Turner & Hooch
(1989)
PG | 105 mins | Comedy | 28 July 1989
Director:
Roger SpottiswoodeProducer:
Raymond WagnerCinematographer:
Adam GreenbergEditors:
Paul Seydor, Mark Conte, Kenneth Morrisey, Lois Freeman-FoxProduction Designer:
John DeCuir, Jr.Production Companies:
Touchstone PicturesThe opening credits of Turner & Hooch feature a montage depicting the obsessive compulsive behaviors of protagonist “Scott Turner.”
As stated in HR production charts on 21 Mar 1989, principal photography began 23 Jan 1989 in Los Angeles and Pacific Grove, CA, with Roger Spottiswoode directing. However, a 10 Feb 1989 HR article announced that Spottiswoode was a replacement for actor-director Henry Winkler, and production was shut down on 9 Feb 1989 in the wake of an argument between Winkler and Touchstone Pictures. Winkler’s publicist told HR that the director had a different approach toward the story than the studio, but both parties agreed that he should leave the project. Filming was expected to resume 13 Feb 1989 under Spottiswoode’s direction. Another 10 Feb 1989 HR article noted that Winkler made arrangements with officials in Carmel, CA, to shoot at several locations. Although permits had been acquired through Carmel’s city council, some residents protested, claiming that their daily lives would be disrupted and cited the influx of tourists and movie fans to the town when actor-director Clint Eastwood was mayor as an example. While a 10 Feb 1989 LAT news item stated that the filmmakers were allowed to continue with their plans to shoot at outdoor locations in Carmel as planned, studio production notes from AMPAS library files reported that principal photography began 13 Feb 1989 at Terminal Island in Los Angeles, which was dressed to replicate the film’s fictional Cypress Beach Packing Plant and pier. The production moved to The Walt Disney Studios lot in Burbank, CA, after twenty-two ...
The opening credits of Turner & Hooch feature a montage depicting the obsessive compulsive behaviors of protagonist “Scott Turner.”
As stated in HR production charts on 21 Mar 1989, principal photography began 23 Jan 1989 in Los Angeles and Pacific Grove, CA, with Roger Spottiswoode directing. However, a 10 Feb 1989 HR article announced that Spottiswoode was a replacement for actor-director Henry Winkler, and production was shut down on 9 Feb 1989 in the wake of an argument between Winkler and Touchstone Pictures. Winkler’s publicist told HR that the director had a different approach toward the story than the studio, but both parties agreed that he should leave the project. Filming was expected to resume 13 Feb 1989 under Spottiswoode’s direction. Another 10 Feb 1989 HR article noted that Winkler made arrangements with officials in Carmel, CA, to shoot at several locations. Although permits had been acquired through Carmel’s city council, some residents protested, claiming that their daily lives would be disrupted and cited the influx of tourists and movie fans to the town when actor-director Clint Eastwood was mayor as an example. While a 10 Feb 1989 LAT news item stated that the filmmakers were allowed to continue with their plans to shoot at outdoor locations in Carmel as planned, studio production notes from AMPAS library files reported that principal photography began 13 Feb 1989 at Terminal Island in Los Angeles, which was dressed to replicate the film’s fictional Cypress Beach Packing Plant and pier. The production moved to The Walt Disney Studios lot in Burbank, CA, after twenty-two days of filming at Terminal Island, and shot on two sound stages for an additional two weeks. Principal photography continued in San Pedro, CA, and concluded after fifty-nine days of production in the city of Pacific Grove in Monterey Peninsula, CA.
According to production notes, Beasley, the Dogue De Bordeaux canine that starred in the role of “Hooch,” was the first actor hired for the film, and the casting of animal talent before human actors was believed to be “unprecedented.” Beasley’s short five-month preparation for the role with his owner and trainer Clint Rowe was also considered unparalleled. Another Dogue De Bordeaux named Igor was cast as Beasley’s stunt double, but is not credited in the film. Production designer John DeCuir, Jr. worked closely with Rowe to make the set conducive to Beasley’s needs and to facilitate the photography of a dog. A 28 Aug 1989 People news item reported that there were less than 300 Dogues De Bordeaux in the U.S. at the time of the film’s release, and they sold for approximately $2,000.
On 4 Aug 1989, HR reported that the picture was the U.S.’s top-grossing film its opening weekend and CinemaScore research showed that seventy-one percent of the audience was in attendance to see Tom Hanks. However, critical reception of the film was unenthusiastic. A 27 Jul 1989 HR review found the film’s “black cop/white cop” subplot clichéd and called the story “lowbrow” entertainment. The DV review published on the same day disparaged the screenwriter’s choice of “climaxing the story with a gut-wrenching act of violence that flip-flops the film from comedy to melodrama,” but noted that “the interplay between Hanks and the dog keeps the film watchable.” DV also suggested that without Hanks, the film appeared as a “telepic ripoff” of Universal Pictures’ K-9 (1989, see entry), which was released earlier that year.
The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Anagha Kulkarni, a student at University of Washington, Seattle, with Jennifer Bean as academic advisor.
In the peaceful, port town of Cypress Beach, California, a compulsively neat and organized police investigator named Scott Turner trains his replacement, David Sutton, before his transfer to the Sacramento Police Department, where Turner hopes he will have more exciting work. At the pier, Turner introduces Sutton to seafood plant owner Walter Boyett and, across the dock, Turner visits his friend Amos Reed, a shipyard junk collector. Although Turner approaches the old man’s houseboat with trepidation, Amos’s imposing Dogue de Bordeaux, Hooch, pins Turner down by the throat. Amos claims that Hooch has affection for Turner, then complains of suspicious activity at Boyett’s plant. As Turner and Sutton drive away, they are called to Pinecone Beach, where siblings Mike and Christine Harper have discovered over $8,000 washed ashore in a plastic bag. Confiscating the money, Turner tells the children’s mother, Mrs. Kathy Harper, that the cash will belong to them if no one claims it, but they must use it for college. That night, back at the pier, Boyett orders his henchman, Zack Gregory, to kill a worker named Ferraday who stole a plastic bag filled with cash. Hearing Hooch’s barks from across the dock, Boyett sends Gregory to Amos’s houseboat, but when the old man refuses Gregory’s bribe to keep quiet, he is stabbed to death. However, Hooch witnesses the killing, jumps through a window and chases Gregory away. Early the next morning, Turner rushes to the scene of his first murder investigation and is saddened by the death of Amos. As Hooch barks from inside the houseboat where he has been confined, federal agents Harley McCabe and Jeff ...
In the peaceful, port town of Cypress Beach, California, a compulsively neat and organized police investigator named Scott Turner trains his replacement, David Sutton, before his transfer to the Sacramento Police Department, where Turner hopes he will have more exciting work. At the pier, Turner introduces Sutton to seafood plant owner Walter Boyett and, across the dock, Turner visits his friend Amos Reed, a shipyard junk collector. Although Turner approaches the old man’s houseboat with trepidation, Amos’s imposing Dogue de Bordeaux, Hooch, pins Turner down by the throat. Amos claims that Hooch has affection for Turner, then complains of suspicious activity at Boyett’s plant. As Turner and Sutton drive away, they are called to Pinecone Beach, where siblings Mike and Christine Harper have discovered over $8,000 washed ashore in a plastic bag. Confiscating the money, Turner tells the children’s mother, Mrs. Kathy Harper, that the cash will belong to them if no one claims it, but they must use it for college. That night, back at the pier, Boyett orders his henchman, Zack Gregory, to kill a worker named Ferraday who stole a plastic bag filled with cash. Hearing Hooch’s barks from across the dock, Boyett sends Gregory to Amos’s houseboat, but when the old man refuses Gregory’s bribe to keep quiet, he is stabbed to death. However, Hooch witnesses the killing, jumps through a window and chases Gregory away. Early the next morning, Turner rushes to the scene of his first murder investigation and is saddened by the death of Amos. As Hooch barks from inside the houseboat where he has been confined, federal agents Harley McCabe and Jeff Foster attempt to muscle Turner off the case, but Turner convinces his boss, Chief Howard Hyde, to let him stay on the job an extra week so he and Sutton can find Amos’s killer. When animal control officers claim Hooch is rabid and threaten to shoot him, Turner says the dog is a witness and escorts him to the town’s new veterinarian, Emily Carson. Learning about the murder, Emily encourages Turner to take the dog home and use him to find the killer. The next day at the station, Turner reviews Amos’s autopsy report and determines by the exactness of the stab wound that the murderer was trained in the military. Chief Hyde complains that the investigation is too costly. Later, as Turner shops for dog food, Hooch wrecks his house. When Turner returns to find his order upturned, he goes after Hooch with a gun. Although Hooch runs away, he soon comes back with Emily’s pretty Collie, Camille. Turner returns the dogs to Emily’s home-based clinic, hoping to slip away without Hooch, but Emily sees him and invites him inside. They begin to fall in love. One day, Hooch spots Gregory at the wedding of Boyett’s daughter at a church across the street from the police station. As Hooch chases Gregory into his Cadillac, Turner and Sutton pursue the criminal and discover his identity through his license plate. Learning that Gregory is a former Marine who works for Boyett, Turner suspects he is Amos’s killer and asks Chief Hyde for a search warrant of Boyett’s plant. When the investigation is fruitless, Chief Hyde bids farewell to Turner and hands the case over to Sutton. Later, Turner and Emily make love and Turner decides to observe the plant through the night. He promises Emily that he will stay in town another few days. Although the stakeout is uneventful, Turner and Sutton search the plant again the next morning, this time with Hooch. Turner lets Hooch smell the bag of cash discovered by the Harper kids and the dog soon traces the scent to a box of matching plastic bags. Later, Turner investigates Gregory’s address at a local motel, leaving Hooch in the car. When Turner threatens the manager, he is held at gunpoint by Gregory. Although Gregory forces Turner into the driver’s seat of his Cadillac, Turner intentionally crashes the car into a wall and Hooch restrains Gregory by his throat. Terrified of the dog, Gregory confesses to killing Amos and discloses that Boyett is running a covert operation. After handcuffing Gregory and calling for reinforcements, Turner returns to the plant with Hooch and orders the dog to watch the back door. Just before entering the warehouse, Turner is surprised to see Chief Hyde, who claims that police are waiting nearby to back them up. Once inside, Tuner snatches Hyde’s shotgun and accuses the chief of collaborating with Boyett. Turner fires the weapon into a block of ice, revealing bags of cash hidden inside. Just then, Boyett shuts off the lights. Hyde recovers his weapon and a gunfight ensues. Meanwhile, Hooch finds his way into the building through a skylight and lunges onto Boyett as he aims at Turner, taking a bullet in his chest. Turner returns fire, shooting Boyett in the leg, but he is held up by Hyde. The police chief kills Boyett and demands that Turner keep quiet. Although Turner tries to humor his superior, Hyde cocks his gun; however, Hooch bites Hyde’s leg before he can shoot. As Turner seizes Hyde’s weapon, it discharges, killing the chief. Turner rushes Hooch to Emily’s clinic, but despite Turner’s soothing words and Emily’s attempts to save him, Hooch dies. Sometime later, Turner takes over as Cypress Beach’s police chief, marries Emily, and becomes the proud owner of a litter of puppies that Hooch sired with Camille before he died.
TOP SEARCHES
Loophole
This film's working title was Off the Record . A HR production chart adds Don Harvey to the cast but his appearance in the released film ... >>
That Forsyte Woman
The working title for this film was The Forsyte Saga . According to a pre-release news item in Time magazine, M-G-M decided to change the title ... >>
The Terminator
A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>