They Wanted to Marry (1937)

60 mins | Romantic comedy | 5 February 1937

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HISTORY

Five-year-old Patsy Lee Parsons made her screen debut in this production. According to HR production charts, Clara Kimball Young, Ray Mayer and Moroni Olsen were to be cast members, but their participation in the final film is doubtful. Eric Blore was replaced by E. E. Clive in the role of "Stiles." Gordon Jones and Betty Furness, whom RKO borrowed from M-G-M, replaced Louise Latimer and Owen Davis, Jr. prior to production, according to HR. ...

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Five-year-old Patsy Lee Parsons made her screen debut in this production. According to HR production charts, Clara Kimball Young, Ray Mayer and Moroni Olsen were to be cast members, but their participation in the final film is doubtful. Eric Blore was replaced by E. E. Clive in the role of "Stiles." Gordon Jones and Betty Furness, whom RKO borrowed from M-G-M, replaced Louise Latimer and Owen Davis, Jr. prior to production, according to HR.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
17 Dec 1936
p. 3
Film Daily
3 Feb 1937
p. 9
Hollywood Reporter
21 Oct 1936
p. 2, 8
Hollywood Reporter
26 Oct 1936
p. 7
Hollywood Reporter
9 Nov 1936
p. 7
Hollywood Reporter
17 Dec 1936
p. 3
Motion Picture Daily
21 Dec 1936
p. 7
Motion Picture Daily
10 Feb 1937
p. 4
Motion Picture Herald
7 Nov 1936
p. 36
Motion Picture Herald
26 Dec 1936
p. 52, 54
Variety
24 Feb 1937
p. 17
DETAILS
Release Date:
5 February 1937
Production Date:
began late Oct 1936
Copyright Info
Claimant
Date
Copyright Number
RKO Radio Pictures, Inc.
5 February 1937
LP6938
Physical Properties:
Sound
RCA Victor System
Black and White
Duration(in mins):
60
Length(in reels):
6
Country:
United States
PCA No:
2815
SYNOPSIS

With help from Roger Coleman, an advertising executive, newspaper photographer Jim Tyler crashes the wedding of socialite Helen Hunter, whose wealthy father is notoriously camera-shy, and snaps candid shots of the Hunter family. Before he is able to send Emily, his carrier pigeon, to the newspaper with his exposed film, however, Jim is found out by Stiles, the Hunter butler, and a detective. Chased around the house, Jim hides in the bedroom of Helen's impetuous sister Sheila, who is amused by his predicament and escapes with him through her window. She then joins him for dinner at Roger's lavish New York apartment. There, Jim and Sheila are confronted by the apartment manager, who demands that they pay for the champagne and caviar Sheila had ordered from room service. A fight ensues, and Jim and Sheila are put in jail. After Sheila promises her angry, disapproving father, whose wedding picture has appeared in Jim's newspaper, that she will not see Jim for six months, she dons dark sunglasses and becomes Jim's devoted assistant. When Jim accidentally takes a photograph of Hunter gambling in an illegal casino and lands himself and Sheila in jail again, he forces Hunter's hand. To assure their marriage, Sheila insists that Jim give up his photography and take a position at Roger's advertising firm. Jim complies but, on the day of his engagement party, Sheila and Hunter discover that Jim is taking photographs for an advertising campaign. Furious at Jim's apparent betrayal, Sheila breaks the engagement without allowing him to explain that he was forced by Roger to take the photographs in order to keep him from using ...

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With help from Roger Coleman, an advertising executive, newspaper photographer Jim Tyler crashes the wedding of socialite Helen Hunter, whose wealthy father is notoriously camera-shy, and snaps candid shots of the Hunter family. Before he is able to send Emily, his carrier pigeon, to the newspaper with his exposed film, however, Jim is found out by Stiles, the Hunter butler, and a detective. Chased around the house, Jim hides in the bedroom of Helen's impetuous sister Sheila, who is amused by his predicament and escapes with him through her window. She then joins him for dinner at Roger's lavish New York apartment. There, Jim and Sheila are confronted by the apartment manager, who demands that they pay for the champagne and caviar Sheila had ordered from room service. A fight ensues, and Jim and Sheila are put in jail. After Sheila promises her angry, disapproving father, whose wedding picture has appeared in Jim's newspaper, that she will not see Jim for six months, she dons dark sunglasses and becomes Jim's devoted assistant. When Jim accidentally takes a photograph of Hunter gambling in an illegal casino and lands himself and Sheila in jail again, he forces Hunter's hand. To assure their marriage, Sheila insists that Jim give up his photography and take a position at Roger's advertising firm. Jim complies but, on the day of his engagement party, Sheila and Hunter discover that Jim is taking photographs for an advertising campaign. Furious at Jim's apparent betrayal, Sheila breaks the engagement without allowing him to explain that he was forced by Roger to take the photographs in order to keep him from using snapshots of her in an advertisement. Confused and heartbroken, Jim tricks his former editor into re-hiring him and then sneaks into Sheila's bedroom to retrieve his camera. After explaining the situation, Jim is forgiven by Sheila, who also accepts Jim's determination to return to photography. Just before they are to be married, however, Hunter sees another embarrassing photograph of himself in Jim's column and storms the ceremony. Supported by his editor, Jim convinces Hunter that the photograph actually was taken by his young granddaughter Patsy. Blessed by her father, Sheila finally marries Jim.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.