Fighting Back (1982)

R | 98 mins | Drama | 21 May 1982

Director:

Lewis Teague

Cinematographer:

Franco DiGiacomo

Production Designer:

Robert Gundlach

Production Companies:

Dino De Laurentiis Corporation , Paramount Pictures
Full page view
HISTORY

       The 25 Nov 1981 Var announced that although the film’s screenplay credit had not yet been determined, production company Dino De Laurentiis Corporation had completed two weeks of principal photography in Philadelphia, PA, under the tentative working title The Last Safe Place. An article in the 12 Jan 1982 HR confirmed an 11 Nov 1981 production start date. According to a news item in the 9 Dec 1981 Var, filming would continue there for eight weeks, while a DV report that same day specified that filming was scheduled until 18 Dec 1981, and would resume again for ten days on 4 Jan 1982 in New York City, following a holiday break. At that time, the title had been changed to Striking Back. After pickup shots resumed, the 12 Jan 1982 HR cited that the union, Local 52, was planning to protest that day at St. Malachy’s Church in New York City, disputing De Laurentiis’ hiring of “roughly 30” technicians in the National Association of Broadcast Employees and Technicians (NABET) union Local 15, who were not U.S. citizens. Despite suppositions that De Laurentiis was paying the employees in Italian lire, the executive in charge of production, Fred Caruso, claimed that there were only three Italian cameramen, all of who were NABET members being paid in U.S. dollars. The dispute did not hinder the production.
       Production notes in AMPAS library files stated that Philadelphia locations included City Hall and the Kensington neighborhood’s McPherson Square. Although the square, which had been decorated with graffiti, was closed to locals throughout the first five weeks of shooting, residents were ...

More Less

       The 25 Nov 1981 Var announced that although the film’s screenplay credit had not yet been determined, production company Dino De Laurentiis Corporation had completed two weeks of principal photography in Philadelphia, PA, under the tentative working title The Last Safe Place. An article in the 12 Jan 1982 HR confirmed an 11 Nov 1981 production start date. According to a news item in the 9 Dec 1981 Var, filming would continue there for eight weeks, while a DV report that same day specified that filming was scheduled until 18 Dec 1981, and would resume again for ten days on 4 Jan 1982 in New York City, following a holiday break. At that time, the title had been changed to Striking Back. After pickup shots resumed, the 12 Jan 1982 HR cited that the union, Local 52, was planning to protest that day at St. Malachy’s Church in New York City, disputing De Laurentiis’ hiring of “roughly 30” technicians in the National Association of Broadcast Employees and Technicians (NABET) union Local 15, who were not U.S. citizens. Despite suppositions that De Laurentiis was paying the employees in Italian lire, the executive in charge of production, Fred Caruso, claimed that there were only three Italian cameramen, all of who were NABET members being paid in U.S. dollars. The dispute did not hinder the production.
       Production notes in AMPAS library files stated that Philadelphia locations included City Hall and the Kensington neighborhood’s McPherson Square. Although the square, which had been decorated with graffiti, was closed to locals throughout the first five weeks of shooting, residents were invited to help restore the area to its original condition during the final week, in exchange for being cast as extras in the film. The project then moved to Camden, NJ, where the “stately homes” and an old firehouse served as the film’s People’s Neighborhood Patrol and the D’Angelo delicatessen, respectively. In addition, production utilized various redecorated shops, the Guiffre Medical Center, and St. Edward’s Church.
       On 19 Jan 1982, HR announced the film’s acquisition by Paramount Pictures for domestic distribution. A Paramount press release dated 6 May 1982 revealed the film, now titled Fighting Back, would open at the National Theatre in Westwood, CA, the Hollywood Theatre in Hollywood, CA, and various other Los Angeles, CA, area theaters on 21 May 1982. The following week, the 12 May 1982 HR stated Paramount’s plans to release the picture in 1,200 theaters around the country. Following the 17 May 1982 HR announcement that executive producers David Permut and Mark Travis ended their five-year partnership prior to the release of Fighting Back, the 30 May 1982 LAHExam claimed that Paramount hoped to downplay the film’s promotion due to concerns that the violent subject matter would influence real-life criminals. According to the story and Paramount executive Marilyn Beck, “‘the studio felt it would be a more socially responsible act to refrain from capitalizing on it.’”
      End credits include special thanks to the city of Philadelphia, PA, and the city of Camden, NJ.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
9 Dec 1981
---
Hollywood Reporter
12 Jan 1982
p. 1, 49
Hollywood Reporter
19 Jan 1982
---
Hollywood Reporter
12 May 1982
---
Hollywood Reporter
17 May 1982
---
Hollywood Reporter
24 May 1982
p. 4
LAHExam
30 May 1982
---
Los Angeles Times
24 May 1982
p. 4
New York Times
22 May 1982
p. 32
Variety
25 Nov 1981
---
Variety
9 Dec 1981
---
Variety
26 May 1982
p. 20
CAST
NAME
CREDITED AS
CREDIT
Family:
[and]
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
Dino De Laurentiis Presents
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
2d asst dir
2d asst dir
2d unit dir
PRODUCERS
Co-prod
Assoc prod
Exec prod
Exec prod
WRITERS
PHOTOGRAPHY
Franco DiGiacomo
Dir of photog
Gaffer
Best boy
Key grip
Key grip
Asst cam
Laboratory supv
Cam prod asst
ART DIRECTORS
Art dir
Asst art dir
FILM EDITORS
Asst ed
Asst ed
Asst ed
Asst ed
Asst ed
Asst ed
Apprentice ed
Apprentice ed
Apprentice ed
Apprentice ed
Apprentice ed
SET DECORATORS
Set dec
Asst set dec
Scenic chargeperson
Prop master
Const coord
Prop man
Set scenics
Set scenics
Set dresser
Set builder
Const grip
Const asst
Const asst
COSTUMES
Cost
Ward supv
Ward supv
Ward handler
Ward asst
MUSIC
SOUND
Sd mixer
Boom op
Supv sd ed
Sd ed
Looping ed
Re-rec mixer
Trans/Audio
VISUAL EFFECTS
Spec eff consultant
Spec eff
Spec eff
Main titles & end credits des and prod by
MAKEUP
Makeup artist
Hairstylist
Hair/makeup artist
PRODUCTION MISC
Exec in charge of prod
Casting
Asst unit prod mgr
Loc/unit coord
Scr supv
Prod office coord
Prod auditor
Extra casting
Teamster capt
Teamster capt
Transportation coord
Unit pub
Asst auditor
Spec consultant
Prod secy
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
STAND INS
Stunt coord/Stunt player
Vic Magnotta
Stunt coord/Stunt player
Dan Aiello III
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Tom Wright
Stunt player
COLOR PERSONNEL
Col by
SOURCES
SONGS
"You're Nobody Till Somebody Loves You," written by Russ Morgan, John Cavanaugh and Larry Stock, published by Shapiro Bernstein and Co./Southern Music Publishing Company, Inc.; "How Long," written by Zane Grey and Len Ron Hanks, performed by Debra Laws, courtesy of Electra Records, published by Irving Music, Inc./Medad Music; "Meant For You," written by David Lasley and Roxanne Joy Seeman, published by Almo Music Corp./Noo-Noo Music.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Alternate Titles:
Striking Back
The Last Safe Place
Release Date:
21 May 1982
Premiere Information:
Los Angeles and New York openings: 21 May 1982
Production Date:
11 Nov 1981--early Jan 1982 in Philadelphia, PA, Camden, NJ, and New York City
Copyright Info
Claimant
Date
Copyright Number
Dino DeLaurentiis Corporation
31 January 1983
PA163457
Physical Properties:
Sound
Color
Duration(in mins):
98
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
26625
SYNOPSIS

In a newsroom, correspondents Sara Rogers and Michael Taylor select footage of shootings for a report about increasing criminal activity since John F. Kennedy’s assassination in 1963. The report airs on television as a large Italian family gathers for a going-away party in South Philadelphia, Pennsylvania. Later, John D’Angelo helps his relatives load a moving truck, and his pregnant wife Lisa asks if they can move to Colorado before their baby is born. While the couple drives through a run-down neighborhood, Lisa jumps out of the car to stop a pimp, Eldorado, from beating one of his prostitutes. Angered, the attacker speeds after the D’Angelos until John crashes into a house. John points a gun at Eldorado’s face, but Lisa falls to the ground with labor pains, and John takes her to the hospital, where the baby is declared dead. While working in his delicatessen one night, John insists his son, Danny, walk his grandmother, Vera D’Angelo, home. They enter a nearby pharmacy during a robbery, and one of the masked criminals steals Vera’s ring by cutting off her finger. After the criminals flee, John runs into the store and calls an ambulance. At the hospital, John yells at the police over their slow response time. Lisa visits her husband and insists that they move out of the city. At home, John looks at happy photographs from his childhood in the neighborhood, and Lisa threatens to leave him if he does not agree to relocate. That winter, John spots Eldorado’s car outside a bar. He goes in and attempts to shoot the pimp, but his police officer friend, Vince Morelli, drags him away. In his deli, John hosts a ...

More Less

In a newsroom, correspondents Sara Rogers and Michael Taylor select footage of shootings for a report about increasing criminal activity since John F. Kennedy’s assassination in 1963. The report airs on television as a large Italian family gathers for a going-away party in South Philadelphia, Pennsylvania. Later, John D’Angelo helps his relatives load a moving truck, and his pregnant wife Lisa asks if they can move to Colorado before their baby is born. While the couple drives through a run-down neighborhood, Lisa jumps out of the car to stop a pimp, Eldorado, from beating one of his prostitutes. Angered, the attacker speeds after the D’Angelos until John crashes into a house. John points a gun at Eldorado’s face, but Lisa falls to the ground with labor pains, and John takes her to the hospital, where the baby is declared dead. While working in his delicatessen one night, John insists his son, Danny, walk his grandmother, Vera D’Angelo, home. They enter a nearby pharmacy during a robbery, and one of the masked criminals steals Vera’s ring by cutting off her finger. After the criminals flee, John runs into the store and calls an ambulance. At the hospital, John yells at the police over their slow response time. Lisa visits her husband and insists that they move out of the city. At home, John looks at happy photographs from his childhood in the neighborhood, and Lisa threatens to leave him if he does not agree to relocate. That winter, John spots Eldorado’s car outside a bar. He goes in and attempts to shoot the pimp, but his police officer friend, Vince Morelli, drags him away. In his deli, John hosts a meeting of his friends and family to discuss making citizens’ arrests of local criminals, since the police are unable to keep the streets clean. At their new headquarters, named the “Peoples’ Neighborhood Patrol,” the men learn how to administer CPR and purchase patrol cars. Later, they walk through the bar wearing “PNP”-emblazoned vests and caps, and John starts a fight with the bartender, which escalates into a brawl among the patrons. The D’Angelo family visits John’s mother, but she refuses to see them. One night while driving the PNP car, John and Vince alert the police to a burning building, and beat up the two arsonists. When the officers arrive, the detective takes John and Vince to the station for questioning, but determines they have done nothing illegal. Upon returning home from the store with Danny, Lisa discovers that the house has been broken into and destroyed. Upstairs, Lisa finds their dog’s mutilated, bloody body hanging in the shower. In the newsroom, Sara Rogers and Michael Taylor review stories about various self-defense vigilante organizations, including a newspaper article on John’s patrol team. John meets with Ivanhoe Washington, the African American head of a community outreach group, hoping he can help find the robbers who hurt his mother. Washington, however, insists the issue of local crime is deeply rooted in race, and is offended by John’s willingness to criminalize black people in poor economic situations. Meanwhile, two PNP officers find Eldorado outside a strip club, where he shot a man. Distraught by the murder, a stripper tries to attack Eldorado, but he drives away. One morning, at the deli, a group of Italians arrive to thank John for his services and present him with a sash of red, white, and green. Among the admirers, Sara Rogers invites John to step outside for an interview for the Michael Taylor show. Later, the reporters watch the interview video, in which John explains his motivations as a parent, hoping to protect the street for his children. Meanwhile, Councilman Hal Brusco urges the police commissioner to put an end to the PNP. John then meets with the commissioner, who also criticizes him for his racial insensitivity, but John refuses to back down. One afternoon, he stops a mugger in the street, hanging him from a meat hook to set an example. After a politician proposes that John run for city council, Lisa is hesitant, because she believes her husband is neglecting his responsibilities at home. While eating dinner, John notices his son’s friend behaving strangely, and realizes the boy has injected heroin. Although Danny is not using drugs, he helps his father track down members of the drug ring, including an Italian restaurant owner claiming to be protected by the Mafia boss, Donato. John meets with Donato, who gives him an old, Italian coin that he says people will recognize as a symbol of respect. When John shows the coin to the restaurant owner, the two men fight until the kitchen is destroyed. That evening, Vince admits that his affiliation with John’s aggressive behavior could cost him his job. One day, Washington shows John two men, one white and one black, and claims that one of them is the robber who cut off Vera’s finger. John beats the black man, immediately assuming him to be guilty, but Washington reveals that it was the white man. One night, Eldorado reports an assault in the park and shoots the on-call PNP officer. When John arrives, he discovers that Vince was the victim. At the funeral procession, Vince’s wife and a number of police officers walk alongside John and the PNP to indicate their support, increasing John’s public profile. Determined to make good from Vince’s death, the PNP closes the park where their friend was murdered, beating the criminals who congregate there. When Eldorado drives his car through the crowd, John speeds after him and crashes into the vehicle, causing it to explode. The pimp runs away on foot, but John is tackled and handcuffed by police. The commissioner shows him a report containing profiles of the three men who shot Vince, which includes Eldorado, and promises to arrest them. The PNP establishes a library in Vince’s name and kick-starts John’s campaign for city council. John sneaks away from an election-night party and follows Eldorado to a strip club. He fills a balloon with water and attaches it to a grenade, which he drops into Eldorado’s car and watches it explode. John returns to the deli in time to hear a news report announcing his victory. That winter, children play in the snow-covered park, and Michael Taylor reports that the neighborhood crime rate continues to drop dramatically.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

Yankee Doodle Dandy

George M. Cohan wrote and produced more than thirty-five plays, many of them with his partner Sam H. Harris, and composed more than 500 songs. Modern critics have attributed ... >>

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.