Mrs. Soffel (1984)

PG-13 | 117 mins | Drama | 26 December 1984

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HISTORY

According to production notes in AMPAS library files, production designer Luciana Arrighi also served as the film’s costume designer, for which she did not receive an onscreen credit.
       A 21 Dec 1984 NYT item reported that screenwriter Ron Nyswaner, as a Pennsylvania native, was long familiar with the true story of Kate Soffel and the Biddle brothers. He started working on the initial script draft in the fall of 1982. In a Sep 1984 Esquire magazine article, Marc Selvaggio wrote about working on his own version, a screenplay titled The Ballad of Mrs. Soffel and the Biddle Boys. He also mentioned two other works-in-progress: Sportscaster Lee Arthur and cameraman Fred Hutchison tried collaborating on a script after hearing about the tale while covering a 1973 prison boxing match in Pittsburgh, PA, and Roger McGovern, son of detective Buck McGovern who captured the fugitives, was preparing a treatment titled The Warden’s Wife. Selvaggio noted that Ron Nyswaner introduced the story to actress Diane Keaton, giving his screenplay a distinct advantage.
       As reported in a 20 May 1984 LAT article, producer Edgar J. Scherick had been aware of the story for several years but never pursued the project, until his employee, producer Scott Rudin, notified him that Nyswaner was working on a screenplay. With the lead actress and script in place, Scherick contacted Australian director Gillian Armstrong, whose first feature film, the acclaimed My Brilliant Career (1979), had impressed Keaton. Mrs. Soffel represented Armstrong’s American feature debut and her first major studio production.
       According to a 14 Feb 1984 ...

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According to production notes in AMPAS library files, production designer Luciana Arrighi also served as the film’s costume designer, for which she did not receive an onscreen credit.
       A 21 Dec 1984 NYT item reported that screenwriter Ron Nyswaner, as a Pennsylvania native, was long familiar with the true story of Kate Soffel and the Biddle brothers. He started working on the initial script draft in the fall of 1982. In a Sep 1984 Esquire magazine article, Marc Selvaggio wrote about working on his own version, a screenplay titled The Ballad of Mrs. Soffel and the Biddle Boys. He also mentioned two other works-in-progress: Sportscaster Lee Arthur and cameraman Fred Hutchison tried collaborating on a script after hearing about the tale while covering a 1973 prison boxing match in Pittsburgh, PA, and Roger McGovern, son of detective Buck McGovern who captured the fugitives, was preparing a treatment titled The Warden’s Wife. Selvaggio noted that Ron Nyswaner introduced the story to actress Diane Keaton, giving his screenplay a distinct advantage.
       As reported in a 20 May 1984 LAT article, producer Edgar J. Scherick had been aware of the story for several years but never pursued the project, until his employee, producer Scott Rudin, notified him that Nyswaner was working on a screenplay. With the lead actress and script in place, Scherick contacted Australian director Gillian Armstrong, whose first feature film, the acclaimed My Brilliant Career (1979), had impressed Keaton. Mrs. Soffel represented Armstrong’s American feature debut and her first major studio production.
       According to a 14 Feb 1984 HR production chart and an 18 Feb 1984 Screen International item, principal photography began 13 Feb 1984 in Ontario, Canada. Var articles from 16 May 1984 and 13 Jun 1984 noted that the production filmed for fourteen weeks in Canada before relocating to Pittsburgh for eight days. Shooting completed on 24 May 1984.
       As described in production notes, the interior prison set and a few exteriors were constructed on the soundstages of Toronto International Studios in Kleinberg, Ontario, about an hour from Toronto. The production shot the film’s final chase sequence in the snowy countryside of Mulmur Hills, north of Toronto, and later used a refrigerated warehouse to capture close-ups. A 28 Mar 1984 Var article reported that businesses in the Ontario village of Elora interrupted filming on 21 Mar 1984 to protest unfair compensation for location work. The production settled the dispute by agreeing to donate $35,000 CAD toward the restoration of the village’s historic footbridge.
       Filming in Pittsburgh occurred at the same downtown jail where the real Mrs. Soffel met the Biddle brothers and aided their escape. The building was coined the “Hotel Soffel,” at the turn of the century, while the official name was the Allegheny County Jail. At the time of filming, the historic jail was still in use and contained about 500 inmates. However, the area where Ed and Jack Biddle were incarcerated was torn down in 1975 and a gymnasium, dining room, and kitchen were built in its place. The production cast about fifty inmates as background actors, and relied on off-duty prison guards as additional security during shooting. To recreate 1901 Pittsburgh, the filmmakers tried to duplicate the grimy, smoky atmosphere that was depicted in turn-of-the-century photographs of the industrial city. They also selected actors with Eastern European features to represent Pittsburgh’s large population of Polish and Ukrainian immigrants.
       The 16 May 1984 Var reported that the production had a preliminary agreement with warden Charles Kozakiewicz to film at the Allegheny County Jail and offered to donate recreation equipment for the inmates. However, county commissioner Tom Foerster’s insistence on a signed contract and an additional donation threatened to delay the shooting schedule. According to the 13 Jun 1984 Var, filming was able to proceed after the production settled on an arrangement with the county commissioner. The donation included a boxing ring, a 16mm film projector, and a contribution to an unemployed steel workers fund. The value of the donation, plus compensation for labor, security, and other services, was worth approximately $50,000.
       The budget for Mrs. Soffel was mentioned as $10--$11 million in various sources.
       End credits include the following acknowledgments: “The producers wish to thank: Ontario Film Video Office, Sandra Johnson, Commissioner; City of Toronto, Naish McHugh, Liaison; City of Pittsburgh, Mayor Richard F. Caliguiri; Pennsylvania Dept. of Commerce, Michele Casale; Allegheny County Jail, Warden Charles Kozakiewicz; Mid-Continent Railway, North Freedom, Wisconsin, Dick Goddard; and technical advisor Lt. Ed Urban.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Esquire
Sep 1984
p. 279
Hollywood Reporter
14 Feb 1984
---
Hollywood Reporter
26 Dec 1984
p. 3, 12
Los Angeles Times
20 May 1984
Section U, pp. 24-25, 36-37
Los Angeles Times
26 Dec 1984
Section G, p. 1, 9
New York Times
21 Dec 1984
Section C, p. 10
New York Times
26 Dec 1984
Section C, p. 15
Screen International
18 Feb 1984
---
Variety
28 Mar 1984
---
Variety
16 May 1984
---
Variety
13 Jun 1984
p. 7, 24
Variety
26 Dec 1984
p. 12
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
Metro-Goldwyn-Mayer Presents
An Edgar J. Scherick/Scott Rudin Production
A Gillian Armstrong Film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
Asst dir
2d asst dir
3d asst dir
2d unit dir
2d unit dir
Unit prod mgr, Pittsburgh unit
1st asst dir, Pittsburgh unit
2d asst dir, Pittsburgh unit
PRODUCERS
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
1st asst cam
2d asst cam
2d cam
2d cam
Still photog
Chief lighting tech
2d elec
Key grip
2d grip
Dir of photog, Pittsburgh unit
Dir of photog, Pittsburgh unit
1st asst cam, Pittsburgh unit
2d asst cam, Pittsburgh unit
2d asst cam, Pittsburgh unit
ART DIRECTORS
Prod des
Art dir
Asst art dir
Asst art dir
Art dir, Pittsburgh unit
FILM EDITORS
Post prod coord
1st asst ed
2d asst ed
SET DECORATORS
Supv set dec
Set dec
Const coord
Prop master
Asst prop master
COSTUMES
Cost des
Asst cost des
Ward mistress
Men's costumer
Women's costumer
Tailor for Diane Keaton cost
MUSIC
Mus supv
String arr
SOUND
Supv sd ed
Sd eff ed
Sd eff ed
Dody Jane Dorn
Dial ed
Looping ed
Jay M. Harding
Rerec mixer
Rerec mixer
Rerec mixer
Prod mixer
Microphone op
VISUAL EFFECTS
Spec eff
Spec eff, Pittsburgh unit
Titles and opticals
MAKEUP
Makeup supv
Makeup artist
Hairstylist
PRODUCTION MISC
Casting
Loc mgr
Scr supv
Dialect consultant
Wrangler
Transportation coord
Casting, Toronto
Addl casting
Casting asst
Casting asst
Prod coord, Canada
Asst to Mr. Nicksay
Asst to Ms. Armstrong
Asst to Mr. Scherick
Loc auditor
Loc auditor
Unit pub
Loc mgr, Pittsburgh unit
Prod coord, Pittsburgh unit
Tech adv
STAND INS
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt coord
COLOR PERSONNEL
Bob Kaiser
Col timer
DETAILS
Release Date:
26 December 1984
Premiere Information:
Los Angeles and New York openings: 26 Dec 1984
Production Date:
13 Feb--24 May 1984
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Lenses
Panaflex® Camera and Lenses by Panavision®
Prints
Prints in Metrocolor®
Duration(in mins):
117
MPAA Rating:
PG-13
Country:
United States
Language:
English
SYNOPSIS

In 1901 Pittsburgh, Pennsylvania, brothers Ed and Jack Biddle are the city’s most famous inmates and have been sentenced to hang for killing a grocer during a robbery. The Biddles have become romantic figures to many women, who stand outside the Allegheny County Jail and pray for the handsome brothers, believing they are just small-time criminals, not murderers. Kate Soffel is the wife of Allegheny’s warden, Peter Soffel, and mother to their four young children. After three months of being bed-ridden and emotionally unstable, Kate resumes her weekly routine of distributing Bibles and other amenities to prisoners. Kate arrives in the Biddles’ cellblock during a fight between Ed and two prison guards. She gives Ed a handkerchief to wipe the blood from his face, but he refuses to accept one of her Bibles. Back in the warden’s quarters, Kate continues to sleep in a separate bedroom, rather than join her husband. When Kate later brings blankets to the Biddle brothers, Ed asks her to read a Bible passage that she recommends. She tries to reassure the skeptical criminal that God cares about him. Before she leaves, he tells her he is not a murderer. While working on their upcoming appeal, Ed reminds his younger brother that he tried to convince the jury that Jack was innocent, but instead, they believed the testimony of Walter, the Biddles’ robbery partner, who was not convicted. Kate continues to visit Ed Biddle to offer spiritual guidance and encouragement, and appears melancholy when his appeal fails. Ed writes a poem on the back of his photograph and gives it to Kate in ...

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In 1901 Pittsburgh, Pennsylvania, brothers Ed and Jack Biddle are the city’s most famous inmates and have been sentenced to hang for killing a grocer during a robbery. The Biddles have become romantic figures to many women, who stand outside the Allegheny County Jail and pray for the handsome brothers, believing they are just small-time criminals, not murderers. Kate Soffel is the wife of Allegheny’s warden, Peter Soffel, and mother to their four young children. After three months of being bed-ridden and emotionally unstable, Kate resumes her weekly routine of distributing Bibles and other amenities to prisoners. Kate arrives in the Biddles’ cellblock during a fight between Ed and two prison guards. She gives Ed a handkerchief to wipe the blood from his face, but he refuses to accept one of her Bibles. Back in the warden’s quarters, Kate continues to sleep in a separate bedroom, rather than join her husband. When Kate later brings blankets to the Biddle brothers, Ed asks her to read a Bible passage that she recommends. She tries to reassure the skeptical criminal that God cares about him. Before she leaves, he tells her he is not a murderer. While working on their upcoming appeal, Ed reminds his younger brother that he tried to convince the jury that Jack was innocent, but instead, they believed the testimony of Walter, the Biddles’ robbery partner, who was not convicted. Kate continues to visit Ed Biddle to offer spiritual guidance and encouragement, and appears melancholy when his appeal fails. Ed writes a poem on the back of his photograph and gives it to Kate in exchange for the handkerchief he received. When he grabs her hand and pulls her closer to the bars, the unexpected move leads to a kiss between them. At home, Kate prays to overcome her sinful thoughts and does not visit the Biddle cellblock for several days. She later sends a letter to the state governor protesting capital punishment and requesting a review of the brothers’ case. Angry about his wife’s actions, which could lead to his dismissal, Peter Soffel suggests Kate take a trip to visit relatives, and she appears resigned to obeying her husband. However, she changes her mind after a fire erupts in Ed’s cell and almost kills the prisoner. Ed writes Kate a letter, stating that an escape is possible if he and Jack had saws, and she grants their request. Before long, the brothers have sawed off the bars, and used candle wax to hold them in place until they are ready to escape. Kate remains committed to assisting them, but when Ed asks her for a gun, she is annoyed and declares, “you think you can sweet-talk me into anything.” On the day before the Biddles are scheduled to hang, Kate sends her four children to spend the New Year’s holiday with their aunt. In the middle of the night, the brothers remove the bars, disable two guards, and escape from their cellblock. Before leaving the prison, Ed goes to the warden’s quarters and persuades a jittery Kate to join them. The Biddles and Kate hide out briefly at the home of Jessie Bodyne, one of Ed’s female admirers. Jack and Jessie argue that Kate will impede their getaway, but Ed does not want to abandon her. Meanwhile, detective Buck McGovern, who arrested the brothers initially, arrives at the warden’s office to lead the search. Peter Soffel tells the press that a reward of $5,000 is being offered for the escaped killers. Soffel also confirms his wife is missing, but expects she has left to join their children. The Biddles and Kate jump a freight train to Perrysville, Pennsylvania, as they seek to make their way to the Canadian border. After Kate becomes fatigued walking through the snow, Ed confiscates a horse-driven sleigh. Outside Butler, Pennsylvania, the three are invited to rest at the farmhouse of an elderly couple, Mr. and Mrs. Stevenson, who are unaware of the travelers’ identities. In an upstairs bedroom, Kate and Ed make love, and Ed confesses to murdering the grocer. Kate forgives him and makes Ed promise to kill her if they are captured. When Harry, the Stevensons’ nephew, informs his aunt that the guests match the description of the fugitives, she leaves the house to alert police, but Ed, Jack, and Kate are able to get away without incident. Along the road, Buck McGovern and his posse catch up to them and fire a shot at Ed, injuring him. Kate insists that he keep his promise, and Ed shoots her. As the sleigh crashes, the brothers flee on foot, but they are soon cornered by the posse and killed. Meanwhile, Kate survives, and after recovering from her injuries, she is imprisoned in Allegheny County Jail. As she enters the facility, her former maid hands her a bouquet of flowers. When Kate unwraps the flowers in her cell, she finds Ed’s photograph with his poem concealed inside.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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