Night Key (1937)

65-66 or 68 mins | Drama | 2 May 1937

Director:

Lloyd Corrigan

Cinematographer:

George Robinson

Editor:

Otis Garrett

Production Designer:

Jack Otterson

Production Company:

Universal Pictures Co.
Full page view
HISTORY

According to HR, Arthur Lubin was originally set to direct this film, then was replaced by Sidney Salkow, who was later replaced by Lloyd Corrigan. HR stated that Marcus Goodrich was assigned to re-write the script for Lubin, while Var noted that John Francis Larkin later scripted for Salkow. The exact nature of these writers' contributions to the final film is not known. MPH reported that story author William Pierce was the secretary to Universal production head Charles R. Rogers. According to HR pre-release news items, Polly Rowles, who was originally cast in a leading role, was replaced because of illness, and Alan Baxter replaced J. Carrol Naish in the role of "John Baron." ...

More Less

According to HR, Arthur Lubin was originally set to direct this film, then was replaced by Sidney Salkow, who was later replaced by Lloyd Corrigan. HR stated that Marcus Goodrich was assigned to re-write the script for Lubin, while Var noted that John Francis Larkin later scripted for Salkow. The exact nature of these writers' contributions to the final film is not known. MPH reported that story author William Pierce was the secretary to Universal production head Charles R. Rogers. According to HR pre-release news items, Polly Rowles, who was originally cast in a leading role, was replaced because of illness, and Alan Baxter replaced J. Carrol Naish in the role of "John Baron."

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
1-May-37
---
Daily Variety
16 Apr 1937
p. 3
Film Daily
21 Apr 1937
p. 8
Hollywood Reporter
24 Sep 1936
p. 2
Hollywood Reporter
19 Jan 1937
p. 4
Hollywood Reporter
21 Jan 1937
p. 4
Hollywood Reporter
25 Jan 1937
p. 11
Hollywood Reporter
16 Apr 1937
p. 3
Motion Picture Daily
9 Aug 1937
p. 12
Motion Picture Herald
20 Feb 1937
p. 53
Motion Picture Herald
24 Apr 1937
p. 46
New York Times
19 Apr 1937
p. 27
Variety
24-Oct-36
---
Variety
21 Apr 1937
p. 15
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Phil Karlstein
Asst dir
PRODUCER
Robert Presnell
Assoc prod
PHOTOGRAPHY
Spec eff
ART DIRECTORS
Art dir
Loren Patrick
Art dir assoc
FILM EDITOR
Film ed
MUSIC
Mus dir
DETAILS
Release Date:
2 May 1937
Production Date:
18 Jan--16 Feb 1937
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures Co.
23 April 1937
LP7079
Physical Properties:
Sound
Black and White
Duration(in mins):
65-66 or 68
Country:
United States
PCA No:
3113
SYNOPSIS

As the Ranger Protective Agency, which services alarm systems for banks and other businesses, celebrates its twenty-fifth anniversary, Steven Ranger, the head of the company, announces that the agency has captured its ten thousandth crook, a petty thief named Petty Louie. Dave Mallory, Steven's former partner, arrives with a new business proposal. He offers Steven a fifty-fifty partnership in a new alarm system he has developed which could bankrupt the Ranger Agency if another protective service developed it. A year earlier, Dave and Steven had fallen in love with the same woman, who later became Dave's wife. As an act of revenge, Steven used legal but unethical tactics to steal Dave's early alarm system and force him out of the company. Despite this, Dave has returned to Steven in good faith. Aware that the partnership papers include no provision as to a time-table in which the new system must be developed, Steven, still bitter, signs the papers, tying up the patent, and informs Dave that he never intends to release the system. Dave realizes he has been cheated by his ex-partner once again and now can never provide his daughter Joan with the kind of life he had hoped to, and decides to turn his invention against Steven. With his new system, Dave breaks Petty Louie out of the Ranger holding cell, leaving a note: "What I Have Created I Can Destroy." In partnership with Petty Louie, Dave begins a wholesale assault on Ranger's clients. Stealing nothing, he enters their businesses and piles their merchandise in large stacks on the floor, making the Ranger Agency the subject of great ridicule. ...

More Less

As the Ranger Protective Agency, which services alarm systems for banks and other businesses, celebrates its twenty-fifth anniversary, Steven Ranger, the head of the company, announces that the agency has captured its ten thousandth crook, a petty thief named Petty Louie. Dave Mallory, Steven's former partner, arrives with a new business proposal. He offers Steven a fifty-fifty partnership in a new alarm system he has developed which could bankrupt the Ranger Agency if another protective service developed it. A year earlier, Dave and Steven had fallen in love with the same woman, who later became Dave's wife. As an act of revenge, Steven used legal but unethical tactics to steal Dave's early alarm system and force him out of the company. Despite this, Dave has returned to Steven in good faith. Aware that the partnership papers include no provision as to a time-table in which the new system must be developed, Steven, still bitter, signs the papers, tying up the patent, and informs Dave that he never intends to release the system. Dave realizes he has been cheated by his ex-partner once again and now can never provide his daughter Joan with the kind of life he had hoped to, and decides to turn his invention against Steven. With his new system, Dave breaks Petty Louie out of the Ranger holding cell, leaving a note: "What I Have Created I Can Destroy." In partnership with Petty Louie, Dave begins a wholesale assault on Ranger's clients. Stealing nothing, he enters their businesses and piles their merchandise in large stacks on the floor, making the Ranger Agency the subject of great ridicule. He requires Petty Louie's help in these endeavors, as he is losing his eyesight. Meanwhile, back at the Ranger Agency, Steven assigns detective Jimmy Travers to find and stop Dave. Jimmy meets Joan and the two immediately fall in love. He convinces Joan to meet with the desperate Steven, who promises to right things with Dave if she offers her help. In the meantime, gangster John Baron and his gang have become aware of Dave and his anti-alarm system. They follow him to his break-ins, then steal the merchandise after he leaves. Baron then captures Dave, who is finally made aware of what has been happening. Dave tries to use his system to trap Baron's gang when they rob a bank, but the system fails, causing Dave to destroy it. Learning what Dave has done, Baron kidnaps Joan and threatens to kill her if Dave does not re-build it. Dave agrees, and after he does so, Baron locks him in a room, intending to kill him once he tests the system. For good measure, Baron takes Joan along as a hostage on the "test" bank robbery. Dave escapes from his lock-up and runs into Jimmy. Learning of Joan's fate, they go to the Ranger office where they set off all the alarms, knowing that the one alarm that does not go off is where Baron and his gang are. Their plan works, and Baron and his gang are captured by the police as Joan is rescued. Together once again, Dave and Steven form a new, truly equal partnership, and find an eye specialist who helps Dave overcome his blindness. Jimmy and Joan, on the other hand, have plans for their own partnership.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Dragonwyck

Anya Seton's novel was first published in Ladies Home Journal between Aug and Dec 1943. According to a 6 Jun 1944 HR news item, ... >>

The Bank Dick

The working titles of this film were The Great Man and The Bank Detective . The name of screenwriter "Mahatma Kane Jeeves" was a pseudonym for ... >>

Sisters

The film opens as “Philip Woode” finishes dressing in a locker room. When a blind woman enters, believing that she is in the woman’s locker room, she begins ... >>

Who Framed Roger Rabbit

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and notes were written by participant Michelle Bjornas, a student at ... >>

Night Moves

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Matt Stepanski, a student at ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.