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HISTORY

According to a 7 Jun 1985 DV production chart and a 6 Aug 1985 HR brief, principal photography began an eight-week shoot 1 Jul 1985 in Pagsanjan, Laguna, Philippines. The film was referred to by its working title, Behind Enemy Lines. Production notes in AMPAS library files state the picture’s start date was 8 Jul 1985. It is also noted that the picture marked Gideon Amir’s theatrical directorial debut.
A 12 Sep 1985 DV news item announced the completion of photography.
       Associate producer Ken Metcalf commented that director Gideon Amir wanted rain to be part of the movie’s atmosphere and deliberately filmed during the country’s rainy season. A 28 Jul 1985 LAT news item noted that in Jun 1985, the Philippines had one of its worst monsoons on record, causing the temporary displacement of 135,000 people and the death of more than 100. The wet conditions did not affect the filmmakers’ schedule.
       End credit include the following statements: “Cannon would like to acknowledge the government and armed Forces of the Philippines in assisting in the filming of P. O. W. The Escape”; “Hotel accommodations in the Philippines: “The Manila Hotel.”

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According to a 7 Jun 1985 DV production chart and a 6 Aug 1985 HR brief, principal photography began an eight-week shoot 1 Jul 1985 in Pagsanjan, Laguna, Philippines. The film was referred to by its working title, Behind Enemy Lines. Production notes in AMPAS library files state the picture’s start date was 8 Jul 1985. It is also noted that the picture marked Gideon Amir’s theatrical directorial debut.
A 12 Sep 1985 DV news item announced the completion of photography.
       Associate producer Ken Metcalf commented that director Gideon Amir wanted rain to be part of the movie’s atmosphere and deliberately filmed during the country’s rainy season. A 28 Jul 1985 LAT news item noted that in Jun 1985, the Philippines had one of its worst monsoons on record, causing the temporary displacement of 135,000 people and the death of more than 100. The wet conditions did not affect the filmmakers’ schedule.
       End credit include the following statements: “Cannon would like to acknowledge the government and armed Forces of the Philippines in assisting in the filming of P. O. W. The Escape”; “Hotel accommodations in the Philippines: “The Manila Hotel.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
7 Jun 1985
---
Daily Variety
12 Sep 1985
---
Hollywood Reporter
6 Aug 1985
---
Hollywood Reporter
7 Apr 1986
p. 3, 12
Los Angeles Times
28 Jul 1985
p. 21
Los Angeles Times
7 Apr 1986
p. 4
New York Times
5 Apr 1986
p. 10
Variety
9 Apr 1986
p. 12
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANIES
PRODUCTION TEXTS
The Cannon Group, Inc. Presents
in a Golan-Globus Production
A Golan-Globus Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
Unit prod mgr
Asst dir
2d unit dir
Unit prod mgr, Addl photog Los Angeles
1st asst dir, Addl photog Los Angeles
Prod mgr, Philippines crew
1st asst dir, Philippines crew
2d asst dir, Philippines crew
3d asst dir, Philippines crew
PRODUCERS
Assoc prod
Co-assoc prod, Philippines crew
Co-assoc prod, Philippines crew
PHOTOGRAPHY
Dir of photog
Focus puller
Gaffer
Key grip
Still photog
Dir of photog, Addl photog Los Angeles
Cam op, Philippines crew
Cam op, Philippines crew
Asst cam, Philippines crew
Asst cam, Philippines crew
Dolly grip, Philippines crew
Grip, Philippines crew
Grip, Philippines crew
Grip, Philippines crew
Chief elec, Philippines crew
1st asst elec, Philippines crew
Elec, Philippines crew
Gen op, Philippines crew
Gen op, Philippines crew
Cam and lenses
Light and grip equip
ART DIRECTORS
Prod des
Art dir
Art dir, Philippines crew
Asst art dir, Philippines crew
FILM EDITORS
Supv ed
Film ed
Post prod supv
Addl editing
Addl editing
1st asst ed
Asst ed
Asst ed
Asst ed
Asst ed
Asst ed
Negative cutting
Negative cutting
SET DECORATORS
Chief armourer, Philippines crew
Set dresser, Philippines crew
Asst set dresser, Philippines crew
Asst set dresser, Philippines crew
Asst set dresser, Philippines crew
Asst set dresser, Philippines crew
Asst set dresser, Philippines crew
Asst set dresser, Philippines crew
Prop master, Philippines crew
1st asst prop master, Philippines crew
Head painter, Philippines crew
Const mgr, Philippines crew
COSTUMES
Cost des
Ward master, Philippines crew
1st asst ward, Philippines crew
MUSIC
Mus supv
Asst mus ed
SOUND
Sd mixer
Supv sd eff ed
Sd eff ed
Sd eff ed
Sd eff ed
Sd eff ed
Sd eff ed
Sd eff ed
Sd eff ed
Sd eff ed
Sd eff ed
Sd eff ed
Ronald Bartlett
Asst sd eff ed
Asst sd eff ed
Asst sd eff ed
Asst sd eff ed
Gilberto Costa Nunes
Asst sd eff ed
Asst sd eff ed
Asst sd eff ed
Asst sd eff ed
Apprentice sd eff ed
Apprentice sd eff ed
Supv dial ed
Dial ed
Dial ed
Dial ed
Asst dial ed
Asst dial ed
Foley ed
Foley ed
Foley ed
Foley ed
Re-rec mixer
Re-rec mixer
Re-rec mixer
Boom, Philippines crew
VISUAL EFFECTS
Spec eff supv, Philippines crew
1st asst spec eff, Philippines crew
Title des
Title des
Titles and opticals
MAKEUP
Makeup/Hair
Makeup artist, Philippines crew
Asst makeup artist, Philippines crew
Hairstylist, Philippines crew
PRODUCTION MISC
Scr supv
Dial coach
Prod supv, Philippines crew
Unit mgr, Philippines crew
Loc mgr, Philippines crew
Transportation mgr, Philippines crew
Prod secy, Philippines crew
Utility supv, Philippines crew
Prod services in the Philippines
Prod services in the Philippines
STAND INS
Stunt coord
Stunt coord
Stuntman
Stuntman
COLOR PERSONNEL
Col timer
Col by
SOURCES
SONGS
"Proud Mary," written by John Fogarty, courtesy of Fantasy, Inc.; "On The Fenceline," written by Fontaine Brown, published by Fontoones, administered by Bug Music, performed by Fontaine Brown, courtesy of Bug Music; "P.O.W. The Escape" (Theme Music), written, performed and produced by David Storrs.
DETAILS
Alternate Title:
Behind Enemy Lines
Release Date:
4 April 1986
Premiere Information:
Los Angeles and New York openings: 4 Apr 1986
Production Date:
1 Jul--early Sep 1985
Copyright Info
Claimant
Date
Copyright Number
Cannon Films, Inc., & Cannon International, B.V.
16 June 1986
PA293301
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Duration(in mins):
90
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
28118
SYNOPSIS

In 1973, Colonel James T. Cooper volunteers to rescue Americans from a Vietnamese prisoner of war (POW) camp. Although Vietnamese Communists claim they have no American prisoners, the U.S. president and the pentagon believe otherwise. Col. Cooper has only four days to complete his mission. On the fifth day, a ceasefire is scheduled to go into effect, and the POWs will be reclassified as “missing in action” (MIA), making them harder to identify. At the end of the fourth day, helicopters will arrive at a nearby coastal location to transport everyone to safety. Approaching the POW camp, Col. Cooper gives orders to several helicopters to strafe the target. American soldiers land in nearby rice fields and fire on the Vietnamese, but quickly retreat when enemy soldiers bombard them with mortar shells. The soldiers return to the helicopters carrying their wounded, unaware that their comrade, Teague, has been shot in the back. When Col. Cooper notices Teague is missing, he orders the squadron to leave without him. After finding Teague, Cooper carries him on his back, and tosses grenades as he runs to meet a helicopter hovering over the rice paddies. When the helicopter is destroyed by a Vietnamese rocket launcher, Cooper is forced into the jungle. Cooper keeps Teague’s crucifix after the soldier succumbs to his wounds, and the Vietnamese capture him. Captain Vinh parades Cooper in front of the other POWs before locking him in a wooden-slatted cage in the river. When Capt. Vinh’s superiors discover that Cooper has been captured, they order him sent to Hanoi, where he can be exploited as a political pawn. Cooper is placed in a cage with other Americans and convinces them ...

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In 1973, Colonel James T. Cooper volunteers to rescue Americans from a Vietnamese prisoner of war (POW) camp. Although Vietnamese Communists claim they have no American prisoners, the U.S. president and the pentagon believe otherwise. Col. Cooper has only four days to complete his mission. On the fifth day, a ceasefire is scheduled to go into effect, and the POWs will be reclassified as “missing in action” (MIA), making them harder to identify. At the end of the fourth day, helicopters will arrive at a nearby coastal location to transport everyone to safety. Approaching the POW camp, Col. Cooper gives orders to several helicopters to strafe the target. American soldiers land in nearby rice fields and fire on the Vietnamese, but quickly retreat when enemy soldiers bombard them with mortar shells. The soldiers return to the helicopters carrying their wounded, unaware that their comrade, Teague, has been shot in the back. When Col. Cooper notices Teague is missing, he orders the squadron to leave without him. After finding Teague, Cooper carries him on his back, and tosses grenades as he runs to meet a helicopter hovering over the rice paddies. When the helicopter is destroyed by a Vietnamese rocket launcher, Cooper is forced into the jungle. Cooper keeps Teague’s crucifix after the soldier succumbs to his wounds, and the Vietnamese capture him. Captain Vinh parades Cooper in front of the other POWs before locking him in a wooden-slatted cage in the river. When Capt. Vinh’s superiors discover that Cooper has been captured, they order him sent to Hanoi, where he can be exploited as a political pawn. Cooper is placed in a cage with other Americans and convinces them to escape, explaining that rescue helicopters are expected to arrive in four days. Later, Capt. Vinh warns Cooper that he will “disappear” if he goes to Hanoi, but has a chance at freedom if he helps the captain reunite with relatives in Miami Beach, Florida. Since the captain is not interested in saving the other Americans, Cooper refuses. Capt. Vinh shoots an escaped American prisoner to change Cooper’s mind, but the colonel holds firm. Vinh acquiesces, and a gasoline truck containing Cooper and the American prisoners leaves the camp. At a border crossing, Vinh shoots a suspicious guard, and a chase ensues as the convoy makes its way over the border. Vinh is knocked unconscious from an explosion while Cooper and Sparks seize weapons from border patrol guards. The North Vietnamese Army approaches and Cooper blows up the gasoline truck, destroying a bridge and an enemy tank. While hiding from enemy soldiers on river patrol, Cooper discovers a chest filled with stolen jewelry that Vinh planned to take to America, and transfers it to a knapsack. At night, Cooper and Sergeant Jonston steal boats to transport the squadron to the rescue point. Capt. Vinh attempts to retrieve gold bars hidden in his jeep, before Sparks drives away in the vehicle. Vinh pursues him onto a road filled with refugees traveling on foot. On the river, the soldiers abandon the boats to avoid going over a waterfall, but one does not escape in time. Sparks detours into the jungle, crashes the jeep in a river, and realizes the jewelry and gold bars are missing. As Cooper and his men follow the river on foot, they come upon American soldiers who have been separated from their unit during a firefight on “Radar Hill.” Cooper wants to rescue the rest of the unit, but Sgt. Jonston fears they would miss their rendezvous with the helicopters. Sparks wanders into a village bar, and Vinh follows as the American joins a prostitute in her room. Haunted by traumatic memories of the war, Sparks prefers to be alone and forces the girl to leave. Vinh enters and demands his valuables, but Sparks blames Cooper for the theft. Cooper charges up Radar Hill, ordering the Americans to retreat. When the Vietnamese surround the area, Jonston and the POWs arrive by truck and take control of the situation. While his countrymen escape, Cooper rolls a portable gasoline tank down the hill, triggering a series of explosions. Vinh appears, threatening to detonate grenades in each hand unless his gold and jewelry are returned. Cooper wrestles a grenade from Vinh’s hand, and impales him on a metal spike on the back of the truck. Sparks appears on a stolen motorcycle and throws himself on Vinh’s live grenade. The soldiers run to meet the helicopters, and Jonston loads Sparks’s body onto the aircraft. As the helicopter rises into sky, Cooper and his men breathe a collective sigh of relief.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.