Full page view
HISTORY

       End credits include thanks to: “The People of Wilmington, North Carolina; Albert Wolsky and Cliff Capone; The Harold Zimmerman Collection; Thayer Coggin, Inc.; Swaim Originals, Inc.; Classic Gallery, Inc.; Alfred Williams and Company; Preview Furniture Corporation; The Uncommon Market; Lighting Mategra, Inc.; Allmark, Inc.; Fast Fare Convenience Stores; Nihan Kohden.”
       Principal photography began on 16 Feb 1987 in Wilmington, NC, with a ten-week shoot planned, according to production charts in the 18 Feb 1987 DV.
       Director-screenwriter Tom McLoughlin first had the idea for a love story centering around a celestial angel in 1981, according to promotional information in AMPAS library files. Since his script called for the angel to be unable to speak except in cooing or squeaking sounds, McLoughlin, the founder of the Los Angeles Mime company, knew whoever was cast in the part would not only have to be “radiantly beautiful,” but also a “skilled physical actress” capable of conveying emotions via facial expressions and body language.
       Two weeks before the movie was set to start shooting, McLoughlin still had not found the right actress, despite interviewing some 5,000 models and actresses. However, while on a business trip to Paris, France, he went to the movies one night and saw actress Emmanuelle Beart in director Claude Berri’s Manon des sources. Calling it the “casting equivalent of love at first sight,” he quickly cast her as his angel. Beart, who would go on to win a Cesar Award (the French equivalent of an Academy Award) for her role in Manon des sources, was well known to European audiences, but virtually unknown to American audiences. ...

More Less

       End credits include thanks to: “The People of Wilmington, North Carolina; Albert Wolsky and Cliff Capone; The Harold Zimmerman Collection; Thayer Coggin, Inc.; Swaim Originals, Inc.; Classic Gallery, Inc.; Alfred Williams and Company; Preview Furniture Corporation; The Uncommon Market; Lighting Mategra, Inc.; Allmark, Inc.; Fast Fare Convenience Stores; Nihan Kohden.”
       Principal photography began on 16 Feb 1987 in Wilmington, NC, with a ten-week shoot planned, according to production charts in the 18 Feb 1987 DV.
       Director-screenwriter Tom McLoughlin first had the idea for a love story centering around a celestial angel in 1981, according to promotional information in AMPAS library files. Since his script called for the angel to be unable to speak except in cooing or squeaking sounds, McLoughlin, the founder of the Los Angeles Mime company, knew whoever was cast in the part would not only have to be “radiantly beautiful,” but also a “skilled physical actress” capable of conveying emotions via facial expressions and body language.
       Two weeks before the movie was set to start shooting, McLoughlin still had not found the right actress, despite interviewing some 5,000 models and actresses. However, while on a business trip to Paris, France, he went to the movies one night and saw actress Emmanuelle Beart in director Claude Berri’s Manon des sources. Calling it the “casting equivalent of love at first sight,” he quickly cast her as his angel. Beart, who would go on to win a Cesar Award (the French equivalent of an Academy Award) for her role in Manon des sources, was well known to European audiences, but virtually unknown to American audiences. A 9 Feb 1987 HR report about Beart’s casting stated that McLoughlin was excited about being able to introduce the actress to American audiences.
       Boss Film Corporation of Los Angeles, CA, created the special effects of the angel flying and also constructed the wings which Beart’s character wore, according to a 9 Feb 1987 HR article. Five different sets of wings were used in the movie.
       Date with An Angel marked the first big screen starring role for actor Michael E. Knight, who had been popular with audiences for his portrayal of the lovable rogue “Tad Martin” from 1982 to 1986 on the long-running daytime television soap opera All My Children (ABC, 5 Jan 1970--23 Sep 2011).
       Production was completed in mid-May 1987, according to a brief in the 15 May 1987 DV. The film opened on 656 screens on 20 Nov 1987, but fared poorly at the box office, earning a mere $1.5 million in its first ten days of release, as reported in the 1 Dec 1987 DV.

      End credits state “Date With An Angel was filmed entirely at DEG Film Studios, Wilmington, North Carolina.”

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
18 Feb 1987
---
Daily Variety
15 May 1987
---
Daily Variety
20 Nov 1987
p. 3, 8
Daily Variety
1 Dec 1987
---
Hollywood Reporter
9 Feb 1987
p. 1, 18
Hollywood Reporter
9 Feb 1987
p. 10
Hollywood Reporter
23 Nov 1987
p. 3, 16
Los Angeles Times
23 Nov 1987
p. 4
New York Times
21 Nov 1987
p. 14
Variety
25 Nov 1987
p. 15
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
De Laurentiis Entertainment Group presents
In Association With De Laurentiis Film Partners L.P.
A Tom McLoughlin Movie
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
PRODUCERS
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
1st cam asst
2d cam asst
Video tech
Gaffer
Elec
Elec
Rigging gaffer
Rigger
Rigger
Key grip
Grip team
Grip team
Grip team
Still photog
Spec photog
Camera and lenses by
ART DIRECTORS
Prod des
Art dir
Storyboard artist
FILM EDITORS
Film ed
1st asst ed
2d asst ed
Negative cutter
SET DECORATORS
Set des
Anne H. Aherns
Set dec
Set dresser
Set dresser
Prop master
Asst props
Greensman
Head painter
Standby painter
Const coord
Lead carpenter
COSTUMES
Cost des
Ward supv
Ward asst
Gown tailor
MUSIC
Orig score by
Mus ed
Scoring mixer
Singing comp and addl performance
Mus consultant
SOUND
Prod sd
Prod sd
Cable man
Sd des
Supv sd ed
Sd eff ed
Sd eff ed
ADR ed
Foley ed
Asst sd ed
Asst sd ed
Re-rec mixer
Re-rec mixer
Re-rec mixer
Voice casting
Foley artist
Foley artist
VISUAL EFFECTS
Visual eff prod by
Titles and opt eff by
Visual eff in 65 mm by
Los Angeles, California
Dir of photog (Boss Film Corp.)
Visual eff art dir (Boss Film Corp.)
Visual eff ed (Boss Film Corp.)
Chief financial officer (Boss Film Corp.)
Prod supv (Boss Film Corp.)
Spec eff foreman (Boss Film Corp.)
Asst to Richard Edlund (Boss Film Corp.)
Prod coord (Boss Film Corp)
Opt cam op (Boss Film Corp.)
Opt cam op (Boss Film Corp.)
Opt line-up (Boss Film Corp.)
Opt line-up (Boss Film Corp.)
Head lab tech (Boss Film Corp.)
Negative developing op (Boss Film Corp.)
Eff cam (Boss Film Corp.)
1st asst photog (Boss Film Corp.)
Matte artist (Boss Film Corp.)
Still photog (Boss Film Corp.)
Tech anim supv (Boss Film Corp.)
Anim prod asst (Boss Film Corp.)
Anim prod asst (Boss Film Corp.)
Anim prod asst (Boss Film Corp.)
Anim prod asst (Boss Film Corp.)
Spec projects asst (Boss Film Corp.)
Asst ed (Boss Film Corp.)
Asst ed (Boss Film Corp.)
Chief lighting tech (Boss Film Corp.)
Prod adv (Boss Film Corp.)
Opt supv (Boss Film Corp.)
Model shop supv (Boss Film Corp.)
Spec projects supv (Boss Film Corp.)
Chief eng (Boss Film Corp.)
Chief matte artist (Boss Film Corp.)
Wing unit crew chief (Boss Film Corp.)
Head puppeteer (Boss Film Corp.)
Chief feather bender (Boss Film Corp.)
Key mechanical specialist (Boss Film Corp.)
Mechanical specialist (Boss Film Corp.)
Mechanical specialist (Boss Film Corp.)
Wingman (Boss Film Corp.)
Wing sculptor (Boss Film Corp.)
Teresa Burkett
Angel fabricator (Boss Film Corp.)
Feather consultant (Boss Film Corp.)
Plumer (Boss Film Corp.)
Wing painter (Boss Film Corp.)
Sue Alpert
Wing shop coord (Boss Film Corp.)
Des eng (Boss Film Corp.)
Electronics supv (Boss Film Corp.)
Electronics tech (Boss Film Corp.)
Precision cinetechnician (Boss Film Corp.)
Prod accountant (Boss Film Corp.)
Asst accountant (Boss Film Corp.)
Flying crew chief (Boss Film Corp.)
Flying harness (Boss Film Corp.)
Prod asst (Boss Film Corp.)
Prod asst (Boss Film Corp.)
MAKEUP
Makeup supv
Makeup artist
Hair stylist
Hair asst
Photo session makeup
Photo session hair
PRODUCTION MISC
Casting
Casting
Asst to Ms. Schumacher
Asst to Mr. McLoughlin
Scr supv
Loc mgr
Loc asst
Prod coord
Asst auditor
Asst auditor
Prod secy
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Post prod supv
Unit pub
Wilmington casting
Wilmington casting, Action Casting
Wilmington casting, Action Casting
Casting assoc
Casting asst
Animals furnished by
Trainers
Trainers
Craft service
Transportation coord
Transportation coord
Promotional consultant
Catering by
STAND INS
Stunt coord
Stuntman
Stuntman
Stuntman
Stuntman
Stuntman
Stuntman
Stuntman
COLOR PERSONNEL
Col by
Col timer
SOURCES
SONGS
“Someone Who Believes In You,” written by Carole King and Gerry Goffin, published by Elorac Music/ Rightsong Music, Inc./DEG Entertainment Music/DDL Music Show Publishing, performed by Russell Hitchcock, produced by Michael Lloyd, courtesy of Arista Records, Inc.; “I Come Alive,” written by Albert Hammond and Randy Kerber, published by Albert Hammond Music/DEG Entertainment Music/DDL Music Show Publishing, performed by Russell Hitchcock, produced by Paul Fox and Michael Lloyd, courtesy of Arista Records, Inc.; “You Are The Girl,” written by Ric Ocasek, published by Lido Music, Inc., performed by The Cars, courtesy of Electra Records, by arrangement with Warner Special Products; “The Finer Things,” written by Steve Winwood and Will Jennings, published by F.S. Limited/Willin' David Music/Blue Sky Rider Songs, performed by Steve Winwood, courtesy of Island Records; “Pop Goes The World” & “Intro,” written by Men Without Hats, published by Polygram Songs, Inc., performed by Men Without Hats, courtesy of Polygram Special Projects, a division of Polygram Records, Inc.; “Understanding Jane,” written by Robert Ian McNabb, published by Icicle Works, Ltd., used by permission of Chappell Music, performed by Icicle Works, courtesy of Beggars Banquet Records Limited/RCA Records; “Tutti Frutti,” written by Richard Penniman, Dorothy LaBostrie, Joe Lubin, published by ATV Music, performed by Little Richard, courtesy of Vee Jay International, Inc.; “Never Want To Let You Go,” written by Natalie Pace & No Prisoners, published by DDL Music Show Publishing Co., performed by the Sheilas; “Angel Baby,” written by Rose Hamlin, published by ABZ Music Corp., performed by Rosie & The Originals, courtesy of Original Sound Entertainment; “Theme From Love Story,” written by Francis Lai, published by Famous Music Corp.; “Rocky And His Friends,” written by Fred Steiner, published by Jay Ward Publishing.
DETAILS
Release Date:
20 November 1987
Premiere Information:
Los Angeles and New York openings: 20 Nov 1987
Production Date:
16 Feb--mid May 1987 in Wilmington, NC
Copyright Info
Claimant
Date
Copyright Number
DeLaurentiis Entertainment Group, Inc.
4 February 1988
PA359241
Physical Properties:
Sound
Dolby Stereo in selected theatres
Color
Col by Technicolor
Duration(in mins):
105
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
28739
SYNOPSIS

In the town of Bedford, rain spoils the outdoor engagement party of music composer Jim Sanders to cosmetics model Patty Winston, forcing all the guests inside. Three masked robbers with machine guns storm the house. They gag Jim and kidnap him, throwing a grenade into the room as they escape. The guests rush outside for safety, but the grenade does not explode. A few moments later, the kidnappers phone the house, announcing that it was a rubber grenade and that the machine guns were water guns. The kidnappers are actually three of Jim’s best friends, George, Don, and Rex. They take Jim back to his apartment where they drink lots of beer and have their own party. In the early morning hours, Jim wakes up on the sofa to find water spilling into his apartment. He goes outside and sees a girl with wings lying in the swimming pool. He jumps in, lifts her out and takes her inside where he gives her mouth-to-mouth resuscitation, which revives her. The girl understands English, but is unable to speak. She finds that her right wing is broken and Jim offers to call a veterinarian. She kisses Jim and he kisses back, saying that since he is obviously dreaming, it is ok for them to kiss. The next morning, as Jim cleans up, he finds the girl still there. He is stunned to realize she is real and has wings. Just then, George, Don and Rex arrive. Jim tries to hide the girl, but they find her and see that she has wings. Jim and the guys go to a convenience store to get breakfast while discussing what they are going ...

More Less

In the town of Bedford, rain spoils the outdoor engagement party of music composer Jim Sanders to cosmetics model Patty Winston, forcing all the guests inside. Three masked robbers with machine guns storm the house. They gag Jim and kidnap him, throwing a grenade into the room as they escape. The guests rush outside for safety, but the grenade does not explode. A few moments later, the kidnappers phone the house, announcing that it was a rubber grenade and that the machine guns were water guns. The kidnappers are actually three of Jim’s best friends, George, Don, and Rex. They take Jim back to his apartment where they drink lots of beer and have their own party. In the early morning hours, Jim wakes up on the sofa to find water spilling into his apartment. He goes outside and sees a girl with wings lying in the swimming pool. He jumps in, lifts her out and takes her inside where he gives her mouth-to-mouth resuscitation, which revives her. The girl understands English, but is unable to speak. She finds that her right wing is broken and Jim offers to call a veterinarian. She kisses Jim and he kisses back, saying that since he is obviously dreaming, it is ok for them to kiss. The next morning, as Jim cleans up, he finds the girl still there. He is stunned to realize she is real and has wings. Just then, George, Don and Rex arrive. Jim tries to hide the girl, but they find her and see that she has wings. Jim and the guys go to a convenience store to get breakfast while discussing what they are going to do with the angel. His friends talk about concert appearances, movies, and television shows for her, but Jim gets upset at the idea of turning Angel into a circus sideshow. When he returns home, Jim uses a string to sew up Angel’s broken wing. She tries to kiss him, but he pulls away. Just then, Patty arrives, but storms out seeing Angel wrapped in a blanket standing in the bedroom doorway.
Jim takes Angel to a church where she feels at home, but her presence upsets someone who is praying. Jim goes into the confessional booth asking what to do with her, but the priest’s only advice is to take Angel to the Baptists. Later, Jim takes Angel to a fast food restaurant, where she loves the French fries. Jim leaves Angel in the car while he telephones Patty, who tells him to “drop dead.” Meanwhile, his friends spot his car in the parking lot and entice Angel with more French fries, hoping they can capture her. Jim chases them away and takes Angel back to his apartment. There, a Doberman pinscher tries to attack, but upon seeing Angel’s eyes, the dog becomes docile. Shortly after, Patty’s father, Ed Winston, arrives at Jim’s and makes threats. However, upon gazing into Angel’s face, he is mesmerized by her. Ed says that Jim and Angel make a wonderful couple. A few moments later, once he is out of Angel’s presence, Ed wonders what he was thinking to say that. The Doberman pinscher is no longer docile and bites Ed in the butt. The next day at Winston Cosmetics, the company which Ed owns, reports show their Ethereal Beauty line of cosmetics is not selling well and say Patty is the wrong person to be the face of the advertising campaign. Ed believes that Angel would be the perfect model for them, has a “face to die for,” and a complexion everyone would want. Meanwhile, George, Rex and Don go to a lawyer’s office with various idea for selling Angel-related merchandise, including bumper stickers, coffee mugs and tooth paste. Jim takes Angel to the library to show her books illustrating angels and other religious figures. She becomes excited seeing these images. Later, Jim takes Angel to Patty’s house to explain. Patty responds by throwing his belongings out the window, then turns the lawn sprinklers on. As Jim and Angel walk down the sidewalk, numerous animals are drawn to her. The next morning, George makes telephone calls inviting the media to a press conference the next day. Rex questions how they will get Angel there, but George says he has taken care of that. Shortly after, a delivery man brings a bouquet of balloons and roses to Patty’s house, with a note asking to meet Jim in the park at 8:00 p.m. Later, George telephones Jim, inviting him to meet them in the park for beers at 8:00 p.m. That night, Patty waits in the gazebo as Jim arrives with Angel. Seeing them together, Patty rushes off and Jim follows, leaving Angel behind. The guys capture Angel and stuff her into the trunk of a car. She coos for help and Jim rushes up just as they drive away. Jim drives all night looking for them. The next morning at the press conference, George brings a bound and gagged Angel out for the press to see, but before he can remove the ropes, Jim arrives and carries her off. She kisses him in gratitude. Jim takes her to an old treehouse deep in the woods to hide out. When Jim falls asleep, Angel, her wing now healed, takes flight and soars through the woods. A little later, she lands, puts the bandage back on her wing and returns to Jim. As the two sit by the campfire, he explains that his father was the person who got him interested in music. He enjoyed his work as a composer, but about six months ago, he started getting severe headaches and could no longer write music. About that time, he fell for Patty, who did not like the idea of marrying a composer, so he agreed to become a sales representative to provide them steady income. Jim tells Angel that he does feel something for her, but they cannot have a life together because she does not belong here on earth. The two dance to one of his compositions. Meanwhile, police find Jim’s car on the side of the road. Ed and Jim’s mother, Grace, search for them in the woods. Patty gets word of this, and also goes looking for them, as do George, Don and Rex. Jim takes the bandage off Angel’s wing and says she should leave before they capture her. She disappears in a cloud of angel dust. Just then, Patty arrives and punches Jim in the face. Suddenly, an invisible force punches Patty back, then kicks her to the ground. Jim realizes this is an invisible Angel. Ed, Grace and the guys arrive and Angel appears in the sky above them. She causes it to rain on Ed and Patty, then disappears into the sky. Just then, everyone notices that Jim has collapsed. They speed him to a hospital where the doctor declares that Jim has a cerebral tumor that causes his headaches. Angel appears in Jim’s hospital room. He believes she is there to take him to heaven. She kisses him, but he passes out. She wraps him in her arms. Shortly after that, George, Rex and Don come to check on Jim, saying they are worried he was going to die. A nurse who looks exactly like Angel tells them she has it on the highest authority that Jim will be around for a long time to come. When Jim wakes up, he recognizes the nurse as Angel, who can now speak. She tells him she got a leave of absence and they can now be together. She asks him to take her out for French fries. He scoops her in his arms and kisses her.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

Ferris Bueller's Day Off

The picture begins with actor Matthew Broderick, in the role of “Ferris Bueller,” speaking directly to the audience. His commentary continues intermittently throughout the picture.
       A 13 Jun ... >>

Beetle Juice

The film’s title appears as two words in onscreen credits, and early mentions of the project in contemporary news items, including the 23 Jan 1986 HR and ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.