Harlem Nights
(1989)
R | 117 mins | Comedy-drama | 17 November 1989
Cast:
Eddie Murphy, Richard Pryor, Redd Foxx [ More ]Director:
Eddie MurphyWriter:
Eddie MurphyProducers:
Robert D. Wachs, Mark LipskyCinematographer:
Woody OmensEditor:
Alan BalsamProduction Designer:
Lawrence G. PaullProduction Companies:
Paramount Pictures Corp.
Items in the 14 Jun 1989 HR and 8 Apr 1989 L.B. Press-Telegram referred to the film as Harlem Knights.
An item in the 20 May 1989 L.B. Press-Telegram stated that, according to a report “leaked” from the set, the final page of writer-producer-director-actor Eddie Murphy’s script included the following notation: “They exchange smiles, get in the car and head down the highway as we roll credits – and go to the [expletive deleted] bank.”
According to a 5 Mar 1989 LAT brief, Murphy commissioned Las Vegas, NV, agent Jaki Baskow to help him find a “light-skinned” and “drop dead gorgeous” African American performer, at least 5’10” tall, to play “Dominique La Rue.” The actress initially cast in the role, Michael Michele Williams , was pulled from another Murphy project, a television series based on his 1988 film Coming to America (see entry). Williams was fired due to “artistic differences,” according to Murphy’s manager and producer Robert D. Wachs, and replaced by Jasmine Guy. As noted in a 12 May 1989 HR item, Williams sued Murphy for $75 million, claiming she was fired for spurning Murphy’s sexual advances during the early stages of production. In addition to the $75 million she sought for “emotional and psychological damage,” Williams sued Paramount for the $83,000 that would have been “contractually due her if she had remained in the Coming to America television project.” The outcome of both lawsuits could not be determined as of the writing of this Note.
Principal photography began 3 Apr 1989, according to a 20 May 1989 ...
Items in the 14 Jun 1989 HR and 8 Apr 1989 L.B. Press-Telegram referred to the film as Harlem Knights.
An item in the 20 May 1989 L.B. Press-Telegram stated that, according to a report “leaked” from the set, the final page of writer-producer-director-actor Eddie Murphy’s script included the following notation: “They exchange smiles, get in the car and head down the highway as we roll credits – and go to the [expletive deleted] bank.”
According to a 5 Mar 1989 LAT brief, Murphy commissioned Las Vegas, NV, agent Jaki Baskow to help him find a “light-skinned” and “drop dead gorgeous” African American performer, at least 5’10” tall, to play “Dominique La Rue.” The actress initially cast in the role, Michael Michele Williams , was pulled from another Murphy project, a television series based on his 1988 film Coming to America (see entry). Williams was fired due to “artistic differences,” according to Murphy’s manager and producer Robert D. Wachs, and replaced by Jasmine Guy. As noted in a 12 May 1989 HR item, Williams sued Murphy for $75 million, claiming she was fired for spurning Murphy’s sexual advances during the early stages of production. In addition to the $75 million she sought for “emotional and psychological damage,” Williams sued Paramount for the $83,000 that would have been “contractually due her if she had remained in the Coming to America television project.” The outcome of both lawsuits could not be determined as of the writing of this Note.
Principal photography began 3 Apr 1989, according to a 20 May 1989 HR production chart. A 7 Jul 1989 LAHExam brief cited the production budget as $40 million. Filming took place on three soundstages at Paramount Pictures Studios, and on the Burbank Studios’ backlot, Arc Street, Brownstone Street, Hennessy Street, and Embassy Park Street sets. Other Los Angeles, CA, locations included Normandy Street and the Rex restaurant downtown, which stood in for “Bugsy Calhoune’s” restaurant, Calhoune’s on the Park. In Long Beach, a room aboard the Queen Mary doubled as the Pitty Pat Club.
The film’s 16 Nov 1989 Los Angeles premiere benefited the United Negro College Fund. The following day, the national release took place on 2,000 screens. Critical reception was largely negative, with several critics panning the derivative screenplay and excessive bad language. An 11 Dec 1989 People item counted 233 “really bad words” used in the film.
In its first weekend of release, several incidents of violence occurred around screenings of the film, including shootings at the AMC Americana theater in Southfield, MI, and Cineplex Odeon Hilltop Theater in Richmond, CA, and a stabbing outside the Loew’s Cinema 7 in Boston, MA. Eight people were injured and seventeen-year-old Marcel Thompson died as a result of the incidents. According to a 22 Nov 1989 LAT news item, the AMC-Americana in Southfield removed the film’s title from its marquee and planned to install metal detectors to prevent future incidents.
Two writers filed lawsuits against Murphy and Paramount, claiming Harlem Nights plagiarized their works. Although Hariz Farid’s $100 million suit was dismissed by a Newark, NJ, Federal Court judge, as stated in a 4 Feb 1991 Var item, U.S. District Court Judge Jacob Mishler found the case filed by screenwriter Michael Greene, who claimed that Murphy stole from his script, A Halloween to Remember, worthy of a trial. According to a 25 Jun 1992 HR article, after comparing the scripts, Mishler stated that a “reasonable trier of fact could determine that ‘Halloween’ and ‘Harlem’ have substantially similar plots, characters, scenes, settings, feel and detail.” Mishler’s announcement came after the Jan 1990 ruling that Murphy’s Coming to America was based on a treatment by humorist Art Buchwald, resulting in an $825,000 sum rewarded to Buchwald. The Jaki Baskow Agency sued actor Redd Foxx for unpaid commissions exceeding $50,000, as reported in a 1 Nov 1989 Var article. The agency claimed to have obtained Foxx’s Harlem Nights role, “Bennie Wilson,” for the actor, who, according to the plaintiff, “refused to pay the commission and terminated his representation by the agency.” The outcome of both lawsuits could not be determined as of the writing of this Note.
In the 7 Jul 1989 LAHExam brief, actor Danny Aiello was quoted as saying that his character, “Phil Cantone,” was originally killed off in the script. However, two weeks into production, Murphy told Aiello that Cantone would be kept alive for a sequel. Meanwhile, a spokesperson for the production denied Aiello’s claims, and no such sequel has been produced as of the writing of this Note.
End credits include the following statement: “The producers wish to thank: Rocco Gioffre, Aaron Siskind, Tania G. Werbizky – Preservation League of New York.”
In 1918 Harlem, New York, African-American “Sugar Ray” Raymond plays craps in a backroom at his saloon. A young boy delivers cigarettes to the club owner just as a toothless gambler “craps out” in a dice game and threatens to stab everyone in the room. The errand boy surprises Sugar Ray by shooting the toothless gambler in the head. Learning that the boy is an orphan, Ray offers to take him in. Twenty years later, Ray’s establishment has grown into the thriving Club Sugar Ray’s. The former errand boy, now known as “Quick,” has become Ray’s right-hand man and de facto son. One night, a gangster named Tommy Smalls arrives at the club with a beautiful Creole woman named Dominique La Rue. Ray recognizes Smalls as the manager of the rival Pitty Pat Club, run by white gangster Bugsy Calhoune. Ray notices Quick admiring Dominique from afar, and warns him that she is Calhoune’s mistress. Baffled that such a beautiful woman would be involved with a fat, ugly gangster like Calhoune, Quick introduces himself to the woman as a suspicious Ray offers Smalls one of his best tables. Later, Calhoune learns that business is down at the Pitty Pat Club, while Ray’s business, according to Dominique and Smalls, is pulling in an estimated $10-15 thousand per week. Hoping to get rid of Ray’s club, Calhoune enlists Sergeant Phil Cantone, a corrupt policeman, to pay Ray a visit. Counting their profits at the end of the night, Ray’s staff awaits Vera Walker, the overweight madam who runs the club’s brothel. Vera delivers only $200, and Quick accuses her of stealing. Vera challenges Quick to a fistfight and he laughingly obliges. ...
In 1918 Harlem, New York, African-American “Sugar Ray” Raymond plays craps in a backroom at his saloon. A young boy delivers cigarettes to the club owner just as a toothless gambler “craps out” in a dice game and threatens to stab everyone in the room. The errand boy surprises Sugar Ray by shooting the toothless gambler in the head. Learning that the boy is an orphan, Ray offers to take him in. Twenty years later, Ray’s establishment has grown into the thriving Club Sugar Ray’s. The former errand boy, now known as “Quick,” has become Ray’s right-hand man and de facto son. One night, a gangster named Tommy Smalls arrives at the club with a beautiful Creole woman named Dominique La Rue. Ray recognizes Smalls as the manager of the rival Pitty Pat Club, run by white gangster Bugsy Calhoune. Ray notices Quick admiring Dominique from afar, and warns him that she is Calhoune’s mistress. Baffled that such a beautiful woman would be involved with a fat, ugly gangster like Calhoune, Quick introduces himself to the woman as a suspicious Ray offers Smalls one of his best tables. Later, Calhoune learns that business is down at the Pitty Pat Club, while Ray’s business, according to Dominique and Smalls, is pulling in an estimated $10-15 thousand per week. Hoping to get rid of Ray’s club, Calhoune enlists Sergeant Phil Cantone, a corrupt policeman, to pay Ray a visit. Counting their profits at the end of the night, Ray’s staff awaits Vera Walker, the overweight madam who runs the club’s brothel. Vera delivers only $200, and Quick accuses her of stealing. Vera challenges Quick to a fistfight and he laughingly obliges. Following her outside, Quick is humiliated when Vera overpowers him. He retaliates by hitting her with a trash can lid, and she pulls a razor. Quick draws his gun and shoots Vera’s pinkie toe. As the madam is carried away in an ambulance, Ray urges his protégé to stop overreacting. That night, Ray finds Sgt. Cantone in his living room, but, when pressed, denies that he owns Club Sugar Ray’s, insisting he operates a candy shop. Assuming that Calhoune sent the policeman, Ray warns Quick that they will have to relocate if the gangster wants to run them out of business, but Quick resists the idea. Later, Quick shows Ray a telegram from Dominique, who has invited him to dinner, and insists she is romantically interested in him. Ray remains suspicious of Calhoune’s crew, however, and is vindicated when Sgt. Cantone arrives and admits his association with the mobster. Cantone threatens that if Ray does not pay him $10,000 per week, he will shut down the club. Ray asks for time to think about the offer. After Cantone leaves, Ray develops a plan to rob Calhoune, take vengeance against Cantone, and leave town. The scheme involves robbing Calhoune’s “pick-up man” on the night of an upcoming boxing match between African-American fighter, Jack “Champ” Jenkins, and Michael Kirkpatrick, an inferior white boxer whose odds are very low. Ray also plans to bet $200,000 on Kirkpatrick in order to deceive Calhoune into thinking Jenkins will throw the fight, leading him to bet on Kirkpatrick and shift the odds. Later, Sgt. Cantone ambushes Tommy Smalls at his apartment, accuses him of stealing from Calhoune, and kills him. Shortly after, Quick pays Smalls a visit to find out more about Calhoune, but finds the gangster dead. As he leaves the building, he is spotted by a group of Smalls’s cohorts. Arriving at a restaurant to meet Dominique, Quick is surprised to find Calhoune and his assistant, Joe Leoni, at their table. Calhoune asks Quick to work for him, but Quick refuses, and leaves the restaurant. He is followed by Smalls’s cohorts, who believe him to be Smalls’s killer. Quick runs the men off the road, then dives out of his moving car and through a shop window. His pursuers fire several rounds of ammunition at him, but Quick shoots all three of them dead. When he returns to Ray’s club, Quick receives a call from Dominique and goes to her house, where she seduces him, and encourages him to reveal his real name, Vernest Brown. After they make love, Dominique attempts to kill him, but Quick outwits her and shoots her dead. He takes refuge at Ray’s home and recounts the night’s events. Ray tells Quick that Calhoune will try to assassinate him again, once he learns of Dominique’s death. Quick agrees to hide out until their heist the following night. Shortly after, Sgt. Cantone raids Ray’s club and Calhoune’s men burn it down. Meanwhile, Vera’s best prostitute, Sunshine, seduces Calhoune’s pick-up man, Richie Vento, and confesses that she is a pick-up girl for a local numbers racket. She convinces Vento to give her a ride during the boxing match, just after he is scheduled to pick up the cash amassed by Calhoune’s bookkeepers. As planned, Vento makes the pickup while the fight is in progress, then picks up Sunshine on a street corner. At the same time, a couple of Ray’s employees retaliate against Calhoune by blowing up the Pitty Pat Club. Cantone spies on Vento as he throws Sunshine’s bag of “cash” in the trunk next to his, then witnesses as Vento gets into an automobile accident with Ray’s nearly-blind croupier, Bennie Wilson, and Vera. Dressed as policemen, Ray and Quick intervene, identifying Sunshine as “Lady Heroin,” a notorious drug dealer. They arrest Sunshine and Vento, and seize the bag of money from Vento’s trunk, claiming it is Sunshine’s bag of heroin, as two white policemen arrive on the scene. Vento tells the white officers he knows Sgt. Cantone, and they release him, taking the bag from Ray. Cantone follows Ray and Quick to a deserted bank building and teases them about their failed plan to steal from Calhoune. Just as he points his gun at the two, the rest of Ray’s crew appears, holding the corrupt policeman at gunpoint. Tying Sgt. Cantone to a chair, they leave him to suffocate in the vault. At the same time, Vento delivers the money to Calhoune, but instead discovers Sunshine’s “heroin” inside the bag. Calhoune tests the powder and angrily announces it is sugar. Vera shows up, promising she had nothing to do with Ray’s scheme, and begs for protection. She reveals that Ray and Quick are back at Ray’s house, and Calhoune goes there with his men. Inside, they find Sgt. Cantone’s badge and realize they have been set up just as the place explodes. At a motel in Hoboken, New Jersey, Ray and Quick pay the white men who posed as policemen, and gaze at the New York skyline one last time before leaving town with Annie, Vera, Bennie, and Calhoune’s bag of cash.
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