Animal Behavior (1989)

PG | 85 mins | Romantic comedy | 27 October 1989

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HISTORY

Principal photography began on 12 Nov 1984, in Albuquerque, NM, according to a 14 Nov 1984 Var production chart.
       After four years of production delays, the 17 Feb 1988 HR announced that Miramax Films had acquired distribution rights, and planned to release the picture in late spring or early summer of 1988. Miramax reportedly rescued the $3.5 million film, which was co-produced by Rasmussen Co. Productions and the Sundance Institute, and had suffered financial troubles over several years. Harvey Weinstein, co-chairman at Miramax, reported to HR that he invested nearly seven figures to “clear up” the film’s problems.
       After the lengthy delays, director Jenny Bowen was unavailable to complete post-production before the picture was finally set for release, and asked that her name be removed from the project, thus the director is credited under the pseudonym, “H. Anne Riley,” according to the 31 Oct 1989 Village Voice.
       The 13 Nov 1989 issue of Newsweek reported the film’s advertising was misleading, making it appear that actress Holly Hunter had a much larger role. In the five years it took for Animal Behavior to be released, Hunter had since gained recognition and received an Academy Award nomination for her role in Broadcast News (1987, see entry).
       End credits include the following acknowledgements: “The Producers wish to thank the following for their valuable contribution toward the making of this motion picture: James Aldridge, Jacqueline Cambas, Dr. Roger Fouts, Sydney [ill.], Drs. Allen & Beatrice Gardner, Larry Gelbart, David Hargrove, Mac Hargrove, Ned Humphreys, Robert Jahn, Gary Kurtz, Bonnie Leslie, Hon. Robert McGuire, Harvey ...

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Principal photography began on 12 Nov 1984, in Albuquerque, NM, according to a 14 Nov 1984 Var production chart.
       After four years of production delays, the 17 Feb 1988 HR announced that Miramax Films had acquired distribution rights, and planned to release the picture in late spring or early summer of 1988. Miramax reportedly rescued the $3.5 million film, which was co-produced by Rasmussen Co. Productions and the Sundance Institute, and had suffered financial troubles over several years. Harvey Weinstein, co-chairman at Miramax, reported to HR that he invested nearly seven figures to “clear up” the film’s problems.
       After the lengthy delays, director Jenny Bowen was unavailable to complete post-production before the picture was finally set for release, and asked that her name be removed from the project, thus the director is credited under the pseudonym, “H. Anne Riley,” according to the 31 Oct 1989 Village Voice.
       The 13 Nov 1989 issue of Newsweek reported the film’s advertising was misleading, making it appear that actress Holly Hunter had a much larger role. In the five years it took for Animal Behavior to be released, Hunter had since gained recognition and received an Academy Award nomination for her role in Broadcast News (1987, see entry).
       End credits include the following acknowledgements: “The Producers wish to thank the following for their valuable contribution toward the making of this motion picture: James Aldridge, Jacqueline Cambas, Dr. Roger Fouts, Sydney [ill.], Drs. Allen & Beatrice Gardner, Larry Gelbart, David Hargrove, Mac Hargrove, Ned Humphreys, Robert Jahn, Gary Kurtz, Bonnie Leslie, Hon. Robert McGuire, Harvey McLean, Vance C. Miller, Polly Lou Moore, Peter Novak, Dr. Laura [ill.], Sydney Pollack, Robert Redford, Jonathan Sanger, Larry Smith, Lois Smith, Genevieve Sprinkle, Gordan Weaver, and the City of Albuquerque, Los Lunas Public Schools, The New Mexico Film Commission, The Sundance Institute, The University of New Mexico.” A statement reads: “Dedicated to Alexa Kenin.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
27 Oct 1989
p. 2, 35
Hollywood Reporter
17 Feb 1988
p. 1, 21
Hollywood Reporter
26 Oct 1989
p. 10, 15
Los Angeles Times
27 Oct 1989
Calendar, p. 4
Newsweek
13 Nov 1989
---
New York Times
27 Oct 1989
p. 18
Variety
14 Nov 1984
---
Variety
1 Nov 1989
pp. 35-36
Village Voice
31 Oct 1989
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
A Cinestar Presentation
A Kjehl Rasmussen and Randolph Clenenden Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
2d asst dir
PRODUCERS
Co-prod
Co-prod
Assoc prod
Exec prod
Co-exec prod
Co-exec prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
1st asst cam
2d asst cam
Addl 1st cam
Addl 1st cam
Best boy elec
Key grip
Best boy grip
2d grip
Grip intern
Elec
Unit still photog
Unit still photog
ART DIRECTORS
Art dir
Art dept asst
FILM EDITORS
Asst film ed
Apprentice film ed
Apprentice film ed
Apprentice film ed
Negative cutting
SET DECORATORS
Set dec
Asst set dec
Set dresser
Const coord
Lead scenic painter
Prop master
Asst prop master
Carpenter
Carpenter
Carpenter
Carpenter
COSTUMES
Costume dir
Ward asst
Ward asst
Ward asst
MUSIC
Orig mus comp & cond by
Mus preparation
Synthesis
Orch contractor
Mus rec at
Mus scoring mixer
Asst to the mixer
Prod eff
Spec mus consultant
Spec mus consultant
Cello consultant
Addl mus instruments
SOUND
Sd mixer
Boom op
Daily synching
Daily synching
Supv sd ed
Dial ed
Asst sd ed
Foley artist
Re-rec facility
Re-rec mixer
Sd transfers
Stereo consultant
VISUAL EFFECTS
Spec eff coord
Spec eff asst
Title des
Title des
Title & opticals
MAKEUP
Key makeup artist
Leslie Anne Anderson
Key hairstylist
PRODUCTION MISC
Casting
Scr supv
Prod auditor
Asst auditor
Prod coord
Prod secy
Loc mgr
Transportation capt
Spec equip driver
Driver
Driver
Projectionist
Dir of animal action
Dog trainer
Tech adv of animal action
Tech adv of animal action
Asst to the prods
Asst to Mr. Clendenen
Asst to Mr. Rasmussen
Asst to Mr. Rasmussen
Asst to the dir/Unit pub
Set prod asst
Prod programmer
Prod intern
Sundance representative
Prod exec
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Craft services
Extras casting dir
Asst extras coord
Registered nurse
First aid
Caterer
ASL interpreter
ASL interpreter
Prod equip
Completion guaranty
Insurance
Legal counsel
Legal counsel
Legal counsel
Legal counsel
Legal counsel
STAND INS
Stunt coord
Stunt artist
Stunt artist
Stunt artist
Stunt artist
Stand-in
Stand-in
Stand-in
Stand-in
COLOR PERSONNEL
Col by
SOURCES
SONGS
“Sonata In E Minor,” 1st Movement, Johannes Brahms, performed by Sara Sant’Ambrogio; “Mexican Hat Dance,” arranged by Alan Leroux, courtesy of Corelli-Jacobs; “Spanish Lace,” I. Slaney, De Wolfe (ASCAP), courtesy of Corelli-Jacobs; “La Cucaracha,” arranged by Alan Leroux, Canada (CAPAC), courtesy of Corelli-Jacobs; “Celito Lindo,” arranged by Alan Leroux, courtesy of Corelli-Jacobs; “Armadillo Stomp,” written & performed by Russell Warne, Emmet Haltigan; “Dyin’ Breed,” words & music by Kristi Rose and The Midnight Walkers, courtesy of Rounder Records; “Gorsky’s Theme,” original music composed & conducted by James Strater; “When The Heart Meets The Mind,” words & music by Lynne Robyn, produced by Mark Alexander; “Cast Iron Girl,” words & music by Amy McMahon Rigby, performed by Amy McMahon Rigby, Angel Dean, Michael McMahon, Garth Powell, courtesy of Rounder Records; “Symphony No. 41 In C Major,” The Jupiter Symphony, Wolfgang Amadeus Mozart, performed by The London Philharmonic Orchestra, conducted by Alfred Scholz.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
27 October 1989
Premiere Information:
Los Angeles and New York openings: 27 Oct 1989
Production Date:
began 12 Nov 1984
Copyright Info
Claimant
Date
Copyright Number
Cinestar, Ltd. N.A., Inc.
6 November 1989
PAu1314724
Physical Properties:
Sound
Recorded in Ultra-Stereo®
Color
Duration(in mins):
85
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
29874
SYNOPSIS

Professional cellist Mark Mathias accepts a position as “artist in residence” at Lamont University in New Mexico, and looks forward to using his free time to write music. On his first day, he meets Dr. Alex Bristow, and helps her capture the runaway chimpanzee she works with on a research project. As Mark watches her speak sign language with the ape, he becomes infatuated with her. Later, he sees Alex at a faculty party, and learns that she also teaches psychology courses. The awkward woman soon becomes uncomfortable with their small talk, and quickly flees. However, when her automobile fails to start, Alex is forced to accept a ride home from Mark. On the way, they retrieve “Michael,” the chimpanzee, from his babysitter’s house, and Alex explains that she uses the primate to research “language acquisition.” The next day, Mark sits in on one of her courses, and invites her out for coffee afterward, but she declines. While Mark plays his cello at home, his neighbor, Coral Grable, and her mute daughter, Cleo, hear him playing through his opened door. Coral introduces herself, and helps herself to a glass of wine from Mark’s kitchen. Elsewhere, Alex appeals to Dr. Parrish for more project funding, but he refuses, insisting her work with the chimpanzee is an embarrassment to the department. Later, Alex takes out her frustration on Mark, and is rude to him when he greets her. With Mark’s gentle persistence, Alex shares her worries about her project. Mark’s longtime friend, Mel Gorsky, warns him not to allow Alex to distract him from his music writing, and ...

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Professional cellist Mark Mathias accepts a position as “artist in residence” at Lamont University in New Mexico, and looks forward to using his free time to write music. On his first day, he meets Dr. Alex Bristow, and helps her capture the runaway chimpanzee she works with on a research project. As Mark watches her speak sign language with the ape, he becomes infatuated with her. Later, he sees Alex at a faculty party, and learns that she also teaches psychology courses. The awkward woman soon becomes uncomfortable with their small talk, and quickly flees. However, when her automobile fails to start, Alex is forced to accept a ride home from Mark. On the way, they retrieve “Michael,” the chimpanzee, from his babysitter’s house, and Alex explains that she uses the primate to research “language acquisition.” The next day, Mark sits in on one of her courses, and invites her out for coffee afterward, but she declines. While Mark plays his cello at home, his neighbor, Coral Grable, and her mute daughter, Cleo, hear him playing through his opened door. Coral introduces herself, and helps herself to a glass of wine from Mark’s kitchen. Elsewhere, Alex appeals to Dr. Parrish for more project funding, but he refuses, insisting her work with the chimpanzee is an embarrassment to the department. Later, Alex takes out her frustration on Mark, and is rude to him when he greets her. With Mark’s gentle persistence, Alex shares her worries about her project. Mark’s longtime friend, Mel Gorsky, warns him not to allow Alex to distract him from his music writing, and refers to Mark’s history of trying to “rescue” troubled women to his own detriment. When Mark learns that Alex is taking the chimp to a nature preserve, he packs a picnic lunch and pretends to run into her there. As they enjoy the day together, Alex begins to relax around him. Later, she realizes she has romantic feelings for Mark, and goes to his house unannounced, to see him. However, his neighbors Coral and Cleo Grable are at his home while Mark goes to the store to help Coral, who has a broken leg. Alex leaves, wrongly believing that Mark is married and has a child, and he wonders why she begins treating him coldly. Mark becomes distracted, and can no longer write music. In time, he visits Alex and tries to express his feelings, but she cuts him off. However, overcome with desire, they share a passionate kiss. Later, when Alex drives by Mark’s home, she sees him again with Coral and Cleo Grable, and regrets kissing him. Mark becomes babysitter to both Cleo and Michael the chimp, and on a day when he has them together, the mute girl begins to learn sign language from the chimpanzee. Later, Coral is stunned to see her daughter communicating with signs. When the girl asks to visit Michael, Mark takes Cleo and Coral to the science laboratory. Alex sees the threesome, and again mistakes them for a family. Jealous, Alex insists they leave. However, she later makes a weak apology to Mark. After she rejects him yet again, Mark becomes frustrated with her confusing behavior, and tells her he is returning to New York. Soon after, Alex makes an important presentation to the American Science Foundation (ASF), but when Michael is uncooperative, Dr. Parrish uses the opportunity to appeal to the committee, suggesting they give Alex’s chimpanzee to him for his own research project. Alex is distraught that the presentation went poorly, and feels guilty after yelling at the chimpanzee. When Mark arrives to say goodbye, chaos ensues, as Michael escapes and runs into a crowd of locals celebrating a harvest festival. As Mark and Alex search for the ape in a hay bale maze, he learns that she believed he was a married man. He tells her she is mistaken, and insists they need to start communicating better. Alex begs him not to leave town. Afterward, Alex confronts her superior, Dr. Parrish, but he insults her and shoves her to the ground. Mark comes to her defense, punching Parrish in the face. When Coral and Cleo arrive at the festival, Michael the chimp runs to see the little girl. The ASF committee watches as Cleo and the chimpanzee speak sign language with each other, and decide to grant research funding to Alex. In time, Mark practices his cello in Alex’s home, and she kisses him.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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