Alice (1990)

PG-13 | 106 mins | Comedy, Fantasy | 25 December 1990

Director:

Woody Allen

Writer:

Woody Allen

Producer:

Robert Greenhut

Cinematographer:

Carlo Di Palma

Editor:

Susan E. Morse

Production Designer:

Santo Loquasto

Production Company:

Jack Rollins and Charles H. Joffe
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HISTORY

       Principal photography began 6 Nov 1989, according to the 5 Dec 1989 HR, and ended in late Feb or early Mar 1990, the 5 Mar 1990 DV reported. The working title for Alice, according to various sources, including the 10 Jul 1990 DV, was Woody Allen Fall Project 1989, or Fall Movie for short. Filmmaker Allen generally kept the stories and titles of his film a secret, and his actors knew little more than the scenes in which they appeared. The name Alice wasn’t attached until Jul 1990.
       The 17 Sep 1990 Var reported that Alice was originally scheduled to open in Oct or Nov 1990, but Orion pushed the release date back to Christmas, 25 Dec 1990, in New York and Los Angeles, CA, for Academy Award consideration. According to the 11 Dec 1990 HR, the New York City premiere was scheduled to take place 12 Dec 1990 at the Lincoln Center, as a benefit for the city's Parks Foundation. In its first seven days in only one New York theater, Alice grossed $157,213. The film was set to open nationally on 25 Jan 1991, the 8 Jan 1991 HR noted.
       Materials on file at the AMPAS library list the box office gross for Alice as $6,759,247.
      End credits contain the following information: “Filmed at Kaufman Astoria Studios in New York,” and “The Producers wish to thank the following for their assistance: New York State Governor’s Office for Motion Picture & Television Development; the Mayor’s Office of Film, Theatre & ...

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       Principal photography began 6 Nov 1989, according to the 5 Dec 1989 HR, and ended in late Feb or early Mar 1990, the 5 Mar 1990 DV reported. The working title for Alice, according to various sources, including the 10 Jul 1990 DV, was Woody Allen Fall Project 1989, or Fall Movie for short. Filmmaker Allen generally kept the stories and titles of his film a secret, and his actors knew little more than the scenes in which they appeared. The name Alice wasn’t attached until Jul 1990.
       The 17 Sep 1990 Var reported that Alice was originally scheduled to open in Oct or Nov 1990, but Orion pushed the release date back to Christmas, 25 Dec 1990, in New York and Los Angeles, CA, for Academy Award consideration. According to the 11 Dec 1990 HR, the New York City premiere was scheduled to take place 12 Dec 1990 at the Lincoln Center, as a benefit for the city's Parks Foundation. In its first seven days in only one New York theater, Alice grossed $157,213. The film was set to open nationally on 25 Jan 1991, the 8 Jan 1991 HR noted.
       Materials on file at the AMPAS library list the box office gross for Alice as $6,759,247.
      End credits contain the following information: “Filmed at Kaufman Astoria Studios in New York,” and “The Producers wish to thank the following for their assistance: New York State Governor’s Office for Motion Picture & Television Development; the Mayor’s Office of Film, Theatre & Broadcasting; New York Zoological Society; Albert G. Ruben Insurance Co., Inc.; General Camera Corp.; Star Lighting Enterprises, Ltd.; 20th Century Draperies Inc.; Mary Lance, Kati Meister & Jack Piccuro; Furs by Ben Kahn; Cartier; The Polo Ralph Lauren Store, Madison Avenue, New York; Valentino Boutique, New York City; photographs courtesy of Sheila Metzner; Pan American Airways; Gyrosphere provided by Preston Cinema Systems; Island Helicopter Corporation, Al Cerullo, Jr.; NBA Entertainment, Inc. & Marv Alpert; clip of Mother Teresa provided by Sherman Grinberg Film Libraries, Inc.; Calcutta courtesy of Louis Malle; Coebergh ‘Bar’ commercial, Harre Slokkers, director, Marie-Claire Huygen, model, courtesy of Bols Benelux B.V. & Prins, Maijer, Stamenkovits en van Walbeck/Young & Rubicam B.V., Amsterdam, The Netherlands, Young & Rubicam Advertising, New York; Indo-Suez Bank ‘Soleil’ commercial, Lester Bookbinder, director, courtesy of B.D.D.P. & PAC.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
5 Mar 1990
---
Daily Variety
10 Jul 1990
---
Hollywood Reporter
5 Dec 1989
---
Hollywood Reporter
3 Dec 1990
pp. 7-8
Hollywood Reporter
11 Dec 1990
---
Hollywood Reporter
8 Jan 1991
---
Los Angeles Times
25 Dec 1990
p. 1
New York Times
25 Dec 1990
p. 9
Star Tribune (Minneapolis, MN)
3 Sep 1989
Section F, p. 1
Variety
17 Sep 1990
---
Variety
10 Dec 1990
p. 83
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
An Orion Pictures Release
A Jack Rollins and Charles H. Joffe Production
DISTRIBUTION COMPANIES
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
DGA trainee
PRODUCERS
Co-prod
Co-prod
Assoc prod
Assoc prod
Jack Rollins
Exec prod
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
Asst cameraperson
2d asst cameraperson
Cam asst trainee
Still photog
Gyrosphere cam op
Gyrosphere cam asst
Motion control op
Video eng
Key grip
Dolly grip
Gaffer
Best boy
ART DIRECTORS
Prod des
Art dir
Art dept coord
FILM EDITORS
Asst film ed
Asst film ed
Negative matching
SET DECORATORS
Set dec
Set dresser
Prop master
Const coord
Standby carpenter
Chief const grip
Master scenic artist
Standby scenic artist
COSTUMES
Cost des
Asst cost des
Cost asst
Cost asst
Men's ward supv
Women's ward supv
SOUND
Prod sd mixer
Boom op
Re-rec mixer
Re-rec mixer
Supv sd ed
Asst sd ed
Asst sd ed
VISUAL EFFECTS
Visual eff storyboard
Visual eff supv
Blue screen consultant
Opt eff & Titles
Practical eff
Spec eff rigging
MAKEUP
Make-up artist
Hairstylist
PRODUCTION MISC
Casting
Asst prod mgr
Prod coord
Scr supv
Prod auditor
Asst to Mr. Allen
Casting assoc
Projectionist
Loc mgr
Loc scout
Loc scout
Loc scout
Loc scout
Transportation capt
Transportation capt
Asst prod coord
Asst prod auditor
Craft service
Studio mgr
Studio mgr
Addl casting
Addl casting
Casting asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Video prod
Stock footage res
COLOR PERSONNEL
SOURCES
MUSIC
"Concerto No. 1 In A Minor For Violin And Orchestra, BWV 1041," by Johann Sebastian Bach, performed & conducted by Pinchas Zukerman, The English Chamber Orchestra, courtesy of Sony Classical, under license from CBS Special Products, a division of CBS Records Inc.
SONGS
"Limehouse Blues," by Philip Braham & Douglas Furber, performed by Jackie Gleason, courtesy of Capitol Records, Inc., by arrangement with CEMA Special Markets; "Breezin' Along With The Breeze," by Dizzy Gillespie, Seymour Simons & Richard A. Whiting, performed by Jackie Gleason, courtesy of Capitol Records, Inc., by arrangement with CEMA Special Markets; "I Dream Too Much," by Dorothy Fields & Jerome Kern, performed by Paul Weston & His Orchestra, courtesy of CBS Records, Music Licensing Department; "Limehouse Blues," by Philip Braham & Douglas Furber, performed by Ambrose & His Orchestra, courtesy of GNP Crescendo Records; "Moonglow," by Will Hudson, Eddie DeLange & Irving Mills, performed by Artie Shaw & His Orchestra, courtesy of RCA Records; "La Cumparsita," by Matos Rodriguez, performed by The Castilians, courtesy of MCA Records; "The Courier" and "World Music," by Linda Hudes, performed by The Big Apple Circus Band; "Caravan," by Edward Kennedy Ellington, Irving Mills & Juan Tizol, performed by Erroll Garner, courtesy of CBS Records, Music Licensing Department; "I Remember You," by Johnny Mercer & Victor Schertzinger, performed by Jackie Gleason, courtesy of Capitol Records, Inc., by arrangement with CEMA Special Markets; "Moonlight Becomes You," by James Van Heusen & Johnny Burke, performed by Jackie Gleason, courtesy of Capitol Records, Inc., by arrangement with CEMA Special Markets; "The Way You Look Tonight," by Dorothy Fields & Jerome Kern, performed by Erroll Garner, courtesy of CBS Records, Music Licensing Department; "Alice Blue Gown," by Joseph McCarthy, Sr. & Harry Tierney, performed by Wayne King & His Orchestra, courtesy of Goldwax Record Company, Inc.; "Darn That Dream," by Edgar DeLange & Jimmy Van Heusen, performed by Thelonius Monk, courtesy of Fantasy, Inc.; "Southern Comfort," by Danny Alguire, Frank Thomas & Ward Kimball, performed by The Firehouse Five Plus Two, courtesy of Contemporary Music & Fantasy, Inc.; "Mack The Knife," by Kurt Weill, Marc Blitzstein & Berthold Brecht; "Flight Of The Foo Birds," by Neal Hefti, performed by Count Basie, courtesy of EMI, a division of Capitol Records, Inc., by arrangement with CEMA Special Markets; "Will You Still Be Mine," by Matt Dennis & Thomas M. Adair, performed by Erroll Garner, courtesy of CBS Records, Music Licensing Department; "O Tannenbaum"/"We Wish You A Merry Christmas," performed by Liberace, courtesy of G.M.I. under license from CBS Special Products, a division of CBS Records Inc.
PERFORMED BY
+ −
SONGWRITERS/COMPOSERS
+ −
DETAILS
Alternate Title:
Woody Allen Fall Project 1989
Release Date:
25 December 1990
Premiere Information:
New York City premiere: 12 Dec 1990; Los Angeles opening: 25 Dec 1990; New York opening: week of 25 Dec 1990
Production Date:
6 Nov 1989--late Feb or early Mar 1990, in New York City
Copyright Info
Claimant
Date
Copyright Number
Orion Pictures Corporation
7 November 1990
PA495688
Physical Properties:
Sound
Spectral Recording Dolby Stereo® SR™ in selected theatres
Color
Lenses
Lenses and Panaflex® Cameras by Panavision®
Prints
Prints by DeLuxe®
Duration(in mins):
106
MPAA Rating:
PG-13
Country:
United States
Language:
English
PCA No:
30686
SYNOPSIS

Alice Tate daydreams about Joe Ruffalo, a man she sees at her children’s pre-school in New York City. At breakfast, Alice's husband Doug interrupts her reverie of kissing Joe at the zoo’s penguin house, but otherwise pays little attention to her. At a salon, she confides her infatuation and attendant guilt to her friend, Nina. Alice has always been a practicing Catholic, and her wealthy husband has provided her with a pampered life for the past sixteen years, yet she yearns for Joe. Her back aches constantly, and she suffers faint maladies. News that her old friend, Nancy Brill, is a successful television producer makes her envious. That afternoon, when Alice picks up her children, Kate and Dennis, she sees Joe again, but remains silent. Throughout the day, Alice’s workout trainer and her friends, Nina and Lila, mention a Chinatown herbalist-acupuncturist named Dr. Yang who might be able to cure her backaches. However, when Alice visits Dr. Yang’s office, he tells her the problem is her heart, not her back. He asks Alice to gaze into a spinning pinwheel, and she slips into a trance. She sees penguins at the zoo. Joe kisses her, and she confesses having feelings she has not had since before she met her husband. She also resents having given up her aspiration to be a costume designer when she married. At Dr. Yang’s suggestion, Alice remembers nothing when she awakens. He gives her a packet of herbal powder, and later, while shopping, Alice mixes the powder with water and drinks it. When she sees Joe, she becomes uncharacteristically seductive and learns that he is a divorcee who plays tenor saxophone for a living. They ...

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Alice Tate daydreams about Joe Ruffalo, a man she sees at her children’s pre-school in New York City. At breakfast, Alice's husband Doug interrupts her reverie of kissing Joe at the zoo’s penguin house, but otherwise pays little attention to her. At a salon, she confides her infatuation and attendant guilt to her friend, Nina. Alice has always been a practicing Catholic, and her wealthy husband has provided her with a pampered life for the past sixteen years, yet she yearns for Joe. Her back aches constantly, and she suffers faint maladies. News that her old friend, Nancy Brill, is a successful television producer makes her envious. That afternoon, when Alice picks up her children, Kate and Dennis, she sees Joe again, but remains silent. Throughout the day, Alice’s workout trainer and her friends, Nina and Lila, mention a Chinatown herbalist-acupuncturist named Dr. Yang who might be able to cure her backaches. However, when Alice visits Dr. Yang’s office, he tells her the problem is her heart, not her back. He asks Alice to gaze into a spinning pinwheel, and she slips into a trance. She sees penguins at the zoo. Joe kisses her, and she confesses having feelings she has not had since before she met her husband. She also resents having given up her aspiration to be a costume designer when she married. At Dr. Yang’s suggestion, Alice remembers nothing when she awakens. He gives her a packet of herbal powder, and later, while shopping, Alice mixes the powder with water and drinks it. When she sees Joe, she becomes uncharacteristically seductive and learns that he is a divorcee who plays tenor saxophone for a living. They make a date to meet the following afternoon in the zoo’s penguin house. However, the next day, Alice becomes anxious outside the penguin house and goes directly to Chinatown to tell Dr. Yang she cannot commit adultery. He gives her a different potion, saying it will make her invisible, so that she can secretly observe Joe. Suddenly Alice disappears. She follows Joe to the office of his ex-wife, Vicki, an advertising executive. Alice watches Joe and Vicki make love, and they are too involved to notice when the herbs wear off and Alice materializes next to them. That night, Alice tells Doug she is convinced she can write a teleplay for Nancy Brill. After all, she introduced Nancy to the man who made her a producer. When Joe calls Alice to ask why she stood him up, she becomes evasive because Doug is in the room. Afterward, she hears a ghost whispering her name. She returns to Dr. Yang to report the voices, and he gives her special herbs to be burned in a teacup at midnight. On the way home, Alice visits Nancy Brill’s office to pitch several ideas, but Nancy says her stories are prosaic and lack “blood and guts.” That night, after Alice burns the herbs and goes to bed, she awakens to find the ghost of Eddie, the only man she ever truly loved, who was an irresponsible artist whose recklessness led to his early death in a car wreck. As they talk, Doug asks who Alice is talking to, and she tells her husband she is acting out a script idea for Nancy. The next day, Eddie’s ghost accompanies Alice to the pre-school, and when Joe asks her to attend a circus the next day with him and his daughter, Eddie encourages her to go. That night, Eddie takes Alice’s hand and flies with her over the city to the beach casino where they said good-bye many years earlier. As they dance in the empty club, Alice hears their voices from the past, reminding her of their turbulent romance. Suddenly Eddie fades away, leaving her alone. At the circus with their children, Alice explains to Joe that despite the provocative way she introduced herself, she is very shy. Joe lies when Alice asks if he still makes love with Vicki. Later, without the children, Joe and Alice walk through Central Park and stroll the city, hand in hand. Joe confesses that he and Vicki made love the first day they met, while he was playing saxophone in one of her commercials. When Alice returns to Nancy’s office with a vague new story idea about an affair, Nancy suggests that Alice is too straitlaced to be anything but a wife and should forget writing. The next night, Alice tells Doug she has to visit her sister, Dorothy, but when she meets Joe, she is angry that he charmed her into being deceitful with her husband. She returns to Dr. Yang’s office. Despite the late hour, the door is open, and inside, Dr. Yang presides over several Chinese men smoking opium. Alice joins them, lies down, and goes into a pipedream of her childhood in a crumbling Victorian house. Though her sister, Dorothy, is there as a child, the grown-up Dorothy, an activist lawyer, also arrives and chastises Alice for spending her days at lunches and spas, gossiping with other wealthy, bored wives, and spoiling her children. Alice walks to a confessional booth in the front yard and tells the priest she always wanted to be like Mother Teresa and help people. Later, at the pre-school, Alice apologizes to Joe for her behavior. He decides to stop seeing her, but she draws him back with a kiss. When Alice and Doug attend a film documentary about Mother Teresa, she cries. Later, she goes to Joe’s apartment and agrees to have sex, which is mutually satisfying. When Alice attends a film writing class, Dr. Yang gives her an herbal tea to increase her creative thinking. As she types her script, her Muse appears, but is not encouraging. Alice’s late mother, an actress, also appears and defends her own decision to give up her career to marry a wealthy man, just as Alice did. Alice maintains her affair, and one day she shares her invisibility potion with Joe, so that they can walk the streets together, observing people. Seeing her friends Nina and Jean going into a store, Alice eavesdrops on their gossip about her. Neither woman can picture such a “mouse” as Alice having an affair, and both speculate about the rumors that Doug has had a succession of mistresses. Shaken by the idea of Doug’s infidelity, Alice invisibly visits his office during a Christmas party and catches him making love with a co-worker. She materializes, shocking them, then leaves without waiting for explanations. When she goes to Joe’s band rehearsal to tell him she is leaving Doug, he tells her he is going back to Vicki. Joe explains that after their invisible walk together, he eavesdropped on Vicki as she told her psychiatrist she still loved him, and now he realizes he cares for her, too. Alice hurries to see Dr. Yang, but he is leaving for Tibet. He explains that love, with all its joys, comes with suffering, but pain is better than the illusion of happiness she had with Doug. As a parting gift, he gives her a potion that will make a man fall in love with her, but the decision is hers whether that man will be Doug or Joe. For advice, Alice visits her sister, but Dorothy is having a Christmas party and invites her to join. When Alice lays her herbs on a kitchen counter, the cook mistakes them for nutmeg and puts them in eggnog. Soon, half a dozen men express their devoted love for Alice. She hurries out, and as she walks the streets she realizes the emptiness of her life. She leaves Doug to work with Mother Teresa in Calcutta, India, then returns to New York, moves into a cheap apartment with her children, and devotes herself to instilling them with traditional values.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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