Can She Bake a Cherry Pie? (1983)

R | 91 mins | Romantic comedy | 8 December 1983

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HISTORY

       The 10 Nov 1982 Var announced the completion of principal photography. A release was planned for Spring 1983. Star Michael Emil, who is also credited as executive in charge of production under the name “Michael Jaglom,” was writer-director Henry Jaglom’s brother, according to the 25 May 1983 Var. The 13 Jun 1983 DV reported that Jaglom raised the picture’s $1 million budget by soliciting money from five film distributors. It was screened at the Cannes Film Festival in May 1983.
       An article in Canada’s 16 Sep 1983 Globe and Mail reported that the film’s plot was inspired by the dissolution of Jaglom’s marriage, after which he walked the streets of New York City talking to himself and crying, as did actress Karen Black’s onscreen character,”Zee,” in the opening scene. The director also revealed that Black was paid the Screen Actors Guild’s (SAG) minimum wage scale for her participation in the film, but owned one quarter of the profits. The scenes in which the actress sings were photographed at the Improvisation nightclub, where she had dreamt of performing when she was a waitress there, fifteen years earlier. In the 9 Dec 1983 NYT, Black admitted that several scenes in the film were written “on the spot.”
       Can She Bake a Cherry Pie? opened 8 Dec 1983 in New York City, according to the 23 Nov 1983 Var, and garnered positive reviews. The 10 Jan 1984 LAHExam stated that it was the first release to be distributed by recently-formed World Wide Classics, although the ...

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       The 10 Nov 1982 Var announced the completion of principal photography. A release was planned for Spring 1983. Star Michael Emil, who is also credited as executive in charge of production under the name “Michael Jaglom,” was writer-director Henry Jaglom’s brother, according to the 25 May 1983 Var. The 13 Jun 1983 DV reported that Jaglom raised the picture’s $1 million budget by soliciting money from five film distributors. It was screened at the Cannes Film Festival in May 1983.
       An article in Canada’s 16 Sep 1983 Globe and Mail reported that the film’s plot was inspired by the dissolution of Jaglom’s marriage, after which he walked the streets of New York City talking to himself and crying, as did actress Karen Black’s onscreen character,”Zee,” in the opening scene. The director also revealed that Black was paid the Screen Actors Guild’s (SAG) minimum wage scale for her participation in the film, but owned one quarter of the profits. The scenes in which the actress sings were photographed at the Improvisation nightclub, where she had dreamt of performing when she was a waitress there, fifteen years earlier. In the 9 Dec 1983 NYT, Black admitted that several scenes in the film were written “on the spot.”
       Can She Bake a Cherry Pie? opened 8 Dec 1983 in New York City, according to the 23 Nov 1983 Var, and garnered positive reviews. The 10 Jan 1984 LAHExam stated that it was the first release to be distributed by recently-formed World Wide Classics, although the 4 Nov 1983 HR referred to the company as “International Classics.” The film grossed $62,000 during its second week, playing in three theaters. It also initiated hearings by the SAG trial board “to discipline cast members for performing in a non-SAG signatory picture.” Black was fined her entire $1,038 salary, although the penalty was suspended. Jaglom blamed the scandal on producer M. H. Simonsons, who was in Europe at the time of the article and unavailable for comment. The director had intended for cast members to be paid above SAG’s minimum pay scale. On 11 Jan 1984, Var confirmed that Black’s fine was suspended, provided she committed no further violations of SAG by-laws. Suspension from the union was also considered before the board determined that Black was unaware of the production’s non-union status.
       A news item in the 11 Jun 1984 DV announced that New York City-based Quartet Films was the picture’s new U.S. distributor.

      End credits include the following statements: “And with thanks to Peter Herrero and the Café Central Staff; the original New York Improvisation, courtesy Silver Saundors Friedman; the Regency Theater, Frank Rowley; and special thanks to Orson Welles, the magician"; “Home movies and everything else, thanks to Marie & Simon Jaglom”; "The Bandwagon excerpt courtesy MGM/UA Entertainment Co."

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
13 Jun 1983
p. 99
Daily Variety
9 Nov 1983
---
Daily Variety
11 Jun 1984
---
Globe and Mail
16 Sep 1983
p. E1
Hollywood Reporter
4 Nov 1983
---
Hollywood Reporter
2 Dec 1983
p. 3, 15
LAHExam
10 Jan 1984
---
Los Angeles Times
21 Dec 1983
p. 7
Los Angeles Times
3 Jan 1984
Part VI, pp. 1-2
New York Times
8 Dec 1983
p. 22
New York Times
9 Dec 1983
---
Variety
10 Nov 1982
---
Variety
25 May 1983
p. 20
Variety
23 Nov 1983
---
Variety
11 Jan 1984
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
International Rainbow Pictures presents
A Film by Henry Jaglom
A Jag Film
DISTRIBUTION COMPANIES
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
Gaffer
1st asst cam
2d asst cam
Prod stills
FILM EDITORS
Film ed
Asst ed
Ed consultant
Ed consultant
Negative cutting
J.G. Films
COSTUMES
MUSIC
SOUND
Re-rec mixer
Re-rec mixer
Re-rec mixer
VISUAL EFFECTS
Titles and opt
PRODUCTION MISC
Exec in charge of prod
Unit mgr
Prod asst
Prod asst
Prod asst
Prod asst
Prod accountant
Post-prod coord
COLOR PERSONNEL
Col by
SOURCES
MUSIC
"The Food Song," lyrics and music by Karen Black; "The Way You Look Tonight," by Jerome Kern and Dorothy Fields, published by T. B. Harms Company, sung by Fred Astaire; "Sheherazade," by Nicolai Rimsky-Korsakov, performed by the New York Philharmonic.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
8 December 1983
Premiere Information:
Cannes Film Festival: May 1983; New York opening: 8 Dec 1983; Los Angeles opening: 21 Dec 1983
Production Date:
completed Nov 1982
Copyright Info
Claimant
Date
Copyright Number
International Rainbow Pictures, Inc.
15 October 1984
PA285604
Physical Properties:
Sound
Color
Lenses
Panaflex camera and lenses by Panavision
Duration(in mins):
91
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

In New York City, a woman named Zee tries in vain to stop her husband, Willy, from leaving her. In a business office, Eli, a divorced middle-aged man, advises his friend and coworker, Mort, to have a more positive attitude if he wants to attract women. Meanwhile, Zee walks the streets, talking to herself about how she could have saved her marriage. She stops at an outdoor café, where Eli and Mort continue their discussion at an adjacent table. A waitress asks to take her order, but Zee, who is flustered and tearful, changes her mind several times before deciding on a variety of chocolate desserts. Eli talks to Zee in an attempt to cheer her up. She resists at first, then asks him to join her. Mort eventually leaves, unnoticed. As Zee and Eli walk around the neighborhood, she points to an older man, whom she believes has been following her. Eli tries to calm her by taking her to see a movie. Afterward, Zee explains that she suspects her husband of hiring a private detective to report on her dating activities, in order to avoid paying alimony. They arrive at Zee’s apartment, and, during the conversation, she reveals that she had once been a professional singer, before Willy insisted that she quit. When Eli suggests they become more intimate, Zee declines. However, they kiss goodnight before Eli leaves. The next day at the office, Mort recounts his latest romantic failure while Eli peruses a book about sexual activity in middle-aged men. Eli advises his friend to stop objectifying women, then complains that ...

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In New York City, a woman named Zee tries in vain to stop her husband, Willy, from leaving her. In a business office, Eli, a divorced middle-aged man, advises his friend and coworker, Mort, to have a more positive attitude if he wants to attract women. Meanwhile, Zee walks the streets, talking to herself about how she could have saved her marriage. She stops at an outdoor café, where Eli and Mort continue their discussion at an adjacent table. A waitress asks to take her order, but Zee, who is flustered and tearful, changes her mind several times before deciding on a variety of chocolate desserts. Eli talks to Zee in an attempt to cheer her up. She resists at first, then asks him to join her. Mort eventually leaves, unnoticed. As Zee and Eli walk around the neighborhood, she points to an older man, whom she believes has been following her. Eli tries to calm her by taking her to see a movie. Afterward, Zee explains that she suspects her husband of hiring a private detective to report on her dating activities, in order to avoid paying alimony. They arrive at Zee’s apartment, and, during the conversation, she reveals that she had once been a professional singer, before Willy insisted that she quit. When Eli suggests they become more intimate, Zee declines. However, they kiss goodnight before Eli leaves. The next day at the office, Mort recounts his latest romantic failure while Eli peruses a book about sexual activity in middle-aged men. Eli advises his friend to stop objectifying women, then complains that the book makes him feel insecure about his advancing age. That afternoon, Zee and Eli meet at the café, where she talks about her desire to have a child. Elsewhere in the cafe, a street performer named Larry sits with his girl friend, Louise, and his trained pigeon, Eddie. Larry flirts with a young woman at the adjacent table, angering the lady’s boyfriend. Once the boyfriend leaves, Larry tells the girl that he fell in love upon seeing her, and they kiss as Louise reads a book, trying to hide her embarrassment. That night, Zee and Eli drink sake in his apartment, after attending a classical music concert in Central Park. Eli admits that he has “miscellaneous relationships” with other women, but would prefer to be in a “normal relationship.” Zee is more interested in knowing if Eli saw anyone following her. Later, as they make love, Eli monitors his heart rate with a pulse meter. Days afterward, Zee sings to an attentive nightclub audience, which includes Eli and Mort. Later, Eli tells Mort that as he becomes emotionally attached to Zee and feels increasingly insecure, as he is unable to gauge her feelings toward him. One night, when Zee and Eli are in bed, she declares that she is ready to have a child, but not with Eli, and disregards his desire to discuss the matter. Alone, Eli gazes wistfully at home movies of his parents’ wedding. The next time the couple makes love, Zee is revolted by Eli’s pulse meter and tries to remove it. Eli refuses, explaining that he can prove scientifically that he loves Zee more than any other woman by measuring his heart rate during sexual intercourse. One evening at the café, Zee, Eli, and Mort are seated at a table next to Larry and Louise. Larry recognizes Zee from her singing engagement and begins flirting with her. When Eli voices disapproval, Zee dismisses him with a condescending laugh. Larry takes Zee aside to invite her to his apartment for a sexual interlude. She accepts, assuring him that Eli is only a casual friend. After they leave, Eli is deeply hurt, but blames himself for not being more cynical about romance. Louise asks to stay at Eli’s apartment, because Larry will not allow her to return home if he is spending the night with another woman. Eli takes her home, and they drink sake as he obsesses over his sexual activity. Meanwhile, Zee confesses that she accepted his invitation because he feels nothing for her. When she notices the amateur photographs lining his apartment walls, she suspects him of being a private detective, hired by Willy. Convinced that she is being videotaped, Zee looks into the imaginary camera and berates her ex-husband. She gets dressed and walks out the door, leaving Larry naked and bewildered. Eli and Louise awkwardly attempt to make love as Zee enters the apartment. She announces that her suspicions of being spied upon have been vindicated, then casually apologizes for hurting both Eli and Louise. She has also come to the realization that Willy no longer loves her, leaving her free to devote herself to Eli. Louise returns to Larry, who shows little interest in having her back. Later, Zee learns that she is pregnant and believes the child will be a girl. Eli already has a daughter, but is excited to have another. Zee moves into Eli’s apartment, and continues to pursue her singing career.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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