Oh, God! You Devil (1984)

PG | 96 mins | Comedy | 7 November 1984

Director:

Paul Bogart

Writer:

Andrew Bergman

Producer:

Robert M. Sherman

Cinematographer:

King Baggot

Editor:

Andy Zall

Production Designer:

Peter Wooley

Production Company:

Warner Bros. Pictures
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HISTORY

       The film was the final installment in the Oh, God! series, that began with Oh, God! (1977) and Oh, God! Book II (1980, see entries), all starring George Burns.
       A 1 Sep 1983 DV item revealed that actor Jimmy Stewart was scheduled to appear in the film, but withdrew due to a medical issue.
       According to a 6 Nov 1983 LAT brief, principal photography began 27 Sep 1983, under the working title, Oh, God! III. Production notes in AMPAS files state that filming took place in Los Angeles, CA, and at The Burbank Studios in Burbank, CA. During early Nov 1983, the production shot on location at Caesars Palace in Las Vegas, NV.
       As described in an Apr 1985 AmCin article, Oh, God! You Devil was one of the first productions to use an in-camera photographic process called Introvision, which enabled filmmakers to shoot actors and the special effects of split-screen, matting, and front projection at the same time. The actor could “move both in front of and behind elements in a single background without resorting to complicated optical printer compositing.” The technique was employed in the Las Vegas casino scene in which George Burns, playing both “the Devil” and “God,” interacts with himself at the poker table. Introvision allowed for a more fluid presentation of split-screen photography, with the added benefit that director Paul Bogart could look through the camera viewfinder on set to see how the live action and the compositing came together.
       A 12 Nov 1984 Warner Bros. Pictures press release in AMPAS ...

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       The film was the final installment in the Oh, God! series, that began with Oh, God! (1977) and Oh, God! Book II (1980, see entries), all starring George Burns.
       A 1 Sep 1983 DV item revealed that actor Jimmy Stewart was scheduled to appear in the film, but withdrew due to a medical issue.
       According to a 6 Nov 1983 LAT brief, principal photography began 27 Sep 1983, under the working title, Oh, God! III. Production notes in AMPAS files state that filming took place in Los Angeles, CA, and at The Burbank Studios in Burbank, CA. During early Nov 1983, the production shot on location at Caesars Palace in Las Vegas, NV.
       As described in an Apr 1985 AmCin article, Oh, God! You Devil was one of the first productions to use an in-camera photographic process called Introvision, which enabled filmmakers to shoot actors and the special effects of split-screen, matting, and front projection at the same time. The actor could “move both in front of and behind elements in a single background without resorting to complicated optical printer compositing.” The technique was employed in the Las Vegas casino scene in which George Burns, playing both “the Devil” and “God,” interacts with himself at the poker table. Introvision allowed for a more fluid presentation of split-screen photography, with the added benefit that director Paul Bogart could look through the camera viewfinder on set to see how the live action and the compositing came together.
       A 12 Nov 1984 Warner Bros. Pictures press release in AMPAS library files reported that the picture earned approximately $5.5 million in its opening weekend on 1,384 screens, surpassing the debut of Oh God! Book II by sixty-two percent.
End credits include “special thanks to: Caesar’s Palace, Las Vegas, Nevada; Time Magazine; Gulfstream Aerospace Corporation.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
American Cinematographer
Apr 1985
pp. 111-114
Daily Variety
1 Sep 1983
---
Daily Variety
8 Nov 1984
p. 3
Hollywood Reporter
7 Nov 1984
p. 3, 18
Los Angeles Times
6 Nov 1983
---
Los Angeles Times
9 Nov 1984
Section L, p. 1, 14
New York Times
9 Nov 1984
p. 15
Variety
7 Nov 1984
p. 16
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
D.G.A trainee
PRODUCERS
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
1st asst cam
2d asst cam
Still photog
Gaffer
Best boy
Key grip
Best boy [grip]
Dolly grip
ART DIRECTOR
Prod des
FILM EDITORS
Supv film ed
Asst film ed
Donah Bassett
Negative cutter
SET DECORATORS
Set dec
Prop master
Asst prop master
Const coord
COSTUMES
Ward supv
Men`s cost
Women`s cost
MUSIC
Mus ed
Orch
SOUND
Supv sd ed
Prod mixer
Boom man
Re-rec mixer
Re-rec mixer
Re-rec mixer
VISUAL EFFECTS
Spec eff
Titles and opticals by
Poker seq eff filmed with
MAKEUP
Makeup artist
Hairstylist
PRODUCTION MISC
Scr supv
Loc mgr
Transportation coord
Transportation capt
Loc casting
Asst to Mr. Bogart
Asst to Mr. Sherman
Video tape facilities by
STAND INS
Stunt coord
Chere Bryson
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
COLOR PERSONNEL
Col by
SOURCES
SONGS
"If It Was Only Up To Me," music by Mike Post, lyrics by John Bettis; "Dangerous Eyes," music by Mike Post, lyrics by John Bettis; "That Old Black Magic," music by Harold Arlen, lyrics by Johnny Mercer; "Fugue for Tinhorns," words and music by Frank Loesser.
SONGWRITERS/COMPOSERS
+
DETAILS
Series:
Alternate Title:
Oh, God! III
Release Date:
7 November 1984
Premiere Information:
Los Angeles and New York openings: 9 Nov 1984
Production Date:
began 27 Sep 1983
Copyright Info
Claimant
Date
Copyright Number
Warner Bros., Inc.
8 February 1985
PA241491
Physical Properties:
Sound
Widescreen/ratio
1.85:1
Lenses
Lenses and Panaflex® camera by Panavision®
Duration(in mins):
96
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
27473
SYNOPSIS

In 1960 New York City, Arthur Shelton prays at the bedside of his young son, Bobby, who is sick with scarlet fever. God, dressed as an elderly man in a baseball cap, writes the boy’s name on a notepad and promises to watch over him. Twenty-four years later in Los Angeles, California, the same Bobby Shelton is a struggling singer-songwriter married to Wendy, a supportive wife and social worker. After another record company flatly rejects his latest composition, Bobby agrees to play a wedding for $500. Dejected, he tells himself he would “sell his soul to the devil” to be a success in the music business. The Devil, who is disguised as a cigar-smoking talent agent named Harry O. Tophet, receives Bobby’s message while driving and notices on his car computer that God “watched over” Bobby in 1960. The Devil, however, declares he has priority if a person directly asks for him. During the wedding reception, Harry O. Tophet appears and gives Bobby his business card, promising to book him at venues such as Carnegie Hall and Madison Square Garden. Although Harry claims to represent “all the big names … sooner or later,” Bobby is not familiar with the agent. Nevertheless, he is impressed when Harry orchestrates a series of pratfalls among the wedding guests. Meanwhile, rock star Billy Wayne panics when he realizes his seven-year contract with the Harry the Devil expires at midnight. At Astral Records, Bobby and his longtime talent agent, Charlie Gray, arrive for an appointment with executive, Gary Frantz. As they wait in the reception room, Harry arrives and forces Bobby to ...

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In 1960 New York City, Arthur Shelton prays at the bedside of his young son, Bobby, who is sick with scarlet fever. God, dressed as an elderly man in a baseball cap, writes the boy’s name on a notepad and promises to watch over him. Twenty-four years later in Los Angeles, California, the same Bobby Shelton is a struggling singer-songwriter married to Wendy, a supportive wife and social worker. After another record company flatly rejects his latest composition, Bobby agrees to play a wedding for $500. Dejected, he tells himself he would “sell his soul to the devil” to be a success in the music business. The Devil, who is disguised as a cigar-smoking talent agent named Harry O. Tophet, receives Bobby’s message while driving and notices on his car computer that God “watched over” Bobby in 1960. The Devil, however, declares he has priority if a person directly asks for him. During the wedding reception, Harry O. Tophet appears and gives Bobby his business card, promising to book him at venues such as Carnegie Hall and Madison Square Garden. Although Harry claims to represent “all the big names … sooner or later,” Bobby is not familiar with the agent. Nevertheless, he is impressed when Harry orchestrates a series of pratfalls among the wedding guests. Meanwhile, rock star Billy Wayne panics when he realizes his seven-year contract with the Harry the Devil expires at midnight. At Astral Records, Bobby and his longtime talent agent, Charlie Gray, arrive for an appointment with executive, Gary Frantz. As they wait in the reception room, Harry arrives and forces Bobby to decide between the two agents. Bobby takes a chance on the determined elderly man and fires Charlie. When Harry proposes a $3.5 million recording deal for Bobby, Frantz and his colleague laugh. At the same time, Harry hands Bobby a seven-year representation contract. When the young musician hesitates, Harry agrees to a trial period. As soon as Bobby signs, Harry magically changes the name on the signature line to “Billy Wayne,” and Frantz suddenly agrees to the million-dollar contract with the famous rock star. Although Bobby still feels like himself, everyone else now recognizes him as celebrity Billy Wayne. Meanwhile the real Billy Wayne has been transferred to Bobby’s body, without any awareness of his former life. When Bobby telephones his wife to tell her the good news about the recording contract, he realizes another man has replaced him and that Wendy is also unaware of the switch. By now Bobby has surmised that his deal with Harry was a deal with the Devil, who reveals after the meeting that he lied about the trial period. During his first concert, Bobby is initially hesitant in front of screaming fans, but soon becomes more comfortable on stage. As the tour continues, he relishes the experience of being a rock star with a private plane, female groupies and magazine cover photos. Back in Los Angeles, however, Bobby arrives by helicopter at his hillside estate and is surprised that he still feels like his former self rather than a celebrity. He stops outside the loft apartment he shared with Wendy and appears regretful. After five months, Harry visits him again and mentions that God has become a bitter man, who rarely makes personal appearances on Earth. That night, Bobby is stunned to find out that Wendy is pregnant, but is relieved the child was conceived before the deal with the Devil was made. Desperate to return to his wife, Bobby begs to be released from his contract, but the Devil refuses. When he consults a Catholic priest and a Jewish rabbi about the unholy arrangement with Harry O. Tophet, the two religious leaders consider the musician mentally disturbed. On the street, Bobby encounters a sidewalk preacher who simply tells him to look for God in the desert. With a sudden urge to visit Las Vegas, Nevada, Bobby tells Gary Frantz to book performances at Caesars Palace. After the first show, Bobby asks the casino operator to page “the Lord” for him. When God telephones the musician’s suite, he reassures Bobby and mentions that he has been watching over him since 1960. However, the Almighty does not offer immediate help and hangs up. Waiting in his dressing room before the next show, Bobby attempts to free himself from Billy Wayne’s life by committing suicide. He swallows a handful of pills with liquor. Meanwhile in the casino, God and the Devil play poker together for the soul of Bobby Shelton. If the Devil wins, Bobby Shelton will die as Billy Wayne and be remembered with other fallen rock stars, such as Jim Morrison and Elvis Presley. During play, God raises the stakes and wagers the millions of souls he is currently watching over. If he wins, the Devil will never be allowed to interfere in their lives, even if a person directly asks for him. The stakes are too risky for the Devil and he folds, conceding Bobby’s soul. As God presents his weak card hand, the Devil realizes his opponent was bluffing. In the dressing room, Gary Frantz finds Billy Wayne’s body unresponsive on the floor, while Bobby Shelton rises and slips out of the room. After a doctor declares Billy dead, Bobby finally feels released from the rock star’s life. A wise-cracking, elderly God, who bears a strong resemblance to Harry the Devil, presents himself to Bobby and explains that he promised to look after Bobby when he had scarlet fever as child, adding that Arthur Shelton’s prayer for his son was very convincing. God orders Bobby to go back to his wife. Unaware that her actual husband has been away for the past few months, Wendy welcomes Bobby home that evening. He tells her he has had a life-changing experience. Five years later, Bobby rushes to the bedside of his sick daughter and sings to her. Suddenly, Bobby hears the voice of God reassuring him.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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