Broken Noses (1987)

75 mins | Documentary | November 1987

Director:

Bruce Weber

Producer:

Emie Amemiya

Cinematographer:

Jeff Preiss

Production Designer:

Sam Shahid

Production Company:

Kira Films
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HISTORY

The film begins with the following written prologue by director Bruce Weber: “In the Summer of 1983 at the Colorado Sports Festival, I was photographing, for Interview Magazine, all the young athletes who had a chance to go to the Olympics. We had photographed a boxer from the Navy named Nathan Houser. He wanted to show off his body so he chose to wear a very small old fashioned bathing suit. This got back to the boxing federation when Nathan told them that we forced him to wear it. We were then banned from photographing the rest of the olympic [sic] boxing team even though we went before the boxing federation at the festival. One day a lightweight boxer, Andy Minsker, came to be photographed. He looked like a young Chet Baker when he was playing his trumpet in Rome. We asked him why he came. He said, “They told me that I was forbidden to come meet you. They said that you’d give me a weird haircut and make me wear skimpy see-through clothes, and who knows what else you’d do to me, and I thought, that’s all I needed to hear. I’m on my way.”
       There are several identifying captions throughout the documentary: “Mount Scott Boxing Club,” “Coach Ed Milberger and his wife Dorothy at the Drum Lounge,” “Andy’s scrapbook,” “Marian Minsker Andy’s stepmom,” “Vivian and Henry Dehen, Andy’s mom and stepdad,” and, “In the rose garden reading Richard II.”
       The film was shot in May 1986 at the Mount Scott Boxing Club in Portland, OR, according to the 6 May 1987 Var, with the assistance of Weber's wife, Nan Bush, ...

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The film begins with the following written prologue by director Bruce Weber: “In the Summer of 1983 at the Colorado Sports Festival, I was photographing, for Interview Magazine, all the young athletes who had a chance to go to the Olympics. We had photographed a boxer from the Navy named Nathan Houser. He wanted to show off his body so he chose to wear a very small old fashioned bathing suit. This got back to the boxing federation when Nathan told them that we forced him to wear it. We were then banned from photographing the rest of the olympic [sic] boxing team even though we went before the boxing federation at the festival. One day a lightweight boxer, Andy Minsker, came to be photographed. He looked like a young Chet Baker when he was playing his trumpet in Rome. We asked him why he came. He said, “They told me that I was forbidden to come meet you. They said that you’d give me a weird haircut and make me wear skimpy see-through clothes, and who knows what else you’d do to me, and I thought, that’s all I needed to hear. I’m on my way.”
       There are several identifying captions throughout the documentary: “Mount Scott Boxing Club,” “Coach Ed Milberger and his wife Dorothy at the Drum Lounge,” “Andy’s scrapbook,” “Marian Minsker Andy’s stepmom,” “Vivian and Henry Dehen, Andy’s mom and stepdad,” and, “In the rose garden reading Richard II.”
       The film was shot in May 1986 at the Mount Scott Boxing Club in Portland, OR, according to the 6 May 1987 Var, with the assistance of Weber's wife, Nan Bush, a fellow photographer who served as associate producer.
       Andy Minsker was a former National Golden Gloves champion and an alternate on the U.S. Olympic boxing team in Los Angeles, CA, in 1984, as noted in the 20 May 1987 Var.
       The 9 Nov 1987 New York reported that Broken Noses began as a short film of Bruce Weber’s fashion photography that was commissioned by a French museum, but after the exhibition fell through, the project evolved into a feature documentary. The 1987 Toronto Festival of Festivals booklet states that Weber shot the footage on both 8mm and 16mm film. Though most of the movie is in black and white, several sequences, including Andy Minsker driving his vintage Chevrolet and reading Shakespeare in a rose garden, are in color. Weber described his documentary as an “experimental film about being macho.”
       The picture garnered positive reviews and won a Documentary Association Award as “one of the best documentaries of 1987,” the 7-14 Jun 1989 London Time-Out reported, but because of director Weber’s reputation as a fashion photographer who specialized in “pretty boys,” some critics questioned his emphasis on young men lounging or posing in boxing shorts and underwear. Also criticized was Weber imposing of his own jazz-inflected taste on the soundtrack, especially singer-trumpeter Chet Baker, despite Andy Minsker’s personal preference for country and western music. Minsker bore an uncanny resemblance to the young Chet Baker, who was the subject of Weber’s next documentary, Let’s Get Lost (1989, see entry).
       An article in 9 Nov 2004 Willamette Weekly pointed out that Andy Minsker, who grew up in the Portland, OR, suburb of Milwaukie, had been a model for Calvin Klein underwear in 1985, but Bruce Weber, who photographed him, made no reference to this secondary career in Broken Noses. One of the reasons why Minsker had curtailed his boxing career by the time he appeared in the documentary was that he had shattered his right hand in 1981, and despite reconstruction, could not land a punch without feeling sharp pain. He eventually retired from boxing in 1991, after 344 matches.
       The film opens with the dedication: “For Chet Baker.” End credits contain the following acknowledgments: “Special thanks Nan Bush; Rĩse Daniels; Claude and Virginia Davis; Pam Gare; Lisa Gomberg; Ed and Dorothy Milberger; Vicki Albertelli; and the Mt. Scott Boxing Club, Portland, Oregon.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
New York
9 Nov 1987
p. 37
Time Out (London)
7-14 Jun 1989
p. 35
Variety
6 May 1987
p. 537
Variety
20 May 1987
p. 105
Willamette Weekly
9 Nov 2004
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
Kira Productions in association with Nan Bush presents
A film by Bruce Weber
DISTRIBUTION COMPANIES
NAME
CREDITED AS
CREDIT
DIRECTORS
Production
PRODUCERS
Assoc prod
Exec prod
in association with Kira Films
PHOTOGRAPHY
Dir of photog
Gaffer
Asst cam
Best girl
Best boy
8mm to 16mm blow-up
ART DIRECTOR
Art dir
FILM EDITORS
Film conform and finish
Running through the neighborhood and the exhibitio
Negative cutter
MUSIC
Mus coord
SOUND
Sd mixer
Sd mixer
VISUAL EFFECTS
Titles and opticals
MAKEUP
Personal hairdresser to the Mt. Scott Boxing Club
PRODUCTION MISC
COLOR PERSONNEL
SOURCES
SONGS
"Night Lights," [written and performed] by Gerry Mulligan; "Dedicated To You," [written by Sammy Cahn, Hy Zaret & Saul Chaplin, performed] by Johnny Hartman and John Coltrane; "If I Should Lose You," [written by Donald Hogan, Jerry Ross & Murray Wecht, performed] by Chet Baker; "It's Good To Want You Bad," [written by Bobby Troup, performed] by Julie London; "Won't You," [performed] by Danny Small; "Everytime We Say Goodbye," [written by Cole Porter, performed] by Chet Baker; "Learning The Blues," [performed] by Julie London; "Whatever Possessed Me," [written by Bernie Hanighen & Tadd Dameron, performed] by Chet Baker and Ruth Young; "Little Girl Blue [sic]," [written by Richard Rodgers & Lorenz Hart, performed] by Chet Baker; "My Foolish Heart," [written by Victor Young & Ned Washington, performed] by Chet Baker; "My Baby," [performed] by Ken Nordine; "Jean And Dinah," [written by Mighty Sparrow, performed] by Robert Mitchum; "Jam Session Blues," [performed] by Charlie Shavers; "Too Young," [written by Sidney Lippman & Sylvia Dee, performed] by Joni James; "How To Speak Hip," [performed] by Del Close and John Brent.
PERFORMED BY
+ −
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
November 1987
Premiere Information:
New York opening: Nov 1987; Los Angeles opening: 17 May 1988
Production Date:
began summer 1986
Copyright Info
Claimant
Date
Copyright Number
Broken Noses, Inc.
5 May 1989
PA447648
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Black & white with color sequences
gauge
16mm
gauge
8mm blown up to 16mm
Duration(in mins):
75
Length(in feet):
6,954
Country:
United States
Language:
English
SYNOPSIS

In May 1986, at the Mount Scott Boxing Club in Portland, Oregon, junior lightweight boxer Andy Minsker trains a dozen youngsters from age ten to sixteen. A barber trims the boys’ hair. One of them imitates Andy giving a boxer pointers and correcting behavior. Andy is a three-time National Golden Gloves champion whose bedroom is filled with trophies going back to November 1970, when he won his first tournament. He has other trophies stored in boxes. On an ESPN television clip from Las Vegas, Nevada, a younger Andy Minsker wins a fight. He drives a blue 1957 Chevrolet around town, talking about his girl friend, Tassie, and his roommate, Marty, who betrayed him by putting the “moves” on her. A little kid talks about his first fight in Spokane, Washington. When he won, Andy told him not to brag. Andy says he is “hooked” on working with young boys, who trust and look up to him, and claims he could never back out now. Ringside, he shouts pointers to his novice boxers. Andy Minsker began boxing at age eight. His father, Hugh Minsker, was an amateur boxer and an Olympic alternate in 1954, thirty years before Andy trained as an alternate for the 1984 Olympics, but admits that Andy exceeded his career. They discuss Olympic and U.S. Amateur Boxing Federation politics, and Andy laments that being white was a factor in his not being picked to fight in the Olympics. He was only allowed to spar with other boxers, and could not use his own trainer. Consequently, he lost his one match in the “box-offs.” Hugh wishes he could have spent more time with Andy, but he had to ...

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In May 1986, at the Mount Scott Boxing Club in Portland, Oregon, junior lightweight boxer Andy Minsker trains a dozen youngsters from age ten to sixteen. A barber trims the boys’ hair. One of them imitates Andy giving a boxer pointers and correcting behavior. Andy is a three-time National Golden Gloves champion whose bedroom is filled with trophies going back to November 1970, when he won his first tournament. He has other trophies stored in boxes. On an ESPN television clip from Las Vegas, Nevada, a younger Andy Minsker wins a fight. He drives a blue 1957 Chevrolet around town, talking about his girl friend, Tassie, and his roommate, Marty, who betrayed him by putting the “moves” on her. A little kid talks about his first fight in Spokane, Washington. When he won, Andy told him not to brag. Andy says he is “hooked” on working with young boys, who trust and look up to him, and claims he could never back out now. Ringside, he shouts pointers to his novice boxers. Andy Minsker began boxing at age eight. His father, Hugh Minsker, was an amateur boxer and an Olympic alternate in 1954, thirty years before Andy trained as an alternate for the 1984 Olympics, but admits that Andy exceeded his career. They discuss Olympic and U.S. Amateur Boxing Federation politics, and Andy laments that being white was a factor in his not being picked to fight in the Olympics. He was only allowed to spar with other boxers, and could not use his own trainer. Consequently, he lost his one match in the “box-offs.” Hugh wishes he could have spent more time with Andy, but he had to make a living. However, Hugh’s friend, Ed Milberger, was Andy’s trainer from the beginning. Andy was so dedicated to Ed that he could not bring himself to hire a more experienced trainer as he rose in the boxing ranks. His dad thinks another trainer could have made Andy a million-dollar champion. Andy and one of his “kids,” Damion “The Snake” Jasmer, have lunch at the Drum Lounge with Ed Milberger and wife Dorothy Milberger. The waitress, Armida, remembers seeing Andy fight at the 1984 Olympic trials and asks for his autograph, and then a kiss. Ed recalls not being sure at first if Andy had the stature to be a boxer. However, he was impressed with Andy’s fast reflexes and indominable spirit. Andy attends a party at the home of his father and stepmother, Marian Minsker. He plays with his infant nephew, Charles Henry Drew, as Marian recounts how she and Hugh Minsker gained custody of Andy and his siblings after “Protective Services” pulled them out of their mother's home because their stepfather, Henry Dehen, beat them. That was around the time Andy started boxing. Despite the abuse, the kids remained close to their mother, Vivian Dehen, and stepfather. As Andy talks to them, Vivian complains that Andy did not say, “Hi, Mom,” while being interviewed after his boxing bout on EPSN, and reminds him more than once that she carried him for nine months. Andy credits his stepfather for disciplining him, and claims he is now stern with his students because they “come from the streets.” Andy takes his boxers jogging in Portland. Standing in a rose garden, he reads a passage from Shakespeare’s Richard II about the mortality of kings. He takes his boxers swimming at a lake and engages in “horseplay.” Afterward, as the boys lay on the shore, one of them, age fourteen, asks when Andy first had sex with a girl. Andy admits he was thirteen, then tells the boys a dirty joke that they are too young to understand. Asked why he was a champion boxer, Andy credits his desire to win and hatred of losing. He assures his students that adulation from friends and family will be a great reward for all the training. One of the older boys claims he wants to be like Andy. Later, the team travels to a boxing meet to compete with others their age. Asked to sum up their experience training with Andy Minsker, the boys express mixed feelings, but are certain they will never forget him.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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