Lost Angels (1989)

R | 116 mins | Drama | 5 May 1989

Full page view
HISTORY

Referring to the picture as Wall Time, a news item in the 24 Nov 1986 DV announced a casting call for the lead roles, and noted that production was set to begin on 15 Feb 1987 in Vancouver, Canada. The 24 Mar 1987 HR reported a 15 Apr 1987 start date, however, principal photography was delayed until 1988, and according to production notes in AMPAS library files, locations included Southern CA, and San Antonio, TX, where an unnamed mental hospital was used.
       The 29 Jan 1988 LAHExam announced that rap artist, Adam Horovitz from the band, The Beastie Boys, would be making his acting debut in the lead role, which had been retitled, Lunatics.
       According to the 4 Aug 1990 Screen International, the picture was released overseas as The Road Home.
       End credits include the following dedication: “For Thomas Hudson, aged 11 and Ben Weller, aged 2, and their generation.” Additional acknowledgements include: “The Producers Would Like to Thank: Music consultants for A & M Records: David Anderle and Steve Rablovsky; Very Special Thanks to Gill Friesen; The People of Los Angeles, California, and San Antonio, Texas; Kathy Roads and Rhonda Tichenor of the San Antonio Film Commission; Juan Hernandez, Community Cultural Arts Association, San Antonio, Texas, for the Madonna of Guadalupe fairground mural; Emma Harrison, Manuel Velasquez, Ruben Guevara & Ismael Cazarez for the 10th St. Community Aqueduct Mural; Sharon Gaisford, Ion Art for Neon; Shawn Siegal, Pig Tail Productions for Stickman Animation; Raymond G. Chavez Junior for painting the 10th St. jackets; Peter Heer, LA Games for Olympic art prints; Worcester ...

More Less

Referring to the picture as Wall Time, a news item in the 24 Nov 1986 DV announced a casting call for the lead roles, and noted that production was set to begin on 15 Feb 1987 in Vancouver, Canada. The 24 Mar 1987 HR reported a 15 Apr 1987 start date, however, principal photography was delayed until 1988, and according to production notes in AMPAS library files, locations included Southern CA, and San Antonio, TX, where an unnamed mental hospital was used.
       The 29 Jan 1988 LAHExam announced that rap artist, Adam Horovitz from the band, The Beastie Boys, would be making his acting debut in the lead role, which had been retitled, Lunatics.
       According to the 4 Aug 1990 Screen International, the picture was released overseas as The Road Home.
       End credits include the following dedication: “For Thomas Hudson, aged 11 and Ben Weller, aged 2, and their generation.” Additional acknowledgements include: “The Producers Would Like to Thank: Music consultants for A & M Records: David Anderle and Steve Rablovsky; Very Special Thanks to Gill Friesen; The People of Los Angeles, California, and San Antonio, Texas; Kathy Roads and Rhonda Tichenor of the San Antonio Film Commission; Juan Hernandez, Community Cultural Arts Association, San Antonio, Texas, for the Madonna of Guadalupe fairground mural; Emma Harrison, Manuel Velasquez, Ruben Guevara & Ismael Cazarez for the 10th St. Community Aqueduct Mural; Sharon Gaisford, Ion Art for Neon; Shawn Siegal, Pig Tail Productions for Stickman Animation; Raymond G. Chavez Junior for painting the 10th St. jackets; Peter Heer, LA Games for Olympic art prints; Worcester Art Museum for Edward Hopper print; Herman Leonard for Charlie Parker photography; Ariel Press Ltd. for framed hunting prints; Baken of Cowes, England for yacht photographs; Paul Lebaron Thiebaud for Wayne Thiebaud artwork, Philip and Phylis Morrison & office of Charles and Ray Eames for “Power of Ten”; Scientific American Books, Inc. copyright 1982; Chrysler Motors for Chrysler Le Baron Convertible.” Onscreen credits misspell actor Pauley Shore’s name as “Pauly Shore,” and songwriter Kim Thayill’s name as “Tim Thayill.”

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
24 Nov 1986
---
Daily Variety
31 Jan 1989
---
Daily Variety
4 May 1989
p. 2, 11
Hollywood Reporter
24 Mar 1987
---
Hollywood Reporter
4 May 1989
p. 4, 35
Los Angeles Herald Examiner
29 Jan 1988
---
Los Angeles Times
5 May 1989
p. 12
New York Times
5 May 1989
p. 13
Screen International
4 Aug 1990
---
Variety
10 May 1989
p. 18
CAST
NAME
CREDITED AS
CREDIT
And introducing:
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
An Orion Pictures release
A Thomas Baer/Howard Rosenman production
A Hugh Hudson film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
Dir asst
3d asst dir
3d asst dir
2d unit prod mgr
3d asst dir
PRODUCERS
Line prod
WRITER
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
Still photog
Best boy elec
Elec
Key grip
Best boy grip
Dolly grip
Victor J. Anderberry
Video op
Unit nurse
ART DIRECTORS
Prod des
Art dir
Art dept coord
FILM EDITORS
Post prod supv
Asst ed U.S.A.
Asst ed U.S.A.
Asst ed U.S.A.
Asst ed U.K.
Asst ed U.K.
Asst ed U.K.
SET DECORATORS
Const mgr
Scenic artist
Set dresser
Prop master
Joyce Gilstrap
Asst prop master
Const foreman
Set dresser
Set dresser
Swing gang
Swing gang
Swing gang
COSTUMES
Cost des consultant
Assoc cost des
Ward supv
Ward asst
Ward asst
MUSIC
Mus supv
Mus supv
Mus coord
Mus mixed at
Mus mixed by
Mus arr
Guitar, Featured soloist
Harmonica, Featured soloist
Sax, Featured soloist
Drums, Featured soloist
Percussion, Featured soloist
Mus fixer
^ILost Angels^R theme adapted and arr by
based on a theme from "The Dream of Gerontius" by Edward Elgar
End title song - "Many Rivers To Cross" wrt by
End title song - "Many Rivers To Cross" performed
SOUND
Supv re-rec mixer
Re-rec mixer
Sd mixer
Boom op
Assembly ed
Dial ed
Foley ed
Asst sd ed
Asst dial ed
Asst foley ed
VISUAL EFFECTS
Spec eff
Title des
Titles and opticals by
MAKEUP
Makeup artist
Hairstylist
Asst makeup artist
Asst hairstylist
PRODUCTION MISC
Casting
Loc mgr
Loc mgr
Loc mgr
Asst loc mgr/2d unit loc mgr
Scr supv
Institutional adv
Gang adv
Gang fight choreog
Financial representative
Prod accountant
Casting asst
Texas casting
Extras casting
Asst to Mr. Rosenman
Asst to Mr. Baer
Asst to Mr. Hudson
Prod secy
Asst prod accountant
Press liaison
Transportation coord
Transportation capt
Transportation co-capt
Asst accountant
London contact
Casting asst
Casting asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Studio teacher
Tom Walker
Unit nurse
Unit nurse
STAND INS
Stunt coord
COLOR PERSONNEL
Processed by
Col by
SOURCES
SONGS
“Do It Better,” performed by Happy Mondays, written by Paul Ryder, Shawn Ryder, Mark Day, Paul Davis, Garry Whelen, courtesy of Factory Communications Ltd.; “Self Preservation,” performed by Raheem, written by Oscar Ceres, Doug King, courtesy of A&M Records, Inc.; “Yeah Yeah Yeah Yeah Yeah,” performed by The Pogues, written by Shane MacGowan, courtesy of Pogue Mahone/WEA Records Ltd.; “Get On The Snake,” performed by Soundgarden, written by Chris Cornell, Tim [sic] Thayil, Hiro Yamamoto, Matthew Cameron, courtesy of A&M Records, Inc.; “Fascination Street,” performed by The Cure, written by Robert Smith, Simon Gallup, Boris Williams, Roger O'Donnell, Porl Thompson, Laurence Tolhurst, courtesy of Elektra Records/Polydor Records Ltd./WEA Records Pty Ltd., by arrangement with Warner Special Products; “Let's Rock,” performed by Apollo Smile, written by Miss Apollo Smile & The Groove Commander, courtesy of Geffen Records; “Just Plain Evil,” performed by Soul Asylum, written by David Pirner, courtesy of Twin Tone Records/A&M Records, Inc.; “Love Long Gone,” performed by The Royal Court of China, written by Joe Blanton & Chris Mekow, courtesy of A&M Records, Inc.; “Many Rivers To Cross,” performed by Toni Childs, written by Jimmy Cliff, courtesy of A&M Records, Inc.; “San Fernando Valley,” performed by Bing Crosby, written by Gordon Jenkins, courtesy of MCA Records; “The Night They Invented Champagne,” written by Alan Jay Lerner & Frederick Loewe; “Mellow Yellow,” written by Donovan; "Mr. Tambourine Man,” written by Bob Dylan; “Anything Goes,” written by Cole Porter; “The Overture To 'Carmen',” written by Georges Bizet.
PERFORMED BY
+ −
SONGWRITERS/COMPOSERS
+ −
DETAILS
Alternate Titles:
Lunatics
The Road Home
Wall Time
Release Date:
5 May 1989
Premiere Information:
Los Angeles and New York openings: 5 May 1989
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Orion Pictures Corporation
30 June 1989
PA420911
Physical Properties:
Sound
Dolby Stereo SR in selected theatres
Color
Lenses/Prints
Filmed in Eastman Kodak with Arriflex Cameras
Duration(in mins):
116
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
29388
SYNOPSIS

In southern California, Tim Doolan is released from juvenile detention, and leaves with his mother, Felicia, and her new husband, Barton Marks. On the way, they drive Tim to a psychiatric facility for troubled youth called Valley Acres. Tim refuses to stay and when he becomes belligerent, Dr. Gaeyl has orderlies restrain him. Tim remembers a night the month before when he, his half-brother, Andy Doolan, and their gang, the D.A.B.’s, got into a fight with rivals from the 10th St. Gang. After the fight, Tim spent the night with Cheryl Anderson, the girl friend of his friend, “Link.” Angry with her alcoholic mother, Cheryl drives her mother’s convertible into their swimming pool. In the morning, Mrs. Anderson calls police to have her daughter arrested, and Tim is also taken into custody. His abusive father, Richard Doolan, arrives at the station and gives police a gun and narcotics he found in his son’s bedroom. With his mother away for several weeks on her honeymoon with her new husband, and his father refusing to look after him, Tim is left with no supervision, and a Judge orders him to a juvenile detention center until his mother’s return. Later, at Valley Acres, psychiatrist Dr. Charles Loftis meets with Tim and unbuckles his restraints. He recognizes that Tim is a good kid who does not deserve to be there. However, Tim is not allowed to leave, and begins attending group sessions with others, including Cheryl Anderson, whose mother had her committed. Cheryl apologizes to Tim for getting him into trouble. Seeing an opportunity, Tim climbs over the wall and ...

More Less

In southern California, Tim Doolan is released from juvenile detention, and leaves with his mother, Felicia, and her new husband, Barton Marks. On the way, they drive Tim to a psychiatric facility for troubled youth called Valley Acres. Tim refuses to stay and when he becomes belligerent, Dr. Gaeyl has orderlies restrain him. Tim remembers a night the month before when he, his half-brother, Andy Doolan, and their gang, the D.A.B.’s, got into a fight with rivals from the 10th St. Gang. After the fight, Tim spent the night with Cheryl Anderson, the girl friend of his friend, “Link.” Angry with her alcoholic mother, Cheryl drives her mother’s convertible into their swimming pool. In the morning, Mrs. Anderson calls police to have her daughter arrested, and Tim is also taken into custody. His abusive father, Richard Doolan, arrives at the station and gives police a gun and narcotics he found in his son’s bedroom. With his mother away for several weeks on her honeymoon with her new husband, and his father refusing to look after him, Tim is left with no supervision, and a Judge orders him to a juvenile detention center until his mother’s return. Later, at Valley Acres, psychiatrist Dr. Charles Loftis meets with Tim and unbuckles his restraints. He recognizes that Tim is a good kid who does not deserve to be there. However, Tim is not allowed to leave, and begins attending group sessions with others, including Cheryl Anderson, whose mother had her committed. Cheryl apologizes to Tim for getting him into trouble. Seeing an opportunity, Tim climbs over the wall and escapes, but is soon captured and returned to Valley Acres. Dr. Loftis promises to help Tim if the boy vows not to try to escape again. Sometime later, Tim has sex with Cheryl in a shower stall. When his parents arrive for family counseling with Dr. Loftis, Tim’s father, Richard, verbally abuses his mother, and insults her new husband. Dr. Loftis scolds the adults for their behavior, and reminds them that Tim should be their priority. Cheryl is soon released, despite Dr. Loftis’s belief that she needs to remain. Hoping to be reunited with Cheryl, Tim is on his best behavior to earn his release. After receiving off-ground privileges, Tim’s half-brother, Andy, arrives to take him out for the day. He takes Tim to his mother’s house, where Tim learns that his new stepfather was responsible for him being admitted to Valley Acres, and has turned Tim’s bedroom into an office. Angry, Tim leaves and goes to see Cheryl and finds her in the empty house alone, after her mother has sold it. He worries when he discovers that Cheryl is on drugs, and after tracking down Dr. Loftis’s address, takes Cheryl to get help. However, Dr. Loftis is unhappy about the house call, and accuses the boy of going “AWOL.” Loftis reports Tim to Valley Acres, but Tim returns to the facility of his own accord. Feeling betrayed, Tim vandalizes the facility, spray-painting graffiti on the walls. Dr. Loftis encourages Tim to fight him, giving the boy the release he needs. Afterward, Tim calms down and paints over the graffiti. Andy telephones Tim and is angry he did not appear for a gang fight. When he pressures Tim to fight the following weekend, Tim acquires a key to the front door from another patient named Barry, and sneaks out. Tim learns of Andy’s plan to commit a drive-by shooting on the 10th St. gang. Initially, Tim refuses to commit murder, but after pressure from Andy, he points the gun at rival gang leader. However, as Andy drives, Tim shoots at the ground. While fleeing, Andy crashes into another vehicle, and Tim falls out of the truck. Andy drives off, leaving him behind, and Tim points the gun at his enemies before escaping on foot. He searches for Andy at their father’s house, and Tim pleads with his estranged father to speak to him. As Tim screams, Richard finally embraces his son. Andy arrives outside with Cheryl in tow, and Tim holds him at gunpoint. He fires shots next to his head as Andy cowers on the ground. Cheryl tries to appeal to Tim, but he leaves her and drives to Dr. Loftis’s house. However, Loftis is drunk and unsympathetic, after his wife has left him. He demands that Tim leave, but the boy falls asleep in a spare bedroom and in the morning, asks Dr. Loftis if he can live with him. When pressed, Tim admits that what he really wants is a home. Dr. Loftis tells Tim that his mother has asked to see him, and drives the boy to her house. He leaves Tim there, promising to sort things out at Valley Acres so he will not have to return.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

Yankee Doodle Dandy

George M. Cohan wrote and produced more than thirty-five plays, many of them with his partner Sam H. Harris, and composed more than 500 songs. Modern critics have attributed ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.