Meet the Hollowheads (1989)

PG-13 | 85 mins | Comedy | 17 November 1989

Director:

Tom Burman

Cinematographer:

Marvin V. Rush

Editor:

Carl Kress

Production Designer:

Edward C. Eyth

Production Company:

Linden Productions
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HISTORY

Referring to the picture as Life On the Edge, production company, Linden Productions, released an advertisement in the 20 Sep 1988 HR announcing that principal photography had finished.
According to the 6 Oct 1989 DV, the film marked director Tom Burman’s theatrical debut. The picture screened at film festivals in Mill Valley, CA, and Vancouver, CA, before its planned regional release in Los Angeles, CA, Sacramento, CA, and Seattle, WA, on 17 Nov 1989.
       The film ends with the following title card: “Lovingly Dedicated to Anne Ramsey.” End credits acknowledge: “Special Thanks to: Mark Delano, In-Tek Wrecking, Michael Kahn, Kahn Air Conditioning, Mirian Preissel, Gelefects, Donna Goldman Grace, Rick Pesner, Curt Schulkey, Joey Whang, Sylvia Dreiband, Manuel Dreiband.” ...

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Referring to the picture as Life On the Edge, production company, Linden Productions, released an advertisement in the 20 Sep 1988 HR announcing that principal photography had finished.
According to the 6 Oct 1989 DV, the film marked director Tom Burman’s theatrical debut. The picture screened at film festivals in Mill Valley, CA, and Vancouver, CA, before its planned regional release in Los Angeles, CA, Sacramento, CA, and Seattle, WA, on 17 Nov 1989.
       The film ends with the following title card: “Lovingly Dedicated to Anne Ramsey.” End credits acknowledge: “Special Thanks to: Mark Delano, In-Tek Wrecking, Michael Kahn, Kahn Air Conditioning, Mirian Preissel, Gelefects, Donna Goldman Grace, Rick Pesner, Curt Schulkey, Joey Whang, Sylvia Dreiband, Manuel Dreiband.”

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
6 Oct 1989
---
Daily Variety
3 Nov 1989
p. 2, 26
Hollywood Reporter
20 Sep 1988
---
Los Angeles Times
1 Dec 1989
p. 6
Variety
8 Nov 1989
p. 34
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
Linden Productions presents
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
PRODUCERS
Assoc prod
Randy Robinson
Assoc prod
Exec prod
Line prod
WRITERS
Addl dial
PHOTOGRAPHY
Dir of photog
2d unit cine
1st asst cam
2d asst cam
2d asst cam
2d asst cam
3d asst cam
Paul McIlvaine
Gaffer
2d unit gaffer
Best babe elec
David DeCarlo
Grip
Grip
Still photog
Cam systems
Cam dollies
Grip & lighting services
Grip & lighting services
Video services
ART DIRECTORS
Prod des
Art dir
Asst prod des
Asst art dir
Matte artist
Sketch artist
FILM EDITORS
Film ed
Ed consultant
Addl ed
1st asst ed
2d asst ed
Apprentice ed
Negative cutter
SET DECORATORS
Prop master
Spec props
Spec props
Const coord
Furniture const
Set const
Susan Bertram
Set const
Set const
Set const
Set const
Set const
Set const
Set const
Set const
Set const
Set painter
Set painter
Set painter
Leadman
COSTUMES
Cost des
Ward supv
MUSIC
Mus consultant
Mus ed
Mus rec eng
Asst eng
Sampling eng
SOUND
Re-rec mixer
Sd des by
Sd mixer
Sd mixer
Boom op
Supv sd ed
ADR supv
Asst sd ed
Apprentice sd ed
Sd eff mixer
Sd services
Sd services
Sd ed
Sd ed
Sd ed
Sd ed
Foley mixer
Foley artist
Foley artist
Foley artist
Re-rec facility
Re-rec mixer
VISUAL EFFECTS
Spec eff
Titles & opticals
Opening title
Opening title prod by
Opening title des by
MAKEUP
Spec makeup eff by
Head makeup artist
Hairstylist
Spec makeup eff application
Makeup/Hair asst
Makeup/Hair asst
PRODUCTION MISC
Casting, Liberman/Hirschfeld Casting, C.S.A.
Exec in charge of post prod
Prod coord
Prod coord
Prod accountant
Loc mgr
Loc scout
Scr supv
Visual consultant
Coord
Crew
Asst to the exec prod
Asst to the exec prod
Asst to the prod
Extra casting
Transportation coord
Transportation capt
Caterer
Craft service
Set security
Set security
Studio teacher
Set acupuncturist
Set nurse
Prod asst
Prod asst
Key set PA
Set PA
Set PA
Runner
Runner
Spec promotions
Pub consultant
Legal affairs
Legal affairs
Studio facilities
Studio facilities, Ren-Mar Studio
Stage mgr
Insurance & payroll services
Insurance & payroll services, Disc Entertainment S
Film permits
Travel arrangements
STAND INS
Stunt coord
Stunt coord
Stand-in
Stand-in
COLOR PERSONNEL
Col lab
Col timer
SOURCES
MUSIC
Music performed by the Khadaquidi Royal Philharmonic by permission of His Seren Highness.
SONGS
"I Feel Good About Myself," lyrics by Glenn Jordan & Ken Hall, music by Glenn Jordan, performed by Mendy Lee; "What's Pumpin'," written and produced by Glenn Jordan, performed by Marquis "Hami Wave" Dair; "Kids Lookin' For A Good Time," written and produced by Glenn Jordan, performed by Jeff Wilson; "Life On The Edge," written, performed and produced by Glenn Jordan.
PERFORMED BY
+ −
SONGWRITER/COMPOSER
DETAILS
Alternate Titles:
A Fine Romance
Life On the Edge
Release Date:
17 November 1989
Premiere Information:
Los Angeles, Sacramento, CA, and Seattle, WA openings: 17 Nov 1989
Production Date:
end Sep 1988
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Duration(in mins):
85
MPAA Rating:
PG-13
Country:
United States
Language:
English
PCA No:
29478
SYNOPSIS

Miriam Hollowhead frantically prepares a last-minute dinner for Martin Crabneck, her husband Harry’s new boss, whom he hopes will give him a promotion at the “United Umbilical Housing Corporation.” When son, Billy, returns home with a black eye, Miriam attaches a space-age gadget to his face, and an alien creature comes out of a tube and leaches onto his eye until it is healed. Teenage son and daughter, Bud and Cindy, return home but offer their frazzled mother no help. When food delivery tubes become blocked, Miriam sends Billy and his friend, Joey, to see Stationmaster Babbleaxe at the pumping station to ask that it be repaired. She warns the boys to stay away from “the edge.” As they walk in the darkness that is their universe, Billy and Joey discuss whether or not “the edge” actually exists. The boys see the “Ream Gang,” whose job it is to clean the waste pipes. Joey taunts the workers, prompting them to chase after the two boys. When they arrive at the pumping station, Stationmaster Babbleaxe has her minion fill the liquid foodstuffs for Mrs. Hollowhead. Elsewhere, Bud leaves to play a gig with his band, while fourteen-year-old Cindy gets ready to go to a party. Her mother worries she is growing up too fast when she asks to use some “softening jelly.” Henry Hollowhead arrives with Mr. Crabneck, and the lecherous man promptly sets his sights on Miriam. Crabneck makes it clear he has no intention of promoting Henry. When Crabneck sees Cindy dressed up for the party, he lasciviously greets her. Billy and Joey return ...

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Miriam Hollowhead frantically prepares a last-minute dinner for Martin Crabneck, her husband Harry’s new boss, whom he hopes will give him a promotion at the “United Umbilical Housing Corporation.” When son, Billy, returns home with a black eye, Miriam attaches a space-age gadget to his face, and an alien creature comes out of a tube and leaches onto his eye until it is healed. Teenage son and daughter, Bud and Cindy, return home but offer their frazzled mother no help. When food delivery tubes become blocked, Miriam sends Billy and his friend, Joey, to see Stationmaster Babbleaxe at the pumping station to ask that it be repaired. She warns the boys to stay away from “the edge.” As they walk in the darkness that is their universe, Billy and Joey discuss whether or not “the edge” actually exists. The boys see the “Ream Gang,” whose job it is to clean the waste pipes. Joey taunts the workers, prompting them to chase after the two boys. When they arrive at the pumping station, Stationmaster Babbleaxe has her minion fill the liquid foodstuffs for Mrs. Hollowhead. Elsewhere, Bud leaves to play a gig with his band, while fourteen-year-old Cindy gets ready to go to a party. Her mother worries she is growing up too fast when she asks to use some “softening jelly.” Henry Hollowhead arrives with Mr. Crabneck, and the lecherous man promptly sets his sights on Miriam. Crabneck makes it clear he has no intention of promoting Henry. When Crabneck sees Cindy dressed up for the party, he lasciviously greets her. Billy and Joey return with the supplies, and Miriam finishes cooking dinner. Before leaving, Cindy feeds her invalid grandfather, who is kept in the basement, by shoving a feeding tube down his throat. She leaves with her nerdy date, Oliver Digits, whom she is using to be allowed to go to the party to meet her real crush, Jeff. Over dinner, Miriam and Billy both attempt to secure a raise for Henry, but Crabneck refuses. He makes aggressive overtures toward Miriam, saying he will consider the promotion if she sleeps with him. When Henry catches Crabneck molesting his wife in the kitchen, a fight ensues. Miriam electrocutes Crabneck with a kitchen gadget, then stabs him in the neck with a fork. He collapses, but when Billy comes near, Crabneck grabs the boy and chokes him. As the hapless Hollowheads look on, a wormlike creation emerges from a hole in the wall and strangles Crabneck. Henry strikes his boss over the head and burns him with another appliance until he finally falls dead. Henry becomes worried that he will never get his promotion, but Miriam is more concerned they will be thrown off the edge for committing murder. However, Crabneck rises, yet again, and continues his attack. Miriam stabs him in the back, and cuts off his fingers, and Crabneck, again, falls unconscious. The couple decides it would be best to murder him, but before they complete the task, there is a knock at the front door. After hiding Crabneck’s body, they are surprised to see police at the door escorting their intoxicated daughter, Cindy, home. They distract the officers, who soon leave, unaware of the hostage in the kitchen. When Crabneck crawls into the living room, Billy has the idea. The next day, the family goes to the basement to feed Grandpa, and the incapacitated Crabneck sits next to the elderly man, waiting to be fed.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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