The Toolbox Murders (1978)

R | 93 mins | Horror | 1 November 1978

Director:

Dennis Donnelly

Producer:

Tony DiDio

Cinematographer:

Gary Graver

Production Designer:

D. J. Bruno

Production Company:

The Tony DiDio Corporation
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HISTORY

       Actor Nicholas Beauvy has his first name spelled as "Nicholas" in the opening credits and as "Nicolas" in the end credits.
       As reported in a 25 Jul 1978 HR news item, The Toolbox Murders grossed $512,000 in ninety theaters in Chicago, IL, Philadelphia, PA, St. Louis, MO, Milwaukee, WI, Detroit, MI, Minneapolis-St. Paul, MN and Denver, CO. The film was scheduled for release in seventy-five theatres in the Los Angeles, CA area on 1 Nov 1978 as stated in a 16 Oct 1978 HR brief.
       According to a 4 Oct 1979 DV brief, The Toolbox Murders was selected to compete in the 12th International Festival de Cine Fantástico y de Terror from 6 –- 14 Oct 1979, in Sitges, Spain.

      The end credits include the following written statement: “The events dramatized in the film actually took place in 1967. Laurie Ballard spent from 1967 until 1970 in a mental institution. In April 1974 ‘Joanne Ballard’ was killed in a single car accident. In 1975 ‘Laurie Ballard’ married. She and her husband now have one child and live in California in the San Fernando Valley approximately four miles from where her brother and ‘Vance’ and ‘Kent Kingsley’ died.”
...

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       Actor Nicholas Beauvy has his first name spelled as "Nicholas" in the opening credits and as "Nicolas" in the end credits.
       As reported in a 25 Jul 1978 HR news item, The Toolbox Murders grossed $512,000 in ninety theaters in Chicago, IL, Philadelphia, PA, St. Louis, MO, Milwaukee, WI, Detroit, MI, Minneapolis-St. Paul, MN and Denver, CO. The film was scheduled for release in seventy-five theatres in the Los Angeles, CA area on 1 Nov 1978 as stated in a 16 Oct 1978 HR brief.
       According to a 4 Oct 1979 DV brief, The Toolbox Murders was selected to compete in the 12th International Festival de Cine Fantástico y de Terror from 6 –- 14 Oct 1979, in Sitges, Spain.

      The end credits include the following written statement: “The events dramatized in the film actually took place in 1967. Laurie Ballard spent from 1967 until 1970 in a mental institution. In April 1974 ‘Joanne Ballard’ was killed in a single car accident. In 1975 ‘Laurie Ballard’ married. She and her husband now have one child and live in California in the San Fernando Valley approximately four miles from where her brother and ‘Vance’ and ‘Kent Kingsley’ died.”

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
6 Nov 1978
---
Daily Variety
4 Oct 1979
---
Hollywood Reporter
25 Jul 1978
---
Hollywood Reporter
16 Oct 1978
---
Hollywood Reporter
23 Jul 1979
---
Hollywood Reporter
8 Oct 1979
---
Los Angeles Times
4 Nov 1978
p. 10
Variety
8 Nov 1978
p. 28
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr/Asst dir
2d asst dir
PRODUCERS
Prod
Assoc prod
Assoc prod
PHOTOGRAPHY
Dir of photog
Key grip
Asst cam
Still photog
Elec
2d asst cam
ART DIRECTOR
Prod des
FILM EDITORS
Film ed
Asst ed
Film ed
SET DECORATORS
Set dec
Leadman
COSTUMES
Ward supv
MUSIC
Mus comp and cond
String arr
Keyboard arr
Mus eng & mix
Mus rec at
SOUND
Sd mixer
Sd ed
Boom man
Sd transfers by
MAKEUP
Makeup artist
PRODUCTION MISC
Scr supv
Prod secy
Driver
Prod asst
Prod asst
Prod asst
Bookkeeper
COLOR PERSONNEL
SOURCES
SONGS
"Pretty Lady," music and lyrics by George Robert Deaton, sung by George Deaton & Terry Stubbs; "I've Got Everything It Takes To Be A Fool," music and lyrics by George Robert Deaton, sung by George Deaton; "Carolina In The Morning," music and lyrics by George Robert Deaton, David Eunice Fulford, Jr. and Gene Simmons, sung by George Deaton.
DETAILS
Release Date:
1 November 1978
Premiere Information:
Los Angeles opening: 1 Nov 1978
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Cal-Am Productions
27 March 1979
PA35037
Physical Properties:
Sound
Color
Duration(in mins):
93
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

A faceless man drives around Los Angeles, California, listening to a fiery sermon about sinners going to hell. “If it’s against the word of God, cut it out,” demands the preacher. The driver pauses at a corner, remembering the death of a teenage girl in a car accident, then stops at an apartment complex, where he lets himself into the apartment of Mrs. Andrews, a middle-aged alcoholic. When Mrs. Andrews asks why it has taken him so long to reply to her maintenance request, the faceless man pulls out a drill and kills her. He puts on a ski mask before leaving in search of another victim in the same building. Debbie, a young woman, steps outside her door and is knocked unconscious. The man drags her to a stairwell, where he bashes her head with a hammer, then carries her dead body back to her apartment. When Debbie’s friend, Maria, arrives and rushes over to the corpse, the man locks the door and kills Maria with a screwdriver. Later, an African-American couple finds the bodies and police detective Mark Jamison questions the couple about Mrs. Andrews. At the second crime scene, Sgt. Cameron questions a neighbor, who reports that Debbie moved in six months prior and that Maria came over often. Detective Jamison arrives and takes note of pornographic magazines with pictures of nude women spread out on a coffee table. He asks the owner of the building, Vance Kingsley, for a list of current and past tenants, but Kingsley insists he personally screened all applicants and cannot believe one of them could be the killer. ...

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A faceless man drives around Los Angeles, California, listening to a fiery sermon about sinners going to hell. “If it’s against the word of God, cut it out,” demands the preacher. The driver pauses at a corner, remembering the death of a teenage girl in a car accident, then stops at an apartment complex, where he lets himself into the apartment of Mrs. Andrews, a middle-aged alcoholic. When Mrs. Andrews asks why it has taken him so long to reply to her maintenance request, the faceless man pulls out a drill and kills her. He puts on a ski mask before leaving in search of another victim in the same building. Debbie, a young woman, steps outside her door and is knocked unconscious. The man drags her to a stairwell, where he bashes her head with a hammer, then carries her dead body back to her apartment. When Debbie’s friend, Maria, arrives and rushes over to the corpse, the man locks the door and kills Maria with a screwdriver. Later, an African-American couple finds the bodies and police detective Mark Jamison questions the couple about Mrs. Andrews. At the second crime scene, Sgt. Cameron questions a neighbor, who reports that Debbie moved in six months prior and that Maria came over often. Detective Jamison arrives and takes note of pornographic magazines with pictures of nude women spread out on a coffee table. He asks the owner of the building, Vance Kingsley, for a list of current and past tenants, but Kingsley insists he personally screened all applicants and cannot believe one of them could be the killer. The next morning, teenager Laurie Ballard gets ready for school as her mother, Joanne, sleeps in. Her older brother, Joey, complains he overslept and Laurie chides him for staying out all night. The next evening, a vain young woman named Dee Ann DeVore masturbates in a bubble bath as the faceless man secretly watches. When Dee Ann sees him, she runs for her life, but he shoots her multiple times with a nail gun, killing her. Back in the Ballard apartment, Laurie talks on the phone with her boyfriend. The killer breaks in, knocks Laurie unconscious, and kidnaps her. Later, Joey and Joanne come home wondering where Laurie is when they hear a neighbor’s scream. Running outside, along with other neighbors, they learn Dee Ann was murdered. Panicked, Joanne asks if anyone has seen Laurie. The next day, Detective Jamison asks Joey to account for his whereabouts the nights of the murders. Jamison says there is no evidence that Laurie was forcefully taken and suggests Laurie might have run away. Joey disagrees, insisting the murders and the kidnapping are connected. Frustrated, Joey declares he will investigate on his own. The next day, Joey visits one of the victim’s apartments and finds Kent Miller, the nephew of the building owner, Vance Kingsley. Kent, who was hired to clean the apartments, mentions that his cousin, Kathy Kingsley, died in a car accident a few years ago. Joey recalls she was a sophomore in high school just like Laurie, and asks for Kent’s help investigating his sister's kidnapping. Searching Dee Ann’s apartment, Kent deduces that a nail gun killed her when he finds several bloody nails in the wall. As Kent and Joey drive to Kingsley’s house to pick up painting material, Kingsley becomes angered by the commotion. He gives Kent cash and tells the boys to leave immediately, then watches from his kitchen window as he prepares a lunch tray. Kingsley brings the tray to the room of his dead daughter, Kathy, where Laurie is bound and gagged. He talks about losing his daughter and thinks God took her because she was pure. Kingsley believes the world is full of evil people, but if he kills them, good will prevail. He confesses to murdering the four women because they were sinners, then tells Laurie how much she reminds him of Kathy. With her gag removed, Laurie tries to convince Kingsley she is Kathy so he will let her go, but he puts the restraint back in her mouth. Later that evening, Kent returns and looks through the window to Laurie trying to chew through her restraints, but he runs away when Kingsley enters the room. The next day, Joey visits Kent as he paints Mrs. Andrews’ apartment. Detective Jamison arrives and mentions there was no forced entry in any of the murders, wondering how the killer conned his way inside. When Joey suggests that the killer might have an inside connection to the building, Kent looks worried, but Jamison does not take Joey’s theory seriously. On a hunch, Joey returns to Kingsley’s house and sneaks into the garage. There, he finds a toolbox and notices dried blood. When Kent arrives, Joey says he suspects Kingsley, but Kent insists Joey is wrong, grabs a buck of paint thinner, and throws it on Joey. Kent, declaring he must protect his family, throws lit matches on Joey and burns him alive. Meanwhile, inside the house, Kingsley and Laurie hear screams, but Kingsley says its just children playing outside. Calling Laurie “Kathy,” Kingsley promises to always protect her. As Kent confronts Kingsley about the kidnapping and murders, Kingsley tells Laurie that his nephew always protected Kathy from bad boys. When Kent confesses that he and Kathy were secret lovers, Kingsley is enraged. He and Kent fight and stumble into the kitchen, where Kent stabs Kingsley to death. Kent returns to Kathy’s room and unties Laurie, who thanks him for saving her. However, Kent rapes Laurie instead of calling the police, then tells Laurie that Joey died. Realizing that Kent killed her brother, Laurie reaches for a pair of scissors. Hours later, Laurie wanders the streets of Los Angeles in shock.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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