Blood and Concrete, A Love Story (1991)

R | 97 mins | Comedy-drama | 13 September 1991

Director:

Jeffrey Reiner

Producer:

Richard LaBrie

Cinematographer:

Declan Quinn

Production Designer:

Pamela Woodbridge

Production Company:

I.R.S. Media
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HISTORY

       According to the picture’s 13 Sep 1991 NYT review, first-time feature filmmakers Jeffrey Reiner and Richard LaBrie met eleven years earlier at New York University's Tisch School of the Arts. In an Aug 1991 edition of Venice, Reiner stated that he and LaBrie were inspired by film noir B-movies such as Robert Aldrich’s Kiss Me Deadly (1955, see entry) and Sam Fuller’s The Naked Kiss (1964, see entry), in which the “directors got away with murder,” portraying villains and adversaries with sympathetic characteristics.
       HR production charts on 1 May 1990 stated that principal photography began 30 Apr 1990 in Los Angeles, and on 25 Sep 1990, DV announced production recently ended. As noted in the 14 Jan 1991 DV review, the film made its world premiere at the 8-–13 Jan 1991 Palm Springs Film Festival and received generally positive critical acclaim. In addition, a 5 Jul 1991 Screen International article announced that Reiner and LaBrie were honored with the Best Screenplay award at the 1991 Viareggio Mystery Film Festival in Italy.

      End credits include: “The filmmakers wish to express their gratitude to: Steve Fayne, Esq.; Karen Bohannon-Gaunty, Esq.; Sharon Green; Cindy Sison; Marion Speigelman; Kurt Woolner; The Reiner and LaBrie clans; Evan Louis and Caitlin Elise; Rick Dinkle; Sam Fuller; Hilton Head Bank and Trust; Richard Widmark; Yen Ching Chinese Restaurant; John Boorman; Oki-Dog; Lee Marvin; Tom Accinelli; Reid Shane; Seth Kaplan; Richard Hahn; Tim Nichols; Fritz Friedman; Susannah Johnson; The Snoid,” and, “Filmed entirely on location in and around Los Angeles and at the ...

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       According to the picture’s 13 Sep 1991 NYT review, first-time feature filmmakers Jeffrey Reiner and Richard LaBrie met eleven years earlier at New York University's Tisch School of the Arts. In an Aug 1991 edition of Venice, Reiner stated that he and LaBrie were inspired by film noir B-movies such as Robert Aldrich’s Kiss Me Deadly (1955, see entry) and Sam Fuller’s The Naked Kiss (1964, see entry), in which the “directors got away with murder,” portraying villains and adversaries with sympathetic characteristics.
       HR production charts on 1 May 1990 stated that principal photography began 30 Apr 1990 in Los Angeles, and on 25 Sep 1990, DV announced production recently ended. As noted in the 14 Jan 1991 DV review, the film made its world premiere at the 8-–13 Jan 1991 Palm Springs Film Festival and received generally positive critical acclaim. In addition, a 5 Jul 1991 Screen International article announced that Reiner and LaBrie were honored with the Best Screenplay award at the 1991 Viareggio Mystery Film Festival in Italy.

      End credits include: “The filmmakers wish to express their gratitude to: Steve Fayne, Esq.; Karen Bohannon-Gaunty, Esq.; Sharon Green; Cindy Sison; Marion Speigelman; Kurt Woolner; The Reiner and LaBrie clans; Evan Louis and Caitlin Elise; Rick Dinkle; Sam Fuller; Hilton Head Bank and Trust; Richard Widmark; Yen Ching Chinese Restaurant; John Boorman; Oki-Dog; Lee Marvin; Tom Accinelli; Reid Shane; Seth Kaplan; Richard Hahn; Tim Nichols; Fritz Friedman; Susannah Johnson; The Snoid,” and, “Filmed entirely on location in and around Los Angeles and at the I.R.S. Entertainment Center, Universal City, California.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
25 Sep 1990
---
Daily Variety
14 Jan 1991
---
Hollywood Reporter
1 May 1990
---
Hollywood Reporter
29 May 1990
p. 43
Los Angeles Times
20 Sep 1991
p. 16
New York Times
13 Sep 1991
p. 9
Screen International
5 Jul 1991
---
Variety
29 Jan 1991
p. 79
Venice
Aug 1991
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
I.R.S. Media presents
A Copeland/Colichman production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
1st asst dir
2d asst dir
2d 2d asst dir
PRODUCERS
Exec prod
Exec prod
WRITERS
PHOTOGRAPHY
Dir of photog
1st asst cam op
2d asst cam op
Addl asst cam
Addl asst cam
Addl 2d asst cam
Steadicam op
Underwater photog
Unit photog
Gaffer
Key grip
Best boy grip
Best boy grip
Dolly grip
Dolly grip
Addl grip
Addl grip
Addl grip
Addl grip
Addl grip
Rigging gaffer
Best boy elec
Stephanie Blakemore
Elec
3d elec
Lights supplied by
Cam supplied by
ART DIRECTORS
Art dir
FILM EDITORS
Asst ed
2d asst ed
Negative cutter
SET DECORATORS
Set dec
Leadman
Asst prop master
Asst prop master
COSTUMES
Ward des
Ward supv
Ward asst
MUSIC
Mus comp
Score rec at
Eng/Mixer, Score rec at Stagg Street Studios
Asst eng, Score rec at Stagg Street Studios
6 string elec bass, Score rec at Stagg Street Stud
Acoustic bass, Score rec at Stagg Street Studios
Percussion, Score rec at Stagg Street Studios
Drums, Score rec at Stagg Street Studios
Piano, Score rec at Stagg Street Studios
Trombone, Score rec at Stagg Street Studios
Trumpet/Flugelhorn, Score rec at Stagg Street Stud
Woodwinds, Score rec at Stagg Street Studios
Woodwinds, Score rec at Stagg Street Studios
Guitar, Score rec at Stagg Street Studios
SOUND
Supv sd ed
Boom op
ADR ed
Asst sd ed
Asst sd ed
Apprentice sd ed
ADR/Foley rec at
Foley walker
Foley walker
Supv re-rec mixer
Re-rec mixer
VISUAL EFFECTS
Spec eff coord
Spec eff tech
Spec eff tech
Titles and opticals
Titles des by
MAKEUP
Key make-up
Make-up/Hair
PRODUCTION MISC
Exec in charge of prod
Exec in charge of prod
Line prod
Casting
Marketing consultant
Prod assoc
Prod coord
Prod secy
Prod office mgr
Scr supv
Loc mgr
Loc asst
Transportation capt
Transportation co-capt
Transportation coord
Transportation coord
Mechanic/Driver
Loc auditor
Prod controller
Asst prod controller
Key set prod asst
Prod asst
Prod asst
Prod asst
Asst to Ms. Phillips
Asst to Mr. Reich
Asst to Mr. Copeland
Asst to Mr. Colichman
Studio teacher
I.R.S. media business affairs
I.R.S. media legal affairs
I.R.S. media legal affairs
I.R.S. media legal affairs
I.R.S. media legal affairs
I.R.S. media financial affairs
Unit pub
Casting asst
Extras casting
Film Train
Catering
Craft service
Craft service
Post prod supv
Payroll services
Prod financing
Prod insurance
Completion bond
Prod coach motorhomes by
STAND INS
Stunt coord
Gregory Barnett
Stunts
Stunts
Stunts
Stunts
ANIMATION
Anim cam
COLOR PERSONNEL
Col by
SOURCES
MUSIC
“Verdi Otello,” performed by the Chorus of the Rome Opera House, conducted by Alberto Paoletti, courtesy of Moss Music Group.
SONGS
“One Girl In A Million,” written and produced by Andy Prieboy, arranged by Andy Prieboy and Mike Kenely, performed by Jennifer Beals; “How Would I Know Love Now?,” written, produced and arranged by Andy Prieboy, performed by Jennifer Beals; Lance’s songs: “F#,” written by John Connelly, performed by Nuclear Assault, courtesy of I.R.S. Records; “Great Depression,” written by Danny Lilker and John Connelly, performed by Nuclear Assault, courtesy of I.R.S. Records; “Wired,” written by John Connelly, performed by Nuclear Assault, courtesy of I.R.S. Records; “At Love,” written by Nick Edenetti and Johnny Veith, performed by Nick Edenetti; “The Lady’s With Me,” written by Nick Edenetti, performed by Nick Edenetti; “The Lady’s With Me” (duet), written by Nick Edenetti, performed by Nick Edenetti and Billy Zane; “Adrenalin,” written by Turner/ Dave Cook, performed by Yen, courtesy of I.R.S. Records; “So Excited,” written by Roger Charlery and David Wakeling, performed by Ranking Roger,courtesy of I.R.S. Records; “Accident In The Sky,” written by Ron Dumas, performed and produced by Ron Dumas, “One Life To Live,” written by Ron Dumas, performed and produced by Ron Dumas and Keith Levene; “Stranger,” written by Ron Dumas, performed by The Attack Group.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
13 September 1991
Premiere Information:
New York opening: 13 Sep 1991; Los Angeles opening: 20 Sep 1991
Production Date:
30 Apr--late-Sep 1990 in Los Angeles, CA
Physical Properties:
Sound
Color
Duration(in mins):
97
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
30818
SYNOPSIS

In Los Angeles, California, a car thief and sometime drug runner named Joey Turks steals a television from Mort, a professional narcotics trafficker, who failed to pay Joey $400 for a recent job. When Joey explains he is seeking collateral, Mort threatens him with a knife and the young man drops the television. Running away with a bleeding arm, Joey stumbles into Sunnyside Cemetery, where a young woman named Mona burns photographs of former lovers and prepares to commit suicide. As she puts a razor to her wrist, Joey collapses on top of her, unwittingly preventing the suicide. Although Mona claims her life is miserable, she agrees to forestall her suicide to bandage Joey’s arm. Back at Mona’s apartment, Joey thanks her for saving his life. She later ingests a pink pill called “Libido,” also known as LBD, which intoxicates its users with indomitable erotic lust, and she seduces Joey. Elsewhere, at a police shooting range, two rookie detectives chide their senior officer, Hank Dick, about his many unsolved cases. Turning his gun away from target practice, Hank aims at the fledgling policemen, but they remind him that murder will discount his upcoming pension. The next morning, Mona is sickened from an LBD hangover and orders Joey to leave, but quickly changes her mind. Collecting personal items from a bus station locker, Joey pilfers money from an old lady to pay a late fee. Outside, he is tempted to steal a car, but instead is detained by Officer Dick, who remembers the boy from past transgressions. Dick drives him back to Mort’s house and Joey sees the drug ...

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In Los Angeles, California, a car thief and sometime drug runner named Joey Turks steals a television from Mort, a professional narcotics trafficker, who failed to pay Joey $400 for a recent job. When Joey explains he is seeking collateral, Mort threatens him with a knife and the young man drops the television. Running away with a bleeding arm, Joey stumbles into Sunnyside Cemetery, where a young woman named Mona burns photographs of former lovers and prepares to commit suicide. As she puts a razor to her wrist, Joey collapses on top of her, unwittingly preventing the suicide. Although Mona claims her life is miserable, she agrees to forestall her suicide to bandage Joey’s arm. Back at Mona’s apartment, Joey thanks her for saving his life. She later ingests a pink pill called “Libido,” also known as LBD, which intoxicates its users with indomitable erotic lust, and she seduces Joey. Elsewhere, at a police shooting range, two rookie detectives chide their senior officer, Hank Dick, about his many unsolved cases. Turning his gun away from target practice, Hank aims at the fledgling policemen, but they remind him that murder will discount his upcoming pension. The next morning, Mona is sickened from an LBD hangover and orders Joey to leave, but quickly changes her mind. Collecting personal items from a bus station locker, Joey pilfers money from an old lady to pay a late fee. Outside, he is tempted to steal a car, but instead is detained by Officer Dick, who remembers the boy from past transgressions. Dick drives him back to Mort’s house and Joey sees the drug dealer floating dead in his blood-soaked swimming pool. Declaring that Joey’s fingerprints were found at the scene, Dick blackmails the boy into helping him expose the LBD drug ring and apprehend its mastermind, H. Spuntz, who has been eluding Dick for twenty years. Sometime later, Joey watches Mona sing at a club, followed by the “speed metal” band of her antagonistic former lover, Lance. Outside, Joey is seized by Spuntz’s sadistic henchman, Bart Daniels, who takes him back to Mort’s pool. There, Bart dangles Joey’s head in the bloody water as Spuntz demands to know the location of the LBD, and Joey realizes his unpaid $400 job entailed transporting the drug. Claiming that Mort’s missing stash is the only batch of LBD in the world, Spuntz explains that the product fulfills the human desire for love, while turning its users into addicts. When Joey is unable to reveal the whereabouts of Spuntz’s $1 million inventory, Bart inserts a “personalized bullet” into Joey’s unloaded pistol and plays Russian roulette, forcing the young man to feign knowledge of the drug’s location. Joey directs Bart on a futile car ride to Mona’s club and pulls the parking brake, causing Bart to knock his head against the steering wheel. With Bart unconscious, Joey retrieves his gun and escapes to the club, where he rescues Mona from Lance’s seduction. Outside, he steals a car and suggests they leave town, but Mona convinces him to stay, and he throws the gun out the car window. The next day, Joey swipes another vehicle, recovers the weapon, and meets car embezzler, Ack, at a Chinese restaurant. There, Joey learns that Spuntz’s pilfered LBD must be missing because it is not circulating among street dealers. Ack advises Joey to seek advice from former drug lord, now New Age family man, Sammy Rhodes. In Sammy’s immaculately manicured garden, Joey asks him to partner in the theft of Spuntz’s LBD, but Sammy claims to be retired from the drug trade. Later, Joey is accosted by Bart at the Oki-Dog hot dog stand, but Officer Dick shows up and escorts him back to the Chinese restaurant, where Ack has been shot in the forehead. In the men’s restroom, Dick holds Joey at gunpoint, and the boy reveals his theory that Spuntz hides LBD and kills his dealers to monopolize the inventory. As Joey lies unconscious in the restaurant bathroom, Mona gets high on LBD in her apartment, anticipating her lover’s return. When Joey comes to, he is again abducted by Bart and taken to Spuntz’s “borrowed” mansion for a decadent feast, where they listen to Guiseppe Verdi’s opera Otello. However, Joey escapes to Mona’s apartment, where he finds her intoxicated with LBD. Learning the drugs came from Lance, Joey returns to the club and holds the rocker at gunpoint, only to learn the LBD was procured from Mort. Joey telephones Officer Dick for help to no avail. Just then, Bart finds Joey and a chase ensues; however, a club-goer pushes Bart in front of a car and helps Joey escape. When Bart recovers from the collision, he stumbles into the club, abducts Mona and Lance, and tracks down Joey. As Bart aims his gun, Mona throws off the shot and the club-goer is killed instead of Joey. Escaping to Sammy’s house, Joey appeals for help, claiming he only wants enough money to leave town. Sammy advises the young man to retrace his steps, so Joey returns to Mort’s pool the following day and hears rattling in a metal water heater. Inside the container, Joey uncovers the missing LBD and puts most of the drugs in a suitcase. Back at Mona’s apartment, Joey telephones Sammy, asking him to find a drug dealer who will pay $100,000 for the LBD, then schedules an exchange at Sunnyside Cemetery. As Joey asks Mona to leave town with him, Spuntz and Bart appear at her apartment and hold the couple at gunpoint. Eyeing the suspicious suitcase, Bart threatens Mona, forcing Joey to reveal its contents. Just then, Officer Dick arrives unexpectedly and detains Spuntz and Bart. Outside, the fugitives break free and trail Joey to the cemetery with Officer Dick following behind. There, Joey is shocked to find his drug connection is Sammy, the New Age guru who claims he needs money to support his family’s elaborate lifestyle. He attempts to shoot Joey, but is intercepted by Bart, who kills Sammy and chases Joey through the cemetery. Carrying Sammy’s briefcase of money and the suitcase of drugs, Joey stops to fire his gun, which is still loaded with Bart’s single “personalized bullet,” and kills Bart with his own ammunition. Meanwhile, Lance goes to Mort’s house to buy drugs and is surprised to find the dealer floating dead in his pool. As Lance discovers a remaining bag of LBD in the water heater, he is shot by Spuntz, who has returned to Mort’s house from the cemetery. At the same time, Officer Dick appears and fires at Spuntz. Dick informs the dying drug dealer that he paid $1 million for a fraudulent product. Back at the cemetery, Mona meets Joey. As they walk away toward a new life together with $100,000, Joey drops the drugs into an open grave. Stealing yet another car, he suggests they move to a “safe, quiet town,” then speeds toward Las Vegas, Nevada.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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