Hotel Colonial (1987)

R | 104 mins | Drama, Adventure, Mystery | 18 September 1987

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HISTORY

       Principal photography began on 6 Jan 1986 in Vera Cruz, Mexico, according to the 17 Jan 1986 DV production chart. The 12 Mar 1986 Var indicated the production left Mexico for a day to shoot in Colombia, then would shoot in Venice, Italy, for a week before wrapping.
       The 20 Jan 1987 HR stated the film’s budget was $6 million with a portion of that money coming from American financers, the rest from Italian financers. Director Cinzia TH Torrini reported the script was changed substantially to secure the American financing. She said the story was “more Italian” originally, but was changed to “make the movie more understandable to the average American.”
       Although the film opened overseas in early 1987, it did not open in the United States until fall 1987, playing in limited release. It opened on 18 Sep 1987 in New York City and 25 Sep 1987 in Los Angeles, CA.
       In 1990, producer William M. Siegel and his Legeis Theatrical Inc., which provided the American financing for Hotel Colonial, filed a $5.5 million breach of contract lawsuit against Hemdale Film Corporation regarding distribution profits, according to the 15 May 1990 HR. No additional information about the lawsuit could be found.


      End credits state: “Clothes for John Savage, Robert Duvall, Rachel Ward, Massimo Troisi were provided by the Fashion House of ‘Nicola Trussardi’.”
...

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       Principal photography began on 6 Jan 1986 in Vera Cruz, Mexico, according to the 17 Jan 1986 DV production chart. The 12 Mar 1986 Var indicated the production left Mexico for a day to shoot in Colombia, then would shoot in Venice, Italy, for a week before wrapping.
       The 20 Jan 1987 HR stated the film’s budget was $6 million with a portion of that money coming from American financers, the rest from Italian financers. Director Cinzia TH Torrini reported the script was changed substantially to secure the American financing. She said the story was “more Italian” originally, but was changed to “make the movie more understandable to the average American.”
       Although the film opened overseas in early 1987, it did not open in the United States until fall 1987, playing in limited release. It opened on 18 Sep 1987 in New York City and 25 Sep 1987 in Los Angeles, CA.
       In 1990, producer William M. Siegel and his Legeis Theatrical Inc., which provided the American financing for Hotel Colonial, filed a $5.5 million breach of contract lawsuit against Hemdale Film Corporation regarding distribution profits, according to the 15 May 1990 HR. No additional information about the lawsuit could be found.


      End credits state: “Clothes for John Savage, Robert Duvall, Rachel Ward, Massimo Troisi were provided by the Fashion House of ‘Nicola Trussardi’.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
17 Jan 1986
---
Daily Variety
14 Jan 1987
---
Hollywood Reporter
20 Jan 1987
Section I, pp. 7-8
Hollywood Reporter
15 May 1990
---
Los Angeles Times
28 Sep 1987
p. 6
New York Times
19 Sep 1987
p. 1, 16
Variety
12 Mar 1986
---
Variety
21 Jan 1987
p. 17
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
Hemdale Film Corporation and Legeis Theatrical Inc. present
a William M. Siegel film
A Siegel/Berardi/Barmak/Torrini Film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
Asst dir
2d asst dir
PRODUCERS
Assoc prod
Angel F. Marini
Assoc prod for Mexico
Assoc prod for Mexico
Exec prod, for Legeis Theatrical, Inc.
Exec prod, for Yarno Cinematografica
Exec prod, for Hemdale Film Corporation
Exec prod, for Hemdale Film Corporation
Assoc exec prod
Assoc exec prod
PHOTOGRAPHY
Dir of photog
Cam op
Asst cam op
2d asst cam op
Chief elec
Chief grip
Grip
Grip
Still photog, Mexico
Still photog, Italy
Cameras
Film
ART DIRECTORS
Asst art dir
Asst art dir
FILM EDITORS
2d asst ed
SET DECORATORS
Chief props
Asst props
Asst props
Asst props
COSTUMES
Cost des
Ward asst
2d asst, ward
2d asst, ward
2d asst, ward
MUSIC
Mus dir by
Mus edition prop. of Free Life Company, srl
Mus mixer
SOUND
Chief sd man
Boom man, Mexico
Boom man, Venice
Dial ed
Asst dial ed
Chief sd mixer
Sd eff ed
Sd eff ed
Looping dir
Looping asst
Looping cooperative
Looping mixer
VISUAL EFFECTS
Spec eff
Spec eff, Mexico
Asst to spec eff
Asst to spec eff
Asst to spec eff
Asst to spec eff
Opt eff
Titles
MAKEUP
Chief makeup
Asst makeup
Chief hairdresser
Asst hairdresser
PRODUCTION MISC
Exec in charge of prod
Prod supv
Prod consultant
Scr supv
Dial coach
Post prod coord
Post prod coord
Animal coord
Animal coord
Animal coord
Admin asst, Yarno
Admin asst, Yarno
Prod coord, Mexico
Coord for Cinexacto, Mexico
Coord for Cinexacto, Mexico
Asst prod coord
Asst prod coord
Prod secy
Prod secy
Prod secy
Prod coord, Venice
Asst prod coord
Asst to the prod
Prod accountant, Mexico
Asst accountant
Prod accountant, Italy
Asst accountant
Asst accountant
Italian fiscal representative
Chief of transportation
Casting dir
Extras casting dir
Extras coord
Union representative, Mexico
Government supv
Government supv
Medical supv
Pub, United States
Pub, Italy
Pub, Mexico
Public relations, Mexico
New York skyline, Film footage
Post prod studios
Post prod studios
Transport, Italy
Prod facilities in Mexico supplied by
Completion guarantee provided by
Completion guarantee affiliated with
STAND INS
Stunt coord
Mr. Duvall's stunt double
COLOR PERSONNEL
Laboratory
SOURCES
SONGS
“Io Che Non Vivo” (You Don’t Have To Say You Love Me)," music by Pino Donaggio, sung by Pino Donaggio, lyrics by Pallavicini, Donaggio, published by Curci; “Esta Noche Es Fiesta,” music by Pino Donaggio, lyrics by Donaggio, published by Legeis Publishing, Inc.; “Tierra Colombiana,” music by Pino Donaggio, lyrics by Donaggio, published by Legeis Publishing, Inc.; “Un Mundo Para Los Ninos,” music by Pino Donaggio, lyrics by Donaggio, published by Legeis Publishing, Inc.; “Stranger,” music by Pino Donaggio, sung by Ronald Jackson, lyrics by Paolo Steffan, published by Legeis Publishing, Inc.
DETAILS
Release Date:
18 September 1987
Premiere Information:
New York opening: 18 Sep 1987; Los Angeles opening: 25 Sep 1987
Production Date:
6 Jan--mid Mar 1986
Copyright Info
Claimant
Date
Copyright Number
Legeis Theatrical, Inc.
29 June 1987
PA357841
Physical Properties:
Sound
Dolby Stereo ® in Selected Theaters
Color
Duration(in mins):
104
MPAA Rating:
R
Countries:
Italy, United States
Language:
English
SYNOPSIS

Italian-American businessman Marco Venieri flies to Colombia after getting word that his older brother, Luca, has committed suicide. Once a member of the Italian terrorist group Red Brigade which was responsible for killing many civilians and government officials in the 1970s, Luca Venieri served two years in jail but was released after turning in other terrorists. At the Italian embassy in Bogota, staffer Irene Costa tells Marco they are handling the paperwork, but he will need to identify Luca’s body. Irene reports the secret service helped keep Luca hidden since his arrival in Colombia several years ago, but he seemed to have a hard time living in hiding. Marco says that Luca always acted on impulse and constantly wanted to be the center of attention. Marco takes a bus to the seaside town of Buenaventura where he meets with a Ministry of Justice staffer named Mario Anderson who explains there are dangerous, “off-limits” zones in town that he should avoid. They are designated by a painted red line on the ground. Anderson reports Luca was staying in a fleabag hotel in an off-limits zone when a maid found him in lying in bed in a pool of blood after shooting himself in the mouth. Anderson gives him Luca’s personal effects, but says there was no suicide note. Anderson takes Marco to a fish market where they have been keeping Luca’s body on ice, awaiting identification. Even though the face was badly disfigured by the bullet, Marco confirms that it is his brother and takes the wedding ring off his brother’s hand. Anderson offers to have the body shipped to Italy, but Marco declines, saying if Luca chose ...

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Italian-American businessman Marco Venieri flies to Colombia after getting word that his older brother, Luca, has committed suicide. Once a member of the Italian terrorist group Red Brigade which was responsible for killing many civilians and government officials in the 1970s, Luca Venieri served two years in jail but was released after turning in other terrorists. At the Italian embassy in Bogota, staffer Irene Costa tells Marco they are handling the paperwork, but he will need to identify Luca’s body. Irene reports the secret service helped keep Luca hidden since his arrival in Colombia several years ago, but he seemed to have a hard time living in hiding. Marco says that Luca always acted on impulse and constantly wanted to be the center of attention. Marco takes a bus to the seaside town of Buenaventura where he meets with a Ministry of Justice staffer named Mario Anderson who explains there are dangerous, “off-limits” zones in town that he should avoid. They are designated by a painted red line on the ground. Anderson reports Luca was staying in a fleabag hotel in an off-limits zone when a maid found him in lying in bed in a pool of blood after shooting himself in the mouth. Anderson gives him Luca’s personal effects, but says there was no suicide note. Anderson takes Marco to a fish market where they have been keeping Luca’s body on ice, awaiting identification. Even though the face was badly disfigured by the bullet, Marco confirms that it is his brother and takes the wedding ring off his brother’s hand. Anderson offers to have the body shipped to Italy, but Marco declines, saying if Luca chose to die in Colombia, he should be buried in Colombia. That night as Marco wanders through town, he senses he is being followed and slips down a side street. Suddenly, he is in the midst of a large group of people who push him further into the off-limits zone. Marco sees the Hotel del Pacifico where his brother was staying and asks to see Luca’s room. There, he spots a bullet hole in the wall by the bed and digs the bullet out. Marco goes back to the fish market and takes fingerprints from the body. The next day, Luca is buried, but the priest will not bless the body because it was a suicide. Upon his return to Bogota, Irene says the fingerprints are not Luca’s and the bullet used came from a thirty-eight caliber gun, the type police use. Because he found newspapers from there in Luca’s belongings, Marco rents a car and drives to the coastal resort of Santa Marta in northern Colombia. When he stops at a restaurant, a waiter tells him Luca was a regular there, but he has not seen him in a year. The waiter suggests that Luca was in the drug business. Marco buys cocaine in a bar and indicates he is interested in larger quantities. The young drug dealer takes him to a building where a cockfight is in progress. However, police soon break up the cockfight and arrest Marco and the rest of those watching. In jail, Marco’s cellmates tell him about an Italian drug dealer who goes by the name of “Venecia” and works for Ruben Diaz. “Venecia” disappeared recently with a shipment of cocaine and with everyone’s money. Once released, Marco takes a small plane to Brazil and hires a taxi to take him to the border town of Leticia. There, he inquires about Ruben Diaz at the fancy Hotel Colonial. The clerk claims to know nothing, but suggests he return in the morning to talk to the owner. Marco goes to the docks where he hires a boat owner named Werner to take him across the river. They interact with children along the river’s edge and Marco is touched by their innocence. That night at the Hotel Colonial, Marco enjoys a midnight swim in the pool when hotel owner Roberto Carrasco comes to chat with him. Roberto says he knowns nothing about Luca or Ruben Diaz, but invites Marco to come to a reception he is throwing the next evening. In town the next day, Marco is impressed when he sees Roberto showing off an alligator he wrestled. Marco borrows Werner’s Jeep to follow Roberto’s car to the river, where he observes Roberto’s men loading crates of cocaine onto a sea plane. That night at the reception, Roberto honors Senor Mendoza. Irene, the embassy staffer, is also at the reception as she will be travelling to Brazil with Mendoza later. Roberto also shows a film of him wrestling an anaconda snake. Later, as Marco looks at photos of a teenaged Luca, Roberto comes in, snorts some cocaine and offers some to Marco, who declines. Despite Roberto’s attempts at being friendly, Marco says he does not think the two can be friends. The next day, Marco joins Roberto and his men on an excursion into the jungle where they feed a pack of exotic monkeys, then shoot and kill them. Marco is aghast, but Roberto says he does not understand their way of life. That night, Marco gets drunk, passes out, and dreams of Luca’s grave. Roberto comes in and sees the unconscious man, commenting that Marco never could hold his liquor. Marco wakes up and realizes that Roberto is Luca. Roberto says he wanted to forget his old life and to be forgotten. So he had plastic surgery and faked his death. He tells Marco to give the wedding ring to his wife, Francesca, but not let her know he is alive. Marco asks about the body they buried. Roberto says the person was already dead, killed in an accident. They merely used his body to make it look like he committed suicide. The next morning as Marco eats breakfast, Irene drops by his table. She says she likes him, and under different circumstances they might have been lovers. She tells him the dead man at the hotel was Ruben Diaz, kisses him goodbye, and leaves with Mendoza. Marco packs his things and goes to a waiting motorboat, but the boat’s cabin is locked. Marco finds a key to the cabin, but rather than speed away, he returns to the hotel. He goes to Roberto’s room where he pulls a gun on him. He fires about the room, but never shoots his brother.

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GENRE
Genres:
Sub-genre:
Suspense


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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