Child's Play
(1988)
R | 87 mins | Horror | 9 November 1988
Directors:
Tom Holland, Bud DavisWriters:
Don Mancini, John Lafia, Tom HollandProducer:
David KirschnerCinematographer:
Bill ButlerEditors:
Edward Warschilka, Roy E. PetersonProduction Designer:
Daniel A. LominoProduction Company:
United Artists Pictures, Inc.
An item in the 20 Feb 1989 People magazine reported that actress Jessica Walter was the uncredited voice of Chucky in the film. However, Walter’s participation cannot be verified, and actor Brad Dourif is credited as the voice of Chucky in Child’s Play and its sequels.
Producer David Kirschner’s first feature, which he created and co-executive produced, was An American Tail (1986, see entry). According to an interview with Kirschner in the 26 Oct 1988 HR, everyone wondered why he would follow up the family-oriented film with a horror film. Kirschner stated the tale is “the dark side of Pinocchio,” and he was interested in the concept of a child telling the truth about his doll being alive, but adults not believing him. Kirschner was looking for a scary project involving dolls, and his development executive found Child’s Play. The script had been rejected by several studios, but Kirschner liked the concept. He changed some elements, “repackaged” the script, and attracted the interest of a major studio. However, before negotiations closed, Kirschner was introduced to Tony Thomopoulous, then chairman of United Artists (UA), who also became interested in the project and understood the film’s potential for sequels. The 17 Nov 1988 HR stated that Lee Rich, then chairman of MGM/UA, agreed with Thomopolous, and UA entered the bidding process and secured the project.
An item in the 11 Dec 1987 HR reported the film was budgeted at $13 million. The 3 Nov 1987 DV announced the filmmakers were holding an open casting ...
An item in the 20 Feb 1989 People magazine reported that actress Jessica Walter was the uncredited voice of Chucky in the film. However, Walter’s participation cannot be verified, and actor Brad Dourif is credited as the voice of Chucky in Child’s Play and its sequels.
Producer David Kirschner’s first feature, which he created and co-executive produced, was An American Tail (1986, see entry). According to an interview with Kirschner in the 26 Oct 1988 HR, everyone wondered why he would follow up the family-oriented film with a horror film. Kirschner stated the tale is “the dark side of Pinocchio,” and he was interested in the concept of a child telling the truth about his doll being alive, but adults not believing him. Kirschner was looking for a scary project involving dolls, and his development executive found Child’s Play. The script had been rejected by several studios, but Kirschner liked the concept. He changed some elements, “repackaged” the script, and attracted the interest of a major studio. However, before negotiations closed, Kirschner was introduced to Tony Thomopoulous, then chairman of United Artists (UA), who also became interested in the project and understood the film’s potential for sequels. The 17 Nov 1988 HR stated that Lee Rich, then chairman of MGM/UA, agreed with Thomopolous, and UA entered the bidding process and secured the project.
An item in the 11 Dec 1987 HR reported the film was budgeted at $13 million. The 3 Nov 1987 DV announced the filmmakers were holding an open casting call at the First United Methodist Church in Hollywood, CA, for a six-year-old boy to play the lead. As noted in the 20 Jan 1988 Var, principal photography began 7 Jan 1988 in Chicago, IL. The 17 Jan 1988 LAT reported the movie was filming at eight outdoor locations in Chicago, where the temperatures were twenty degrees below zero, with a wind chill factor reaching fifty below. In addition to portable heaters, rooms were rented near the production to serve as “warm centers.” Trailers could not be parked near the set, so “station wagons were lined up with the heaters going.” After four weeks of filming in Chicago, the production moved to Los Angeles, CA.
The 11 Dec 1987 HR noted that Child’s Play was the title of a 1972 film (see entry) directed by Sidney Lumet, and suggested that the title of this 1988 horror film might be changed. However, the film retained the title Child’s Play and was released on Wednesday, 9 Nov 1988.
The 11 Nov 1988 HR announced the film’s first day box-office gross was $600,689 at 1,320 theaters. Articles in HR on 16 Nov 1988 and 17 Nov 1988 reported the film’s box-office gross during the first weekend was $6.6 million, and its five day gross reached $8 million.
According to marketing and distribution executives at MGM/UA and UA, the successful launch of the film was due to a “well thought-out battle plan.” They did not want the film perceived as another Halloween horror film, and waited to release it on the Wednesday prior to the November Veteran’s Day holiday weekend. The executives acknowledged it was a risky move because three other genre films were released at Halloween. However, they felt the quality of their film and positive reactions to the Chucky character merited the risk. A three-pronged, three week marketing campaign was deployed prior to release. Several fifteen second spots were used to create awareness of the film, followed by an “endorsement strategy” of audience-reaction advertisements, with young people talking about Chucky and how scary the film was. This was the start of their plan to “position Chucky as the new terror icon.” The third component of the marketing strategy concentrated on the scariest parts of the film, and worked to establish Chucky as a major personality. The campaign successfully reached its preliminary target audience of 12- to 20-year-olds, and also received a positive reaction from 18- to 25-year-olds.
An item in the 24 Mar 1989 LAT announced the film’s home video release on 25 Apr 1989, and noted the film’s theatrical box-office gross was $34 million.
The success of Child’s Play launched a series of sequels including Child’s Play 2 (1990, see entry), Child’s Play 3 (1991, see entry), Bride of Chucky (1998, see entry) and Seed of Chucky (2004, see entry).
End credits include the following statements: “Special thanks to: The Illinois Film Office; Chicago Office of Film and Entertainment; Marcus Uzilevsky, for the use of his artwork,” and “Filmed on location in Chicago, Illinois and at Chicago Studio City and the Culver Studios.”
In Chicago, Illinois, police detective Mike Norris chases Charles Lee Ray, a notorious serial killer. When Ray is wounded, his get-away driver, Eddie Caputo, leaves him behind. Ray breaks into Playland Toys and Mike Norris follows. In the ensuing gunfight, Ray is hit again. Realizing he is about to die, Ray swears vengeance on Mike and Eddie. He staggers to a display of “Good Guy” dolls and chants a voodoo incantation to transfer his soul into the body of a doll. Lightning hits the building and sets off an explosion. Mike survives and finds Ray’s corpse in the rubble. The next day, Andy Barclay celebrates his sixth birthday, and watches the Good Guy show while wearing his “Good Guy” pajamas and eating “Good Guy” cereal. A commercial for the new “Good Guy” doll airs and Andy is entranced. Each doll has its own name and speaks three stock lines. Andy eyes a large birthday present and thinks it is a “Good Guy” doll, but is disappointed to discover clothing in the box. A second present contains a “Good Guy” tool kit, and Andy wishes he had the doll to accompany it. His single mother, Karen Barclay, apologizes that she did not know about the doll in time to save enough to buy it. Later, while Karen works at a department store, her co-worker Maggie Peterson announces a street peddler has a “Good Guy” doll for sale and Karen buys it for a discounted price. Upon returning to work, Karen’s boss demands that she cover ...
In Chicago, Illinois, police detective Mike Norris chases Charles Lee Ray, a notorious serial killer. When Ray is wounded, his get-away driver, Eddie Caputo, leaves him behind. Ray breaks into Playland Toys and Mike Norris follows. In the ensuing gunfight, Ray is hit again. Realizing he is about to die, Ray swears vengeance on Mike and Eddie. He staggers to a display of “Good Guy” dolls and chants a voodoo incantation to transfer his soul into the body of a doll. Lightning hits the building and sets off an explosion. Mike survives and finds Ray’s corpse in the rubble. The next day, Andy Barclay celebrates his sixth birthday, and watches the Good Guy show while wearing his “Good Guy” pajamas and eating “Good Guy” cereal. A commercial for the new “Good Guy” doll airs and Andy is entranced. Each doll has its own name and speaks three stock lines. Andy eyes a large birthday present and thinks it is a “Good Guy” doll, but is disappointed to discover clothing in the box. A second present contains a “Good Guy” tool kit, and Andy wishes he had the doll to accompany it. His single mother, Karen Barclay, apologizes that she did not know about the doll in time to save enough to buy it. Later, while Karen works at a department store, her co-worker Maggie Peterson announces a street peddler has a “Good Guy” doll for sale and Karen buys it for a discounted price. Upon returning to work, Karen’s boss demands that she cover for a sick co-worker’s shift. He does not care that it is Andy’s birthday, and Maggie offers to babysit. During Karen’s dinner break, Andy is thrilled to receive the “Good Guy” doll, which announces its name is Chucky. Later, Andy shows Chucky his “Good Guy” tool set, but the doll watches a television news report about Eddie Caputo escaping police custody. When it is time for bed, Andy insists Chucky wants to watch the news. Maggie does not believe the boy and shuts off the television. She carries Andy to the bedroom and drags Chucky along, banging the doll against the wall. While Andy brushes his teeth, Maggie puts away dishes and is surprised to hear the television turned back on. She finds Chucky watching the news and scolds Andy for disobeying her. Andy insists he did nothing wrong, but Maggie does not believe him. After Andy falls asleep, Chucky sneaks into the kitchen. Maggie hears a sound and discovers a canister overturned on the floor. Chucky attacks her with a “Good Guy” hammer and knocks Maggie out the apartment window to her death. Karen returns home to find detective Mike Norris and his partner, Jack Santos, leading the investigation. Mike points to little footprints in spilled flour, but notes they are not from Andy’s shoes. Andy runs into the kitchen, claiming Chucky wants to know what is happening. Mike sees Andy wears “Good Guy” pajama sneakers and checks the bottoms, but they are clean. When Karen puts Andy to bed, Chucky sits in a nearby chair and the boy notices flour on the soles of Chucky shoes. He runs to tell his mother, but she does not believe him. Mike is intrigued by Andy’s statement, but Karen is angry that he suspects Andy and insists the officers leave. Outside, Mike shows Santos the “Good Guy” hammer which might be a murder weapon. Karen overhears Andy talking to the doll and the boy insists Chucky is alive. He says Chucky’s full name is Charles Lee Ray and he was sent from Heaven to be Andy’s playmate. Chucky told Andy that Maggie got what she deserved. Karen refuses to believe her son, and wonders why he would say something so horrible. Realizing his mother is upset about Maggie’s death, Andy promises to stop making up stories. The next day, Andy and Chucky sneak out of school and travel to a bad section of the city. As they near a seemingly-deserted building, Andy rests Chucky on an abandoned chair and tells the doll to wait while he pees behind a dumpster. However, Chucky runs into the building where Eddie Caputo is hiding. As Andy searches for Chucky outside, the doll turns on the gas in a stove. Eddie hears sounds in the kitchen, and enters shooting. His gunshot ignites the gas and the building explodes. At the police station, Mike informs Karen that Andy and Chucky were at the scene of another murder. She asks Andy to tell the truth and the boy begs Chucky to speak, but the doll remains silent. Andy shakes Chucky, even though the doll threatened to kill him if Andy ever revealed he was alive. Dr. Ardmore observes the exchange and decides Andy should spend time in a psychiatric hospital. Karen returns home with Chucky, finds unopened batteries in the doll’s box and discovers there are no batteries inside Chucky. She shakes the doll and orders it to talk. When Chucky remains silent, Karen lights a fire and threatens to throw Chucky into the fireplace unless he talks. Chucky attacks her and they fight. He bites Karen’s arm, escapes the apartment and runs away. Karen tells Mike Norris that Chucky is alive and shows him the bite mark, but he does not believe her. She determines to find the street peddler who sold her the doll, but Mike cautions against it. She searches among the homeless community and finds the peddler. The man accosts Karen, but Mike arrives and saves her. The peddler reveals he found the doll in the debris at Playland Toys and Mike tells Karen about Charles Lee Ray’s death. She believes Chucky is Charles Lee Ray and thinks Mike is in danger because Ray promised vengeance. Mike thinks she is crazy, but drops her off and retrieves his file on Ray. As Mike drives home, Chucky attacks. Mike burns the doll’s face with the cigarette lighter, but Chucky stabs through the car seat, then forces the accelerator to the floor. The car crashes and Mike shoots at the doll. Chucky insists he cannot be killed, but a bullet injures him as he runs off. Mike shares Ray’s file with Karen and reveals that the killer studied with a Voodoo priest named John, also known as Dr. Death. Chucky reaches John first and learns that the more time Charles Lee Ray’s spirit spends in the doll’s body, the more human it becomes. Chucky refuses to spend his life trapped inside a doll, but John feels Chucky perverted his religion for evil and refuses to help. Chucky attacks John’s personal mojo doll and the wounds manifest on John’s body. The Voodoo priest informs Chucky that he can transfer his soul into the body of the first person who learned of his true self. Chucky stabs the Voodoo doll, mortally wounding John, and leaves to find Andy. As John dies, he reveals to Mike and Karen that they can save Andy by wounding Chucky in the heart before he completes the incantation. Andy sees Chucky climbing the hospital fire escape and screams for Dr. Ardmore to release him, but Ardmore does not believe him. Chucky sneaks into Andy’s room, but the boy outwits him and escapes. Chucky finds Andy in an operating room, but Ardmore rushes in and tries to sedate the boy. However, Chucky attacks the doctor and electrocutes him. Andy runs away, but Karen knows Andy will return home, and she races there with Mike. Inside the apartment, Chucky enters through the fireplace and attacks Andy. He knocks the boy unconscious and starts the incantation but Karen and Mike arrive. In the ensuing battle, Chucky slices Mike’s leg, then disappears. Mike gives Karen a gun, then searches for the doll in the bedroom, where Chucky knocks him unconscious. Karen shoots Chucky’s leg, but the gun jams and Chucky chases her and Andy. Karen traps Chucky in the fireplace and turns on the gas as Andy lights a match and tosses it at Chucky. They stand back as the burning doll escapes the fireplace and collapses. Believing Chucky dead, they help Mike, but the charred Chucky attacks. Karen grabs Mike’s gun and shoots off Chucky’s head, arm, and leg until the doll finally stops. Detective Santos arrives, but does not believe their story. Santos grabs Chucky’s head and places it on the television, insisting the doll was never alive. However, Chucky’s body climbs through a vent and chokes Santos. Before Chucky can kill Santos, Karen grabs the doll and throws it across the room. Chucky’s head screams death threats while his body crawls toward them. Mike shoots Chucky in the heart, blood splatters on the wall and Chucky finally dies. Santos admits Chucky was alive but wonders if anyone will believe them. As Karen leads him out of the room, Andy stares back at Chucky’s corpse.
TOP SEARCHES
Star Wars
The film’s title card is preceded by the statement: “A long time ago in a galaxy far, far away....” Afterward, a prologue reads: “It is a period of ... >>
Ragtime
The following note of appreciation appears at the end of the film: “The Producers would like to thank The Mayor’s Office for Film, Theatre and Broadcasting, New York City ... >>
Oliver & Company
An early announcement in the 25 Sep 1985 HR referred to an upcoming adaption of Charles Dickens’s 1883 novel Oliver Twist that would be an ... >>
Butch Cassidy and the Sundance Kid
The working title for the film was The Sundance Kid and Butch Cassidy. The opening credits, which are presented in sepia tone, appear next to a ... >>
![](/Content/Images/Icon/top.png)