Eat a Bowl of Tea (1989)

PG-13 | 102 mins | Comedy-drama | 4 August 1989

Director:

Wayne Wang

Writer:

Judith Rascoe

Producer:

Tom Sternberg

Cinematographer:

Amir Mokri

Editor:

Richard Candib

Production Designer:

Robert Ziembicki

Production Companies:

American Playhouse , Tea Productions
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HISTORY

According to reviews in the 20 Jul 1989 WSJ and 21 Jul 1989 NYT, Eat a Bowl of Tea is a literal translation of a Cantonese phrase that loosely means “swallow your medicine.”
       Star Cora Miao was the wife of director Wayne Wang.
       A production chart in the 10 May 1989 Var states that principal photography began Jan 1988. An undated article in HR quoted Wang that the budget was “about $1 million.” Most scenes, including the ones in New York’s Chinatown, were filmed in Hong Kong, China.
       Eat a Bowl of Tea contains clips from several uncredited films, including Frank Capra's Lost Horizon (1937, see entry), George Cukor's Holiday (1938, see entry,) and Orson Welles's The Lady From Shanghai (1947, see entry).
       According to a 25 Oct 1989 Var news brief, a special screening took place at the Hong Kong Cultural Center in Hong Kong, China. Due to foul language, no one under the age of 18 was allowed to attend.
       The following statements appear in end credits: “Filmed on location in Hong Kong, San Francisco, New York, Washington, D. C.,” and “The production wishes to gratefully thank Ernest Abuda, Yuen Chung, Clearwater Bay Studios, Violetta Coata, David Dobkin, J. Gunnar Erickson, Tom Luddy, Niki Minc, Pan Asian Theatre Repertory Company, Michael Peretzian, Steve Pinsky, Russian Hill Recording, Judy Scott-Fox, Salon Films, San Francisco Studios, Sound Recording Organization, Albert To, Universal Labs.” ...

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According to reviews in the 20 Jul 1989 WSJ and 21 Jul 1989 NYT, Eat a Bowl of Tea is a literal translation of a Cantonese phrase that loosely means “swallow your medicine.”
       Star Cora Miao was the wife of director Wayne Wang.
       A production chart in the 10 May 1989 Var states that principal photography began Jan 1988. An undated article in HR quoted Wang that the budget was “about $1 million.” Most scenes, including the ones in New York’s Chinatown, were filmed in Hong Kong, China.
       Eat a Bowl of Tea contains clips from several uncredited films, including Frank Capra's Lost Horizon (1937, see entry), George Cukor's Holiday (1938, see entry,) and Orson Welles's The Lady From Shanghai (1947, see entry).
       According to a 25 Oct 1989 Var news brief, a special screening took place at the Hong Kong Cultural Center in Hong Kong, China. Due to foul language, no one under the age of 18 was allowed to attend.
       The following statements appear in end credits: “Filmed on location in Hong Kong, San Francisco, New York, Washington, D. C.,” and “The production wishes to gratefully thank Ernest Abuda, Yuen Chung, Clearwater Bay Studios, Violetta Coata, David Dobkin, J. Gunnar Erickson, Tom Luddy, Niki Minc, Pan Asian Theatre Repertory Company, Michael Peretzian, Steve Pinsky, Russian Hill Recording, Judy Scott-Fox, Salon Films, San Francisco Studios, Sound Recording Organization, Albert To, Universal Labs.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Los Angeles Times
4 Aug 1989
Calendar, p. 14
New York Times
21 Jul 1989
p. 13
Variety
24 May 1989
p. 27
Variety
25 Oct 1989
---
WSJ
20 Jul 1989
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANIES
PRODUCTION TEXTS
Columbia Pictures presents
an American Playhouse® theatrical film
a Tom Sternberg, Wayne Wang production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
1st asst dir
1st asst dir
2d asst dir
Unit mgr
Asst unit mgr
1st asst dir, San Francisco unit
2d asst dir, San Francisco unit
PRODUCERS
Assoc prod
Assoc prod, San Francisco unit
New York/Washington, D. C. assoc prod
Exec prod
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
Asst cam
2d asst cam
Gaffer
Key grip
Still phtog
Asst cam, San Francisco unit
2d asst cam, San Francisco unit
Gaffer, San Francisco unit
Best boy, San Francisco unit
Elec, San Francisco unit
Key grip, San Francisco unit
Grip, San Francisco unit
Grip, San Francisco unit
Cable man, San Francisco unit
Still photog, San Francisco unit
Addl photog
ART DIRECTORS
Prod des
Art dir
FILM EDITORS
Apprentice film ed
1st asst ed
2d asst ed
Apprentice ed
SET DECORATORS
Set dec
Asst set dec
Asst set dec
Prop master
Prop master
Set dec, San Francisco unit
Prop master, San Francisco unit
Asst set dec, San Francisco unit
Lead man, San Francisco unit
Asst lead man, San Francisco unit
COSTUMES
Cost des
Asst cost des
Asst cost des
Ward lady
Ward, San Francisco unit
MUSIC
Mus supv
Mus comp
Mus eng
Mus eng
Solo musician
Solo musician
Solo musician
Solo musician
Solo musician
Solo musician
Solo musician
SOUND
Sd rec
Boom op
Sd rec, San Francisco unit
Boom man, San Francisco unit
Supv sd ed
Asst sd ed
Vanessa Ament
Foley artist
Sd eff rec
Re-rec mixer
VISUAL EFFECTS
Titles and optical eff
MAKEUP
Hair stylist
Makeup
Hairstylist/makeup, San Francisco unit
PRODUCTION MISC
Asst to the prod
Asst to the prod
Asst to the dir
Prod accountant
Scr supv
Loc mgr asst
Prod accountant
Prod secy
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Tea lady
Completion bond representative
Scr supv, San Francisco unit
Prod coord, San Francisco unit
Loc mgr, San Francisco unit
Loc scout, San Francisco unit
Loc scout, San Francisco unit
Loc asst, San Francisco unit
prod asst, San Francisco unit
Prod asst, San Francisco unit
Prod asst, San Francisco unit
Prod asst, San Francisco unit
Prod asst, San Francisco unit
Talent coord, San Francisco unit
Loc equip mgr, San Francisco unit
Post prod accountant
Completion guarantor
COLOR PERSONNEL
Col timer
Color by
SOURCES
LITERARY
Based on the novel Eat a Bowl of Tea by Louis Chu (New York, 1961).
LITERARY SOURCE AUTHOR
SONGS
"How High The Moon," written by Nancy Hamilton and Morgan Lewis, performed by Pat Suzuki; ""Spring In New York," composed by Mark Adler, performed by Lynn Ray. ["(I'd Like To Get You On A) Slow Boat To China," written by Frank Loesser.]
PERFORMED BY
SONGWRITERS/COMPOSERS
+
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
4 August 1989
Premiere Information:
New York opening: 21 Jul 1989; Los Angeles opening: 4 Aug 1989
Production Date:
Began Jan 1988.
Copyright Info
Claimant
Date
Copyright Number
Columbia Pictures Industries, Inc.
24 October 1989
PA432154
Physical Properties:
Sound
Color
Duration(in mins):
102
Length(in feet):
9,246
MPAA Rating:
PG-13
Country:
United States
Language:
English
PCA No:
29542
SYNOPSIS

In 1949, the Chinese Exclusion Act is overturned, allowing Chinese women to enter America. A New York City gambling club owner, Wah Gay, receives a letter from his wife in China, demanding he talk to his friend about arranging a match between their son and his daughter. Wah makes the arrangements and sends his son, Ben Loy, a thoroughly Americanized U. S. Army veteran, to China to meet his bride, Mei Oi. On arrival, Ben meets Mei Oi’s matchmaker, who attends his homecoming to make sure he did not lose any limbs in the war. Ben proves his worth by showing off his legs. That night, Ben presents his mother with a waffle iron from his father. She opens a cupboard to show several unused appliances, and asks Ben to tell Wah to send electricity next time. She states if Wah cared for her, he would come back to see her after twenty years of absence. The next day, a nervous Ben Loy meets his future bride, Mei Oi, who greets him by crossing her eyes. When Mei Oi displays her fluency in English, Ben is instantly smitten. An astrologer declares that the two youths’ horoscopes match perfectly, and they participate in an elaborate wedding ceremony before consummating their marriage. Ben takes his bride back to America, where Mei Oi discovers she is one of only a handful of women in New York City’s Chinatown. Ben’s elevated status as a “husband” gets him a job as a manager at a restaurant, but his new responsibilities take him away from his wife. The stress of his work, along with the demands of his community to sire a baby, cause Ben ...

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In 1949, the Chinese Exclusion Act is overturned, allowing Chinese women to enter America. A New York City gambling club owner, Wah Gay, receives a letter from his wife in China, demanding he talk to his friend about arranging a match between their son and his daughter. Wah makes the arrangements and sends his son, Ben Loy, a thoroughly Americanized U. S. Army veteran, to China to meet his bride, Mei Oi. On arrival, Ben meets Mei Oi’s matchmaker, who attends his homecoming to make sure he did not lose any limbs in the war. Ben proves his worth by showing off his legs. That night, Ben presents his mother with a waffle iron from his father. She opens a cupboard to show several unused appliances, and asks Ben to tell Wah to send electricity next time. She states if Wah cared for her, he would come back to see her after twenty years of absence. The next day, a nervous Ben Loy meets his future bride, Mei Oi, who greets him by crossing her eyes. When Mei Oi displays her fluency in English, Ben is instantly smitten. An astrologer declares that the two youths’ horoscopes match perfectly, and they participate in an elaborate wedding ceremony before consummating their marriage. Ben takes his bride back to America, where Mei Oi discovers she is one of only a handful of women in New York City’s Chinatown. Ben’s elevated status as a “husband” gets him a job as a manager at a restaurant, but his new responsibilities take him away from his wife. The stress of his work, along with the demands of his community to sire a baby, cause Ben to become impotent. A doctor prescribes a vacation for Ben and Mei Oi, so they travel to Washington, D.C., where Ben is able to perform his marital duty. However, back in New York, Ben’s former girl friend arrives, unaware he is married, Her presence upsets Mei Oi, which negatively affects Ben’s sexual prowess. Fearing Ben is not attracted to her, Mei Oi alters her hair, makeup, and clothes to look more American. She arrives at Ben’s restaurant with two tickets to Washington, but he insists he must work and orders her to remove her makeup. Mei Oi leaves crying, and runs into Ah Song, Ben’s young Uncle, who offers her a handkerchief. Days later, a sexually frustrated Mei Oi accepts Ah Song’s repeated advances, and they become lovers. Over the next few weeks, Mei Oi signals her desire to meet with Ah by placing a fish bowl on the fire escape. One day, she telephones Ben while he is attending a funeral and announces she is pregnant. Ben is suspicious until he checks the date of when they made love in Washington, D. C., and decides the child is his. Ah Song refuses to call off the affair, and when he appears at Me Oi’s door, a neighbor sees them kissing. Within days, everyone in Chinatown except Ben knows of Mei Oi’s infidelity, until his father, Wah, tries to strangle him for causing family humiliation. Ben’s boss fires him, and the only job he can find is making fortune cookies at a factory in New Jersey. The young couple’s relationship deteriorate further, and they separate. A week later, Ah returns from a trip to Florida, learns of Mei Oi’s separation, and heads to her apartment, unaware she no longer lives there. He is followed by Wah, who climbs the building’s fire escape and breaks inside through a window. Without waking the new occupants, he grabs a meat cleaver and unlocks the door. When Ah enters, Wah cuts off his ear and chases him outside. Ben Loy is arrested for attempted murder. Released on bail, he declares his love to Mei Oi and suggests they start over in San Francisco, California, where no one knows their story. When he voices his concern about satisfying her, Mei Oi produces a packet of “special” tea from China, guaranteed to handle Ben’s “problem.” A year later, Wah celebrates his grandson’s first birthday in San Francisco.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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