Soul Man (1986)

PG-13 | 101 mins | Comedy | 24 October 1986

Director:

Steve Miner

Writer:

Carol Black

Producer:

Steve Tisch

Cinematographer:

Jeffrey Jur

Editor:

David Finfer

Production Designer:

Gregg Fonseca

Production Company:

New World Pictures
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HISTORY

According to a 12 Jun 1986 DV article, producer Steve Tisch described the sensibility and tone of the material as “a cross between ‘Risky Business’ [1983, see entry] and ‘Tootsie’ [1982, see entry],” but when he submitted it to various studios, executives labeled the subject matter too sensitive and rejected the project. Tisch set up a deal with Atlantic Releasing that fell apart, but put together another deal with New World Entertainment’s CEO, Robert Rehme, and television vice president, Jeff Schechtman.
       Production notes in AMPAS library files state that Tisch and director Steve Miner auditioned several makeup artists, who did test makeup on actor C. Thomas Howell. Makeup artist Devorah Fischa was chosen for devising a convincing look for the star.        According to a 26 Feb 1986 DV brief, the 12 Jun 1986 DV, and an article in the 19 Sep 1986 HR, principal photography was scheduled to begin 24 Mar 1986 in locations including Los Angeles, CA, and Boston, MA, on a slightly more than $4-million budget. Principal photography was completed by early Jun 1986.
       Articles in the 9 Oct 1986 HR and 24 Oct 1986 LAHExam reported that the National Association for the Advancement of Colored People (NAACP) had requested to see the script but was denied. A request for an early screening for black community leaders was also ignored. Grayce Gadson, Hollywood chapter consultant for the NAACP, sent a letter to Tisch expressing concerns that the picture’s premise was “shaky,” based on information from industry publications.
       A 10 Oct 1986 HR article reported that a premiere screening was ...

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According to a 12 Jun 1986 DV article, producer Steve Tisch described the sensibility and tone of the material as “a cross between ‘Risky Business’ [1983, see entry] and ‘Tootsie’ [1982, see entry],” but when he submitted it to various studios, executives labeled the subject matter too sensitive and rejected the project. Tisch set up a deal with Atlantic Releasing that fell apart, but put together another deal with New World Entertainment’s CEO, Robert Rehme, and television vice president, Jeff Schechtman.
       Production notes in AMPAS library files state that Tisch and director Steve Miner auditioned several makeup artists, who did test makeup on actor C. Thomas Howell. Makeup artist Devorah Fischa was chosen for devising a convincing look for the star.        According to a 26 Feb 1986 DV brief, the 12 Jun 1986 DV, and an article in the 19 Sep 1986 HR, principal photography was scheduled to begin 24 Mar 1986 in locations including Los Angeles, CA, and Boston, MA, on a slightly more than $4-million budget. Principal photography was completed by early Jun 1986.
       Articles in the 9 Oct 1986 HR and 24 Oct 1986 LAHExam reported that the National Association for the Advancement of Colored People (NAACP) had requested to see the script but was denied. A request for an early screening for black community leaders was also ignored. Grayce Gadson, Hollywood chapter consultant for the NAACP, sent a letter to Tisch expressing concerns that the picture’s premise was “shaky,” based on information from industry publications.
       A 10 Oct 1986 HR article reported that a premiere screening was held on 8 Oct 1986 at the Motion Picture Academy in Beverly Hills, CA. Additionally, filmmakers arranged for eight sneak previews on 10 Oct 1986 in key cities. The following weekend, on 17 Oct 1987, the picture was sneaked in an additional ninety major markets.
       A 29 Oct 1986 DV article noted that local NAACP president Willis Edwards had issued a statement after a screening, denouncing the movie for its simplistic approach to race and gender. Edwards noted that the picture insulted “both blacks and whites, male and female.” Also, he criticized the plot point “that no black student could be found in all of Los Angeles who was academically qualified for a scholarship geared to blacks.” In response, Tisch claimed that he had watched the film with black audience members in attendance, and observed a positive response. As a result, he was less inclined to believe the NAACP spoke for a majority of theatergoers. A 29 Oct 1986 LAT article reported that on the film’s opening night of 24 Oct 1986, approximately 200 protestors organized by the University of California Los Angeles’s (UCLA) Black Student Alliance staged a protest in Westwood, CA, to call attention to the film’s false portrayal of “the economic realities black students face at school,” and object to its simplistic, misleading approach to race as “merely a matter of dark skin and not of 400 years of diversified culture.” In addition, UCLA’s Black American Law Students Association issued the statement: “We find the Al Jolson-like portrayal of the main character offensive and trivializing of the reality of black law students everywhere.” In light of a successful opening, Willis Edwards suggested that filmmakers donate ten percent of their profits toward the financial aid of a black student attending Harvard Law School.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
26 Feb 1986
---
Daily Variety
12 Jun 1986
---
Daily Variety
29 Oct 1986
---
Hollywood Reporter
19 Sep 1986
---
Hollywood Reporter
9 Oct 1986
---
Hollywood Reporter
10 Oct 1986
---
Hollywood Reporter
23 Oct 1986
p. 3, 22
LAHExam
24 Oct 1986
p.7
Los Angeles Times
24 Oct 1986
p. 1, 24
Los Angeles Times
29 Oct 1986
---
New York Times
24 Oct 1986
p. 5
Variety
15 Oct 1986
p. 21, 25
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
New World Pictures in association with
Balcor Film Investors presents
A Steve Tisch production
A Steve Miner film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
PRODUCERS
Co-prod
Co-prod
Assoc prod
Assoc prod
Line prod
WRITER
PHOTOGRAPHY
Dir of photog
1st cam asst
2d cam asst
Still photog
Gaffer
Paul McIlvaine
Best boy/elec
Key grip
Best boy/Grip
Dolly grip
2d cam asst, Boston unit
Best boy/Grip, Boston unit
Grip, Boston unit
Grip, Boston unit
Elec, Boston unit
General op, Boston unit
ART DIRECTORS
Prod des
Art dir
Art dir
Art dept coord
Art patrol
Storyboard artist
FILM EDITORS
Film ed
Asst film ed
Apprentice film ed
Negative cutting
SET DECORATORS
Set des
Set dec
Set dresser
Set dresser
Prop master
Asst prop master
Const coord
Const foreman
Scenic artist
COSTUMES
Cost des
Asst cost
Ward asst
Ward asst, Boston unit
MUSIC
Tom Scott
Mus score
Mus supv
Supv mus ed
Supv mus ed
Scoring mixer
SOUND
Sd mixer
Boom op
Supv sd ed
Sd ed
Sd ed
Sd ed
Foley ed
Asst sd ed
Re-rec mixer
Re-rec mixer
Re-rec mixer
Sd eff rec
Dolby consultant
VISUAL EFFECTS
Spec eff
Main title seq des by
Main title seq des by
Opticals
MAKEUP
Makeup artist
Hairstylist
Rae Dawn Chong's makeup
PRODUCTION MISC
Casting
Scr supv
Loc mgr
Dianne L. Cheek
Prod accountant
Kool Lusby
Prod coord
Prod coord
Prod secy
Casting asst
Extra casting
Extra casting
Extras coord
Asst to Steve Tisch
Asst to Steve Miner
Prod asst
Prod asst
Prod asst
Transportation coord
Transportation capt
Driver
Driver
Driver
Set security
Catering
Craft service
Loc mgr, Boston unit
Prod coord, Boston unit
Prod secy, Boston unit
Transportation capt, Boston unit
Driver, Boston unit
Driver, Boston unit
Driver, Boston unit
Driver, Boston unit
Driver, Boston unit
Driver, Boston unit
Driver, Boston unit
Driver, Boston unit
Driver, Boston unit
Prod asst, Boston unit
Prod asst, Boston unit
Prod asst, Boston unit
Prod asst, Boston unit
Extra casting, Boston unit
Extra casting, Boston unit
Extra casting, Boston unit
Catering, Boston unit
Catering, Boston unit
Craft service, Boston unit
Insurance provided by
Completion services furnished by
Payroll services provided by
STAND INS
Stunt coord
Stunt double
Stunt double
Stunt double
Stunt double
Stunt double
COLOR PERSONNEL
Col consultant
Processing by
SOURCES
SONGS
"Hoochie Coochie Man," by Willie Dixon, performed by Muddy Waters, courtesy of CBS Records; "Soul Man," by Isaac Hayes & David Porter, performed by Sam Moore & Lou reed, Lou Reed courtesy of RCA Records; "Evolution," by James Freud & Sean Kelly, performed by The Models, courtesy of Geffen Records/Mushroom Records; "Outside," by John Smith, performed by Nu Shooz, courtesy of Atlantic Recording Corporation; "Big Bang Bang (Who's On The Phone)," by A. La Bionda, S. Conforti, E. Pannuto, R. P. James, performed by Ricky, courtesy of A&M Records, Inc. & Creamus SRL; "Black Girls," by Jay Gruska, Paul Gordon, Rae Dawn Chong, performed by Rae Dawn Chong; "Theme From Shaft," by Isaac Hayes, performed by Isaac Hayes, courtesy of Stax Records; "Love And Affection," by Joan Armatrading, performed by Martha Davis & Sly Stone, Martha Davis courtesy of Capitol Records, Inc., courtesy of A&M Records, Inc.; "(What Did I Do To Be So) Black And Blue," by Andy Razzaf, Thomas Wailer, Harry Brooks, performed by Louis Armstrong, courtesy of CBS Records; "Suddenly It's Magic," by Amy La Television & Willie Wilcox, performed by Vesta Williams, courtesy of A&M Records, Inc.; "California Girls," by Brian Wilson, performed by The Beach Boys, courtesy of CBS Records; "Totally Academic," by Brenda Russell & Jeffrey Hull, performed by Brenda Russell, courtesy of A&M Records, Inc.; "I've Been Loving You Too Long," by Otis Redding & Jerry Butler, performed by Otis Redding, courtesy of Atlantic Recording Corporation; "Eek-Ah-Bo Static Automatic," by Sly Stone, performed by Sly Stone, courtesy of A&M Records, Inc.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
24 October 1986
Premiere Information:
Los Angeles premiere: 8 Oct 1986; Los Angeles and New York openings: 24 Oct 1986
Production Date:
24 Mar--May or Jun 1986
Copyright Info
Claimant
Date
Copyright Number
Balcor Film Investors
4 December 1986
PA312200
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Lenses
Lenses and Panaflex® camera by Panavision®
Prints
Prints by Technicolor
Duration(in mins):
101
MPAA Rating:
PG-13
Country:
United States
Language:
English
SYNOPSIS

One morning, Gordon Bloomfeld bursts into the bedroom of his best friend, Mark Watson, with college admission letters, and the friends are ecstatic that they have been accepted to Harvard Law School. The next day, Mark’s Ivy League dream is crushed when his father, Bill, announces that he is purchasing prime real estate in Barbados instead of paying Mark’s tuition. He expects Mark to come up with the money for graduate school on his own. Mark calculates that three years of law school will cost an estimated $54,000. The friends search for a scholarship but run into roadblocks since Mark’s family is wealthy, and the programs are intended to assist those in financial need. Mark applies for a bank loan, but is rejected because of his shaky credit history. Later, Gordon suggests that Mark beg his father for help. When Mark admits he already tried that, Gordon advises Mark to apply to a less expensive school, but Mark is unwilling to settle for a less prestigious university. Later, when his acquaintance, Brad Small, offers to get Mark admitted to Boston University, Mark lies and tells Brad he found a secret way to attend Harvard. Still later, Mark obtains tanning pills that chemically alter the color of his skin, and wears a dark, curly wig to pass for a young black man. With his disguise, he receives a full scholarship earmarked for a black student from Los Angeles, California, to attend Harvard Law School. Gordon reminds Mark that by accepting the Henry Q. Bouchard memorial scholarship, he must pretend to be black for three years. Mark responds that he is up to the challenge. The friends are unfazed when ...

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One morning, Gordon Bloomfeld bursts into the bedroom of his best friend, Mark Watson, with college admission letters, and the friends are ecstatic that they have been accepted to Harvard Law School. The next day, Mark’s Ivy League dream is crushed when his father, Bill, announces that he is purchasing prime real estate in Barbados instead of paying Mark’s tuition. He expects Mark to come up with the money for graduate school on his own. Mark calculates that three years of law school will cost an estimated $54,000. The friends search for a scholarship but run into roadblocks since Mark’s family is wealthy, and the programs are intended to assist those in financial need. Mark applies for a bank loan, but is rejected because of his shaky credit history. Later, Gordon suggests that Mark beg his father for help. When Mark admits he already tried that, Gordon advises Mark to apply to a less expensive school, but Mark is unwilling to settle for a less prestigious university. Later, when his acquaintance, Brad Small, offers to get Mark admitted to Boston University, Mark lies and tells Brad he found a secret way to attend Harvard. Still later, Mark obtains tanning pills that chemically alter the color of his skin, and wears a dark, curly wig to pass for a young black man. With his disguise, he receives a full scholarship earmarked for a black student from Los Angeles, California, to attend Harvard Law School. Gordon reminds Mark that by accepting the Henry Q. Bouchard memorial scholarship, he must pretend to be black for three years. Mark responds that he is up to the challenge. The friends are unfazed when student housing superintendent Ray McGrady expresses discomfort with renting an apartment to a black student. McGrady informs Mr. Dunbar, the landlord, that they have accidentally rented an apartment to a black man, and Dunbar orders him to keep an eye out for drugs, pets, vandalism, loud music or other grounds for breaking the lease. At a reception for first-year law students, a black student named Sarah Walker invites Mark to a Black Law Students Association (BLSA) meeting the following week. He signs up for a criminal law class taught by Professor Banks, who is black, and sits next to Sarah in class. Later, Gordon misleads Mark by suggesting that the BLSA is a militant group. Mark dresses like a Black Panther in a turtleneck, dark sunglasses and a beret, but when the other students are wearing dress shirts and slacks, he quickly leaves. He accuses Gordon of ruining his chances with Sarah, but the conflict takes a backseat when they both vie for the attention of Mr. Dunbar’s attractive daughter, Whitney. At basketball intramurals, team captains fight over Mark, although he insists he is only an average player. To keep up his charade, he imitates a black player on the opposing team, but does not have the athletic skills to keep up. One day, Mark tells Sarah he was impressed by her answers in criminal law class, and asks her on a date. She reluctantly agrees to study with him on Friday night at the library. Back at Mark’s apartment building, Whitney Dunbar claims she cannot find Ray McGrady, and asks Mark to fix her shower. She reveals that she is a political science major at Radcliffe. Soon, their mutual attraction leads to an episode of casual sex. Whitney is fascinated that Mark fits some racial stereotypes but not others. She invites him to dinner to meet her parents, which makes for an awkward evening. Afterward, he realizes he missed his study date with Sarah. In class, he offers an apology, but Sarah makes it clear she is not interested in another date. Driving back to his apartment, a patrol car follows Mark in his Jeep. He becomes nervous and swerves to avoid sideswiping the open door of another car. The policeman stops him for changing lanes without signaling. When the officer sees Mark’s California license, with the picture of a white male, he throws him in jail. Later, Mark shows up late in Professor Banks’s class without his assignment. He explains that he spent eighteen hours in a jail cell, being beaten by bigoted sports fans, so the professor gives him an extension until the next morning. He makes it clear that Mark will get no special treatment, even if it means working twice as hard as his white compatriots. Professor Banks writes his telephone number on a piece of paper, and tells Mark to call him the next time he is arrested. The next day, Mark shares a table in the cafeteria with a black child named George Walker, and discovers he is Sarah’s son. Back in Banks’s class, the professor catches Sarah unprepared. He warns her that she must keep up her grades on the next test. Thus, Mark persuades Sarah to study with him. During long hours in the library, they bond. Mark offers to let Sarah drive his car home, since George has a fever and she wants to tuck him in. Mark meets Sarah’s very proud grandparents, and is charmed by George, who would rather watch Joan Rivers guest-host The Tonight Show than go to bed. Outside, they watch snow fall and share a kiss. Sarah reveals that she is from San Diego, California, and would have been next in line for the Bouchard scholarship, if no one from Los Angeles met the qualifications, but she is glad that he received the scholarship. Later, Mark tells Gordon he is through with his charade. Although Gordon tries to talk him out of his decision, Mark intends to turn himself in. However, Professor Banks recommends him for a seat as a student representative on the university’s prestigious judiciary committee, taking the place of another black student on a leave of absence. When Banks expresses confidence that Mark will do a good job, the young man continues his deception. Meanwhile, Whitney Dunbar waits in Mark’s bedroom clad in lingerie, waiting for another sexual encounter. Mark is expecting Sarah to show up at any minute when his parents surprise him with a visit. He greets them in a blue ski cap that covers his entire face, and claims to be suffering a cold. Sarah shows up for their study session, but rejects Mark’s idea to go to the library. Mark excuses himself, and throws the half-clothed Whitney onto the fire escape to hasten her departure. When Mr. and Mrs. Watson step from the kitchen into the living room, and introduce themselves as Mark’s parents, Gordon bluffs, telling Sarah that the Watsons are part of a current scam in which older strangers pretend to be the parents of affluent students to improve their own shaky financial circumstances. Sarah pulls Mark into his bedroom to talk. He goes through a garbled speech about interracial relationships when Whitney climbs through the bedroom window. In attempting to explain his involvement with Whitney, Mark confesses that he is really white, and Sarah leaves. Later, Mark confesses to Gordon that he never imagined he would fall in love with Sarah. Gordon assures him that they will come up with a solution. The judiciary committee convenes for a special hearing, and Gordon appears as Mark’s chief counsel before the committee chairman, Professor Banks. Gordon explains that Mark accepted the Bouchard scholarship under false pretenses and wishes to make amends. He explains that trying financial circumstances and warped values drove Mark to his crime, but with the leniency of the court, he can still become a useful member of society. When Mark appears without his wig, and weaned off of his tanning pills, the audience gasps. Later, in Professor Banks’s office, Mark elects to pay Sarah the full amount of the scholarship plus interest, donating one day per week and all his summer vacation to do legal aid work in the black community. He proposes that a contract be drawn up so that a fixed percentage of his income each year can be donated to a scholarship in Sarah’s name. When pressed, he humbly asks if he might be allowed to earn his degree, and be of use. Professor Banks believes that Mark’s experience has taught him what it means to be black. Mark disagrees because he always knew that if circumstances became too uncomfortable, he could return to the white world. The professor smiles and tells him that the charges will be dropped. Later, Mark works at his new job in the school cafeteria. He sees Sarah and asks if she got his check. He explains that he sold his car, and arranged to get a loan from his father at twenty-five percent interest to raise the money. When he wants to know her thoughts about interracial relationships, she responds that she never met a white man that interested her. As Sarah and her son leave, Mark punches two white male students after tiring of hearing their constant racist jokes. Sarah is impressed and catches up with Mark. She believes that if two people care about each other, then an interracial relationship is possible. When she offers to buy him dinner, he jokes, and repeats something she once told him: “This is Harvard. You don’t need to eat. You don’t need to sleep. You just need to study.”

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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