Insignificance
(1985)
R | 110 mins | Comedy-drama | 2 August 1985
Director:
Nicolas RoegProducer:
Jeremy ThomasCinematographer:
Peter HannanEditor:
Tony LawsonProduction Designer:
David BrockhurstProduction Companies:
Zenith, Recorded Picture Company
According to the 10 Nov 1982 Var, director Nicolas Roeg planned to begin filming the low-budget picture, based on Terry Johnson’s stage play of the same name, in NY in 1983. The project was the third collaboration between Roeg and producer Jeremy Thomas.
The 16 Jun 1984 Screen International reported a start date of 11 Jun 1984. However, principal photography began 18 Jun 1984 in London, England, according to the 20 Jun 1984 Var. The 21 Jul 1984 Screen International announced production would move to New York City for ten days, following filming at Lee International Studios in London. Production was set to return to London for a final week of filming.
The 18 Aug 1984 Screen International reported filming had been completed on the $4 million picture.
The following title card precedes opening credits: “This story and its contents are entirely fictitious.” End credits include the following acknowledgements: “Insignificance originally performed at the Royal Court Theatre London, on the 8th July, 1982,” and “Made at Lee International Film Studios, London, and on location in New York by Zenith Productions Limited, 8, Great Titchfield Street, London W1P 7AS, England.”
...
According to the 10 Nov 1982 Var, director Nicolas Roeg planned to begin filming the low-budget picture, based on Terry Johnson’s stage play of the same name, in NY in 1983. The project was the third collaboration between Roeg and producer Jeremy Thomas.
The 16 Jun 1984 Screen International reported a start date of 11 Jun 1984. However, principal photography began 18 Jun 1984 in London, England, according to the 20 Jun 1984 Var. The 21 Jul 1984 Screen International announced production would move to New York City for ten days, following filming at Lee International Studios in London. Production was set to return to London for a final week of filming.
The 18 Aug 1984 Screen International reported filming had been completed on the $4 million picture.
The following title card precedes opening credits: “This story and its contents are entirely fictitious.” End credits include the following acknowledgements: “Insignificance originally performed at the Royal Court Theatre London, on the 8th July, 1982,” and “Made at Lee International Film Studios, London, and on location in New York by Zenith Productions Limited, 8, Great Titchfield Street, London W1P 7AS, England.”
In March 1954, at the Roosevelt Hotel in New York City, the "Senator” (Joseph McCarthy) visits the "Professor” (Albert Einstein) on the eve of an “Anti-American” activities committee hearing, and pressures him to cooperate, but The Professor refuses to testify. Sometime later, the "Actress” (Marilyn Monroe) visits the Professor in his hotel room, at three in the morning. Upon their first meeting, she goes to great lengths to prove to him that she understands his Theory of Relativity. After a night of conversation, she admits she would like to make love to him. He allows her to spend the night, but turns down her offer. Meanwhile, the Senator spends the night with a prostitute who looks like the Actress, and elsewhere, the "Ballplayer” (Joe DiMaggio) drinks alone at a bar, surrounded by images of his wife, the Actress. The Professor finally agrees to have sex with the Actress, but as she disrobes, her husband knocks on the door and interrupts them. She reluctantly lets him into the room, and he fails to recognize the well-known professor, thinking he is a therapist. The Actress is embarrassed by her ignorant husband, and refuses to leave with him. When he asks if she wants to end their marriage, she denies it, and agrees to return home with him, but first locks herself in the bathroom, as the Ballplayer tells the Professor about his jealousy. When she passes out in the bathroom, her husband carries her to the bed, and the Professor leaves them alone in his room. Later, the Actress awakens, and professes her love for her husband. She asks ...
In March 1954, at the Roosevelt Hotel in New York City, the "Senator” (Joseph McCarthy) visits the "Professor” (Albert Einstein) on the eve of an “Anti-American” activities committee hearing, and pressures him to cooperate, but The Professor refuses to testify. Sometime later, the "Actress” (Marilyn Monroe) visits the Professor in his hotel room, at three in the morning. Upon their first meeting, she goes to great lengths to prove to him that she understands his Theory of Relativity. After a night of conversation, she admits she would like to make love to him. He allows her to spend the night, but turns down her offer. Meanwhile, the Senator spends the night with a prostitute who looks like the Actress, and elsewhere, the "Ballplayer” (Joe DiMaggio) drinks alone at a bar, surrounded by images of his wife, the Actress. The Professor finally agrees to have sex with the Actress, but as she disrobes, her husband knocks on the door and interrupts them. She reluctantly lets him into the room, and he fails to recognize the well-known professor, thinking he is a therapist. The Actress is embarrassed by her ignorant husband, and refuses to leave with him. When he asks if she wants to end their marriage, she denies it, and agrees to return home with him, but first locks herself in the bathroom, as the Ballplayer tells the Professor about his jealousy. When she passes out in the bathroom, her husband carries her to the bed, and the Professor leaves them alone in his room. Later, the Actress awakens, and professes her love for her husband. She asks him to have a baby, and after he falls asleep, she whispers that she believes she is already pregnant. She falls asleep next to him, but he leaves her sometime later. In the morning, the Senator enters the Professor’s room to deliver a search warrant, and finds the Actress alone in his bed. He threatens to destroy the Professor’s work, and she begs him not to, offering to sleep with him. However, he responds by punching her in the stomach. The Professor returns, refusing to cooperate with the Senator, and throws his work out the hotel window. In the other room, the Actress suffers a miscarriage. The Ballplayer returns to make amends with his wife, appealing to her through the bathroom door, but she says it is over between them. Later, the Professor cheerfully tells the Actress that he threw his papers out the window. She cannot understand why he would destroy his life’s work, and accuses him of hiding something, prompting to him to admit guilt over the atomic bomb that his theories helped create. The Actress consoles him, and argues that the worst is over. Before she leaves, the Professor imagines another bomb going off, destroying the hotel room, and burning her alive.
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