Angelo My Love
(1983)
R | 115 mins | Comedy-drama | 27 April 1983
Director:
Robert DuvallWriter:
Robert DuvallCinematographer:
Joseph FriedmanEditor:
Stephen MackProduction Company:
Lorton Productions
The names of songwriters Boudleaux Bryant and Sigmund Romberg are misspelled in the credits as “Boudeleaux” Bryant and Sigmund “Rhomberg.” Singer Kathy Kitchen's first name is spelled "Cathy" on the placard displayed in the nightclub sequence, and in the end credits.
Additional music performances include: "Rocky Top," performed by Cathy Kitchen; "Golden Days," performed by William and John Duvall; "Embraceable You," written by George and Ira Gershwin; "What A Difference A Day Made," written by Stanley Adams and María Méndez Grever; "It's A Heartache," written by Ronnie Scott and Steve Wolfe; and "The World Has Everything To Give," written and performed by Kathy Kitchen.
The 19 May 1980 DV announced that actor-director-writer Robert Duvall had plans to direct and produce a film, referred to as Angelo, My Love, that would accurately portray Gypsy life in the U.S., reportedly in response to King of the Gypsies (1978, see entry), which Duvall considered inauthentic. According to the 11 Jan 1983 Village Voice, the film was “in the works for five years.” Its subject, Angelo Evans, was an eight-year-old Gypsy boy Duvall met on a New York City street in 1978, who was speaking to a grown woman as if he were her lover. Duvall and Angelo became friends and reportedly went on double dates with women in their twenties. Duvall’s goal in making the picture was to “show all sides of Gypsy life and not to exploit them.” However, Duvall added that to not portray his subjects performing acts of larceny would be “dishonest.” According to the 28 Apr 1983 DV, Duvall discovered ...
The names of songwriters Boudleaux Bryant and Sigmund Romberg are misspelled in the credits as “Boudeleaux” Bryant and Sigmund “Rhomberg.” Singer Kathy Kitchen's first name is spelled "Cathy" on the placard displayed in the nightclub sequence, and in the end credits.
Additional music performances include: "Rocky Top," performed by Cathy Kitchen; "Golden Days," performed by William and John Duvall; "Embraceable You," written by George and Ira Gershwin; "What A Difference A Day Made," written by Stanley Adams and María Méndez Grever; "It's A Heartache," written by Ronnie Scott and Steve Wolfe; and "The World Has Everything To Give," written and performed by Kathy Kitchen.
The 19 May 1980 DV announced that actor-director-writer Robert Duvall had plans to direct and produce a film, referred to as Angelo, My Love, that would accurately portray Gypsy life in the U.S., reportedly in response to King of the Gypsies (1978, see entry), which Duvall considered inauthentic. According to the 11 Jan 1983 Village Voice, the film was “in the works for five years.” Its subject, Angelo Evans, was an eight-year-old Gypsy boy Duvall met on a New York City street in 1978, who was speaking to a grown woman as if he were her lover. Duvall and Angelo became friends and reportedly went on double dates with women in their twenties. Duvall’s goal in making the picture was to “show all sides of Gypsy life and not to exploit them.” However, Duvall added that to not portray his subjects performing acts of larceny would be “dishonest.” According to the 28 Apr 1983 DV, Duvall discovered co-star Steve "Patalay" Tsigonoff while the latter was washing cars on Sunset Boulevard in Los Angeles, CA. The 31 Jul 1983 LAHExam stated that country singer Kathy (Cathy) Kitchen was referred to Duvall by a talent agent, who saw her perform in Nashville, TN. The article credits Kitchen as author of the song, “The World Has Everything To Give,” which she sings in the film.
Associate producer Gail Youngs, who was Duvall’s girl friend during the film’s conception and production, stated in the 20 May 1983 NYT that Duvall was unable to acquire financing for the project, so she advised him to use his own money, rather than lose the opportunity of filming Angelo as a child. Following approximately two years of photography, Duvall’s funds were depleted and he accepted a role in The Pursuit of D. B. Cooper (1981, see entry) to finance post-production.
Youngs said that Duvall often encountered difficulties with crewmembers who were unaccustomed to his style of directing, such as allowing the actors to improvise their dialog. She also described an incident in which Duvall was forced by time limitations to send the crew to lunch ahead of a group of Russian Gypsy women, who took offense and berated the director until he apologized. As portrayed in the film, Michael Evans was married while photography was in progress. However, his mother, Ruthie, was dissatisfied with her daughter-in-law’s palm-reading abilities and sent the girl back to her family in Detroit, MI, the following month. Michael’s wife was replaced onscreen by actress Debbie Ristick.
NYT stated that Youngs and Duvall ended their relationship when the film was completed, brought about by Youngs’s desire to resume her acting career in defiance of Duvall’s wishes. They were reunited fourteen months later and married in Aug 1982.
The 16 Feb 1983 DV announced Cinecom International as the North American distributor for Angelo My Love.
The film was screened 17 Apr 1983 at the San Francisco Film Festival, according to the review in the 28 Apr 1983 DV. Duvall was quoted as estimating his production expenses at “just over $1,000,000.” Although it was his second directorial effort, it was his first to be released theatrically.
On 26 Apr 1983, NYT reported that four hundred Gypsies attended a New York City preview screening of Angelo My Love several days prior. Angelo Evans, reportedly pleased with his own performance in the film, was in attendance and expressed an interest in making other films. Duvall agreed that the boy could have a future in acting if he learned how to read.
Angelo My Love was released to mostly positive reviews. The 16 Aug 1983 HR reported that the picture was awarded two prizes at the 1983 Taormina Film Festival in Taormina, Italy: “The Jury Special Mention” for its “special qualities and ethnical motivation,” and a prize from the United Nations Children’s Fund (UNICEF) for “the film that best serves as a positive contribution to society.” The article also mentioned that Lorimar International had acquired worldwide distribution rights to the film.
End credits conclude with the following statements: "Special thanks: Patricia and Nick Ribraka; Paulie and Joey Lombardosi; John McBride; Paul Gleason; Nick Stepich; The Davis Brothers; Louie Cosentino; The Seekamp Family; Harry Simpson and Family; Cathedral Saint Anne DePre, Quebec City, Canada; Bianchi and Marguerita's Restaurant." "In appreciate: The Tsigonoff Family"; and, "'Sometimes You Get The Bear--Sometimes The Bear Gets You'--Gypsy Epitaph." End credits also include the acknowledgement: "In Appreciation, The Tsigonoff Family."
In a New York City discotheque, Angelo Evans, a Greek Gypsy boy, dances with adult women while his teenaged brother, Michael, tells the club manager of a valuable ring that was stolen from his family by Russian Gypsy Steve “Patalay” Tsigonoff, who had been a guest in their home. The ring is a family heirloom, to be inherited by Angelo at the age of fifteen. The next morning, Angelo is awakened by his mother, Ruthie, to begin his first day of school in the third grade. Aware of Angelo’s resentful attitude, Ruthie assigns Michael to supervise his brother. Shortly after his arrival in the classroom, Angelo befriends one boy and picks a fight with another. The teacher restores order and later asks Angelo to read aloud for the class. Angelo tries to hide his illiteracy by improvising a story and saying that he needs glasses. When the teacher suggests demoting Angelo to the second grade, the boy responds with an obscenity in his native Roma language. The teacher takes Angelo and Michael into the hallway, telling them to wait for his return with the school principal. As soon as the teacher’s back is turned, the boys run from the school. Several days later, Patalay is summoned to a trial, or “kris,” held by the Gypsy community in the back room of a bar. Despite Angelo’s testimony that he witnessed the theft, Patalay is exonerated, and a heated argument between the Evans and Tsigonoff clans ensues. After the trial, Patalay pays a large bribe to the judge and retires to the bar to get drunk. Meanwhile, Angelo ...
In a New York City discotheque, Angelo Evans, a Greek Gypsy boy, dances with adult women while his teenaged brother, Michael, tells the club manager of a valuable ring that was stolen from his family by Russian Gypsy Steve “Patalay” Tsigonoff, who had been a guest in their home. The ring is a family heirloom, to be inherited by Angelo at the age of fifteen. The next morning, Angelo is awakened by his mother, Ruthie, to begin his first day of school in the third grade. Aware of Angelo’s resentful attitude, Ruthie assigns Michael to supervise his brother. Shortly after his arrival in the classroom, Angelo befriends one boy and picks a fight with another. The teacher restores order and later asks Angelo to read aloud for the class. Angelo tries to hide his illiteracy by improvising a story and saying that he needs glasses. When the teacher suggests demoting Angelo to the second grade, the boy responds with an obscenity in his native Roma language. The teacher takes Angelo and Michael into the hallway, telling them to wait for his return with the school principal. As soon as the teacher’s back is turned, the boys run from the school. Several days later, Patalay is summoned to a trial, or “kris,” held by the Gypsy community in the back room of a bar. Despite Angelo’s testimony that he witnessed the theft, Patalay is exonerated, and a heated argument between the Evans and Tsigonoff clans ensues. After the trial, Patalay pays a large bribe to the judge and retires to the bar to get drunk. Meanwhile, Angelo visits Central Park with his girl friend, Patricia, and tries to assert his dominance in their relationship, while she ridicules his egotism. The next day, Patalay visits his parents’ grave to announce his acquisition of the ring, which he claims as part of the Tsigonoff legacy. He also admits to being “an alcoholic, a thief, and a liar.” Later, hundreds of Gypsies make their annual pilgrimage to Quebec, Canada, to visit the cathedral of their patron, St. Anne de Beaupré, on her feast day. Angelo and Michael make the journey with their older friend, Frankie Williams, with the intent of retrieving the ring from Patalay. Upon their arrival, all three are enthralled by the cathedral and participate in the religious service that evening. Patalay and his sister, Millie, miss the celebration due to assorted mishaps along the way, and spend the night at a Russian Gypsy camp before returning to New York City. Frankie and the boys catch up with Patalay and plan to confront him once his companions have retired for the evening. However, Frankie witnesses Patalay being attacked by a ghost and insists on leaving the camp, fearing that Patalay’s bad luck may be contagious. Angelo cries over the lost opportunity as they race home. Meanwhile, fires are set around the camp in hopes of exorcising the ghost. Back in New York City, Angelo and his older sister, Debbie, distribute handbills advertising their mother’s fortunetelling business. The boy loses interest and drops the bills on the sidewalk, ignoring his sister’s protests. They eat at a small lunchroom, where they share a table with an elderly Puerto Rican woman. After a brief conversation, the children ask for her phone number, saying they’d like to invite her to dinner. When she declines, they offer to walk her home. That evening, Angelo misses Patricia’s birthday party to see a performance by adolescent country-western singer Kathy Kitchen. Angelo enters Kathy’s dressing room and, following a brief conversation, she gives him her phone number. Afterward, he calls Patricia from a phone booth to make excuses, but she hangs up on him. As the boys leave the club, Michael shows his brother a ring he has stolen from Kathy’s father, which they plan to sell to a pawnbroker. Sometime later, Tony, the boys’ father, arranges a marriage between Michael and Peaches, the daughter of another Gypsy family. The wedding is followed by a lavish reception, with Patalay as an uninvited guest. Angelo and Michael chase him from the hall and follow him home, then place a bottle of whiskey on his doorstep and wait for him to reemerge. When Patalay is sufficiently inebriated, they assault him and retrieve the ring. The boys return home early the next morning and find Tony, Ruthie, and Peaches waiting up for them, furious over their departure from the reception. Ruthie expresses disappointment in her sons, while Tony fears retaliation from the Russians. Demanding the ring from Angelo, Ruthie berates the boys for disgracing their family. Angelo bursts into tears and promises to behave. After the others go to bed, Ruthie comforts Angelo and allows him to hold the ring one more time. Later, Angelo and Debbie sell carnations in a tavern, purportedly for the benefit of Native Americans, and stop to listen to a pair of opera singers before the manager chases them out. At a meeting with the school principal, Ruthie refuses to enroll her children, preferring to have them at home. Angelo leaves a rose and a note of apology at Patricia’s door. The family travels to the countryside, where they trespass on a private estate to go fishing.
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