dick Ebersol, as their boss, Ellison, discusses the company’s recent acquisition of four breweries, including Star Brewery in Dubuque, Iowa. Ellison purchased the plant from Charlie Pickett, and is going to rename it “Pickett Brewery.” Ellison appoints Frank to oversee the transition, and demands a fifty percent production increase within four weeks. Later, Frank complains to Dick that Dubuque is his hometown and he does not want to return to his former employer as a corporate autocrat. However, Dick insists the job is a test, and if Frank succeeds, he will be promoted to Ellison Group’s senior vice president. Frank kisses his girl friend, Madelyn, goodbye and drives to Iowa. As he nears Dubuque, Frank unsuccessfully attempts to pass two Star Brewery employees in an old, slow-moving car. When the men challenge Frank to a fight, he recognizes his former high school friends, Ray Binkowski and Harry Meade. They invite him to Mooney’s bar that night, but Frank insists he has to work, and agrees to meet them Saturday. Later, at the brewery, Charlie Pickett is surprised that Frank is Ellison’s field executive, and complains that he does not want take orders from a “kid” who once worked for him. Frank ignores Charlie and addresses the management team. He demands immediate installment of the new Ellison equipment, and wants everyone prepared for a major production increase. On the factory floor, the workers learn the company has been taken over. When Ray and Harry see their childhood friend with Charlie, they are ignored by Frank. At Mooney’s bar on Saturday night, Frank apologizes, but Harry realizes Frank has an image to protect and is certain Frank will take care of his friends. Harry asks Frank to attend the upcoming company picnic, but Frank again claims he must work. He asks about his high school girl friend, J. M. Halstead, and learns she has returned to town to be a social worker. Frank surprises J. M. at her office and they go bowling. She wonders how many employees will be fired, but Frank insists few people will lose their jobs, and the new method of business will create more work. The next morning, Ray and Harry force Frank to attend the company picnic, and Ray insists that Frank drive his monster truck, “Bigfoot,” in a race. Frank wins the wild race, which ends in a mud pit. Frank pulls J. M. into the mud for a kiss. She takes him to her home, and declares she does not want a commitment before they make love. Later, at the brewery, workers are reassigned duties and the new equipment begins production. Ray, who had been a bottler, refuses to follow orders and transition into the racking department. When Ray argues with the supervisor, Harry calms his friend and leads him away. After several workers complain to Harry, he approaches Frank, who insists that when a plant is automated, employees must be redistributed. Their argument escalates until Frank punches Harry and demands he return to work. Later, Charlie suggests that Frank fire the angry workers, but Frank ignores the advice. Meanwhile, at Ellison headquarters, Dick Ebersol shows a commercial for Pickett’s beer to Ellison and a rich Texan named “Hooker,” who is a potential buyer for the breweries. At Harry’s home, he confesses to his wife that he wants to quit his job, but feels he cannot do anything else. Later, Frank learns that Harry and Ray are not at work, and finds his friends getting drunk outside Ray’s trailer. Frank joins them, arguing that he is building a great brewery and a better future for them. Harry and Ray dismiss their friend, but return to work. Later, Dick telephones Frank to congratulate him on the high increase in production, and reveals he is bringing a buyer to inspect the plant. Frank is stunned to learn Ellison plans to sell the brewery for a huge profit. Furious, Frank rushes to his office and alters the list of job transfers and terminations. Next, he orders the plant manager to drastically slow production. After work, Ray and Harry take Frank to Mooney’s, where everyone thanks him for slowing the production line. Frank worries about Ellison’s reaction, but Harry insists every man in the bar would work hard for Frank. J. M. is also supportive and later makes love to Frank. Meanwhile, Charlie worries that Frank’s actions will affect his deal to run the company after Frank leaves, and he alerts Ellison. Dick is sent to Dubuque to warn Frank that he will be fired unless he gets production back to full speed in two days. J. M. takes Frank to an abandoned factory which used to produce specialty beers, and suggests that they get it working again. Frank is hesitant, but J. M. agrees to work with him, and they call a meeting of the brewery employees. Frank outlines his plan and admits it is risky, but claims it is a chance to build their own future. They must raise $100,000 and Ray is the first to offer the pink slip to his truck, “Bigfoot.” By the next morning, they have raised $27,000. Frank returns to his motel room to find his girl friend, Madelyn, waiting. Moments later, J. M. arrives and is stunned to find Frank and Madelyn taking a shower together. Meanwhile, as Madelyn keeps Frank away from the brewery, Charlie calls a meeting and threatens the workers. Later, at the abandoned brewery, Frank apologizes to J. M., claiming Madelyn is just a friend, but J. M. refuses to listen. Just then, Harry arrives to announce that the others are not coming. Frank argues that Charlie’s threats are a ruse, but Harry admits that the workers’ lives revolve around regular paychecks. Frank declares he should have done his job and left town, without becoming involved with the employees. Now he has to fix the situation with Ellison. However, when Dick and Hooker arrive to inspect the plant, Frank leads a revolt. Workers sabotage the line and Ray sprays Hooker’s entourage with a beer hose. When Charlie learns that Ellison sold him out, he picks up a beer hose and joins the rebellion. Dick grabs an ax, smashes the power box, and the production line shuts down. Unaware of the ruckus, Ellison telephones Frank to offer him a promotion. Frank informs Ellison that he can take his job and “shove it.” As Dick and Hooker leave, Frank tells Hooker to call him about investing in a specialty brewery. Frank joins J. M., Ray, and Harry in the Bigfoot truck and they speed off, crashing through the guard shack, and destroying the time clock punch machine.
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