Crimes of Passion (1984)

R | 101 mins | Drama | 19 October 1984

Director:

Ken Russell

Writer:

Barry Sandler

Producer:

Barry Sandler

Cinematographer:

Dick Bush

Editor:

Brian Tagg

Production Designer:

Steve Marsh
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HISTORY

A 28 Mar 1984 DV article announced that Kathleen Turner and Anthony Perkins would star in the $6-million Crimes of Passion, to be directed by Ken Russell and produced by New World Pictures. Principal photography was scheduled to begin on 30 Apr 1984. New World would handle the domestic release, while Orion Pictures Company had acquired foreign rights. According to the 11 Jun 1984 DV, the production was based at the soundstages of Hollywood General Studios in Hollywood, CA.
       On 7 Sep 1984, the ratings board of the Motion Picture Association of American (MPAA) gave Crimes of Passion an “X” for sexual content, as noted in a 17 Oct 1984 Var article. Ken Russell re-edited the film, but continued to receive the X-rating after the second and third submissions. Worried about the financial consequences of the “X” stigma, New World was uninterested in releasing a picture that would be associated with pornography, as reported in the 21 Sep 1984 LAT and the 24 Sep 1984 DV. Robert Rehme, New World’s chief executive officer, accused the MPAA and its rating board of applying a tougher standard to independent films, compared to the major studios. Although Russell did not want his film opening at pornography venues, he was also resistant to making further cuts, concerned that the “result would be a ‘totally meaningless’ pic with ‘no shape and no form to it.’” The ratings board and its president Richard Heffner indicated that the problem was not a matter of one or two scenes, but rather “‘innate with the material,’ and ...

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A 28 Mar 1984 DV article announced that Kathleen Turner and Anthony Perkins would star in the $6-million Crimes of Passion, to be directed by Ken Russell and produced by New World Pictures. Principal photography was scheduled to begin on 30 Apr 1984. New World would handle the domestic release, while Orion Pictures Company had acquired foreign rights. According to the 11 Jun 1984 DV, the production was based at the soundstages of Hollywood General Studios in Hollywood, CA.
       On 7 Sep 1984, the ratings board of the Motion Picture Association of American (MPAA) gave Crimes of Passion an “X” for sexual content, as noted in a 17 Oct 1984 Var article. Ken Russell re-edited the film, but continued to receive the X-rating after the second and third submissions. Worried about the financial consequences of the “X” stigma, New World was uninterested in releasing a picture that would be associated with pornography, as reported in the 21 Sep 1984 LAT and the 24 Sep 1984 DV. Robert Rehme, New World’s chief executive officer, accused the MPAA and its rating board of applying a tougher standard to independent films, compared to the major studios. Although Russell did not want his film opening at pornography venues, he was also resistant to making further cuts, concerned that the “result would be a ‘totally meaningless’ pic with ‘no shape and no form to it.’” The ratings board and its president Richard Heffner indicated that the problem was not a matter of one or two scenes, but rather “‘innate with the material,’ and ‘no amount of cutting will change it.’” Meanwhile, the original release date of 12 Oct 1984 was postponed to 19 Oct 1984, as reported in a 26 Sep 1984 LAT news item.
       On 28 Sep 1984, DV announced that Crimes of Passion finally received an R-rating on its fourth attempt, after additional edits. However, producer and writer Barry Sandler indicated in the 17 Oct 1984 Var that the picture was not granted the “R” until the fifth submission to the board. New World revealed that Russell’s uncensored cut would be available for foreign distribution.
       In a comparison of the different versions, Var mentioned that Russell’s initial cut of 104 minutes screened on 15 Sep 1984 at a San Francisco, CA, sneak preview, and was reviewed in the 19 Sep 1984 Var. The final shot showed the face of “Joanna Crane/China Blue” after she killed “Peter Shayne.” Following the preview, the filmmakers made several alterations, including adding an epilogue scene of “Bobby Grady” returning to the group therapy session, which provided more closure about the surviving characters, and re-inserting the scene of China Blue comforting a dying man at his home. A second preview screening took place on 29 Sep 1984 at a Los Angeles, CA, theater. According to the 17 Oct 1984 Var, this version, which still contained X-rated material, represented Russell’s “definitive cut” and the one which would be distributed overseas. The domestic version was subject to additional changes to achieve the R-rating and was eventually reduced to 101 minutes for the theatrical release. Barry Sandler indicated that not all the changes were motivated by the ratings board, but also by audience feedback during the two preview screenings. In the R-rated version, an explicit sex scene of China Blue dominating a police officer in bed was removed, and several scenes were significantly trimmed or recut, including the first sexual encounter between China Blue and Bobby Grady. Var called the R-rated cut, “less intense” and the result often weakened the dramatic impact, particularly in conveying China Blue’s emotions during her initial lovemaking with Bobby. However, Var acknowledged that deleting the brutal scene with the police officer allowed her character to appear “more human.” Barry Sandler stated that he was satisfied with the final result and even “surprised” by how much of the original sexual theme and language was retained. He commented that the MPAA “never said anything about violence, only sex. They got tired of seeing it and tired of the pressure, and they finally gave it (the R) to us.”
       As reported in the Jan 1985 Box review, the controversy did not stimulate box-office returns, which earned $1.1 million during opening weekend at 325 theaters and dropped to $416,000 the second weekend on 185 screens.
       A 2 Sep 1986 LAT article revealed that Ken Russell sued New World in federal court claiming the company “failed to pay him on schedule” a negotiated salary of $578,514, plus twenty percent of any profits. The outcome of the lawsuit was not available in the immediate research materials.
       According to a 12 Aug 1989 LAT item, the American Cinematheque in Los Angeles screened the uncut version for the first time in the U.S. on 12--13 Aug 1989, as part of a series on “erotic imagery” in cinema.
       End credits include the following information: “Edward Millais, Ophelia, courtesy of the Tate Gallery, London; Rene Magritte, The Rape, © by A.D.A.G.P., Paris, 1984; Rene Magritte, Les Amants, © by A.D.A.G.P., Paris, 1984.”
       End credits also state: “Filmed at Hollywood Center Studios, Hollywood, California”; and, “The producers wish to give their special thanks to: Michael Allen, David Colden, Michael Cowan, Linda Lichter, David Marlow, Joe Peckerman, Peter Rawley, Roger Sherman, Jane Sindell, Alta Marea, The Vista Group, Jim Dizen/Three Star Travel, Studio Services and Vivian Jolly.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
Jan 1985
Section R, p. 18
Daily Variety
28 Mar 1984
---
Daily Variety
11 Jun 1984
---
Daily Variety
24 Sep 1984
p. 15
Daily Variety
28 Sep 1984
---
Hollywood Reporter
17 Oct 1984
p. 3, 10, 12
Los Angeles Times
21 Sep 1984
Section G, p. 1, 14
Los Angeles Times
26 Sep 1984
Section J, p. 1, 6
Los Angeles Times
19 Oct 1984
Calendar, p. 6
Los Angeles Times
2 Sep 1986
Section H, 2
Los Angeles Times
12 Aug 1989
p. 66
New York Times
19 Oct 1984
p. 19
Variety
19 Sep 1984
p. 23
Variety
17 Oct 1984
p. 7, 18
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
A Ken Russell Film
A Donald P. Borchers Production
NAME
CREDITED AS
CREDIT
DIRECTORS
Bob Manning
Prod mgr
1st asst dir
2d asst dir
PRODUCERS
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
Rigging gaffer
Key grip/Dolly grip
Best boy grip
Grip
Francois Duhamel
Still photog
Rostrum cam
Cam systems by
ART DIRECTORS
Art dir
Art dept asst
Art dept asst
FILM EDITORS
Film ed
Asst ed
Apprentice ed
Apprentice ed
Negative cutter
SET DECORATORS
Prop master
Prop asst
Set dec
Set dec
Set dresser
Set dresser
Addl set const
Scenic painter
Stand-by painter
COSTUMES
Key ward
Ward asst
MUSIC
Mus score comp and performed by
SOUND
Sd mixer
Boom op
Supv sd ed
Asst sd ed
Asst sd ed
Re-rec mixer
Re-rec mixer
VISUAL EFFECTS
Spec eff
Spec eff, Reel EFX, Inc. by
Titles by
Titles by
MAKEUP
Makeup artist
Asst makeup
Hair des by
Anne Aulenta-Spira
Hairstylist
Asst hairstylist
PRODUCTION MISC
Casting
Prod auditor
Prod coord
Designated prod asst
Scr supv
Casting assoc
Asst prod auditor
Payroll accountant
Asst to Mr. Russell
Asst to Mr. Borchers
Asst to Mr. Thompson
Prod secy
Prod asst
Prod asst
Prod asst
Post prod runner
Unit pub
Loc asst
Officer in charge of prod
Transportation coord
Transportation capt
Driver
Driver
Driver
Driver
Driver
Driver
Honeywagon driver
Caterer
Caterer
Caterer
Craft service
Studio teacher
Studio teacher
Studio teacher
Extra casting by
Completion guarantee provided by
The Completion Bond Company representative
Insurance provided by
Insurance provided by, Albert G. Ruben & Company,
Computerized prod accounting by
Prod equip services by
COLOR PERSONNEL
Col by
SOURCES
SONGS
"Get Happy," written by Ted Koehler and Harold Arlen, performed by Anthony Perkins; "It's A Lovely Life," music by Rick Wakeman, lyrics by Norman Gimble, performed by Maggie Bell.
SONGWRITERS/COMPOSERS
+
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
19 October 1984
Premiere Information:
Los Angeles and New York openings: 19 Oct 1984
Production Date:
began late Apr 1984
Copyright Info
Claimant
Date
Copyright Number
New World Pictures
1 November 1984
PA228300
Physical Properties:
Sound
Color
Duration(in mins):
101
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

Electronics repairman, Bobby Grady, attends a group therapy session, as a guest of his friend Donny Hopper. Confounded by the “hang-ups” of the other attendees, Bobby boasts he has been happily married for eleven years to his high school sweetheart and they have two young children. However, someone in the group provokes Bobby, suggesting he is a bad lover, and he admits frustration about his infrequent sex life with his wife, Amy. That night, Bobby returns home late from work and fends off Amy’s complaints about money. To earn extra income, he arranges to do nighttime surveillance for Lou Bateman, the owner of a sportswear company. Bateman suspects that Joanna Crane, one of his most talented fashion designers, is stealing patterns and selling them to the competition. Although Bateman lacks evidence, he tells Bobby that he simply does not trust an ambitious, hard-working, and mysterious woman like Joanna. While following Joanna after work, Bobby discovers she changes into a wig and sexy dress to moonlight as a prostitute named “China Blue,” at the Paradise Hotel. On the sidewalk, Bobby videotapes her interaction with Peter Shayne, a deranged street preacher, who is one of China Blue’s regular clients. Besides visiting prostitutes, Shayne spends time in the red-light district attending peepshows, sniffing an inhalant, and giving frenzied sermons from his soapbox. He does not want sex, but pays China Blue her hourly rate to talk, expressing a need to “save” her. However, Shayne also appears obsessed by her brazen sexuality, and claims he and China Blue share the same identity. The prostitute is intrigued to learn that ...

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Electronics repairman, Bobby Grady, attends a group therapy session, as a guest of his friend Donny Hopper. Confounded by the “hang-ups” of the other attendees, Bobby boasts he has been happily married for eleven years to his high school sweetheart and they have two young children. However, someone in the group provokes Bobby, suggesting he is a bad lover, and he admits frustration about his infrequent sex life with his wife, Amy. That night, Bobby returns home late from work and fends off Amy’s complaints about money. To earn extra income, he arranges to do nighttime surveillance for Lou Bateman, the owner of a sportswear company. Bateman suspects that Joanna Crane, one of his most talented fashion designers, is stealing patterns and selling them to the competition. Although Bateman lacks evidence, he tells Bobby that he simply does not trust an ambitious, hard-working, and mysterious woman like Joanna. While following Joanna after work, Bobby discovers she changes into a wig and sexy dress to moonlight as a prostitute named “China Blue,” at the Paradise Hotel. On the sidewalk, Bobby videotapes her interaction with Peter Shayne, a deranged street preacher, who is one of China Blue’s regular clients. Besides visiting prostitutes, Shayne spends time in the red-light district attending peepshows, sniffing an inhalant, and giving frenzied sermons from his soapbox. He does not want sex, but pays China Blue her hourly rate to talk, expressing a need to “save” her. However, Shayne also appears obsessed by her brazen sexuality, and claims he and China Blue share the same identity. The prostitute is intrigued to learn that the preacher carries a collection of sex toys in his bag, along with his Bible. From the hotel fire escape, Bobby eavesdrops on their conversation and snoops around when they leave, but finds no evidence of disloyalty to the sportswear company. After another Bateman employee confesses to selling the patterns, Bobby ends his surveillance of Joanna Crane and pays a professional visit to her alter ego, China Blue. As Bobby and China Blue have sex, Shayne watches from a peephole in the wall. Afterward, Bobby admits that the experience was very special and intimate for him, but China Blue is reluctant to acknowledge the same and pretends Bobby is just another client. After Bobby leaves, Shayne stops by and offers China Blue another $50 to spend time with her. Irritated by the crazed preacher, she dresses in a nun’s costume and taunts his self-righteousness. At the hotel entrance, Bobby notices Shayne bullying China and tries to intervene, but Shayne knocks him to the ground. China appreciates Bobby’s attempt to rescue her, while continuing to hide her affection for him. Later, Shayne attends a peep show and pretends to kill the stripper, using a blow-up doll. During a barbecue at the Grady residence, Amy is annoyed when Bobby performs his magic act entitled “HP” or the “human penis.” The couple argues in bed that night, as Bobby confronts his wife about their troubled sex life. Amy is uncomfortable admitting that sex is not a priority to her and suggests they separate for a while. After moving out of the house, Bobby surprises Joanna at her apartment. Initially, Joanna is angry that a client followed her home and discovered her real identity, but by the time Bobby leaves, she appears receptive to his offer of friendship. Meanwhile, Joanna becomes aware that Peter Shayne is stalking her and knows about her life outside China Blue. During a confrontation at her office, Shayne reminds Joanna that they share the “same rage.” Late one night, Bobby knocks on Joanna’s door, hoping to talk. He complains about his marriage, but he also wants to discuss the special connection he feels with Joanna. However, she is afraid of disappointing him, admitting she is more comfortable with men as a prostitute. Joanna’s fears subside when Bobby kisses her, and the two make love. Sitting in the bushes outside, Shayne fondles his sex toy and mutters to himself about Joanna/China Blue’s redemption. As Bobby continues to date Joanna, Amy arrives at the electronics store, hoping to reconcile with her husband. She confesses to being lonely and reminds Bobby that he has a responsibility to his wife and children. When he appears indifferent, she surmises he is seeing someone else. Later, Bobby and Joanna argue when he leaves her apartment to have dinner with his family. Although Bobby reassures Joanna that he cannot return to his previous life, she resents his commitment to his wife and children, and doubts her ability to be in a relationship. After Bobby leaves, Shayne breaks in and knocks Joanna to the floor. He wants her to play a game called “exorcising the demons,” to purge their shared “malignancy.” After binding her hands to a drafting table, Shayne implies that he is going to kill Joanna and wields a large vibrator he calls, “superman.” However, he begs Joanna to kill him. Meanwhile, Bobby arrives and hears the commotion inside the apartment. He breaks open the door, unaware that Shayne has disguised himself in China Blue’s clothing, and is preparing to attack Bobby with a pair of scissors. Suddenly Joanna emerges from the shadows and fatally stabs Shayne with the superman vibrator. Sometime later, Bobby returns to the same group therapy meeting and announces that he and Amy have permanently separated. He says he is happy in his new relationship with Joanna, who saved his life and helped him confront his fears.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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