The Terminator (1984)
R | 107 mins | Science fiction | 26 October 1984
Director:
James CameronWriters:
James Cameron, Gale Anne HurdProducer:
Gale Anne HurdCinematographer:
Adam GreenbergEditor:
Mark GoldblattProduction Designer:
George CostelloProduction Company:
Hemdale ProductionsA full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. Writer-director James Cameron told the 26 Oct 1984 DV that he first conceived the picture during post-production of Piranha II: The Spawning (1982, see entry). He wrote a forty-five-page treatment, which he intended to direct, with future wife Gale Anne Hurd as producer. When several studios showed interest, the couple was concerned about losing control of the project and hired actor Arnold Schwarzenegger for the title role in late Apr 1983, to ensure their continued involvement. Locations such as Dallas, TX, Miami, FL, and North Carolina were considered before the team chose Toronto, Canada. However, filming in Toronto proved to be too costly, and the setting was changed to Los Angeles, CA. Production was delayed because Schwarzenegger had a commitment to director Dino De Laurentiis to complete Conan the Destroyer (1984, see entry) before he could begin work on another picture. Filming began in Feb 1984 on a budget of $6.5 million, with a non-union crew. Disputes arose after a union business manager appeared on set, and the National Labor Relations Board negotiated a settlement favoring the production company. After ten weeks of principal photography, eight of which were devoted to “night shooting,” a rough edit was assembled. Fifteen days of second-unit filming, and three weeks of process and special effects photography followed. Director of photography Adam Greenberg stated his preference for handheld cameras over the “more cumbersome” Steadicam system, explaining that several ...
A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. Writer-director James Cameron told the 26 Oct 1984 DV that he first conceived the picture during post-production of Piranha II: The Spawning (1982, see entry). He wrote a forty-five-page treatment, which he intended to direct, with future wife Gale Anne Hurd as producer. When several studios showed interest, the couple was concerned about losing control of the project and hired actor Arnold Schwarzenegger for the title role in late Apr 1983, to ensure their continued involvement. Locations such as Dallas, TX, Miami, FL, and North Carolina were considered before the team chose Toronto, Canada. However, filming in Toronto proved to be too costly, and the setting was changed to Los Angeles, CA. Production was delayed because Schwarzenegger had a commitment to director Dino De Laurentiis to complete Conan the Destroyer (1984, see entry) before he could begin work on another picture. Filming began in Feb 1984 on a budget of $6.5 million, with a non-union crew. Disputes arose after a union business manager appeared on set, and the National Labor Relations Board negotiated a settlement favoring the production company. After ten weeks of principal photography, eight of which were devoted to “night shooting,” a rough edit was assembled. Fifteen days of second-unit filming, and three weeks of process and special effects photography followed. Director of photography Adam Greenberg stated his preference for handheld cameras over the “more cumbersome” Steadicam system, explaining that several night scenes would not have otherwise been possible.
On 3 Oct 1984, DV reported that independent producer Barry Plumley was attempting to prevent the film’s release. Plumley filed suit against distributor Hemdale Film Corporation, claiming the company made a verbal promise to credit him as associate producer or co-executive producer in return for his assistance in developing the project and “securing financing.” A hearing was scheduled for 19 Oct 1984. Although the outcome has not been determined, Plumley received no onscreen credit.
The Terminator opened 26 Oct 1984 in 1,012 theaters nationwide. While critical notices were mixed, audiences responded enthusiastically, earning the picture $9,776,562 in its first ten days, according to an advertisement in the 7 Nov 1984 DV. The 28 Feb 1985 DV noted box-office receipts of approximately $40 million to date.
AFI ranked the film #42 on its list of 100 Years…100 Thrills. The "Terminator" placed 22nd on the list of the 100 greatest movie villains, and the character's line, "I'll be back," ranks #37 on the list of 100 most memorable quotes. An article in the 3 Apr 1985 DV stated that the home video release garnered an initial order of 155,000 units. The Academy of Science Fiction, Fantasy and Horror Films honored The Terminator with its Saturn Award for Best Science Fiction Film, as reported in the 14 Jun 1985 DV.
The 31 Jan 1985 DV announced plans for a sequel to be released later that year. However, nearly six years passed before Terminator 2: Judgment Day (1991, see entry) began production.
End credits include the following statements: “Acknowledgment to the works of Harlan Ellison," and, "Special thanks to Lost and Foundry."
Actor Norman Friedman is incorrecty credited as “Norma Friedman.”
In Los Angeles, California, a Terminator humanoid “cyborg” arrives from the twenty-first century, and attacks a group of young delinquents for their clothing. Elsewhere in the city, soldier Kyle Reese arrives through the same time portal. The accompanying atmospheric disturbance attracts police, who chase Kyle into a clothing store. After evading his pursuers, Kyle dons contemporary clothing, steals a police rifle, and searches a telephone directory for the address of Sarah J. Connor. In the morning, the Terminator steals a car and robs a gun shop of several automatic weapons. He discovers three listings for “Sarah Connor” in the telephone directory and kills the first two. Certain that Sarah J. Connor will be the next victim, police detective Hal Vukovich telephones her apartment and leaves a message. However, Sarah’s roommate, Ginger Ventura, is in the bedroom, making love with her boyfriend, Matt, and does not hear the warning. Sarah learns of the murders and enters a nightclub to evade Kyle, who appears to be stalking her. She telephones her apartment, unaware that the Terminator has already killed both Ginger and Matt. Hearing her voice, the cyborg realizes that his intended victim is still at large. He memorizes Sarah’s face from a photograph, and makes his way to the nightclub. Sarah telephones the police department and Lieutenant Ed Traxler offers protective custody. Seconds later, Kyle aids Sarah’s escape while the Terminator sprays the club with bullets. Pursuing his victims, the cyborg commandeers a police car and rallies several officers to join the chase. After taking refuge in a parking structure, Kyle calms the hysterical Sarah, ...
In Los Angeles, California, a Terminator humanoid “cyborg” arrives from the twenty-first century, and attacks a group of young delinquents for their clothing. Elsewhere in the city, soldier Kyle Reese arrives through the same time portal. The accompanying atmospheric disturbance attracts police, who chase Kyle into a clothing store. After evading his pursuers, Kyle dons contemporary clothing, steals a police rifle, and searches a telephone directory for the address of Sarah J. Connor. In the morning, the Terminator steals a car and robs a gun shop of several automatic weapons. He discovers three listings for “Sarah Connor” in the telephone directory and kills the first two. Certain that Sarah J. Connor will be the next victim, police detective Hal Vukovich telephones her apartment and leaves a message. However, Sarah’s roommate, Ginger Ventura, is in the bedroom, making love with her boyfriend, Matt, and does not hear the warning. Sarah learns of the murders and enters a nightclub to evade Kyle, who appears to be stalking her. She telephones her apartment, unaware that the Terminator has already killed both Ginger and Matt. Hearing her voice, the cyborg realizes that his intended victim is still at large. He memorizes Sarah’s face from a photograph, and makes his way to the nightclub. Sarah telephones the police department and Lieutenant Ed Traxler offers protective custody. Seconds later, Kyle aids Sarah’s escape while the Terminator sprays the club with bullets. Pursuing his victims, the cyborg commandeers a police car and rallies several officers to join the chase. After taking refuge in a parking structure, Kyle calms the hysterical Sarah, explaining that he was sent from the year 2027 to protect her from the Terminator, a creature devoid of emotion and impervious to conventional weapons, despite its exterior of flesh and blood. Ignoring Sarah’s skepticism, Kyle recounts a series of events in the near future, beginning with a nuclear war started by defense network computers. The machines will perceive all humans as a threat and herd them into concentration camps for extermination. Sarah’s unborn son, John Connor, will save humanity by teaching the prisoners how to fight and ultimately win. The machines have responded by sending the Terminator to kill Sarah, ensuring that John Connor will never be born. Following another encounter with the Terminator, Sarah and Kyle are taken into police custody. While Lt. Traxler comforts Sarah, psychiatrist Dr. Peter Silberman interviews Kyle, certain that the soldier suffers from psychosis. Meanwhile, the Terminator attends to his damaged body, and dons sunglasses to hide the sight mechanism exposed by a missing eye. He attacks the police station, killing most of the officers while Kyle and Sarah escape to the city outskirts. The soldier delivers a verbal message to Sarah from John, thanking her for the values she instilled in him, and reminding her that his life depends on her survival. Kyle describes the world of 2017, in which humans are forced to hide during the day, but have some freedom at night, despite the presence of roving “hunter-killer” devices. Realizing their robotic soldiers were too easily identified, the machines created Terminators to infiltrate and kill their human enemies. He recalls an incident in which he narrowly survived a Terminator attack that killed many in his underground bunker. In the morning, they rent a motel room and make pipe bombs from common household items. Using information from Sarah’s address book, the Terminator invades her mother’s home and intercepts a telephone call. He replicates Mrs. Connor’s voice and convinces Sarah to reveal her location. At the motel, Kyle admits to falling in love with Sarah after seeing a photograph given to him by her son. Sarah reciprocates and they make love. The Terminator appears that evening and pursues the couple through the streets, while Kyle throws pipe bombs in his path. The chase ends with Kyle and Sarah trapped inside their overturned car. The cyborg commandeers a tanker truck, intending to crush his enemies. Kyle places a bomb in the vehicle, causing its flammable contents to explode. He embraces Sarah, believing their ordeal is over, until the cyborg’s mechanical skeleton rises from the flames. It follows the couple into a factory building, where Kyle attempts to destroy it with a pipe bomb. The ensuing explosion leaves Kyle dead, the skeleton in pieces, and Sarah with a shrapnel wound to the leg. As she mourns Kyle, the upper half of the skeleton crawls toward her. She leads it into a hydraulic press and crushes it until its glowing red eyes go dark. Sometime later, Sarah drives through the Mexican desert, pregnant with Kyle’s son, John. She stops at a gas station, where a young boy photographs her. She buys the photograph, recognizing it as the same one Kyle carried with him. The boy warns of a storm on the horizon, but Sarah continues her journey.
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