Sweet Dreams (1985)

PG-13 | 115 mins | Biography, Drama | 2 October 1985

Director:

Karel Reisz

Writer:

Robert Getchell

Producer:

Bernard Schwartz

Cinematographer:

Robbie Greenberg

Editor:

Malcolm Cooke

Production Designer:

Albert Brenner

Production Companies:

HBO Pictures, Silver Screen Partners
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HISTORY

       According to the 21 Nov 1984 Var, shooting was underway in West Virginia on the Patsy Cline biopic Sweet Dreams. Principal photography started on 29 Oct 1984, as reported by the 18 Dec 1984 HR production chart, which listed locations in Martinsburg, WV, Nashville, TN, and Los Angeles, CA.
       Production notes in AMPAS library files report that rehearsals began three weeks before production in Nashville, where actress Jessica Lange worked one-on-one with Patsy Cline’s record producer, Owen Bradley, to prepare for her role as the famous country singer. Although Patsy Cline grew up in Winchester, VA, filming occurred in the nearby town of Martinsburg because it looked more like Winchester did twenty years before, the time setting of the picture. After three and a half weeks in Martinsburg, production relocated to Nashville, and concluded in and around Los Angeles, with interiors shot on stages at the Hollywood Center Studios. The picture was completed on 15 Feb 1985.
       The Dec 1985 Box noted $80,418 in box-office earnings after three days from a limited release in seven theaters.
      End credits acknowledge the following: “The songs heard in this film are from original recordings made between 1960 and 1963 by Patsy Cline.” Also acknowledged: “Available wherever paperbacks are sold from St. Martin’s Press. Filmed on location in Martinsburg, West Virginia and Nashville, Tennessee. We wish to thank the people of Martinsburg, West Virginia and the Tennessee Film Commission for all their assistance.”
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       According to the 21 Nov 1984 Var, shooting was underway in West Virginia on the Patsy Cline biopic Sweet Dreams. Principal photography started on 29 Oct 1984, as reported by the 18 Dec 1984 HR production chart, which listed locations in Martinsburg, WV, Nashville, TN, and Los Angeles, CA.
       Production notes in AMPAS library files report that rehearsals began three weeks before production in Nashville, where actress Jessica Lange worked one-on-one with Patsy Cline’s record producer, Owen Bradley, to prepare for her role as the famous country singer. Although Patsy Cline grew up in Winchester, VA, filming occurred in the nearby town of Martinsburg because it looked more like Winchester did twenty years before, the time setting of the picture. After three and a half weeks in Martinsburg, production relocated to Nashville, and concluded in and around Los Angeles, with interiors shot on stages at the Hollywood Center Studios. The picture was completed on 15 Feb 1985.
       The Dec 1985 Box noted $80,418 in box-office earnings after three days from a limited release in seven theaters.
      End credits acknowledge the following: “The songs heard in this film are from original recordings made between 1960 and 1963 by Patsy Cline.” Also acknowledged: “Available wherever paperbacks are sold from St. Martin’s Press. Filmed on location in Martinsburg, West Virginia and Nashville, Tennessee. We wish to thank the people of Martinsburg, West Virginia and the Tennessee Film Commission for all their assistance.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
Dec 1985
---
Hollywood Reporter
18 Dec 1984
---
Hollywood Reporter
30 Sep 1985
p. 3, 23
Los Angeles Times
2 Oct 1985
p. 1, 6
New York Times
2 Oct 1985
p. 17
Variety
21 Nov 1984
---
Variety
2 Oct 1985
p. 9
CAST
NAME
CREDITED AS
CREDIT
Patsy's band
Patsy's band
Kracker band
Kracker band
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANIES
PRODUCTION TEXTS
HBO Pictures in association with
Silver Screen Partners presents
A Bernard Schwartz Production
A Karel Reisz Film
A Tri-Star Release
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Charles Mulvehill
Unit prod mgr
1st asst dir
2d asst dir
DGA trainee
PRODUCERS
Charles Mulvehill
Co-prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
1st asst cam
2d asst cam
2d asst cam
Melton C. Maxwell
Gaffer
Key grip
Best boy - Elec
Best boy - Grip
Dolly grip
Still photog
Cam, New York crew
Cam, New York crew
Cam, New York crew
Cam, Chicago crew
Cam, Chicago crew
Cam, Chicago crew
ART DIRECTORS
Prod des
Art dir
FILM EDITORS
1st asst ed, U.S.
1st asst ed, U.K.
2d asst ed
2d asst ed
SET DECORATORS
Set dec
Set des
Prop master
Asst prop master
Leadman
Richard Dean Rankin
Const coord
COSTUMES
Cost des
Asst cost des
Key costumer
Ward supv
MUSIC
Orig mus score by
Prod of Patsy Cline songs
Mus consultant
Brian L. McCarty
Mus background op
Mus ed
Mus playback system courtesy of
Mus clearances by
SOUND
Prod sd
Prod sd
Prod sd
Sd ed
Asst sd ed
Asst sd ed
Asst sd ed
Asst sd ed
Re-rec mixer
Asst to re-rec mixer
VISUAL EFFECTS
Spec eff
Spec eff
Spec visual eff
DANCE
Choreog
MAKEUP
Makeup artist
Hairstylist
PRODUCTION MISC
Casting
Dial accent coach
Asst to prod
Loc mgr, West Virginia
Loc mgr, Tennessee
Loc asst, Tennessee
Aerial seq coord
Transportation coord
Transportation capt
Catering
Loc casting by
Extras casting
Extras casting
Casting asst
Casting asst
Unit pub
Prod coord
Prod controller
Asst auditor
Asst auditor
Secy to Mr. Schwartz
Prod secy
Prod secy
Prod asst
Prod asst
Prod asst
STAND INS
Stunt coord
Stuntman
Stuntman
Stuntman
COLOR PERSONNEL
Filmed in
SOURCES
SONGS
The following recordings are courtesy of: MCA Records, Inc. and performed by: Patsy Cline: “San Antonio Rose,” published by: Bourne Co.; “Blue Moon Of Kentucky,” published by: Peer International Corp.; “Lovesick Blues,” published by: Mills Music, Inc.; “Seven Lonely Days,” published by:Earl Music Co.; “Foolin’ Around,” published by: Central Songs; “Your Cheatin’ Heart,” brass and horns arranged by: Bill McElhiney; “Walking After Midnight,” brass and horns arranged by: Bill McElhiney; “Sweet Dreams,” strings arranged by: Bill McElhiney, backup vocals by The Jordanaires, published by: Acuff-Rose-Opryland Music, Inc.; “I Fall To Pieces,” backup vocals by The Jordanaires, published by: Tree Publishing Co., Inc.; “Crazy,” backup vocals by The Jordanaires, published by: Tree Publishing Co., Inc.; “She’s Got You,” backup vocals by The Jordanaires, published by: Tree Publishing Co., Inc.; “Wabash Cannonball,” performed by: Benny Martin, published by: Silverhill Music, courtesy of: C.M.H. Records,”Young At Heart,” performed by Frank Sinatra, published by: Cheerio Corporation/June’s Tunes; “Cowcow Boogie,” performed by: Freddie Slack and His Band, vocal by Ella Mae Morse, published by: MCA Music; “Be Bop A Lula,” performed by: Gene Vincent, published by: Lowery Music, Inc., courtesy of: Capitol Records, Inc.; “Blue Christmas,” published by: Bibo Music Publishers; “I’m Afraid The Masquerade Is Over,” performed by: The Harptones, published by: Magidson Music Co., Inc./Allison’s Music Co., Inc./Chappell & Co., Inc., courtesy of: Roulette Records, Inc.; “You Send Me,” written and performed by: Sam Cooke, published by: Abkco Music, Inc., courtesy of: RCA Records; “Stranger On The Shore,” performed by: Acker Bilk, published by: Screen Gems-EMI Music, Inc., courtesy of: Polygram Records, Inc.; “Oh Baby Babe,” performed by: The Johnnie Burnette Trio, published by: Mitchell Music Corp., courtesy of: MCA Records, Inc.; “That’lll Be The Day,” published by: MPL Communications, Inc./Wren Music Co., Inc.; “Tonight Is So Right For Love,” published by: Gladys Music; “Can’t Help Falling In Love,” published by: Gladys Music; “When You Dance,” published by: Angel Music, Inc.; “In the Garden,” published by: The Rodeheaver Co.; “Roll In My Sweet Baby’s Arms,” published by: Peer International Corp.
SONGWRITER/COMPOSER
DETAILS
Release Date:
2 October 1985
Premiere Information:
Los Angeles and New York openings: 2 Oct 1985
Production Date:
29 Oct 1984--15 Feb 1985
Copyright Info
Claimant
Date
Copyright Number
Silver Screen Partners, L.P.
10 January 1986
PA278405
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Lenses
Lenses and Panaflex Camera by Panavision®
Prints
Prints by MGM Laboratories
Duration(in mins):
115
MPAA Rating:
PG-13
Country:
United States
Language:
English
PCA No:
27892
SYNOPSIS

In Winchester, Virginia, in 1956, Charlie Dick attends a dance with his date, Wanda. When singer Patsy Cline takes the stage, Charlie is mesmerized. However, his friend informs Charlie that Patsy is married. Undeterred, Charlie asks Patsy to have a drink with him, but she dismisses him saying, “People in hell want ice water.” She returns home to her steady, but unexciting husband, Gerald, and later tells her mother, Hilda Hensley, that she is unhappy with him. When she performs at a local bar, Charlie attends, standing at her feet while she performs. He apologizes afterward for annoying her, but then insults her, which piques her interest. She lets him buy her a drink, and dances with him. After, they sit in Charlie’s car and share their dreams. Charlie dances with Patsy in the parking lot, and they return to Charlie’s car to make love. Sometime later, Patsy excitedly tells her mother that she has left her husband. Before long, Charlie and Patsy get married. In time, she makes a television appearance on a talent show, and Charlie watches, filled with pride. Patsy wins the competition, records an album, and her popularity grows. In time, Charlie is drafted into the Army and is stationed at Fort Bragg, North Carolina. Patsy becomes depressed without him. She buys herself a new automobile, and drives to Fort Bragg to visit him, and they spend a lust-filled weekend in a motel. Patsy tours the country with her band, while Charlie continues serving in the Army. On the road, Patsy discovers she is pregnant, and leaves ...

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In Winchester, Virginia, in 1956, Charlie Dick attends a dance with his date, Wanda. When singer Patsy Cline takes the stage, Charlie is mesmerized. However, his friend informs Charlie that Patsy is married. Undeterred, Charlie asks Patsy to have a drink with him, but she dismisses him saying, “People in hell want ice water.” She returns home to her steady, but unexciting husband, Gerald, and later tells her mother, Hilda Hensley, that she is unhappy with him. When she performs at a local bar, Charlie attends, standing at her feet while she performs. He apologizes afterward for annoying her, but then insults her, which piques her interest. She lets him buy her a drink, and dances with him. After, they sit in Charlie’s car and share their dreams. Charlie dances with Patsy in the parking lot, and they return to Charlie’s car to make love. Sometime later, Patsy excitedly tells her mother that she has left her husband. Before long, Charlie and Patsy get married. In time, she makes a television appearance on a talent show, and Charlie watches, filled with pride. Patsy wins the competition, records an album, and her popularity grows. In time, Charlie is drafted into the Army and is stationed at Fort Bragg, North Carolina. Patsy becomes depressed without him. She buys herself a new automobile, and drives to Fort Bragg to visit him, and they spend a lust-filled weekend in a motel. Patsy tours the country with her band, while Charlie continues serving in the Army. On the road, Patsy discovers she is pregnant, and leaves the tour to move to Fort Bragg to be with Charlie. One day, Charlie’s temper flairs, and he punches Patsy in the face. She leaves him, and moves in with her mother. When she goes into labor, Charlie rushes to be at her side, but when he arrives, she tells him it was only a false alarm. The reunited couple passionately kiss, and reconcile. However, Charlie goes out drinking, and has a fling with his former girl friend, Wanda, missing the birth of his daughter, Julie. Patsy’s mother curses Charlie. He returns to Fort Bragg, and tries to convince Patsy to move back there with him, but she refuses, choosing to return to her singing. Her even temper infuriates Charlie, and he leaves the base, without permission, to see her. In the middle of a rainy night, he drives Patsy to the parking lot where they once danced, and begs her to profess her undying love. In time, Patsy reignites her singing career, with the help of her new manager, Randy Hughes. She records another album, which becomes a hit, and performs at the “Grand Ole Opry.” She and Charlie have a son named Randy, and their relationship improves. While Patsy drives to the store with her brother, John, they are broadsided by a truck, and Patsy suffers serious injuries. Her face is horribly scarred, but she takes it in stride, and returns to the recording studio. She buys a new home for her family, and returns from a performance to find Charlie carousing with other women. Patsy remains unfazed by his antics, but when he later flirts with a woman in front of Patsy, she retaliates by going out for coffee with another man. When she returns home, Charlie calls her a whore, and beats her. Patsy telephones police and has Charlie arrested. She asks her mother if she should divorce Charlie, and returns to the recording studio. After he is released from jail, Charlie goes to the studio and pleads for forgiveness. Patsy remains distrustful, and needs time to consider. She flies with her band to perform at a benefit in Kansas City, Kansas. While flying home through stormy weather, manager Randy Hughes’s small plane crashes into the ground, and everyone on board is killed. Charlie is heartbroken at the news.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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