Until September (1984)

R | 95 mins | Romance | 21 September 1984

Director:

Richard Marquand

Producer:

Michael Gruskoff

Cinematographer:

Philippe Welt

Editor:

Sean Barton

Production Designer:

Hilton McConnico

Production Company:

United Artists Corp.
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HISTORY

       The film represented the debut feature screenplay for writer Janice Lee Graham. According to production notes in AMPAS library files and a 11 Aug 1983 DV article, the story was inspired by the eleven years she spent living in Paris, France. Later, while a secretary for Edward Feldman at Twentieth Century-Fox, Graham finished the script and offered it to producer Michael Gruskoff, who had an adjacent office at the studio. Impressed after the first reading, Gruskoff optioned the property, and the project went into production less than a year later.
       As announced in a Metro-Goldwyn-Mayer (MGM) press release, principal photography began 18 Jul 1983. The fifty-five day shooting schedule took place almost entirely on location in and around Paris. The production offices were based at Studios De Boulogne, in the city’s environs. The apartment of “Xavier de la Pérouse” was situated in the chic neighborhood of the Avenue Charles Floquet near the Eiffel Tower, while “Chantal’s” residence was on the Avenue Foch. Additional filming sites included: the village of Rochefort en Yvelines, which represented the village near “Philip’s” country house; Avenue Victor Hugo in the vicinity of the Arc de Triomphe; a Bateau Mouche sightseeing boat along the Seine River; the Apocalypse discotheque near the Avenue des Champs-Élysées; a mansion in the Bois de Boulogne Garden for the concert sequence; and Charles de Gaulle airport. For the scenes of “Mo Alexander’s” plant nursery in St. Louis, MO, the production built an American-style home in a field on the outskirts of Paris. Although the official completion of principal photography was 30 Sep 1983, a mini-unit filmed ...

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       The film represented the debut feature screenplay for writer Janice Lee Graham. According to production notes in AMPAS library files and a 11 Aug 1983 DV article, the story was inspired by the eleven years she spent living in Paris, France. Later, while a secretary for Edward Feldman at Twentieth Century-Fox, Graham finished the script and offered it to producer Michael Gruskoff, who had an adjacent office at the studio. Impressed after the first reading, Gruskoff optioned the property, and the project went into production less than a year later.
       As announced in a Metro-Goldwyn-Mayer (MGM) press release, principal photography began 18 Jul 1983. The fifty-five day shooting schedule took place almost entirely on location in and around Paris. The production offices were based at Studios De Boulogne, in the city’s environs. The apartment of “Xavier de la Pérouse” was situated in the chic neighborhood of the Avenue Charles Floquet near the Eiffel Tower, while “Chantal’s” residence was on the Avenue Foch. Additional filming sites included: the village of Rochefort en Yvelines, which represented the village near “Philip’s” country house; Avenue Victor Hugo in the vicinity of the Arc de Triomphe; a Bateau Mouche sightseeing boat along the Seine River; the Apocalypse discotheque near the Avenue des Champs-Élysées; a mansion in the Bois de Boulogne Garden for the concert sequence; and Charles de Gaulle airport. For the scenes of “Mo Alexander’s” plant nursery in St. Louis, MO, the production built an American-style home in a field on the outskirts of Paris. Although the official completion of principal photography was 30 Sep 1983, a mini-unit filmed in La Napoule along the French Riviera, on 3 Oct 1983 to capture the scene of “Isabelle de la Pérouse” and her children on vacation.
       According to a 5 Oct 1983 DV column and a 12 Oct 1983 Var article, MGM budgeted the film at $4 million, but producer Gruskoff was able to bring the final production cost to $3.5 million, owing in part to the favorable exchange rate of the dollar to French currency at the time. The producer also noted that the production avoided per diem costs by hiring local technicians.
       Until September marked the debut English-speaking role and first American feature for French actor Thierry Lhermitte.
       A studio press release announced that the picture would open in wide release at 1,100 theaters on 21 Sep 1984. The Dec 1984 Box reported the first weekend gross as $2 million, while the second weekend totals dropped to $1 million at 863 theaters.

      End credits include the following acknowledgment: “With special thanks to Chloe, Chemises de Charvet, Knoll International, Chanel and Trans World Airlines” and the statement: "Until September was filmed entirely on location in and around Paris and La Napoule, France.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
Dec 1984
---
Daily Variety
11 Aug 1983
p. 8, 23
Daily Variety
5 Oct 1983
---
Hollywood Reporter
21 Sep 1984
p. 3, 25
Los Angeles Times
21 Sep 1984
Section G, p. 2
New York Times
21 Sep 1984
p. 6
Variety
12 Oct 1983
---
Variety
29 Aug 1984
p. 17
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
United Artists Presents
a Michael Gruskoff production
a Richard Marquand film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Prod mgr
2d asst
2d unit dir
2d unit asst
PRODUCERS
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Focus puller
Sylvie Carcedo-Dreujou
Clapper loader
Cam grip
2d unit cam
2d unit cam
Lighting by
ART DIRECTORS
Prod des
Art dir
FILM EDITORS
SET DECORATORS
Prop buyer
Propman
Const mgr
COSTUMES
Ward mistress
MUSIC
Mus comp and cond
Film score rec by
Film score rec at
SOUND
Sd maintenance
Re-rec eng
Re-rec eng
Foley
VISUAL EFFECTS
MAKEUP
Makeup
PRODUCTION MISC
Casting
Scr supv
Prod secy
Controller
Dial coach
Prod's asst
Prod's secy
Prod's secy
Dir's secy
Prod asst
Unit driver
STAND INS
Stunt coord
COLOR PERSONNEL
Film processed by
[Col by]
SOURCES
MUSIC
"Tango," [music by] Issac Albeniz, [performed by] L'Orchestre Attractif, Francis Vetti.
SONGS
"Every Breath You Take," performed by The Police, courtesy of A&M Records, Inc.
SONGWRITER/COMPOSER
DETAILS
Release Date:
21 September 1984
Premiere Information:
Los Angeles and New York opening: 21 Sep 1984
Production Date:
18 Jul--3 Oct 1983
Physical Properties:
Sound
Color
Lenses
Panaflex® Cameras and Lenses by Panavision®
Duration(in mins):
95
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

Mo Alexander, a spunky horticulturist from St. Louis, Missouri, has agreed to help her friend Marcia chaperone a student group on a summer tour across Eastern Europe and Russia. However, during their layover in Paris, France, Mo misses the connecting flight to Warsaw, Poland. In need of place to stay in Paris until her travel is rebooked, Mo takes a taxi to the home of her old college friend, Chantal. In the hallway of the elegant apartment building, she encounters Chantal’s next-door neighbor, a suave banker named Xavier de La Pérouse, who informs her that Chantal is away for the summer. Tired of trying to communicate in French and soaking wet from the rain, Mo hopes there is a hotel nearby. Xavier, who speaks perfect English, offers his umbrella and walks her to a hotel around the corner. Before saying goodbye, she tells him that he has the most beautiful eyes. Later that evening, Xavier unexpectedly arrives at her hotel room with an apartment key, stating that he contacted Chantal and she happily agreed to let Mo stay. He also invites her to dinner, but the evening becomes awkward when Xavier implies that Mo is dressed too casually for a fancy restaurant. Although Mo is annoyed and walks away, she cannot resist the Frenchman’s charm when he offers to cook her spaghetti instead. At his apartment, Mo admires a photograph of Xavier’s two young children and his stylish wife Isabelle, who are on summer vacation. The following day, Mo consults with a travel agent and learns she must wait at least a week for visa updates before she ...

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Mo Alexander, a spunky horticulturist from St. Louis, Missouri, has agreed to help her friend Marcia chaperone a student group on a summer tour across Eastern Europe and Russia. However, during their layover in Paris, France, Mo misses the connecting flight to Warsaw, Poland. In need of place to stay in Paris until her travel is rebooked, Mo takes a taxi to the home of her old college friend, Chantal. In the hallway of the elegant apartment building, she encounters Chantal’s next-door neighbor, a suave banker named Xavier de La Pérouse, who informs her that Chantal is away for the summer. Tired of trying to communicate in French and soaking wet from the rain, Mo hopes there is a hotel nearby. Xavier, who speaks perfect English, offers his umbrella and walks her to a hotel around the corner. Before saying goodbye, she tells him that he has the most beautiful eyes. Later that evening, Xavier unexpectedly arrives at her hotel room with an apartment key, stating that he contacted Chantal and she happily agreed to let Mo stay. He also invites her to dinner, but the evening becomes awkward when Xavier implies that Mo is dressed too casually for a fancy restaurant. Although Mo is annoyed and walks away, she cannot resist the Frenchman’s charm when he offers to cook her spaghetti instead. At his apartment, Mo admires a photograph of Xavier’s two young children and his stylish wife Isabelle, who are on summer vacation. The following day, Mo consults with a travel agent and learns she must wait at least a week for visa updates before she can rendezvous with Marcia’s group. Meanwhile, Mo accepts another dinner invitation from Xavier and buys a new dress for the occasion. She enjoys the evening, but when the Frenchman tries to kiss her, she rebuffs him, reminding him that he is married. Xavier is surprised by her reaction, while Mo disapproves of “French rules” in which accepting a dinner invitation implies sex. Before saying goodnight, however, the two reach an understanding, and Mo thanks him for a wonderful evening. At the office, Xavier remains preoccupied by the American and tries to telephone her between his appointments, but she is busy playing baseball in the park with Andrew, a classical musician whom she met at the travel agency. That evening, Xavier meets Mo at Andrew’s concert, but he feels like an outsider when Mo and Andrew go to a discotheque after the performance. He returns to the apartment alone and pretends not to be jealous when Andrew escorts Mo home. However, as soon as Andrew leaves, Mo knocks on Xavier’s door and embraces him. Initially, she appears hesitant about being intimate, and Xavier accuses her of being a tease. She replies by passionately kissing him, and the two make love. In the morning, Xavier packs for a business trip. He tells Mo that he might be back as early as tomorrow night, but she is reluctant to wait for him after accepting an invitation to visit Rome, Italy. Regretfully, they say goodbye. However, as Xavier drives away and Mo leaves for her trip, they both change their minds and return to the apartment building. Once again, they encounter each other in the hallway, and Xavier asks Mo to stay with him until September. As the two embark on a love affair, they lounge in the apartment, drink wine, discuss cultural differences, and explore Paris. After friends of his wife spot Xavier kissing Mo, the couple escapes from the city to visit the country home of Xavier’s colleague Philip. Xavier mentions that Philip and his wife Sylvia are not friends of Isabelle. While attending a dance in the local village, Mo asks Xavier whether he loves his wife. Xavier admits that he may not love Isabelle, but they are both committed to the marriage. He also confesses that he has a mistress named Nathalie, whom he has seen on and off for the past three years. While Xavier describes the arrangement as “diplomatic,” Mo strongly disapproves and resents being his convenient summer fling. The next day, as Xavier and Philip return to Paris for business, Mo remains at the country house with Sylvia. When one of Sylvia’s young children is injured while jumping in the lake, the two women rush her to a hospital with Mo precariously speeding through traffic. By the time Philip and Xavier hear the news and arrive at the hospital, the doctor reports the child will be fine, and Xavier embraces Mo. Back in Paris, Mo and Xavier comfort each other after making love, and she tells him their three weeks together has felt like a lifetime. However, as September approaches, Xavier appears indifferent toward Mo. After Nathalie unexpectedly arrives at the apartment building, Mo books her flight back to Missouri and moves into the hotel around the corner for the remainder of her stay. On her last night in Paris, she takes a boat tour along the Seine River, but remains preoccupied by thoughts of Xavier. When she returns to the hotel, Xavier is waiting for her. He confesses he recently saw Nathalie, but did not make love to her. As Xavier and Mo reconcile and spend the night together, Xavier declares his love and asks Mo to stay in Paris. The next day, the affectionate twosome make plans to cook dinner as they leave the hotel. Mo offers to pick up bread, while Xavier returns to the apartment with her luggage. When Mo arrives and calls out to Xavier, she encounters his wife, who has unexpectedly returned from vacation. Realizing that Mo is Xavier’s mistress, Isabelle insinuates that she and her husband are back together. Mo leaves for the airport. Meanwhile, Isabelle reaches for her husband’s hand to encourage him to stay, but he runs after Mo, who has departed in a taxi. He follows her to the airport and fights through the crowds to catch her attention, but she does not notice him. After buying an airline ticket in order to pass through airport security, Xavier sees Mo descending on an escalator. As guards detain him, he yells out her name. She turns around and runs to embrace him.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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