Jetsons: The Movie
(1990)
G | 82 mins | Science fiction, Comedy | 6 July 1990
Directors:
William Hanna, Joseph BarberaWriter:
Dennis MarksProducers:
William Hanna, Joseph BarberaEditors:
Gregory V. Watson Jr., Gilbert Iverson, Tim Iverson, Karen DoulacProduction Designer:
Al GmuerProduction Companies:
Hanna-Barbera Productions , Nardino ProductionsThe Jetsons began as a half-hour prime time ABC Television program in 1962-1963, and following its cancellation after one season, the twenty-four episodes ran for many years on Saturday mornings. Hanna-Barbera created and syndicated another seventy-one episodes in 1985 and 1987. By the time the studio began Jetsons: The Movie, Daws Butler, the original voice of “Elroy Jetson,” had recently died in 1988, and George O’Hanlon and Mel Blanc, who respectively voiced “George Jetson” and “Mr. Spacely,” were ill. They died while the film was still in production in 1989, and Jeff Bergman was brought in to complete the voices for their characters, the 29 Jun 1990 USA Today noted. For Penny Singleton, the veteran Hollywood actress who voiced “Jane Jetson,” Jetsons: The Movie was her last film.
Issue #15 of Comic Scene reported that George O’Hanlon had to record his lines separately from the rest of the voice staff because his eyesight was failing and he could no longer read the scripts. Recording director Gordon Hunt read each line aloud, and O’Hanlon repeated it in the voice of George Jetson. Later, engineers slightly sped up the tape to make his voice sound younger. After finishing principal recording on 10 Feb 1989, O’Hanlon returned to the studio the next day to record “pick up” lines and suffered the stroke that ended his life. Penny Singleton was chosen to be the voice of “Jane Jetson” in the 1962-1963 series because she starred as “Blondie Bumstead” in a series of two dozen films that began with Blondie in 1938 (see entry) and ended in 1950. Producer Joseph Barbera said ...
The Jetsons began as a half-hour prime time ABC Television program in 1962-1963, and following its cancellation after one season, the twenty-four episodes ran for many years on Saturday mornings. Hanna-Barbera created and syndicated another seventy-one episodes in 1985 and 1987. By the time the studio began Jetsons: The Movie, Daws Butler, the original voice of “Elroy Jetson,” had recently died in 1988, and George O’Hanlon and Mel Blanc, who respectively voiced “George Jetson” and “Mr. Spacely,” were ill. They died while the film was still in production in 1989, and Jeff Bergman was brought in to complete the voices for their characters, the 29 Jun 1990 USA Today noted. For Penny Singleton, the veteran Hollywood actress who voiced “Jane Jetson,” Jetsons: The Movie was her last film.
Issue #15 of Comic Scene reported that George O’Hanlon had to record his lines separately from the rest of the voice staff because his eyesight was failing and he could no longer read the scripts. Recording director Gordon Hunt read each line aloud, and O’Hanlon repeated it in the voice of George Jetson. Later, engineers slightly sped up the tape to make his voice sound younger. After finishing principal recording on 10 Feb 1989, O’Hanlon returned to the studio the next day to record “pick up” lines and suffered the stroke that ended his life. Penny Singleton was chosen to be the voice of “Jane Jetson” in the 1962-1963 series because she starred as “Blondie Bumstead” in a series of two dozen films that began with Blondie in 1938 (see entry) and ended in 1950. Producer Joseph Barbera said the characters of Blondie and her husband, “Dagwood Bumstead,” inspired the creation of Jane and George Jetson.
In an attempt to make the film more relevant to “the potentially lucrative youth audience,” the studio removed the voice of Janet Waldo from her longtime character, “Judy Jetson,” during production and replaced her with Tiffany, an MCA Records pop music star, according to the 26 May 1989 LAHExam. Waldo said that Tiffany had originally been hired to do only the singing for Judy Jetson, but MCA, a part of Universal Pictures, convinced the studio to oust Waldo altogether. However, voices Waldo did for other characters remained in the film. Also, the 10 Jul 1990 Detroit Free Press reported that Paramount removed producers William Hanna and Joseph Barbera from “direct involvement” six months before the film’s release. Barbera was reportedly “very bitter” and limited his participation in the film’s promotion.
A Jetsons film was originally planned as a live-action Paramount Studios production six years before Jetsons: The Movie, according to the 27 Nov 1984 LAHExam. Chevy Chase and Goldie Hawn were expected to portray George and Jane Jetson.
The 6 Jul 1990 LAT complained about the use of different graphic styles in Jetsons: The Movie. The Jetson characters retained their simplistic, early 1960s television animation look, but Hanna-Barbera updated their outer space backgrounds with “realistic, three-dimensional computer-generated images,” which were at odds with the “flat, drawn characters.” Also, a two-minute fantasy segment accompanying the song “You And Me” was designed and created by another studio, Kurtz and Friends, using pop art and psychedelic colors.
The 13 Jul 1989 and 15 Nov 1989 editions of Var noted that Jetsons: The Movie, made on an $8-million budget, was originally slated for release during Christmas 1989, supported with a $12-million advertising and promotion campaign. However, Universal and Hanna-Barbera postponed release for six months. The 20 Jul 1990 WSJ detailed the film’s bad reviews and poor ticket sales at a time when sixty companies licensed the cartoon characters for Jetson T-shirts, toothbrushes, collectible figures, cereal, and other merchandise. The 15 Aug 1990 Var reported that the film earned only $16 million during its first month, but despite its dismal performance, merchandisers felt they would eventually make a profit because The Jetsons was a long-time, familiar presence on television.
The film begins with title cards that read “Spacely’s orbiting ore asteroid” and “Late in the 21st century.” End credits contain the following memorial: “Dedicated to the memory of George O’Hanlon and Mel Blanc.”
At the end of the twenty-first century, on “Spacely Sprockets’s orbiting ore asteroid,” dark figures sabotage the factory’s mining operation at night. Meanwhile, on Earth, Rosie the Robot takes care of the George Jetson household, tending to a robotic parakeet and robotic flowers. She presses a button to raise the saucer-shaped house above the city smog. Machines pull George Jetson out of bed and into the shower, and brush his teeth. George promises his son, Elroy Jetson, he will attend the boy’s spaceball game at four p.m. Daughter Judy, wife Jane, and dog Astro see George off as an escalator whisks him out of the house and into his flying car. Caught in traffic, George pushes a button to produce an inflatable policeman in his passenger seat, and mimics the sound of a siren on his car’s sound system to scatter other vehicles. A real policeman stops George, punctures his inflatable doll, and issues a ticket for traffic school. Arriving at Spacely Sprockets, George sits at his desk and pushes a button to start his job. Meanwhile, his boss, Mr. Spacely, holds a meeting with his board of directors, which is not happy about the company’s decline in the stock market. Mr. Spacely tells the board his fully-automated new sprocket manufacturing plant on an orbiting asteroid should improve company fortunes, because labor and manufacturing costs are one-tenth what they would be on Earth. Unfortunately, the factory has functioned only three days during the past six months. Worse, Rudy 2, the factory’s robot manager, reports via a giant monitor that the “vice president” Spacely sent to “turn things around” fled the asteroid after the latest emergency shutdown. The board needs ...
At the end of the twenty-first century, on “Spacely Sprockets’s orbiting ore asteroid,” dark figures sabotage the factory’s mining operation at night. Meanwhile, on Earth, Rosie the Robot takes care of the George Jetson household, tending to a robotic parakeet and robotic flowers. She presses a button to raise the saucer-shaped house above the city smog. Machines pull George Jetson out of bed and into the shower, and brush his teeth. George promises his son, Elroy Jetson, he will attend the boy’s spaceball game at four p.m. Daughter Judy, wife Jane, and dog Astro see George off as an escalator whisks him out of the house and into his flying car. Caught in traffic, George pushes a button to produce an inflatable policeman in his passenger seat, and mimics the sound of a siren on his car’s sound system to scatter other vehicles. A real policeman stops George, punctures his inflatable doll, and issues a ticket for traffic school. Arriving at Spacely Sprockets, George sits at his desk and pushes a button to start his job. Meanwhile, his boss, Mr. Spacely, holds a meeting with his board of directors, which is not happy about the company’s decline in the stock market. Mr. Spacely tells the board his fully-automated new sprocket manufacturing plant on an orbiting asteroid should improve company fortunes, because labor and manufacturing costs are one-tenth what they would be on Earth. Unfortunately, the factory has functioned only three days during the past six months. Worse, Rudy 2, the factory’s robot manager, reports via a giant monitor that the “vice president” Spacely sent to “turn things around” fled the asteroid after the latest emergency shutdown. The board needs to send someone “expendable and not too bright” to replace him. Putting all the company candidates into a computer, Mr. Spacely’s robot secretary, Gertrude, comes up with the name George Jetson. Mr. Spacely’s image on a giant monitor summons George, who is sucked to the main office through a pneumatic tube. Mr. Spacely promotes George to vice president (with no raise in pay) and tells him to pack up the Jetson family and leave tomorrow. Meanwhile, at a rock concert, singer-guitarist “Cosmic Cosmo” picks Judy Jetson out of the crowd to be his date the following night. Elsewhere, at a school spaceball game, Elroy makes the winning shot, but is dismayed that his father is not in the stands to see it. That evening, when George breaks the news of his new assignment, the children are devastated. Judy will miss her big date and Elroy will miss the spaceball playoffs. The following day, on their way to the asteroid, George assures the family that he will have more time to spend with them. Reaching their destination, they fly over a giant shopping mall before entering the orbiting “Intergalactic Garden Estates.” Their new apartment is empty until Rosie activates the furniture, which folds out of the walls and ceilings. A cake pops out of the oven with “Welcome Jetsons” written on the icing. Lucy 2, robot wife of Rudy 2, welcomes the Jetsons to their new home. She says her husband is presently at the sprocket plant. Elroy, who has been exploring the building, returns with a cuddly, turquoise creature named Fergie Furbelow, and asks if he can keep her. However, Fergie’s turquoise parents, Bertie and Gertie Furbelow, stop to introduce themselves as the Jetsons’ neighbors and take their little girl home with them. That night, the sprocket plant shuts down again. In the morning, Rosie pushes a button that whisks George into “Mac,” his new car, which talks to him as it flies him to the factory asteroid. There, George discovers that Rudy 2 is his only employee, because the plant is automated and George’s only job is to push the “start” button. With a nudge of his finger, George starts a giant drilling bore turning and sending up ore from the mine to the factory floor, where stampers flatten rocks into sprockets. However, as soon as George puts everything in motion, the plant malfunctions. Meanwhile, as Judy Jetson rides an air scooter through the “Galaxy Galleria,” she meets a young singer-guitarist named Apollo Blue, but cannot talk long because she has to be at the sprocket factory at noon for her father’s button-pushing ceremony. Likewise, Elroy and Teddy 2 take a break from playing spaceball for the big event. On Earth, watching everything on his giant television screens, Mr. Spacely tells George he is expecting the company’s one-millionth sprocket that day. With everyone watching, George pushes the button. A large numbers board counts the sprockets being stamped, but as it reaches 999,999, dark figures disconnect cables and the operation malfunctions. As sprockets fly, Teddy 2 saves Elroy from being struck. Mr. Spacely orders George to shut down the factory. The following day, George restarts the bore, but the system malfunctions again and George gets pulled into the packing machine, which packages him in box. Mr. Spacely tells Gertrude to book him on the next cheap flight to the asteroid. Judy returns to the mall, where she meets Apollo Blue inside a large hologram. Together they sing his new song, “You and Me.” Rudy 2 suggests that since glitches have been occurring since the plant opened, they are probably a warning to shut the plant completely. George refuses to quit. In fact, he plans to spend the night at the plant to see what happens. Rudy 2 refuses to accompany him, so George goes alone. Elroy and Teddy 2 decide to sneak into the plant with Elroy’s “Detecto-kit” to solve the mystery. Little Fergie Furbelow joins them. That night, as George sleeps at the factory, little creatures carry him into the cave below. Feeling guilty for not accompanying his boss, Rudy 2 hurries to the plant, but finds only George’s flashlight. He returns home to inform Jane Jetson her husband is missing. When Jane discovers her children are missing, too, Astro woofs that they went to the plant. Teddy 2 uses his robotic arm extensions to get himself and Elroy into the factory through vents, and Fergie follows. Inside, they capture “Squeak,” a tiny creature. Fergie and Squeak happen to be old friends, and chatter together. Using his built-in translator, Teddy 2 learns that Squeak is a Grungee, whose large family lives underground, and sabotages the plant to prevent the factory bore from ripping through their subterranean town. Judy and Apollo Blue arrive, and all six take an elevator down into the mine. The Grungees come out of their tiny caves. Up on the factory floor, Jetson, Rudy 2, and Astro arrive and search for the others. Following his nose, Astro locates everyone, but nobody knows where George is. Suddenly, George hops toward them, bound by ropes and muzzled with tape. Everyone informs him that the Grungees are sabotaging Spacely Sprockets to save their home, but George claims his job is more important. Jane refuses to untie him, because no job is worth destroying someone’s home. Above, Mr. Spacely arrives and tells Rudy 2 to start the mining bore. When Rudy 2 balks, Mr. Spacely hits the button. As the bore chews through ore, it starts a rockslide that traps Elroy. The Grungees save the boy, and the Jetsons thank them profusely. George returns to the factory above to stop the operation, but Spacely stands between him and the button. George gums up the gears, and stops the bore from turning. He shows Mr. Spacely the Grungees and accuses him of being greedy. Finally, he convinces Mr. Spacely to let the Grungees run the plant. The little creatures double production and recycle old sprockets, making further mining unnecessary. The large sign tallies 1,000,000 sprockets. Mr. Spacely gives George his old job back, and as the family says goodbye, Elroy and Teddy 2, and Judy and Apollo Blue vow to be friends forever. As the Jetson craft rises above the asteroid for the trip back to Earth, hundreds of Grungees gather to form the words “Thanks George.”
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