Flanagan
(1985)
R | 95 mins | Drama | 30 October 1985
Director:
Scott GoldsteinWriters:
Edmond Collins, Scott GoldsteinProducers:
Scott Goldstein, Mark SlaterCinematographer:
Ivan StrasburgEditor:
Scott VickreyProduction Designer:
Ruth AmmonProduction Company:
Tenth Muse Productions
The 4 Oct 1984 DV announced that off-broadway stage director, Scott Goldstein would make his film directing debut with Flanagan. Funds for the picture, which began principal photography 1 Oct 1984 at an unnamed New York City college campus, were raised independently. An eight-week shooting schedule was planned.
According to the 12 Apr 1985 Back Stage, Goldstein began writing the script in 1982 with co-writer Edmond Collins. Goldstein and Collins later formed Tenth Muse Productions. The unconfirmed budget for Flanagan was below $1 million.
United Film Distribution, Co. reissued the picture under the title, Walls Of Glass, according to the 2 Apr 1986 Var news item.
End credits include the following acknowledgements: “Special Thanks to: Benjamin Aryeh; John Watkins; Simon Nuchtern; Ad Hoc Softwares; Furniture of the 20th Century, Inc.; Jhane Barnes, Inc.; The Village Cheese Shop.”
...
The 4 Oct 1984 DV announced that off-broadway stage director, Scott Goldstein would make his film directing debut with Flanagan. Funds for the picture, which began principal photography 1 Oct 1984 at an unnamed New York City college campus, were raised independently. An eight-week shooting schedule was planned.
According to the 12 Apr 1985 Back Stage, Goldstein began writing the script in 1982 with co-writer Edmond Collins. Goldstein and Collins later formed Tenth Muse Productions. The unconfirmed budget for Flanagan was below $1 million.
United Film Distribution, Co. reissued the picture under the title, Walls Of Glass, according to the 2 Apr 1986 Var news item.
End credits include the following acknowledgements: “Special Thanks to: Benjamin Aryeh; John Watkins; Simon Nuchtern; Ad Hoc Softwares; Furniture of the 20th Century, Inc.; Jhane Barnes, Inc.; The Village Cheese Shop.”
Taxicab driver James Flanagan takes an acting class, and is criticized by the instructor, Mr. Turner, for being too old. Flanagan is frustrated after spending years as a cab driver. One day, he is sexually solicited by Joe Lerner, an older gentleman he picks up in his taxicab. Flanagan aggressively turns Lerner down. In his home life, Flanagan lives alone, and has a girlfriend named Andrea. He is separated from his dispassionate wife, Mary, with whom he shares two sons, Danny and Sean. Danny wants to quit high school and attend the New York School of Gambling, and Sean is unemployed and still living at home. Flanagan visits his aging mother, who tells him she is proud of him. Later, he auditions for director Raphael Church of the Toronto Shakespeare Company. He impresses Church by knowing every Shakespearean sonnet by heart, but unknown to Flanagan, Joe Lerner is one of the play’s producers, and he has Flanagan dismissed from the audition. Later, he brings flowers to Andrea at her drawing class, but leaves when he observes another man flirting with her. Flanagan lies in bed with Andrea that night, but refuses to tell her what is bothering him. Flanagan is annoyed when he learns that his estranged wife, Mary, went to the movies with another man. He visits his mother and reminisces about his boyhood and his alcoholic, Shakespeare-loving father, who died when Flanagan was thirteen. In time, he tells Mary that he wants a divorce, and later has an argument with Andrea about his despondent attitude. Andrea demands he leave her home, but ...
Taxicab driver James Flanagan takes an acting class, and is criticized by the instructor, Mr. Turner, for being too old. Flanagan is frustrated after spending years as a cab driver. One day, he is sexually solicited by Joe Lerner, an older gentleman he picks up in his taxicab. Flanagan aggressively turns Lerner down. In his home life, Flanagan lives alone, and has a girlfriend named Andrea. He is separated from his dispassionate wife, Mary, with whom he shares two sons, Danny and Sean. Danny wants to quit high school and attend the New York School of Gambling, and Sean is unemployed and still living at home. Flanagan visits his aging mother, who tells him she is proud of him. Later, he auditions for director Raphael Church of the Toronto Shakespeare Company. He impresses Church by knowing every Shakespearean sonnet by heart, but unknown to Flanagan, Joe Lerner is one of the play’s producers, and he has Flanagan dismissed from the audition. Later, he brings flowers to Andrea at her drawing class, but leaves when he observes another man flirting with her. Flanagan lies in bed with Andrea that night, but refuses to tell her what is bothering him. Flanagan is annoyed when he learns that his estranged wife, Mary, went to the movies with another man. He visits his mother and reminisces about his boyhood and his alcoholic, Shakespeare-loving father, who died when Flanagan was thirteen. In time, he tells Mary that he wants a divorce, and later has an argument with Andrea about his despondent attitude. Andrea demands he leave her home, but he returns to find her having dinner with the man from her art class, whom she introduces as her drawing instructor, Roberto Dellavanti. Despite claims they are only friends, Flanagan leaves in anger. He visits his sons at their mother’s apartment, and starts a fight with Mary’s date, Dr. Mark Coleman. Afterward, he drives aimlessly around in his taxicab, and arrives at an outdoor theater. Flanagan weeps as he rips pages from a book of Shakespeare. He returns to Andrea’s home and tells her he is quitting his job as a cab driver. Sometime later, his sons tell him that Mary eloped with Dr. Coleman, and Flanagan is happy for her. He pays another visit to his mother, who asks when he will marry Andrea. To make her happy, he tells her they will wed in three months. In time, Flanagan disguises himself and auditions again for Raphael Church. Joe Lerner is again in the audience, and demands that Flanagan leave. When Flanagan sees the man from his cab, he launches into an impromptu, theatrical tirade before leaving the stage. Church is impressed by his performance. Flanagan offers Church a ride in his taxicab, and drives to a public park, where Andrea awaits. He performs a monologue to a crowd of onlookers, and Church offers him a spot in the Toronto Shakespeare Company.
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