Flanagan (1985)

R | 95 mins | Drama | 30 October 1985

Full page view
HISTORY

       The 4 Oct 1984 DV announced that off-broadway stage director, Scott Goldstein would make his film directing debut with Flanagan. Funds for the picture, which began principal photography 1 Oct 1984 at an unnamed New York City college campus, were raised independently. An eight-week shooting schedule was planned.
       According to the 12 Apr 1985 Back Stage, Goldstein began writing the script in 1982 with co-writer Edmond Collins. Goldstein and Collins later formed Tenth Muse Productions. The unconfirmed budget for Flanagan was below $1 million.
       United Film Distribution, Co. reissued the picture under the title, Walls Of Glass, according to the 2 Apr 1986 Var news item.
      End credits include the following acknowledgements: “Special Thanks to: Benjamin Aryeh; John Watkins; Simon Nuchtern; Ad Hoc Softwares; Furniture of the 20th Century, Inc.; Jhane Barnes, Inc.; The Village Cheese Shop.”
...

More Less

       The 4 Oct 1984 DV announced that off-broadway stage director, Scott Goldstein would make his film directing debut with Flanagan. Funds for the picture, which began principal photography 1 Oct 1984 at an unnamed New York City college campus, were raised independently. An eight-week shooting schedule was planned.
       According to the 12 Apr 1985 Back Stage, Goldstein began writing the script in 1982 with co-writer Edmond Collins. Goldstein and Collins later formed Tenth Muse Productions. The unconfirmed budget for Flanagan was below $1 million.
       United Film Distribution, Co. reissued the picture under the title, Walls Of Glass, according to the 2 Apr 1986 Var news item.
      End credits include the following acknowledgements: “Special Thanks to: Benjamin Aryeh; John Watkins; Simon Nuchtern; Ad Hoc Softwares; Furniture of the 20th Century, Inc.; Jhane Barnes, Inc.; The Village Cheese Shop.”

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Back Stage
12 Apr 1985
p. 1, 20, 22, 36
Daily Variety
4 Oct 1984
---
Hollywood Reporter
28 Oct 1985
p. 3, 20
Los Angeles Times
1 Nov 1985
p. 10
New York Times
30 Oct 1985
p. 21
Variety
2 Oct 1985
p. 10
Variety
2 Apr 1986
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
Tenth Muse presents
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
Asst prod mgr
1st asst dir
2d asst dir
3d asst dir
Addl AD
Addl AD
2d unit mgr
PRODUCERS
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
Gaffer
Best boy
3d elec
Key swing
Key grip
Swing grip and elec
Steadicam op
Steadicam asst cam
2d unit gaffer
2d unit elec
2d unit elec
2d unit elec
2d unit elec
2d unit elec
Bill Moore
2d unit elec
2d unit elec
Addl key grip
2d unit grip
2d unit grip
2d unit grip
2d unit grip
2d unit grip
ART DIRECTOR
Prod des
FILM EDITORS
Apprentice ed
Addl ed
Addl asst ed
Addl asst ed
Addl apprentice ed
Negative cutter
SET DECORATORS
Set dresser
Inside props
Swing art and props
Asst art
Set const
Stills const coord
Const coord
Furniture in Andrea's apartment provided by
COSTUMES
Ward des
Asst ward
Ward supv
Stylist to Ms. Page
MUSIC
SOUND
Sd rec
Boom op
Asst sd
Supv sd ed
Sd ed
Sd ed
Asst sd ed
Re-rec
VISUAL EFFECTS
Opticals supv
Opticals lay-out
Title des by
Title photog by
Opticals by
MAKEUP
Laurie Aiello Williams
Makeup and hair
PRODUCTION MISC
Prod office coord
Prod supv
Scr supv
Extras casting by
Loc mgr
Asst loc
Asst to the prod
Asst to the dir
Key PA
Prod asst
Prod asst
Prod asst
Prod coord/Tutor
Andrea's drawings
Andrea's paintings
Prod accountant
Addl prod asst
Addl prod asst
Addl prod asst
Addl prod asst
Addl prod asst
Addl prod asst
Addl prod asst
Addl prod asst
STAND INS
Stunt coord
COLOR PERSONNEL
SOURCES
SONGS
Pennywhistle Theme "Sweet Cootehill Town," written and performed by Scott Goldstein; Beethoven excerpt from Op. 126, #4, written and performed by Scott Goldstein; "Parasite For Your Love," written and produced by Tom Pile.
PERFORMED BY
DETAILS
Alternate Title:
Walls of Glass
Release Date:
30 October 1985
Premiere Information:
New York opening: 30 Oct 1985; Los Angeles opening: 1 Nov 1985 at the Beverly Center Cineplex and UA Coronet in Westwood
Production Date:
began 1 Oct 1984
Copyright Info
Claimant
Date
Copyright Number
Tenth Muse Productions, Inc.
19 November 1985
PA286514
Physical Properties:
Sound
Color
Duration(in mins):
95
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

Taxicab driver James Flanagan takes an acting class, and is criticized by the instructor, Mr. Turner, for being too old. Flanagan is frustrated after spending years as a cab driver. One day, he is sexually solicited by Joe Lerner, an older gentleman he picks up in his taxicab. Flanagan aggressively turns Lerner down. In his home life, Flanagan lives alone, and has a girlfriend named Andrea. He is separated from his dispassionate wife, Mary, with whom he shares two sons, Danny and Sean. Danny wants to quit high school and attend the New York School of Gambling, and Sean is unemployed and still living at home. Flanagan visits his aging mother, who tells him she is proud of him. Later, he auditions for director Raphael Church of the Toronto Shakespeare Company. He impresses Church by knowing every Shakespearean sonnet by heart, but unknown to Flanagan, Joe Lerner is one of the play’s producers, and he has Flanagan dismissed from the audition. Later, he brings flowers to Andrea at her drawing class, but leaves when he observes another man flirting with her. Flanagan lies in bed with Andrea that night, but refuses to tell her what is bothering him. Flanagan is annoyed when he learns that his estranged wife, Mary, went to the movies with another man. He visits his mother and reminisces about his boyhood and his alcoholic, Shakespeare-loving father, who died when Flanagan was thirteen. In time, he tells Mary that he wants a divorce, and later has an argument with Andrea about his despondent attitude. Andrea demands he leave her home, but ...

More Less

Taxicab driver James Flanagan takes an acting class, and is criticized by the instructor, Mr. Turner, for being too old. Flanagan is frustrated after spending years as a cab driver. One day, he is sexually solicited by Joe Lerner, an older gentleman he picks up in his taxicab. Flanagan aggressively turns Lerner down. In his home life, Flanagan lives alone, and has a girlfriend named Andrea. He is separated from his dispassionate wife, Mary, with whom he shares two sons, Danny and Sean. Danny wants to quit high school and attend the New York School of Gambling, and Sean is unemployed and still living at home. Flanagan visits his aging mother, who tells him she is proud of him. Later, he auditions for director Raphael Church of the Toronto Shakespeare Company. He impresses Church by knowing every Shakespearean sonnet by heart, but unknown to Flanagan, Joe Lerner is one of the play’s producers, and he has Flanagan dismissed from the audition. Later, he brings flowers to Andrea at her drawing class, but leaves when he observes another man flirting with her. Flanagan lies in bed with Andrea that night, but refuses to tell her what is bothering him. Flanagan is annoyed when he learns that his estranged wife, Mary, went to the movies with another man. He visits his mother and reminisces about his boyhood and his alcoholic, Shakespeare-loving father, who died when Flanagan was thirteen. In time, he tells Mary that he wants a divorce, and later has an argument with Andrea about his despondent attitude. Andrea demands he leave her home, but he returns to find her having dinner with the man from her art class, whom she introduces as her drawing instructor, Roberto Dellavanti. Despite claims they are only friends, Flanagan leaves in anger. He visits his sons at their mother’s apartment, and starts a fight with Mary’s date, Dr. Mark Coleman. Afterward, he drives aimlessly around in his taxicab, and arrives at an outdoor theater. Flanagan weeps as he rips pages from a book of Shakespeare. He returns to Andrea’s home and tells her he is quitting his job as a cab driver. Sometime later, his sons tell him that Mary eloped with Dr. Coleman, and Flanagan is happy for her. He pays another visit to his mother, who asks when he will marry Andrea. To make her happy, he tells her they will wed in three months. In time, Flanagan disguises himself and auditions again for Raphael Church. Joe Lerner is again in the audience, and demands that Flanagan leave. When Flanagan sees the man from his cab, he launches into an impromptu, theatrical tirade before leaving the stage. Church is impressed by his performance. Flanagan offers Church a ride in his taxicab, and drives to a public park, where Andrea awaits. He performs a monologue to a crowd of onlookers, and Church offers him a spot in the Toronto Shakespeare Company.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

That Forsyte Woman

The working title for this film was The Forsyte Saga . According to a pre-release news item in Time magazine, M-G-M decided to change the title ... >>

Loophole

This film's working title was Off the Record . A HR production chart adds Don Harvey to the cast but his appearance in the released film ... >>

East of Eden

An overture precedes the film. The opening title card reads: “John Steinbeck’s East of Eden .” The following written prologue appears after the opening credits: ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.