Split Image (1982)

R | 111 mins | Drama | 1 October 1982

Director:

Ted Kotcheff

Producer:

Ted Kotcheff

Cinematographer:

Robert Jessup

Editor:

Jay Kamen

Production Designer:

Wolf Kroeger

Production Company:

PolyGram Pictures
Full page view
HISTORY

       Although not included in end credits, the film includes the hymns, “He’s Got The Whole World In His Hands,” and “Rock My Soul In The Bosom Of Abraham,” as well as the following songs: Danny & The Juniors’ “Rock ‘N Roll Is Here To Stay,” and “I’m In Love Again,” written by Antoine “Fats” Domino and Dave Bartholomew.
       The 6 Feb 1980 Var announced the $8 million project as one of three pictures jointly financed by Filmworks and Casablanca Records, the latter of which received at least $100,000 in production money from the company’s co-owner, Polygram Pictures. Per an agreement with Casablanca, Universal Pictures originally received domestic distribution rights to the film, then titled Captured. On 24 Mar 1980, New West announced that filming was scheduled to begin fall 1980, and suggested that director-producer Ted Kotcheff had possibly signed for a “pay or play” deal, guaranteeing his paycheck regardless of whether the film ever entered production. The 16 Oct 1980 HR reported that Polygram Pictures entered a co-financing deal with Filmways Pictures, which would also serve as domestic distributor, with production rescheduled for early 1981. However, a 4 Nov 1980 Filmways press release in AMPAS library files indicated that the production start date had been delayed until late 1981.
       The 22 May 1981 HR production charts stated that filming began 21 Apr 1981 in Dallas, TX. Production notes claimed that Michael O’Keefe trained for ten weeks with gymnastics instructors in NY and TX in order to perform his own stunts for the film’s opening sequence, which was filmed at North Lake College in Irving, TX. North Texas State ...

More Less

       Although not included in end credits, the film includes the hymns, “He’s Got The Whole World In His Hands,” and “Rock My Soul In The Bosom Of Abraham,” as well as the following songs: Danny & The Juniors’ “Rock ‘N Roll Is Here To Stay,” and “I’m In Love Again,” written by Antoine “Fats” Domino and Dave Bartholomew.
       The 6 Feb 1980 Var announced the $8 million project as one of three pictures jointly financed by Filmworks and Casablanca Records, the latter of which received at least $100,000 in production money from the company’s co-owner, Polygram Pictures. Per an agreement with Casablanca, Universal Pictures originally received domestic distribution rights to the film, then titled Captured. On 24 Mar 1980, New West announced that filming was scheduled to begin fall 1980, and suggested that director-producer Ted Kotcheff had possibly signed for a “pay or play” deal, guaranteeing his paycheck regardless of whether the film ever entered production. The 16 Oct 1980 HR reported that Polygram Pictures entered a co-financing deal with Filmways Pictures, which would also serve as domestic distributor, with production rescheduled for early 1981. However, a 4 Nov 1980 Filmways press release in AMPAS library files indicated that the production start date had been delayed until late 1981.
       The 22 May 1981 HR production charts stated that filming began 21 Apr 1981 in Dallas, TX. Production notes claimed that Michael O’Keefe trained for ten weeks with gymnastics instructors in NY and TX in order to perform his own stunts for the film’s opening sequence, which was filmed at North Lake College in Irving, TX. North Texas State University served as the fictional “Drayton University,” with additional scenes filmed at Richland College and an artists’ commune. The “Homeland” commune was built on a defunct, 400-acre wild animal park in Mesquite, TX, and included construction of a six-storey pyramid building, five dormitories, nine windmills, two geodesic domes, two fountains, a wind generator, a nursery, a lake, a moat, solar panels, a vegetable garden, a radio dish, a fifty-foot flagpole, two dozen trees, and 400 shrubberies.
       Following the 23 Feb 1981 DV announcement that Tatum O’Neal had joined the cast, the 5 May 1981 DV reported that she had been replaced by Karen Allen. According to the 9 May 1981 LAHExam, an updated draft of the script included additional night scenes; the 19 May 1981 DV claimed that because O’Neal was under eighteen years old at the time, she was legally forbidden from working past midnight. Due to increased daylight hours during the summer months, producers would have been required to extend the shooting schedule from two weeks to six weeks, which would risk the production being terminated upon the possible 1 Jul 1981 Directors Guild of America (DGA) strike. Instead, O’Neal was compensated for her involvement and promised a percentage of the picture’s box office earnings.
       In addition, the 19 May 1981 DV reported that “deprogrammer” Cliff Daniels served as a technical advisor on the film, and, according to production notes, influenced Kotcheff to reshape the story to build toward the climactic confrontation between O’Keefe and James Woods’ characters. Daniels does not receive credit, however, and during filming, he was required to stand trial for kidnapping charges resulting from the rescue of a child from a cult similar to the one portrayed onscreen. Production notes suggested that the film’s deprogramming scenes were shot using handheld cameras and a fish-eye lens in one of two Dallas-area homes and at a Dallas soundstage.
       A 2 Jul 1981 HR brief listed John Carroll Perry among the cast, but he does not receive onscreen credit. The film also marked the motion picture debut of actor-comedian Bill Engvall.
       As stated in a 6 Aug 1981 DV news item, Filmways planned a spring 1982 release. However, the 22 Sep 1982 Var announced director Ted Kotcheff’s promotional tour, which included stops in Minneapolis, MN; St. Louis, MO; Denver, CO; Houston, TX; and Los Angeles, CA. The completed film was also screened for MA Gubernatorial candidate Michael Dukakis, whose son, John Dukakis, played “Aaron.”
       Orion Pictures distributed Split Image for its domestic release following the company’s acquisition of Filmways in mid-1982.
      End credits include the statement: “The producers wish to thank Rabbi Maurice Davis for his advice in connection with the production of his motion picture.”

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
23 Feb 1981
---
Daily Variety
5 May 1981
---
Daily Variety
19 May 1981
---
Daily Variety
6 Aug 1981
---
Hollywood Reporter
16 Oct 1980
p. 4
Hollywood Reporter
22 May 1981
---
Hollywood Reporter
2 Jul 1981
---
Hollywood Reporter
1 Oct 1982
p. 3, 12
LAHExam
9 May 1981
---
Los Angeles Times
4 Oct 1982
Section VI, pp. 1-2
New West
24 Mar 1980
p. 32
New York Times
5 Nov 1982
p. 4
Variety
6 Feb 1980
---
Variety
22 Sep 1982
---
Variety
6 Oct 1982
p. 14
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
Polygram Pictures Presents
A Ted Kotcheff Film
A GAC Film Partners Enterprise
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
Unit prod mgr
1st asst dir
2d asst dir
PRODUCERS
Exec prod
PHOTOGRAPHY
Dir of photog
Tech adv
Cam op
Asst cam
Still photog
Key grip
ART DIRECTORS
Prod des
Art dir
FILM EDITORS
Asst film ed
SET DECORATORS
Set dec
Prop master
Const coord
MUSIC
Orig songs by
Orig songs by
SOUND
Sd mixer
Re-rec mixer
Re-rec mixer
Re-rec mixer
Sd ed
VISUAL EFFECTS
Spec eff
Title des
Titles & optical eff
MAKEUP
Makeup
Hairstylist
Hairstylist
PRODUCTION MISC
Visual consultant
Tech adv
Casting assoc
Dallas casting
Bill Russell
Asst to Mr. Kotcheff
Unit pub
Prod coord
Prod accountant
Loc scout
Prod asst
Transportation coord
Homeland paintings by
Athletic Apparel furnished by
Construction Tractor furnished by
Prod consultant
Prod services provided by
Dallas, Texas
STAND INS
Stunt supv
Stuntperson
Stuntperson
Stuntperson
Stuntperson
Stuntperson
Stuntperson
Bobby Ray Sargent
Stuntperson
COLOR PERSONNEL
Col by
DETAILS
Alternate Title:
Captured
Release Date:
1 October 1982
Premiere Information:
Los Angeles opening: 1 Oct 1982; New York opening: 5 Nov 1982
Production Date:
began 21 Apr 1981 in Dallas, TX
Copyright Info
Claimant
Date
Copyright Number
PolyGram Pictures, Ltd.
1 October 1982
PA158303
Physical Properties:
Sound
Color
Lenses
Panavision®
Duration(in mins):
111
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
26578
SYNOPSIS

After practicing his routine on the uneven bars, Drayton University student Danny Stetson earns a high score at his gymnastics competition and aims to continue on to the Olympics. The next morning, over breakfast, he discusses his still undecided major with his wealthy parents, Diana and Kevin, and his younger brother, Sean. At a diner, a girl named Rebecca introduces herself to Danny and he flirts with her. She writes her telephone number on his hand, inviting him to contact her at the community service center where she works. One night, they attend a film screening and discussion of Dr. Jekyll and Mr. Hyde ; at the event, a man jumps out of a van and attempts to kidnap his son, Aaron, chasing him into an alley. Danny helps Aaron escape, and the students reconvene at a bar. Rebecca explains that Aaron’s father is unhappy with the life his son has chosen and is trying to force him into a corporate law career. Danny, however, wonders why Aaron’s father calls him “Brian.” Over the weekend, Danny accompanies Rebecca and her friends on a religious retreat at a nature commune called “Homeland.” After being greeted by singing members, they eat lunch in the dining hall. Danny feels uncomfortable as everyone bows their heads in silent prayer. Later, Rebecca gives Danny a tour of the facilities, refusing to respond to Danny’s accusations that the commune is a religious cult. That night, Homeland leader Neal Kirklander asks Danny about the kind of person he intends to be. Danny becomes irritable after he is awakened early the next morning and denied coffee at breakfast. ...

More Less

After practicing his routine on the uneven bars, Drayton University student Danny Stetson earns a high score at his gymnastics competition and aims to continue on to the Olympics. The next morning, over breakfast, he discusses his still undecided major with his wealthy parents, Diana and Kevin, and his younger brother, Sean. At a diner, a girl named Rebecca introduces herself to Danny and he flirts with her. She writes her telephone number on his hand, inviting him to contact her at the community service center where she works. One night, they attend a film screening and discussion of Dr. Jekyll and Mr. Hyde ; at the event, a man jumps out of a van and attempts to kidnap his son, Aaron, chasing him into an alley. Danny helps Aaron escape, and the students reconvene at a bar. Rebecca explains that Aaron’s father is unhappy with the life his son has chosen and is trying to force him into a corporate law career. Danny, however, wonders why Aaron’s father calls him “Brian.” Over the weekend, Danny accompanies Rebecca and her friends on a religious retreat at a nature commune called “Homeland.” After being greeted by singing members, they eat lunch in the dining hall. Danny feels uncomfortable as everyone bows their heads in silent prayer. Later, Rebecca gives Danny a tour of the facilities, refusing to respond to Danny’s accusations that the commune is a religious cult. That night, Homeland leader Neal Kirklander asks Danny about the kind of person he intends to be. Danny becomes irritable after he is awakened early the next morning and denied coffee at breakfast. Kirklander urges the members to save outside people from their corporate, consumerist lifestyles. While talking in a small group session, Danny proclaims that he does not understand the group’s intentions. After bedtime, a member of the congregation named Gabriel stops Danny from masturbating. The next morning, a frail worker struggles with a heavy wheelbarrow, but Gabriel pushes him until he collapses, promising that God will make him stronger. Kirkland scolds Gabriel for denying the boy rest, and pleads with God to forgive Gabriel for his sin. That evening, Danny enjoys himself while singing hymns, but later attempts to escape into the woods. Pursued by a group of Homeland members, he tumbles over a cliff and into a lake. The boys rescue him and return him to Kirklander, who urges him to stay. Danny goes before the congregation and tells them he has found love at the camp and agrees to join them by renouncing his former life and taking the name “Joshua.” He cuts his hair and burns his clothes and wallet as the members scream, cry, and chant in celebration. After Danny telephones his mother to inform her that he will not be coming home, Diana and Kevin drive to the commune. Inside, Kevin commands Kirklander to return his son, but Danny renounces his parents, and a police officer arrests Kevin for trespassing. At the police station, the officer claims that he cannot legally retrieve their son. The Stetsons return home and cry while watching Danny’s gymnastics videos. One morning, a "deprogrammer" named Charles Pratt shows up at the Stetson house and shows them testimonial footage featuring former commune members he saved from Kirklander’s cult. Meanwhile, Danny and Rebecca solicit people for donations outside a business office. They recollect the moment they first met, complimenting one another for their trusting and loving natures. Danny says his body has undergone changes, and Rebecca admits that females in the commune no longer menstruate. She tells Danny about her previous life, in which she frequently sought male attention. He urges her not to dwell on the past and tells her he loves her; she admits that her love for him is stronger than what the commune permits. That night, Danny awakens from an erotic dream about Rebecca, and she accompanies him to speak with Kirklander. The leader tells Danny that prayer will save Rebecca from her lustful temptations. Later, Kirklander praises Danny for his strength and instructs him to become the head elder of the commune in Denver, Colorado. While Rebecca and Danny return to town to solicit more donations, she tells him that her birth name was “Amy,” and begs him not to leave. Just before she admits her feelings for him, Pratt and Kevin throw Danny in the back of a truck, sedate him, and lock him in the Stetson family basement. When he wakes, Danny criticizes his parents’ greed-driven lifestyle. As Pratt speaks with Danny alone, Danny envisions the image of Rebecca declaring her love for him. He sits unmoving and unblinking, hearing Rebecca’s voice in his head while Pratt destroys photographs of Kirklander. Suddenly, Danny pounces at Pratt, causing Kevin to barge in. Danny attempts to escape through the upstairs window, but Pratt’s assistants grab him and carry the boy back to the basement. Pratt continues to point out the hypocrisy of Kirklander’s teachings, but Danny proclaims he does not want to listen. A group of commune members arrive at the Stetson house asking for “Joshua,” and Kevin attacks them. Rebecca runs inside to Danny, but Pratt separates them and taunts the boy about Kirklander’s ban on sex. Pratt then brings Kevin downstairs and beats him in front of Danny, deprecating him for pandering to wealthy clients and hiring him to torture his son. Danny shoves Pratt against a wall, but Pratt wills him to forget Kirklander’s hateful teachings. Once he has calmed down, the boy emerges from the basement and hugs his parents. He sits in front of the fireplace and remembers embracing Kirklander and Rebecca. Sometime later, he awakens on the couch and overhears his parents arguing with Pratt about performing television interviews. When Danny proclaims he joined Homeland because he wanted to find love, Pratt worries that Danny may still be vulnerable. The next day, Diana is angered to learn that her son went to the commune to follow a girl. After dark, a Homeland member appears at Danny’s window claiming that Rebecca wishes to speak with him. He leaves a note for his parents reading, “Mom and Dad, no matter what happens, I love you,” and finds Rebecca outside the diner where they first met. Calling her by her real name, Danny kisses her and tells her he wants to spend the rest of his life with her. She spots Neil’s truck approaching and urges him to escape, but he refuses to leave without her. Neil smacks Danny for denouncing him, but Danny grabs Rebecca’s hand and they run away together.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The Long Haul

Onscreen credits contain the following written acknowlegment: "The producer gratefully acknowleges the assistance and facilities made availabe to the producer by Leyland Motors Limited." Tom Morahan's onscreen credit reads ... >>

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.