The Feud (1990)

95 mins | Comedy-drama | 4 May 1990

Director:

Bill D'Elia

Cinematographer:

John Beymer

Editor:

Bill Johnson

Production Designer:

Charles Lagola

Production Company:

Feud Company
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HISTORY

       According to the 26 Oct 1983 Var, director Robert Altman optioned Thomas Berger’s 1983 Pulitzer Prize-nominated novel, The Feud, and screenwriter Jim Leonard, Jr. was hired to adapt it. Altman planned to set the film in the 1930s era of the novel. However, the 27 Sep 1990 Seattle Times noted that Altman’s option expired in 1985. Neither Altman nor Leonard was involved in the final film.
       Screenwriter-director-producer Bill D’Elia told the 3 Jan 1989 DV he optioned The Feud in 1985, and wrote a screenplay for the purpose of stepping out of his career as a television commercial director. By Mar 1988, “we closed down our commercial production company to work on the film fulltime.” He and a friend who worked on Wall Street gathered investors, and on 10 Oct 1988 principal photography got underway in Statesville, NC. The budget, according to the 24 Oct 1989 HR, was $2 million, and filming took five weeks. D’Elia decided to move the story from the Depression era to the 1950s, in order to satirize the wholesome way the postwar era was presented on television, according to the 27 Jan 1989 Back Stage. Actor Rene Auberjonois was first considered for the role of “The Stranger” before being cast as “Reverton.” D’Elia combined two of the novel’s main characters, “Tony Beeler” and his younger, smarter brother “Jack,” into one.
       The Feud was first screened 11 Oct 1989 at the Vancouver Film Festival in British Columbia, Canada, but a projectionist strike limited the audience to only half the cinema’s 490 seats, when some attendees refused to ...

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       According to the 26 Oct 1983 Var, director Robert Altman optioned Thomas Berger’s 1983 Pulitzer Prize-nominated novel, The Feud, and screenwriter Jim Leonard, Jr. was hired to adapt it. Altman planned to set the film in the 1930s era of the novel. However, the 27 Sep 1990 Seattle Times noted that Altman’s option expired in 1985. Neither Altman nor Leonard was involved in the final film.
       Screenwriter-director-producer Bill D’Elia told the 3 Jan 1989 DV he optioned The Feud in 1985, and wrote a screenplay for the purpose of stepping out of his career as a television commercial director. By Mar 1988, “we closed down our commercial production company to work on the film fulltime.” He and a friend who worked on Wall Street gathered investors, and on 10 Oct 1988 principal photography got underway in Statesville, NC. The budget, according to the 24 Oct 1989 HR, was $2 million, and filming took five weeks. D’Elia decided to move the story from the Depression era to the 1950s, in order to satirize the wholesome way the postwar era was presented on television, according to the 27 Jan 1989 Back Stage. Actor Rene Auberjonois was first considered for the role of “The Stranger” before being cast as “Reverton.” D’Elia combined two of the novel’s main characters, “Tony Beeler” and his younger, smarter brother “Jack,” into one.
       The Feud was first screened 11 Oct 1989 at the Vancouver Film Festival in British Columbia, Canada, but a projectionist strike limited the audience to only half the cinema’s 490 seats, when some attendees refused to cross the picket line, according to the 13 Oct 1989 The Vancouver Sun. The film opened in New York City on 4 May 1990, according to that day’s NYT. The 17 May 1990 Var reported that the film had a special “premiere” a week later, on 11 May 1990, in Montclair, NJ, the hometown of Bill D’Elia and actors Ron McLarty and David Straithairn.

      End credits contain the following information: “The producers wish to thank: The people of Statesville, N.C.; the North Carolina Film Commission; Danny Hearn, Bill Raymer and the members of the Statesville Film Committee; Mac Lackey Jr.; Joe Bogdan; Joe Park family; Piedmont Cheerwine Bottling Co.; Dr. Ralph Bentley; Bill Nisselson; and thanks to Lance Wheeler for waiting 20 years between pies. Special thanks from the Blurbman to Ellie for everything. Frank, Dana, Lee, Three Bob, Ken, Bill, Joe, Jim, Mitch, Mary Alice, Chris, Lou, Stan, Andy, and Tom, for believing.” Also, “Filmed entirely on location in Statesville, N.C.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Back Stage
27 Jan 1989
p. 6, 28
Daily Variety
2 Dec 1988
p. 2
Daily Variety
3 Jan 1989
p. 16
Hollywood Reporter
18 Oct 1988
---
Hollywood Reporter
24 Oct 1989
p. I-3, I-7
Hollywood Reporter
25 Apr 1990
p. 4, 17
Los Angeles Times
13 May 1990
Section H, p. 26
Los Angeles Times
18 May 1990
p. 7
New York Times
4 May 1990
p. 19
Newsday (Long Island, NY)
4 May 1990
Part II
Seattle Times
27 Sep 1990
Section F, p. 5
Vancouver Sun (B.C.)
13 Oct 1989
Section D, p. 1
Variety
26 Oct 1983
p. 8
Variety
25 Oct 1989
p. 31
Variety
18 Apr 1990
p. 16
Variety
17 May 1990
p. 26
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
The Feud Company Productions Limited Partnership presents
a Bill D'Elia film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
2d unit dir
PRODUCERS
Assoc prod
Assoc prod
Exec prod
WRITERS
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
Gaffer
Best boy elec
Company elec
Key/Dolly grip
Best boy grip
3d grip
Generator op
Still photog
Lighting and grip equip supplied by
Cam and lenses supplied by
ART DIRECTORS
Prod des
Art dept coord
Art dept asst.
FILM EDITORS
Asst ed
Apprentice ed
Negative cutter
SET DECORATORS
Set des
Prop master
Asst propman
Set dresser
2d set dresser
Const coord
Lead carpenter
Scenic artist
Scenic painter
Painter
Carpenter
Carpenter
COSTUMES
Cost des
Key costumer
MUSIC
Orig score by
Guitar player
SOUND
Supv sd ed
Sd mixer
Boom op
Addl boom op
Sd ed
Asst sd ed
Apprentice sd ed
Post prod facilities
Re-rec
A.D.R. eng
Foley artist
VISUAL EFFECTS
Spec eff coord
Spec eff asst
Opticals by
Titles des by, Marshall Films, Inc.
Titles des by
MAKEUP
Makeup
Hairstylist
Hair/Makeup asst.
PRODUCTION MISC
Casting
Casting assoc
Cont supv
Loc mgr
Transportation coord
Transportation capt
Prod secy
Key prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Asst to the dir
Asst to the prod
Legal services, Dumler & Giroux
Legal services
Loc by
Medical consultant
Advertising
Insurance
Flooring by
STAND INS
Stunt coord
Utility stunt
Utility stunt
ANIMATION
Anim photog
COLOR PERSONNEL
Col grader at TVC
SOURCES
LITERARY
Based upon the novel The Feud by Thomas Berger (New York, 1983).
LITERARY SOURCE AUTHOR
SONGS
"I Wanna Jump At A Joint That Swings," written by Red Suydam, produced by Hank Bones and Red Sedan, performed by Red Sedan n' the Crocodiles, Larry Eagle on drums, Crispin Cice on baritone sax, courtesy of Sedan Publishing; "Cross My Heart," written by Red Suydam, produced by Hank Bones and Red Sedan, performed by Red Sedan n' the Crocodiles, Maryel Epps and Loraine Hart--backup vocals, courtesy of Sedan Publishing; "Eye For An Eye," written by Red Suydam, produced by Hank Bones and Red Sedan, performed by Red Sedan n' the Crocodiles, courtesy of Sedan Publishing; "5/10ths Of A Mile," written by Red Suydam, produced by Hank Bones and Red Sedan, performed by Red Sedan n' the Crocodiles, courtesy of Sedan Publishing; "Woman In Love," written by Red Suydam, produced and recorded by Hank Bones and Red Sedan, performed by Red Sedan n' the Crocodiles, courtesy of Sedan Publishing; "Trouble On The Farm," written by Red Suydam, produced by Hank Bones and Red Sedan, performed by Red Sedan n' the Crocodiles, Larry Eagle on drums, courtesy of Sedan Publishing; "Please," written by Red Suydam, produced by Hank Bones and Red Sedan, performed by Red Sedan n' the Crocodiles, courtesy of Sedan Publishing; "Blowout," written by Red Suydam, produced by Hank Bones and Red Sedan, performed by Red Sedan n' the Crocodiles, courtesy of Sedan Publishing; "The Wait," written by Red Suydam, produced by Hank Bones and Red Sedan, performed by Red Sedan n' the Crocodiles, Mindy Jostyn on fiddle, Maryel Epps and Loraine Hart--backup vocals, courtesy of Sedan Publishing; "How Long," written by Red Suydam, produced by Hank Bones and Red Sedan, performed by Red Sedan n' the Crocodiles, Mindy Jostyn on harmonica, Denny McDermitt on drums, courtesy of Sedan Publishing; "One Track Mind," written by Red Suydam, produced and recorded by Hank Bones and Red Sedan, performed by Red Sedan n' the Crocodiles, courtesy of Sedan Publishing; "1, 2, 3 Rock," written by Red Suydam, produced by Hank Bones and Red Sedan, performed by Red Sedan n' the Crocodiles, Denny McDermitt on drums, courtesy of Sedan Publishing; "Tony In The Bushes," music by Hank Bones.
PERFORMED BY
+ −
SONGWRITER/COMPOSER
DETAILS
Release Date:
4 May 1990
Premiere Information:
New York opening: 4 May 1990; Los Angeles opening: 18 May 1990
Production Date:
10 Oct - late Nov 1988
Copyright Info
Claimant
Date
Copyright Number
The Feud Company Productions Limited Partnership
10 August 1989
PAu1284172
Physical Properties:
Sound
Color
Prints
Prints by TVC Laboratories, Inc.
Duration(in mins):
95
Country:
United States
Language:
English
SYNOPSIS

In the 1950s town of Hornbeck, Dickie Herkimer sees fellow teenager Anton “Tony” Beeler walking toward a dance in the nearby town of Millville. Although Dickie claims he would not be caught dead with a Millville girl, he asks if he can tag along. Tony answers “no” and keeps walking. Dickie puts a package into a mailbox and blows it up. In Millville, as Tony dances with Eva Bullard, she recognizes him as the one who broke her cousin Norman Huff’s collarbone during the last Hornbeck-Millville football game. When Tony has to leave, Eva playfully punches him in the stomach and runs into a nearby cemetery, with Tony following close behind. As they kiss, Tony pushes his hands under Eva’s blouse, but stops fondling her when she admits she is not yet fourteen. The next day, Tony’s father, Dolf Beeler, goes to a Millville hardware store owned by Eva’s father, Bud Bullard. Eva’s brother, Junior Bullard, refuses to wait on Dolf until he removes the unlit cigar in his mouth. As they argue, Bud’s cousin, Reverton Kirby, claiming to be a police officer, intervenes, and Dolf tells him to get lost. The mentally unbalanced Reverton pulls a pistol, handcuffs Dolf, and frightens him into giving a sobbing apology. After Reverton removes the cuffs and leaves, Junior reveals that his relative is only a railroad detective, not a real policeman. Dolf becomes enraged and swears revenge. At the munitions plant where he works, Dolf Beeler tells fellow worker Walt Huff that he is looking for Reverton, then drives home and warns his son, Tony, to stay away from the Bullards, especially the women. Tony confesses to his sister, Bernice Beeler, ...

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In the 1950s town of Hornbeck, Dickie Herkimer sees fellow teenager Anton “Tony” Beeler walking toward a dance in the nearby town of Millville. Although Dickie claims he would not be caught dead with a Millville girl, he asks if he can tag along. Tony answers “no” and keeps walking. Dickie puts a package into a mailbox and blows it up. In Millville, as Tony dances with Eva Bullard, she recognizes him as the one who broke her cousin Norman Huff’s collarbone during the last Hornbeck-Millville football game. When Tony has to leave, Eva playfully punches him in the stomach and runs into a nearby cemetery, with Tony following close behind. As they kiss, Tony pushes his hands under Eva’s blouse, but stops fondling her when she admits she is not yet fourteen. The next day, Tony’s father, Dolf Beeler, goes to a Millville hardware store owned by Eva’s father, Bud Bullard. Eva’s brother, Junior Bullard, refuses to wait on Dolf until he removes the unlit cigar in his mouth. As they argue, Bud’s cousin, Reverton Kirby, claiming to be a police officer, intervenes, and Dolf tells him to get lost. The mentally unbalanced Reverton pulls a pistol, handcuffs Dolf, and frightens him into giving a sobbing apology. After Reverton removes the cuffs and leaves, Junior reveals that his relative is only a railroad detective, not a real policeman. Dolf becomes enraged and swears revenge. At the munitions plant where he works, Dolf Beeler tells fellow worker Walt Huff that he is looking for Reverton, then drives home and warns his son, Tony, to stay away from the Bullards, especially the women. Tony confesses to his sister, Bernice Beeler, that he loves Eva Bullard, but their father has ordered him to avoid the family. Having recently returned to Hornbeck after living in a city, Bernice is pregnant, but hides her morning sickness, teases her hair, and dresses in tight pants in hope of luring someone to marry her. Later, Junior Bullard leaves a lit marijuana cigarette in the hardware store bathroom and burns the place down, but Reverton convinces Bud Bullard that Dolf Beeler set the fire. Elsewhere, during football practice at Hornbeck High School, Tony hears about the fire and runs to Millville to see Eva. Reverton stops Tony on the street, discovers he is Dolf Beeler’s son, and marches him to Bud’s house at gunpoint. Anguished by the loss of his store and lack of insurance, Bud Bullard is gassing himself in the basement when Reverton brings the Beeler boy down. Still bleary from the fumes, Bud orders Tony and his family to stay out of Millville. The teenager runs from the house, but Eva pulls him into the bushes, and as they kiss and declare their love, Tony explains he must warn his father. Returning to Hornbeck, Tony is joined by Dickie Herkimer, who shows him a new explosive device. When Tony goes into the house, Dickie puts his homemade bomb under the hood of Dolf’s car, blows it up, and runs. Believing that Bullard destroyed his car, Dolf reports the crime to Hornbeck Chief of Police Harvey Yelton. When Ernie arrives to tow Dolf’s car to his garage, he flirts with Bernice, but she is interested in the police chief, who drives her to an abandoned building, makes love to her, then tells her to take a bus home. After he leaves, Bernice pats her belly and declares, “Guess we got us a daddy.” At the munitions plant, Walt Huff suggests to Dolf Beeler that he patch things up with Bud Bullard, but when Dolf insults the Bullard family, Walt angrily replies that his wife is a Bullard and punches Dolf in the stomach. Dolf hits Walt in the nose, sending him stumbling away. As Dolf exalts in his victory, however, he suffers a heart attack. Hearing that looters are cleaning out his store, Bud Bullard arrives with a shotgun and shoots at everything that moves, prompting Millville Chief of Police Clive Shell to hit him on the head with his nightstick. As Shell delivers Bud to Millville’s hospital in a straitjacket, attendants wheel Dolf Beeler into the emergency room. Meeting Eva in a hospital corridor, Tony asks her to elope with him. Meanwhile, Bernice visits Police Chief Harvey Yelton to inform him she needs money to go away and have his baby, but Yelton reminds her that she could not possibly know she was pregnant with his child because they only had sex the day before. Wielding his revolver, he adds that a woman could get herself shot making trouble for a man. As Tony drives his mother, Bobby Beeler, home from the hospital, Millville Police Chief Clive Shell pulls him over for driving through a stop sign. When Bobby defends her son, Shell treats her disrespectfully, and Tony knocks him unconscious. Meanwhile, “the stranger” sits at a bar. Bernice walks in, asks him to buy her a drink, and tries to pick him up, but the stranger walks out. At that moment, Ernie the tow truck driver enters and Bernice enthusiastically greets him. Standing guard outside Bud Bullard’s house, Reverton tells Junior Bullard he expects the Beeler boy to return and commit mischief. Junior offers to guard the house while Reverton goes inside and eats, but adds that he will need Reverton’s gun for protection. As soon as Reverton goes inside, Junior hurries away with the gun. At the Hornbeck police station, when Bobby Beeler alerts Harvey Yelton that Tony knocked out Police Chief Shell, Harvey eases her mind by suggesting that Shell will be too ashamed to let anyone know the boy beat him up. Their conversation reveals that they were once lovers, and that Tony is secretly Harvey’s son, not Dolf’s. Meanwhile, as Junior flashes Reverton’s gun at Curley McCoy’s café, Curley and his cook slip out the back door, leaving Junior to clean out the cash register. At the Bullard house, Reverton finds Junior gone and thinks the Beelers have kidnapped him. Hearing a woman screaming, he goes into an auto body repair yard and finds Ernie and Bernice making love in a tow truck. Reverton insults Bernice, and Ernie knocks him unconscious. Junior goes to a bar, but the bartender refuses to serve him because he is underage. Drawing Reverton’s gun, Junior demands the bartender sell him a drink. The bartender hits him with a club, and in his delirium, Junior shoots the woman sitting next to him. She is shocked, but unhurt. The bartender picks up the gun and recognizes it as a starter’s pistol. At the Millville police station, a battered Reverton reports being jumped by a gang of toughs. Policeman Ray Dooley receives a telephone call from Police Chief Harvey, asking him to pick up Junior, who was arrested in Hornbeck for attempted robbery. As soon as Dooley leaves the station, Reverton sees Police Chief Shell’s holstered gun hanging on the wall and puts it on, along with a police hat and badge. Meanwhile, Tony and Eva make love in a cemetery, then go to a Millville bakery to buy hot donuts. Offended that her donut is cold, Eva demands that Tony get another one for her, and when he balks, she derides him and his family for being spineless. Tony tells her goodbye and goes to the hospital to see his dad. Dolf awakens long enough to ask Tony for a cigar. Smiling as his son places one in his mouth, Dolf passes away. Early next morning, Ernie and Bernice are married by a justice of the peace, but he refuses to take his new bride home until they have had a few dates and accustomed his mother to the relationship. Elsewhere, patrolling deserted downtown streets, Reverton encounters the stranger leaving the Millville Bank & Trust carrying a paper bag. The stranger draws a gun and shoots him, and though Reverton is wounded several times in the exchange, he kills the stranger. In the hospital, Reverton’s mortal injuries shock Bud Bullard out of his mental fog. Whispering in Bud’s ear, Reverton bequeaths whatever reward he gets to Junior, then dies. Chief Shell arrests Tony at his new job at the Millville bakery, but the young man pushes a cream pie into the policeman’s face and runs to Hornbeck, where Chief Harvey offers him the job of deputy. In the weeks ahead, Bud Bullard opens a new hardware store with Reverton’s reward money. Dickie Herkimer impresses Eva Bullard with his homemade explosives. Driving the Hornbeck police car, Deputy Tony Beeler, with one of his dad’s unlit cigars in his teeth, faces off with Chief Clive Shell at the line dividing the two towns.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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