Rich Kids (1979)

PG | 96 mins | Comedy-drama | 1979

Director:

Robert M. Young

Writer:

Judith Ross

Producer:

Michael Hausman

Cinematographer:

Ralf D. Bode

Editor:

Edward Beyer

Production Designer:

David Mitchell

Production Company:

Lion's Gate Films
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HISTORY

       Writer Judith Ross, wife of producer George W. George, had previously written for television series and the theatre. As described in a 27 Aug 1979 HR article, Rich Kids was her first screenplay during a renewal of her writing career that began with the 1978 Broadway production, An Almost Perfect Person (New York, 27 Oct 1977), starring Colleen Dewhurst. Within three months of buying the rights to the script, producer Robert Altman and his company, Lion’s Gate Films, completed financing. The project was the first feature film launched under new leadership at United Artists Corp. A Var brief from 1 Nov 1978 noted that the film marked Altman’s fourth time producing another director’s work.
       According to a 7 Sep 1979 NYT article, Robert M. Young, known primarily as a documentary filmmaker, was offered the directing job on the basis of his debut theatrical feature, Short Eyes (1977, see entry). For that project, he was brought in as a replacement for the first director who withdrew after a few days of shooting. Young had also made an impression with Alambrista!, a film broadcast in 1977 on PBS’s Visions series that won the inaugural Caméra d’or award at the 1978 Cannes Film Festival. In the article, Young stated that he toned down the characters’ affluence as depicted in the original screenplay to avoid making an “escapist” film. However, they are still meant to be well off so that the story’s focus could remain on psychological worries rather than financial ones.
       Trini Alvarado was cast ...

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       Writer Judith Ross, wife of producer George W. George, had previously written for television series and the theatre. As described in a 27 Aug 1979 HR article, Rich Kids was her first screenplay during a renewal of her writing career that began with the 1978 Broadway production, An Almost Perfect Person (New York, 27 Oct 1977), starring Colleen Dewhurst. Within three months of buying the rights to the script, producer Robert Altman and his company, Lion’s Gate Films, completed financing. The project was the first feature film launched under new leadership at United Artists Corp. A Var brief from 1 Nov 1978 noted that the film marked Altman’s fourth time producing another director’s work.
       According to a 7 Sep 1979 NYT article, Robert M. Young, known primarily as a documentary filmmaker, was offered the directing job on the basis of his debut theatrical feature, Short Eyes (1977, see entry). For that project, he was brought in as a replacement for the first director who withdrew after a few days of shooting. Young had also made an impression with Alambrista!, a film broadcast in 1977 on PBS’s Visions series that won the inaugural Caméra d’or award at the 1978 Cannes Film Festival. In the article, Young stated that he toned down the characters’ affluence as depicted in the original screenplay to avoid making an “escapist” film. However, they are still meant to be well off so that the story’s focus could remain on psychological worries rather than financial ones.
       Trini Alvarado was cast as “Franny Philips” after the director saw her in the 1978 Broadway musical, Runaways (New York, 13 May 1978), in which she had a leading role, as mentioned in a 14 Sep 1979 NYT article.
       Shooting began by late Oct 1978 on location in New York City, as noted in briefs from the 6 Oct 1978 DV and the 23 Oct 1978 HR. An item in the 21 Dec 1978 HR announced that principal photography had finished. The 27 Aug 1979 HR listed the production cost as $2.5 million.
       As stated in a DV article from 25 Jun 1979, the film initially received an R (restricted) rating, but the Rating Appeals Board overturned the decision and assigned a PG (Parental Guidance advised) rating after the filmmakers removed a scene showing a flasher and two instances of “sexually derived expletives.”
       In the 27 Aug 1979 HR article, Ross claimed that United Artists showed the same commitment to the promotion of Rich Kids as they did to a more prestigious film, Apocalypse Now (1979, see entry), which was released around the same time.
       A United Artists press release dated 11 Sep 1979 announced that the film had grossed $312,437 after a limited release of twenty-four days in six theatres within the U.S. and Canada.
       Reviews were mostly positive, if not enthusiastic. In his 17 Aug 1979 NYT critique, Vincent Canby likened the film to writer-director Paul Mazursky’s best work. Several critics, such as Charles Champlin in the 17 Aug 1979 LAT and Andrew Sarris in the 20 Aug 1979 Village Voice, compared the film to A Little Romance (1979, see entry), a similar story about affluent adolescents, concluding that Rich Kids was superior. In his 3 Sep 1979 Time review, Frank Rich was among the few detractors, writing that the film’s title did not fit the story, a reflection of the script’s tendency to be more “glib than honest” with the subject of divorce.
      End credits include "Special Appreciation” to: The Calhoun School; The Museum Cafe; Il Vagabondo Restaurant; Flower Drum Restaurant; ASPCA; Merton D. Simpson Gallery; and Paintings by Larry Rivers and John MacWhinnie, Courtesy of Marlborough Gallery, New York. The following written statement also appears in the end credits, "This motion picture was shot on location in New York City with the cooperation of the Mayor's Office and the City of New York."

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
6 Oct 1978
---
Daily Variety
25 Jun 1979
p. 1, 5
Hollywood Reporter
23 Oct 1978
---
Hollywood Reporter
6 Nov 1978
---
Hollywood Reporter
21 Dec 1978
---
Hollywood Reporter
13 Aug 1979
p. 2, 11
Hollywood Reporter
27 Aug 1979
---
Los Angeles Times
17 Aug 1979
p. 1
New York Times
17 Aug 1979
p. 6
New York Times
7 Sep 1979
Section C, p. 6
New York Times
14 Sep 1979
Section C, p. 8
Time
3 Sep 1979
---
Variety
1 Nov 1978
---
Variety
20 Dec 1978
---
Variety
15 Aug 1979
p. 25
Village Voice
20 Aug 1979
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
A Lion's Gate Film
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
PRODUCERS
Pres/Exec prod
Pres/Prod
WRITER
PHOTOGRAPHY
Ralf D. Bode
Dir of photog
Cam op
1st asst cam
2d asst cam
Elec
Best boy
Key grip
2d company grip
Still photog
ART DIRECTORS
Art dir
Asst to art dir
Asst to art dir
FILM EDITORS
Asst film ed
Asst film ed
SET DECORATORS
Prop master
Set dec
Set dec
Set dresser
Set dresser
Scenic artist
Chief carpenter
COSTUMES
Ward supv
MUSIC
Mus score/Songs by
Songs by
Songs by
Mus rec
SOUND
Sd mixer
Sd rec
Sd rec
Boom op
Sd ed
Sd ed
Re-rec mixer
VISUAL EFFECTS
Titles and opticals
Title des
MAKEUP
Makeup
Hairstylist
PRODUCTION MISC
Casting dir
Loc supv
Scr supv
Extras casting
Pub coord
Transportation capt
Prod office coord
Asst prod office coord
Auditor
Asst auditor
Lion's Gate liaison
Post-prod supv
DGA apprentice
Prod asst
Prod asst
Prod asst
Prod asst
SOURCES
MUSIC
"Goodbye Yesterday," composed by John Alper, Alan Bellink and Ted Drachman.
SONGS
"Happy Ida & Broken-Hearted John," lyrics by Judy Henske, music by Craig Doerge; "Fast Asleep," lyrics by Judy Henske, music by Craig Doerge; "Reasons," lyrics by Allan Nicholls, music by Craig Doerge; "Hot Love in a Minute," lyrics by Allan Nicholls, music by Craig Doerge; "You Changed All of That," lyrics by Allan Nicholls, music by Craig Doerge; "I Don't Wanna Dance," lyrics by Allan Nicholls, music by Craig Doerge; "You Knock Me Out," lyrics by Allan Nicholls, music by Craig Doerge; Leah Kunkel courtesy of CBS Records on "Fast Asleep"; Craig Doerge courtesy of Capitol Records; Original Music © Copyright 1979 Mr. Nickels' Music.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
1979
Premiere Information:
Los Angeles and New York openings: 17 Aug 1979
Production Date:
late Oct--late Dec 1978 in New York City
Copyright Info
Claimant
Date
Copyright Number
United Artists Corporation
22 October 1979
PA53959
Physical Properties:
Sound
Color
Color by DuArt Film Laboratory Inc.
Lenses/Prints
Lenses and cameras by Panavision®/Prints by Technicolor®
Duration(in mins):
96
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
25697
SYNOPSIS

Early one morning, twelve-year-old Franny Philips reads the book, The Joy of Sex, while sitting at the front window of her home, a townhouse on Manhattan’s West Side in New York City. When she looks out and sees her father, Paul Philips, arriving, she logs the time, 6:05am, in a notebook, which she has done every morning for the last three weeks. Before going back to bed, Franny hides The Joy of Sex on the shelf. She pretends to be asleep as her father tiptoes by her bedroom door. He puts on his pajamas and makes room in the bed next to his wife, Madeleine. After the alarm rings, he wakes Franny. Alone with Madeleine, Paul tells her that he will maintain this crazy routine until he is ready to inform Franny about their upcoming divorce, since he is concerned about how it will affect her. Before leaving for school, Franny gets permission from her mother, who is barely awake, to attend a sleepover on Friday night. During the day, Franny confides in her new friend, Jamie Harris, a preteen boy who has recently transferred to the same school. Being a child of divorced parents, Jamie advises Franny about her father’s unusual behavior, cautioning her not to confront her parents since they are making a big effort to keep their separation a secret. When her mother comes home from work, Franny reminds her about the sleepover at Jamie’s house the next night. Madeleine is taken aback, unaware that the sleepover would be at ...

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Early one morning, twelve-year-old Franny Philips reads the book, The Joy of Sex, while sitting at the front window of her home, a townhouse on Manhattan’s West Side in New York City. When she looks out and sees her father, Paul Philips, arriving, she logs the time, 6:05am, in a notebook, which she has done every morning for the last three weeks. Before going back to bed, Franny hides The Joy of Sex on the shelf. She pretends to be asleep as her father tiptoes by her bedroom door. He puts on his pajamas and makes room in the bed next to his wife, Madeleine. After the alarm rings, he wakes Franny. Alone with Madeleine, Paul tells her that he will maintain this crazy routine until he is ready to inform Franny about their upcoming divorce, since he is concerned about how it will affect her. Before leaving for school, Franny gets permission from her mother, who is barely awake, to attend a sleepover on Friday night. During the day, Franny confides in her new friend, Jamie Harris, a preteen boy who has recently transferred to the same school. Being a child of divorced parents, Jamie advises Franny about her father’s unusual behavior, cautioning her not to confront her parents since they are making a big effort to keep their separation a secret. When her mother comes home from work, Franny reminds her about the sleepover at Jamie’s house the next night. Madeleine is taken aback, unaware that the sleepover would be at a boy’s place. She telephones Jamie’s mother, Barbara, who is now married to Simon Peterfreund. Oblivious of the plan, Barbara declares in an unfriendly tone that Jamie will be with his father, Ralph Harris, that weekend per the divorce agreement and abruptly hangs up. Madeleine tries Ralph at his production company, but his secretary, Fiona, informs her that Ralph is shooting on location, but will be back in time for his scheduled weekend with Jamie. On Friday night, Paul anxiously watches as Jamie and Ralph arrive in a Maserati sports car to pick up Franny for the sleepover. Although Paul is nervous about the arrangement, he lets Franny go. Ralph takes the kids and his date, a stewardess, to an Italian restaurant. After dinner, Jamie shows Franny how to play bocce while Ralph cuddles with the stewardess. Franny asks if Jamie is bothered by his father’s flings, but Jamie says that he has become accustomed to it and evaluates the women with letter grades, giving this one a C-. When the group returns to Ralph’s Manhattan apartment, the stewardess becomes possessive and convinces Ralph to drive her home, leaving the kids alone. Jamie changes her grade to a D. Giving a tour of his father’s exotic bachelor pad, Jamie instructs Franny to take off her shoes. She is immediately enchanted by the apartment, which includes a tropical sanctuary with a parrot and piranhas as well as a bedroom furnished with a waterbed, wall-to-wall mirrors and a jukebox. While watching a late movie on television, Franny and Jamie wrestle. Their horseplay leads to a brief kiss, which Franny finds unpleasant because of Jamie’s braces. To prepare herself for her parents’ divorce, Franny asks Jamie about his experience. He relates that his mother and father finally told him what he already knew by taking him to his favorite restaurant, McDonald’s, offering to buy him a dog and declaring their love. Because the place will always remind her about the split, Jamie encourages Franny to choose a restaurant she hates. Franny decides she will pick Chinese. At a meeting to discuss the details of their divorce, Madeleine and Paul compromise until the issue of custody is raised. Madeleine and her attorney, Steve Sloan, reiterate to Paul that Franny needs to be informed about the divorce before any arrangement can be made. Bea, Paul’s attorney, advises the parents to take their daughter some place she likes. At a Chinese restaurant, Paul is surprised by Franny’s dining selection since she has always hated Chinese food. As Franny sits quietly, her parents compete for her attention. Calmly, Franny interrupts to announce that she knows they are getting a divorce, so they can stop pretending. That evening, Madeleine tries to explain to Franny how the marriage changed. The next morning, Paul assures Franny that everything will be fine when she comes to live with him and says he loves her. Upset, Franny runs down the sidewalk and does not stop until Jamie chases her down. Later, she and Jamie return to Ralph’s bachelor pad, which Franny wishes she could stay at forever. Jamie suggests spending the weekend while his father is gone. Instead of telling her mother the real plan, Franny fibs and asks if she can visit Jamie and the Peterfreunds at their country house. In her plea, Franny reminds her mother that she does not need to seek the permission of her father anymore. That weekend, Franny telephones her mother from Ralph’s bachelor pad to report that she is doing fine at the Peterfreunds’ country house in Westport, Connecticut, and embellishes the lie by saying that Jamie’s mom is cooking dinner. When Madeleine asks for a phone number, Franny gives her 687-4321, the actual number to Ralph’s apartment. Madeleine adds the area code 203 for Westport. During the weekend, Jamie shows Franny home movies of his grandfather, which include footage of his smiling parents before their divorce. The kids pretend to be adults by having breakfast in bed and opening a bottle of champagne. Meanwhile, Paul moves his things out of the house. While contemplating the empty spaces left behind, Madeleine finds The Joy of Sex hidden on the bookshelf and later wonders whether Franny’s interest in the book relates to her new friendship with Jamie. Unable to locate Franny at the fake Westport number, Madeleine wakes up the Peterfreunds at their Manhattan residence. They inform her that Jamie is scheduled to be in East Hampton, New York, this weekend, stating further that they do not own a house in Westport. After no one answers at 687-4321, Paul and Madeleine rush to Ralph’s building and meet the Peterfreunds who have arranged for Fiona to unlock the door. When the frantic parents invade the apartment, they find Jamie and Franny taking a bubble bath together. Mayhem occurs as they try to get their kids out the tub and dressed. Unaware of the kids’ scheme, Ralph arrives home. As the adults continue to argue and blame each other, Jamie and Franny sneak out the building. After walking Franny to her house, Jamie mentions that it was the best sleepover he ever had. At the end of the evening, Paul and Madeleine are relieved to find Franny at home in bed. The next morning, Franny realizes that her father spent a full night at the house and questions both parents about the possibility of reuniting. Madeleine does not make any promises, explaining that two people should stay together because it is what they want, not what everyone else wants. Later at school, Franny reassures Jamie that she is doing fine, and he gives her an A grade, as they proceed to the park with their classmates.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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