Night Angel (1990)

R | 90 mins | Horror | September 1990

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HISTORY

Narrator Roscoe Lee Browne’s voice-over introduces the myth of "Lilith" during opening credits: “From the dawn of history, she has plagued mankind. Many a mother has wept for a baby found dead in its cradle. Many a man has spurned true love for an eternity in her hell. The Babylonians built statues to honor her. The Jews carved amulets for protection from her evil. By many names is she known, from Kali in India to Pele in Hawaii. She was created from dust when Adam was created, but no restful peace in dust will she find. She is Lilith, temptress, seducer, and destroyer, harlot of demons, and enemy of love. And she shall stalk us forever, walking in the shadows, sowing the seeds of discontent, reaping a harvest of souls for her corner of hell.”
       Principal photography began 15 Mar 1988 in Los Angeles, CA, the 11 May 1988 Var reported, and was “almost completed” seven months later, according to the 30 Oct 1988 Orange County Register. Eight months later, the 26 Jun 1989 DV noted that the project was in “post production.” The 28 Feb 1990 Jerusalem Post remarked that producers originally marketed the film in 1989 under the title Deliver Us From Evil. The budget, according to the 21 Feb 1990 Var, was $4 million.
       German Actress Isa Jank, who portrayed Lilith," is credited onscreen as "Isa Andersen."
       The 24 May 1990 Jibsheet, the Bellevue College student newspaper in Bellevue, WA, listed Night Angel as scheduled to be screened 2 Jun 1990 at the 16th Seattle International Film Festival. The film ...

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Narrator Roscoe Lee Browne’s voice-over introduces the myth of "Lilith" during opening credits: “From the dawn of history, she has plagued mankind. Many a mother has wept for a baby found dead in its cradle. Many a man has spurned true love for an eternity in her hell. The Babylonians built statues to honor her. The Jews carved amulets for protection from her evil. By many names is she known, from Kali in India to Pele in Hawaii. She was created from dust when Adam was created, but no restful peace in dust will she find. She is Lilith, temptress, seducer, and destroyer, harlot of demons, and enemy of love. And she shall stalk us forever, walking in the shadows, sowing the seeds of discontent, reaping a harvest of souls for her corner of hell.”
       Principal photography began 15 Mar 1988 in Los Angeles, CA, the 11 May 1988 Var reported, and was “almost completed” seven months later, according to the 30 Oct 1988 Orange County Register. Eight months later, the 26 Jun 1989 DV noted that the project was in “post production.” The 28 Feb 1990 Jerusalem Post remarked that producers originally marketed the film in 1989 under the title Deliver Us From Evil. The budget, according to the 21 Feb 1990 Var, was $4 million.
       German Actress Isa Jank, who portrayed Lilith," is credited onscreen as "Isa Andersen."
       The 24 May 1990 Jibsheet, the Bellevue College student newspaper in Bellevue, WA, listed Night Angel as scheduled to be screened 2 Jun 1990 at the 16th Seattle International Film Festival. The film had a limited opening in Chicago, IL, in Sep 1990, earning $41,000, the 14 Sep 1990 Chicago Tribune reported. The 23 Oct 1990 DV stated that Night Angel was “dead on arrival” when it opened in Los Angeles earlier that week.
       End credits list the following acknowledgments: “Very special thanks to John Van Hamersveld and the Staff of L.A. Style for their advice and consultation. Special thanks Lian Amberg; Glenn Aveni; Kathleen Bayer; Luis Benavides; Mr. and Mrs. Thilmer Benson; the director’s grandmother; George Bertonoelli; Bob Bunch; Dana Carpenter; Fred Carrillo; Jerry Ciccone; Verne Clemmens; Tom and Mae Clinton; Paul Cohen; Fred Curzio; Annette L. Dwane; Mr. and Mrs. Chris Felts; Anice Geddis; Phyllis Gilman; Vicki and Tony Goorchenko; Mike Gregson; Richard Gurrola; Tom and Dorothea Halgrims; John and Christi Hasbun; David Haas; Barbara Henvey; Doc Hollaway; Larry Holmes; the Hollywood Reporter staff; Walt and Mary Jean Holmes; Gary and Angie Irvin; Jude Jansen; Doc Jefferson; Dan Josten; Jeff Juden; Howard and Delores Kingston; Sumi Fujimoto and Kiyo; James M. Lund III; Keith Lyon; Don McAbbey; Mr. and Mrs. James Marble; Mike Mehrdadi; Colin Messmore; Don Miller; Willard Miller; Duane and Dee Mitchell; Bill and Sharon Moore; Matt Morrow; Marcy Muray; Mike Nuedling; Pete Olah; Bill and Ed Person; Perry Peters; Thomas Peterson; Dale Poniewaz; Bill and Jan Seaborg; Gregory Simms; John Stanelle; Rene Torres; Wendell Wessbecher.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Chicago Tribune
14 Sep 1990
Section B
Daily Variety
6 May 1988
p. 12
Daily Variety
5 May 1989
pp. 3, 16
Daily Variety
26 Jun 1989
p. 18
Daily Variety
24 Apr 1990
p. 8
Daily Variety
17 May 1990
p. 22, 25
Daily Variety
23 Oct 1990
p. 4
Jerusalem Post
28 Feb 1990
p. 6
The Jibsheet (Bellevue College, WA)
24 May 1990
p. 7
Los Angeles Times
21 Jan 1990
Calendar, p. 4
Los Angeles Times
22 Oct 1990
Calendar, p. 2
Orange County Register
30 Oct 1988
Section K, p. 4
Variety
11 May 1988
p. 6
Variety
21 Feb 1990
p. 117
Variety
30 May 1990
p. 32
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
2d unit prod mgr
2d unit 1st A.D.
2d unit 2d A.D.
PRODUCERS
Line prod
Assoc prod
Assoc prod
Assoc prod
Assoc prod
Exec prod
WRITERS
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
2d unit cam during principal photog
Addl cam asst
Addl cam asst
Photo shoot asst
Gaffer
Best boy elec
Elec
Key grip
Best boy grip
Prod stills
2d unit 1st A.C.
2d unit 1st A.C.
2d unit 2d A.C.
2d unit loader
"Face in the Sand" for opening titles photog by
"Face in the Sand" 1st A.C.
Cam and lenses provided by
Photographs for "Siren" magazine courtesy of
Photographs for "Siren" magazine courtesy of
Photographs for "Siren" magazine courtesy of
Photographs for "Siren" magazine courtesy of
Photographs for "Siren" magazine courtesy of
Spec photog by
Spec photog by
ART DIRECTORS
Prod des
Graphic des
Art crew
Art crew
Art dept coord
David Durand
Concept illustrator
2d unit art dir
Susan Bertram
2d unit art asst
2d unit art asst
2d unit storyboard artist
FILM EDITORS
Addl ed
Asst ed
Negative cutting
Post-prod ed facilities
SET DECORATORS
Set dec
Scenic des
Scenic des
Scenic artist
On set dresser
Set dresser
Swing gang
Swing gang
Prop master
Asst prop
2d unit set dec
2d unit const coord
2d unit prop master
Craig's paintings by
COSTUMES
Jewelry des and created by
Cost des
Asst ward
Asst ward
Addl ward asst
Addl ward asst
Addl ward asst
2d unit cost supv
2d unit asst ward
MUSIC
Mus supv
Mus consultant, "Sure Thing"
Mus consultant
Mus consultant, "Bug Music"
Mus consultant
"Siren's Burnin'" and mus score mixed at
SOUND
Sd mixer
Boom op
Co-supv sd ed
Co-supv sd ed
Sd ed
Sd ed
Sd ed prod
Asst sd ed
Asst sd ed
Foley artist
Foley artist
Sd transfers
Sd re-rec stages provided by
Re-rec mixer
Re-rec mixer
Re-rec mixer
Looping group
Looping group
Looping group
Looping group
Looping group
Looping group provided by
VISUAL EFFECTS
Spec make-up eff des and created by
XFX foreman
XFX project coord
XFX tech
XFX tech
XFX tech
Addl XFX tech
Addl XFX tech
Addl make-up eff by
K.N.B. supv, K.N.B. Effects Group
K.N.B. supv, K.N.B. Effects Group
K.N.B. supv, K.N.B. Effects Group
K.N.B. crew, K.N.B. Effects Group
K.N.B. crew, K.N.B. Effects Group
K.N.B. crew, K.N.B. Effects Group
Spec mechanical eff
Pyrotech
Pyrotech
Pyrotech
Titles and opticals
Main title art by
DANCE
JoAnne DeVito
Choreog
MAKEUP
Key make-up/Hair
1st asst make-up
Addl asst
Fantasy make-up for Lilith's photo shoot
Make-up artist for Karen Black
Addl make-up artist
Addl make-up artist
Addl make-up artist
Addl make-up artist
2d unit make-up/Hair
PRODUCTION MISC
Casting
Prod coord
Prod accountant
Prod accountant
Prod accountant
Prod accountant
Scr supv
Loc mgr
Set protection
Set protection
Set protection
Set protection
Transportation coord
Transportation capt
Driver
Driver
Asst to the prods
Asst to the dir
Asst to the dir
Prod secy
Prod secy
Prod secy
Prod secy
Prod secy
Prod secy
Prod asst
Prod asst
Prod asst
Prod asst
Craft services
Craft services
Catering
Snake wrangler
Snake wrangler, Kim's Exotic Critters
Llama handler
Maintenance
Office mgr
2d unit prod coord
2d unit loc mgr
2d unit transportation coord
2d unit driver
2d unit prod asst
Legal services provided by
"Face in the Sand" prod services provided by
Extras provided by
Extras provided by
Extras provided by
Extra special extras by
Models provided by
Consultant on the myth of "Lilith"
STAND INS
Stand-in
Stand-in
Stunt coord
Stunts
Stunts
Double
COLOR PERSONNEL
Lab services
Timer
SOURCES
SONGS
"Beast On The Block," written and performed by Bold Montgomery; "Can't Take It Anymore," performed by Rebel Faction, written by Larry Hester & Terry Quinn, produced by Larry Lee; "Carnival Nights," written and performed by Bold Montgomery; "Disposition," written by Jon Cells & Victor Levine, performed by Jon Cells; "Don't Hurry," written and performed by Mindy Jostyn; "Emerald Skies," written and performed by Glenn Aveni, produced by Jeff Russel & John Fedorko; "Girl From Outer Space," written and performed by Barrence Whitfield & The Savages, courtesy of Bug Music; "Gold And Diamonds," written by Jeffrey Michael Robert, performed by DVS; "L-U-S-T," written and performed by Shelley Speck; "Show A Little Respect," written and performed by Shelley Speck; "Steal Your Heart Away," written by Jeffrey Michael Robert, performed by DVS; "Torn And Tattered," written and performed by Leif Garrett; "Sirens Burnin'," written by Andre Pessis and Cory Lerios, performed by Screamin' Jay Hawkins.
DETAILS
Alternate Title:
Deliver Us From Evil
Release Date:
September 1990
Premiere Information:
Seattle International Film Festival screening: 2 Jun 1990; Chicago, IL opening: Sep 1990; Los Angeles opening: 19 Oct 1990
Production Date:
began 15 Mar 1988
Copyright Info
Claimant
Date
Copyright Number
Night Angel Partners
26 February 1990
PAu1345565
Physical Properties:
Sound
Recorded in Ultra-Stereo®
Color
Duration(in mins):
90
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

An eclipse of a full moon awakens Sadie, an elderly African American woman. In a swamp, a creature rises from muck and transforms into “Lilith,” a beautiful woman. In the morning, a radio announcer mentions a rash of violent crimes and crib deaths in maternity wards. At the editorial office of Siren, a fashion magazine, staffers Rod and Craig discuss how to present a photograph of a woman on the cover. Kenny, the office “nerd,” mentions a dream he had last night, and Craig for a moment recalls his own dream of a beautiful woman rising from murky water. Lilith drives Siren publisher Joseph Crenshaw home and tells him his wife is waiting inside. Crenshaw asks how she knows his marital status and where he lives. Lilith slips his gold ring back on his wedding finger, and he gives her his business card. Lilith asks Crenshaw to put her photograph on the cover of his magazine. He tries to kiss her, but Lilith shoves him out of the car, tosses his card on the road, and drives away. As Crenshaw prepares to climb into bed with his sleeping wife, a breeze blows outside, where a llama eats grass. Lilith is suddenly in the room, seducing Crenshaw next to his wife. Slashing him with her long fingernails, Lilith tastes his blood. When Mrs. Crenshaw awakens, Lilith cuts her throat and smears Joseph Crenshaw with her blood. Elsewhere, Craig awakens from a nightmare. Later, at the Siren office, Rita, the editorial director, announces that Joseph Crenshaw, his ...

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An eclipse of a full moon awakens Sadie, an elderly African American woman. In a swamp, a creature rises from muck and transforms into “Lilith,” a beautiful woman. In the morning, a radio announcer mentions a rash of violent crimes and crib deaths in maternity wards. At the editorial office of Siren, a fashion magazine, staffers Rod and Craig discuss how to present a photograph of a woman on the cover. Kenny, the office “nerd,” mentions a dream he had last night, and Craig for a moment recalls his own dream of a beautiful woman rising from murky water. Lilith drives Siren publisher Joseph Crenshaw home and tells him his wife is waiting inside. Crenshaw asks how she knows his marital status and where he lives. Lilith slips his gold ring back on his wedding finger, and he gives her his business card. Lilith asks Crenshaw to put her photograph on the cover of his magazine. He tries to kiss her, but Lilith shoves him out of the car, tosses his card on the road, and drives away. As Crenshaw prepares to climb into bed with his sleeping wife, a breeze blows outside, where a llama eats grass. Lilith is suddenly in the room, seducing Crenshaw next to his wife. Slashing him with her long fingernails, Lilith tastes his blood. When Mrs. Crenshaw awakens, Lilith cuts her throat and smears Joseph Crenshaw with her blood. Elsewhere, Craig awakens from a nightmare. Later, at the Siren office, Rita, the editorial director, announces that Joseph Crenshaw, his wife, and son were murdered last night. However, the editorial staff will hurry to complete the next issue, and the magazine party will be held as scheduled because the largest advertisers have already flown into town. That night, the party is lightly attended. Craig, Rod, and Ken are there. Rita introduces Craig to Kirstie, her sister, who is new in town. Kirstie designs her own line of jewelry, so Craig discusses the possibility of using her creations in a Siren fashion layout. Lilith walks into the club, catching the attention of every man. She orders a beer, twists off the non-twist cap, and provocatively licks the foam as it fizzes from the neck of the bottle. Kirstie’s glass explodes in her hand. As Lilith dances with Ken, a clearly mesmerized Rita asks who invited her, but nobody seems to know. Lilith crawls seductively on the floor, driving Rod into such a sexual frenzy that he pushes Ken aside and dances with her. Rod takes Lilith to his apartment building, and as they kiss in the foyer, a crazed Ken pounds on the locked front door. Lilith and Rod disrobe, and Lilith becomes a bright light. Ken smashes through the glass door, cutting himself, and Rod steps into an elevator shaft, thinking the elevator is there. He is impaled at the bottom of the shaft. The next morning, Rita summons Craig to her office to tell him that Rod is dead, Ken is in the hospital, and she is a suspect in Joseph Crenshaw’s murder because she inherited the magazine. Craig’s assistant delivers photographs from the party. Looking at them, Craig notices something strange about Rod and Ken’s expressions as they gaze at Lilith. Kirstie arrives at the office with photographs of her silver jewelry imbedded with birthstones. When Craig confides that his birthday is in February, Kirstie informs him his stone is amethyst, which ancient Greeks believed protected the owner from intoxication. Later, as Craig leaves the office, Lilith arrives to discuss her Siren photo shoot with Rita. When Craig visits the hospital, Ken reveals that Lilith was with Rod when he died, but goes into convulsions before he can say more. Later, Craig picks up Kirstie at Rita’s house. Kirstie is concerned about the intoxicating effect Lilith has on her sister. She spends the night at Craig’s apartment, making love. Meanwhile, Lilith seduces Rita and promises to give her great power. The next morning, Sadie, the black woman, stops Craig outside the Siren office and warns him not to turn his back on salvation. Craig is surprised to find that Rita and the photographers are shooting a new magazine cover with Lilith dressed in black, with lizard-like designs on her face. Craig warns Rita that the last-minute cover change will affect their deadline, but Rita ignores his concern. When Kirstie arrives with a piece of silver jewelry for the photographs, Lilith tosses it away. Craig objects, insisting that Lilith has no say in what she wears, but Rita angrily takes Lilith’s side. A large floodlight topples, barely missing Craig and Kirstie. Outside, Sadie again stops Craig and claims she needs to save his soul, but he pushes her away. He and Kirstie return to his apartment, and as they make love, Craig finds himself face to face with Lilith. As black snake-like things emerge from her mouth and bite him, Craig jerks awake, shouting in Kirstie’s face. He tells her he keeps having nightmares. Kirstie gives Craig a handmade silver amulet with an embedded amethyst, and asks him to let it hang over his heart. Later, in the photography lab, staffers become mesmerized by Lilith’s photographs and stroke each other. Craig snatches the photographs away, and as he glances at one of them, Lilith’s image beckons from behind flames. A telephone call breaks the spell. Kirstie informs Craig that Rita ordered her out of the house. Craig asks her to meet him at the nightclub. On the way, he notices a taxicab following him. At the club, Craig enters the bathroom and is confronted by a dwarf, who sends him into a room of freaks. Craig is welcomed, the dwarf announces, because he is “with Lilith.” Craig stumbles through a house of horrors, guided by a figure that looks like Kirstie until she turns into Lilith. The temptress takes control, but as she rips Craig’s shirt, the amethyst blocks her power and allows him to see her as a demon. Kirstie arrives at the club and is joined by Sadie, who warns her that Craig is in danger. Craig joins them and passes out. When he awakens, Sadie fixes a voodoo concoction and orders him to drink it. She explains that Lilith is "Satan’s whore" and Adam’s first wife who tempts men to their deaths. The amethyst hanging from Craig’s neck allowed him to escape, but tonight Lilith will be at the peak of her powers and hungering to take his soul. Sadie drives Craig and Kirstie to the Siren office in her taxi, and as they get out, Sadie orders Kirstie to stay close to Craig because her love is the only thing that can save him. In the office, the staff is in the throes of lust, and Rita is dead. Craig and Kirstie escape as the others try to grab them, but Ken hits Craig in the head with a baseball bat and grabs Kirstie. Sadie rescues the delirious Craig and drives him away. Sadie explains that she has followed the demon Lilith for years, because she killed her son, and warns that Lilith’s image on the cover of Siren will spread her evil nationally. They return to the magazine office to find Kirstie, but Ken has chased her into a wooded park. As Craig calls Kirstie’s name, Ken grabs her. Suddenly Lilith appears, draws Ken away from Kirstie, and rips out his heart. Sadie cannot run, so she gives Craig her special knife and instructs him to pierce Lilith’s heart. Seeing Lilith, Craig rushes to stab her, but the demon grabs his arm and entrances him. He drops the knife, and at her urging removes the amethyst talisman. As Lilith reaches a finger into Craig’s chest, Kirstie arrives and Craig announces that he loves her. The spurned Lilith returns to her original demonic form, and Sadie drives the knife into its heart. As flames consume Lilith. Craig and Kirstie embrace and Sadie praises God. Later, lying in bed with Kirstie, Craig picks up a copy of the new Siren. Blood oozes from Lilith’s image and a hand grabs his throat. He awakens.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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