Mask (1985)

PG-13 | 120 mins | Drama | 8 March 1985

Director:

Peter Bogdanovich

Producer:

Martin Starger

Cinematographer:

Laszlo Kovacs

Editor:

Barbara Ford

Production Designer:

Norman Newberry

Production Company:

Universal Pictures
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HISTORY

On 3 Jan 1984, DV announced that Peter Bogdanovich had been hired to direct Mask for producer Martin Starger at Universal Pictures. The original script, by first-time screenwriter Anna Hamilton Phelan, was based on the true story of Roy Lee “Rocky” Dennis, a boy who suffered from a severely deformed face due to craniodiaphyseal dysplasia. According to an 18 Mar 1985 United Artists press release in AMPAS library files, Phelan submitted a draft of her script to Starger in Jul 1983, after meeting Rocky Dennis before his death five years earlier. Starger optioned the project and worked with Phelan on revisions before Universal agreed to a production-distribution deal.
       Although early Var production charts reported that principal photography was scheduled to begin on 8 Mar 1984, the start date was pushed back to 1 May 1984. Filming took place in and around Los Angeles, CA. The picture remained on Var production charts through 27 Jul 1984.
       One month before Mask was released, Bogdanovich filed a $19 million lawsuit against Martin Starger and Universal Pictures for contract violation of his right to approve the “final cut.” As noted in a 27 Feb 1985 LAT article, Bogdanovich edited the film to feature songs by Bruce Springsteen, who approved the use of his music in the development stages of the project. However, Springsteen’s licensing representatives at CBS Records demanded a percentage of the film’s videocassette earnings, and Universal refused, fearing the deal would set a “costly precedent” for future releases. While Bogdanovich was out of town in Dec 1984 for a Christmas holiday, Universal ...

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On 3 Jan 1984, DV announced that Peter Bogdanovich had been hired to direct Mask for producer Martin Starger at Universal Pictures. The original script, by first-time screenwriter Anna Hamilton Phelan, was based on the true story of Roy Lee “Rocky” Dennis, a boy who suffered from a severely deformed face due to craniodiaphyseal dysplasia. According to an 18 Mar 1985 United Artists press release in AMPAS library files, Phelan submitted a draft of her script to Starger in Jul 1983, after meeting Rocky Dennis before his death five years earlier. Starger optioned the project and worked with Phelan on revisions before Universal agreed to a production-distribution deal.
       Although early Var production charts reported that principal photography was scheduled to begin on 8 Mar 1984, the start date was pushed back to 1 May 1984. Filming took place in and around Los Angeles, CA. The picture remained on Var production charts through 27 Jul 1984.
       One month before Mask was released, Bogdanovich filed a $19 million lawsuit against Martin Starger and Universal Pictures for contract violation of his right to approve the “final cut.” As noted in a 27 Feb 1985 LAT article, Bogdanovich edited the film to feature songs by Bruce Springsteen, who approved the use of his music in the development stages of the project. However, Springsteen’s licensing representatives at CBS Records demanded a percentage of the film’s videocassette earnings, and Universal refused, fearing the deal would set a “costly precedent” for future releases. While Bogdanovich was out of town in Dec 1984 for a Christmas holiday, Universal cut ten minutes of Springsteen songs and replaced them with music by Bob Seger without Bogdanovich’s consent. The director, who owned five percent of the film’s profits, believed the film would fail at the box-office without the Springsteen soundtrack and argued that he was denied the opportunity to prosper from the release. In addition, Universal deleted two scenes from Bogdanovich’s cut.
       On 15 Mar 1985, DV reported that Bogdanovich secured approval from CBS to use the Springsteen songs for two screenings. The director told DV that he wanted to “let audiences decide which version is better,” but Universal had not agreed to the performances at that time. Three days later, Universal requested a formal inquiry from the Directors Guild of America’s (DGA) Professional Standards Committee, claiming that Bogdanovich had breeched industry ethics by “trying to keep the movie’s cast from publicizing the film and of damaging the studio’s reputation through a trade paper advertisement,” according to a 12 Jul 1985 NYT column. With the urging of the Professional Standards Committee, Bogdanovich agreed to withdraw his lawsuit.
       In 2004, Bodganovich restored the Springsteen songs for a Director’s Cut DVD release, which was the print viewed for this record. Production credits for this entry may not reflect the original credits. Music credits on the Director’s Cut state: “’Badlands,' 'Racing In The Street,’ ‘Thunder Road,’ ‘The Promised Land,’ ‘The River,’ ‘Born In The U.S.A.,’ all songs written by Bruce Springsteen (ASCAP), performed by Bruce Springsteen, courtesy of Columbia Records, by arrangement with Sony Music Licensing.” Neither Springsteen nor Seger were included on the film’s 1985 MCA Records LP soundtrack album.
       The picture was initially given an R-rating by the Motion Picture Association of America (MPAA), the filmmakers won their appeal to change the rating to PG-13, as announced in a 2 Feb 1985 Screen International news item.
       Mask was adapted into a musical, book by Anna Hamilton Phelan, music by Barry Mann, and lyrics by Cynthia Weil. The show opened at the Pasadena Playhouse on 21 Mar 2008.
       The film won an Academy Award for Makeup.
       Opening credits state: "Based on the true story of Rocky Dennis."
       End credits include: “With particular thanks to: Robert Hoyt,” and, “Very special thanks to: Norman Kaplan, the Foundation for the Junior Blind, the People of Monrovia, California, and Rusty.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
3 Jan 1984
---
Daily Variety
15 Mar 1985
---
Hollywood Reporter
25 Feb 1985
p. 3, 15
Los Angeles Times
27 Feb 1985
---
Los Angeles Times
7 Mar 1985
p. 1, 8
New York Times
8 Mar 1985
p. 8
New York Times
12 Jul 1985
---
Screen International
2 Feb 1985
---
Variety
27 Feb 1985
p. 14
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
A Martin Starger production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
2d asst dir
DGA trainee
PRODUCERS
Assoc prod
Assoc prod
Co-prod
PHOTOGRAPHY
Dir of photog
Richmond Aguilar
Chief lighting tech
Key grip
1st cam asst
Best boy elec
Steve Greaves
Best boy grip
Still photog
2d cam asst
ART DIRECTOR
Art dir
FILM EDITORS
Supv film ed
Barbara Ford
Film ed
Asst film ed
Asst film ed
Donah Bassett
Negative cutter
SET DECORATORS
Fred Chapman
Prop master
Set prop master
Const coord
Leadman
Standby painter
COSTUMES
Men's cost supv
Men's cost
Women's cost supv
Women`s cost
Cher's cost selected by
MUSIC
SOUND
Supv sd ed
Supv sd ed
Sd ed
Prod sd rec
Prod sd rec
Re-rec mixer
Re-rec mixer
Re-rec mixer
A.D.R. ed
VISUAL EFFECTS
Spec eff
Titles & opt eff
MAKEUP
Rocky makeup des and developed by
Rocky makeup applied by
Cher's makeup
Makeup artist
Cher's hairstylist
Hairstylist
Body makeup
PRODUCTION MISC
Casting
Casting
Animal trainer
Scr supv
Transportation coord
Loc mgr
Loc mgr
Prod coord
Unit pub
Craft service
Extra casting
Casting asst
Casting coord
Medical tech adv
Asst to Mr. Starger
Asst to Mr. Starger
Asst to Mr. Bogdanovich
Prod asst to Mr. Alston
Rocky's vocal coach
Map courtesy of
STAND INS
Eddie Paul
Stunt coord
COLOR PERSONNEL
Col by
SOURCES
SONGS
“Where Did The Naughty Little Girl Go,” written by F. Guida and P. Matthews, performed by Gary U.S. Bonds, courtesy of Le Grand Record Co.; “Quarter To Three,” written by F. Guida, G. Barge, J. Royster, G. Anderson, performed by Gary U.S. Bonds, courtesy of Le Grand Record Co.; “Not Me,” written by F. Guida and G. Anderson, performed by Gary U.S. Bonds, courtesy of Le Grand Record Co.; “Havin So Much Fun,” F. Guida, G. Barge, and G. Anderson, performed by Gary U.S. Bonds, courtesy of Le Grand Record Co.; “Dear Lady Twist,” written by F. Guida, published by Frank Guida, Rockmasters International Network, performed by Gary U.S. Bonds, courtesy of Le Grand Record Co.; “Stumblin’ In,” written by Mike Chapman, Nicky Chinn, published Arista Music, Inc., performed by Suzi Quatro, Chris Norman, courtesy of Polygram Special Projects, a division of Polygram Records, Inc., Rak Records, Ltd.; “Magic Carpet Ride,” written by Rushton Moreve & John Kay, published by Duchess Music Corporation & Ringsroad Music, performed by Steppenwolf; “Dirty Work,” “Do It Again,” written by Walter Becker & Donald Fagen, published by MCA Music, a division of MCA, Inc. & Red Giant Inc., performed by Steely Dan; “Sweet Home Alabama,” written by Ronnie Van Zant, Gary Rossington & Ed King, published by Duchess Music Corporation, Leeds Music Corporation, Hustler’s Inc., performed Lynyrd Skynyrd, courtesy of MCA Records, Inc.; “The Moog And Me,” written by Dick Hyman, published by Eastlake Music, Inc., performed by Dick Hyman, courtesy of Geffen Records under license from Universal Music Enterprises; “Little Egypt,” written by Jerry Leiber and Mike Stoller, published by Jerry Leiber Music and Mike Stoller Music, featured vocals by Cher and Eric Stoltz; “Good Golly Miss Molly,” written by Robert Blackwell and John Marascalco, published by Jondora Music; “Tutti Frutti,” written by Dorothy LaBostrie and Richard Penniman, published by Venice Music c/o ATV Music Corp.; “Can’t Believe You Wanna Leave,” written by Richard Penniman and Leo Price, published by Venice Music c/o ATV Music Corp.; “Slippin’ ‘N Slidin’,” written by Edwin J. Bocage, Albert Collins, Richard Penniman, published by ATV Music Group and Bess Music, performed by Little Richard, courtesy of Specialty Records, Inc.; “I Want To Hold Your Hand,” written by Paul McCartney & John Lennon, published by Music Corporation of America, Inc., performed by the Beatles, courtesy of EMI Records Limited; “Girl,” written by Paul McCartney & John Lennon, published by Northern Songs Ltd., performed by the Beatles, courtesy of EMI Records Limited; “Ripple,” written by Robert Hunter and Jerry Garcia, published by Ice Nine Publishing Co., Inc., performed by the Grateful Dead, courtesy of Warner Bros. Records Inc., by arrangement with Warner Special Products.
PERFORMED BY
+
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
8 March 1985
Premiere Information:
Los Angeles and New York openings: 8 Mar 1985
Production Date:
1 May--27 Jul 1984
Copyright Info
Claimant
Date
Copyright Number
Universal City Studios, Inc.
3 April 1985
PA252494
Physical Properties:
Sound
Sound by Glen Glenn
Color
Lenses
Panaflex® Camera & Lenses by Panavision®
Duration(in mins):
120
MPAA Rating:
PG-13
Country:
United States
Language:
English
PCA No:
27671
SYNOPSIS

In 1979 Azusa, California, teenager Roy “Rocky” Dennis has a rare and life-threatening disease called craniodiaphyseal dysplasia. Despite his severe facial deformity, which many strangers mistake for a “mask,” Rocky is a typical and highly intelligent adolescent who collects baseball cards and saves money for an anticipated motorcycle tour of Europe with his best friend, Ben. Rocky’s tenacity is bolstered by his brazen, outspoken mother, Rusty, and her rough yet benevolent companions in the “Turks” motorcycle gang. Rusty will stop at nothing to defend her son against discrimination. At North Avenue Junior High School, Rusty defies the principal’s recommendation for Rocky go to an academy for the disabled and orders him to give her son an unbiased education. Later, at Rocky’s medical examination, Rusty berates a pessimistic doctor who gives the boy a life expectancy of three to six months. Despite Rusty’s tough exterior, she is vulnerable to depression, and eases her pain with sexual promiscuity and drug addiction. The weekend before school starts, Rusty brings Rocky to a Turks motorcycle gang picnic, and the boy is embraced as a member of the tribe. However, Rusty is disturbed by the unexpected return of her wayward lover, Gar, and reconnects with her drug dealer. Back home, Rocky frets about his first day of school and worries that he will become an outcast because of his unusual appearance, but Rusty reminds him that he is exceptionally “beautiful on the inside.” Rocky is initially teased about his “mask” at school, but he wins over his classmates with his sharp wit, charisma, and intelligence. At home, Rocky becomes increasingly concerned about Rusty’s ...

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In 1979 Azusa, California, teenager Roy “Rocky” Dennis has a rare and life-threatening disease called craniodiaphyseal dysplasia. Despite his severe facial deformity, which many strangers mistake for a “mask,” Rocky is a typical and highly intelligent adolescent who collects baseball cards and saves money for an anticipated motorcycle tour of Europe with his best friend, Ben. Rocky’s tenacity is bolstered by his brazen, outspoken mother, Rusty, and her rough yet benevolent companions in the “Turks” motorcycle gang. Rusty will stop at nothing to defend her son against discrimination. At North Avenue Junior High School, Rusty defies the principal’s recommendation for Rocky go to an academy for the disabled and orders him to give her son an unbiased education. Later, at Rocky’s medical examination, Rusty berates a pessimistic doctor who gives the boy a life expectancy of three to six months. Despite Rusty’s tough exterior, she is vulnerable to depression, and eases her pain with sexual promiscuity and drug addiction. The weekend before school starts, Rusty brings Rocky to a Turks motorcycle gang picnic, and the boy is embraced as a member of the tribe. However, Rusty is disturbed by the unexpected return of her wayward lover, Gar, and reconnects with her drug dealer. Back home, Rocky frets about his first day of school and worries that he will become an outcast because of his unusual appearance, but Rusty reminds him that he is exceptionally “beautiful on the inside.” Rocky is initially teased about his “mask” at school, but he wins over his classmates with his sharp wit, charisma, and intelligence. At home, Rocky becomes increasingly concerned about Rusty’s lawless, unconventional lifestyle and begs his mother to seek treatment for her addiction. Rusty grudgingly agrees to curtail her drug use and rekindles her relationship with Gar, creating a makeshift family for Rocky. As time passes, Rocky becomes distressed about his inability to attract girl friends, and his anxiety fuels Rusty’s depression. When she goes to a bar to buy drugs, she hires a prostitute named Lorrie and delivers the girl to Rocky’s bedroom. Lorrie, who is briefly startled by Rocky’s face, eases into her job and asks Rocky what he desires from their sexual encounter, but he is more interested in talking about his European travel plans. Showing Lorrie a map on his wall, Rocky explains that he and Ben mark every destination on their road trip with a thumbtack. After talking all night about dreams and aspirations, Lorrie bids Rocky farewell with a kiss on the cheek and the boy confronts his mother about her intrusion into his sex life. Despite Rusty’s good intentions, Rocky is insulted by his mother’s “gift” and believes she would not have hired a prostitute if she truly believed he was capable of attracting a girl friend on his own merits. Rocky begins to doubt Rusty’s reverence for being “beautiful on the inside,” and his mood darkens. As time passes, Rocky frets about his lack of nice clothes to wear to his junior high school graduation and is surprised to find a new suit waiting for him in the refrigerator, a gift from Rusty and her friends in the Turks gang. At the ceremony, Rocky wins top awards for academic achievement in almost every subject, thrilling family and friends. Sometime later, Rocky’s grandparents visit and Rusty is upset by her domineering and judgmental father. When Rusty loses her sobriety, Rocky decides to accept a counselor’s assistant job at a sleep away camp for blind children and leaves home for the first time. There, Rocky falls in love with a blind girl named Diana Adams, who is aware of Rocky’s condition but can only “see” the beauty of his personality. When the camp session ends, however, Diana’s parents discourage their relationship and neglect to tell Diana about Rocky’s frequent telephone calls. Rocky faces further disappointment when his friend, Ben, announces he is moving away to live with his father, ending their dream of going to Europe. Rocky uses their travel savings to buy a bus ticket across town to see Diana at Foxtail Stables, where she keeps her horse. Diana is delighted by the unexpected reunion, but realizes her parents are keeping them apart, and shares news that she is going away to a school for the blind. Always the optimist, Rocky reminds Diana that their love is infinite, and declares that they can always run away together in their imaginations. Returning home, Rocky complains of feeling ill and retires to his bedroom, where he removes the destination-marker thumbtacks from his map of Europe. The next morning, Rusty finds her son dead and fills the map with pins, declaring that Rocky is now free to go anywhere he wants, in spirit.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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