Company Business (1991)

PG-13 | 98 mins | Comedy, Mystery | 6 September 1991

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HISTORY

       The working title of the film was ^Dinosaurs, as noted in several contemporary sources, including a 24 Oct 1989 DV article. Production on the spy thriller was anticipated to begin in early 1990. With the fall of the Berlin Wall on 9 Nov 1989, writer-director Nicholas Meyer was forced to rewrite much of the script, which, according to production notes in AMPAS library files, originally designated “Checkpoint Charlie,” a well-known crossing point between East and West Berlin, as the location for a key scene involving a spy swap.
       A 27 Jan 1990 Screen International production chart indicated that, in addition to Berlin, Paris, and London, filming would take place on Spain’s Canary Islands. The production chart included a brief summary of the picture, stating that, in the end, “The two old spies become friends and escape to retirement on an island paradise.” However, the movie does not include such a scene. A production executive from Pathé told the 6 Feb 1990 HR that Dinosaurs would shoot for seven weeks in Berlin, two weeks in Paris, and one week in Washington, D.C. A 24 Apr 1990 HR production chart confirmed that principal photography began 19 Mar 1990 in Berlin. Production notes indicate that an abandoned subway terminal in East Berlin served as the location for the spy swap. In an attempt to keep the film relevant to political changes in Germany and Russia in the spring of 1990, Meyer attended to script revisions throughout production.
       On 26 Apr 1990, DV reported that, because the Walt Disney Company had already registered the title, Dinosaurs, the ...

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       The working title of the film was ^Dinosaurs, as noted in several contemporary sources, including a 24 Oct 1989 DV article. Production on the spy thriller was anticipated to begin in early 1990. With the fall of the Berlin Wall on 9 Nov 1989, writer-director Nicholas Meyer was forced to rewrite much of the script, which, according to production notes in AMPAS library files, originally designated “Checkpoint Charlie,” a well-known crossing point between East and West Berlin, as the location for a key scene involving a spy swap.
       A 27 Jan 1990 Screen International production chart indicated that, in addition to Berlin, Paris, and London, filming would take place on Spain’s Canary Islands. The production chart included a brief summary of the picture, stating that, in the end, “The two old spies become friends and escape to retirement on an island paradise.” However, the movie does not include such a scene. A production executive from Pathé told the 6 Feb 1990 HR that Dinosaurs would shoot for seven weeks in Berlin, two weeks in Paris, and one week in Washington, D.C. A 24 Apr 1990 HR production chart confirmed that principal photography began 19 Mar 1990 in Berlin. Production notes indicate that an abandoned subway terminal in East Berlin served as the location for the spy swap. In an attempt to keep the film relevant to political changes in Germany and Russia in the spring of 1990, Meyer attended to script revisions throughout production.
       On 26 Apr 1990, DV reported that, because the Walt Disney Company had already registered the title, Dinosaurs, the film had been renamed Patriots. Four months later, a 28 Aug 1990 DV news brief indicated that Patriots had been dropped in favor of Russian Roulette. A 17 Jan 1991 draft of end credits indicates that the release title, Company Business, had been chosen. A 22 Apr 1991 Var article noted that the film was originally supposed to open on 3 May 1991. However, due to the merger of Pathé and MGM/UA, the movie’s release was delayed. The 6 Sep 1991 HR review faulted the distributor for keeping Company Business “on the shelf too long,” assessing the picture as “dated.” DV concurred with the flat assessment in another 6 Sep 1991 review, describing Meyer’s script and direction as “muddled” and “all over the map.”
       End credits include the following acknowledgements: “Special thanks to: Air France; Baltimore/Washington International Airport; The City of Berlin; Berlin Police Department; Berliner Verkehrsbetriebe; Capitol Communications; Charles Jourdan; Eiffel Tower Corporation (S.N.T.E.); French Railways (S.N.C.F.); French Subway (R.A.T.P.); Paris Airports Authorities; The City of Paris; Royal Air Force, Gatow, West Germany.”
       End credits indicate that the picture was: “Filmed on location in Berlin, Paris, Washington, DC and Anguilla, British West Indies.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
24 Oct 1989
p. 10, 16
Daily Variety
6 Apr 1990
---
Daily Variety
26 Apr 1990
---
Daily Variety
11 May 1990
---
Daily Variety
28 Aug 1990
---
Daily Variety
6 Sep 1991
p. 2, 40
Hollywood Reporter
6 Feb 1990
Section I, p. 5, 10
Hollywood Reporter
24 Apr 1990
---
Hollywood Reporter
1 May 1990
---
Hollywood Reporter
6 Sep 1991
p. 5, 16
Los Angeles Times
17 Dec 1989
---
Los Angeles Times
6 Sep 1991
Calendar, p. 1
New York Times
25 Apr 1992
p. 17
Screen International
27 Jan 1990
---
Variety
22 Apr 1991
---
Variety
9 Sep 1991
p. 67
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
Metro-Goldwyn-Mayer Presents
A Steven-Charles Jaffe Production
A Nicholas Meyer Film
Distributed by MGM/UA
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr, Berlin crew
1st asst dir, Berlin crew
2d asst dir, Berlin crew
2d 2d asst dir, Berlin crew
Dir, 2d unit
1st asst dir, 2d unit
Prod mgr, Paris crew
2d 2d asst dir, Paris crew
Asst dir trainee, Paris crew
Prod mgr, Washington, DC crew
1st asst dir, Washington, DC crew
2d asst dir, Washington, DC crew
PRODUCERS
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op, Berlin crew
Steadicam op, Berlin crew
Still photog, Berlin crew
Focus puller, Berlin crew
Clapper loader, Berlin crew
Gaffer, Berlin crew
Key grip, Berlin crew
Dolly grip, Berlin crew
Grip, Berlin crew
Video & computers
Elec, Berlin crew
Elec, Berlin crew
Elec, Berlin crew
Elec, Berlin crew
Elec, Berlin crew
Elec, Berlin crew
Dir of photog, 2d unit
Focus puller, 2d unit
Clapper loader, 2d unit
1st cam asst, Paris crew
2d cam asst, Paris crew
B-cam focus puller, Paris crew
B-cam 2d asst, Paris crew
Gaffer, Paris crew
Best boy elec, Paris crew
Elec, Paris crew
Elec, Paris crew
Elec, Paris crew
Elec, Paris crew
Key grip, Paris crew
Grip, Paris crew
Grip, Paris crew
Grip, Paris crew
1st cam asst, Washington, DC crew
Cam loader, Washington, DC crew
Steadicam op, Washington DC crew
Steadicam asst, Washington, DC crew
Still photog, Washington, DC crew
Bobby Dolan
Gaffer, Washington, DC crew
Elec, Washington, DC crew
Elec, Washington, DC crew
Elec, Washington, DC crew
Key grip, Washington, DC crew
Dolly grip, Washington, DC crew
Grip, Washington, DC crew
Cam, Flying unit
Cam asst, Flying unit
Cam asst, Flying unit
ART DIRECTORS
Prod des
Art dir, Berlin crew
Asst art dir, Berlin crew
Sketch artist, Berlin crew
Asst art dir, Paris crew
FILM EDITORS
1st asst ed
2d asst ed
Post prod coord
SET DECORATORS
Set dresser, Berlin crew
Draughtsman, Berlin crew
Draughtsman, Berlin crew
Prop buyer, Berlin crew
Prop buyer, Berlin crew
Standby prop, Berlin crew
Standby prop, Berlin crew
Prop asst, Berlin crew
Prop asst, Berlin crew
Set const, Berlin crew
Swing gang, Berlin crew
Swing gang, Berlin crew
Set dresser, Paris crew
Property man, Paris crew
Swing gang, Paris crew
Set dresser, Washington, DC crew
Asst set dresser, Washington, DC crew
Set dresser asst, Washington DC, crew
Set dresser asst, Washington DC, crew
Set dresser asst, Washington DC, crew
Set dresser asst, Washington DC, crew
Scenic painter, Washington, DC crew
Prop master, Washington DC, crew
Asst prop, Washington, DC crew
Carpenter, Washington, DC crew
Carpenter, Washington, DC crew
COSTUMES
Cost des
Ward supv, Berlin crew
Ward mistress, Berlin crew
Asst to cost des, Berlin crew
Costumier, Paris crew
Ward asst, Paris crew
Ward supv, Washington, DC crew
Ward, Washington, DC crew
MUSIC
Mus supv
Mus ed
Mus ed consultant
Mus performed by
Vocal performance by
Rec in Berlin on
Eng by
Mus rec & mixed by
Mus preparation
Asst to Mr. Kamen
Orch coord, for Adrian Events Agency
Mus coord (L.A.)
SOUND
Sd mixer, Berlin crew
Boom op, Berlin crew
Sd mixer, Washington, DC crew
Boom op, Washington, DC crew
Cable man
Supv sd ed
Asst sd ed
Asst sd ed
Dial ed
Asst dial ed
Foley ed
Asst foley ed
Wordfit atuomatic dialogue synchronization system
ADR group coord
Looping (U.K.)
Re-rec mixer
Re-rec mixer
Re-rec mixer
VISUAL EFFECTS
Spec eff supv Berlin crew
Spec eff tech, Berlin crew
Spec eff tech, Berlin crew
Water eff, Berlin crew
Titles & opticals
Main title eff
MAKEUP
Chief makeup artist, Berlin crew
Makeup artist, Berlin crew
Makeup artist, Berlin crew
Hairdresser, Paris crew
Hair asst, Paris crew
Makeup, Paris crew
Makeup artist, Washington, DC crew
Hairstylist, Washington, DC crew
PRODUCTION MISC
Casting (Europe)
Casting (U.S.)
Prod supv, Berlin crew
Cont, Berlin crew
Prod coord, Berlin crew
Auditor, Berlin crew
Asst auditor, Berlin crew
Asst to Mr. Meyer, Berlin crew
Asst to Mr. Jaffe (Europe), Berlin crew
Asst to Mr. Jaffe (U.S.), Berlin crew
Unit pub, Berlin crew
Unit mgr, Berlin crew
Unit loc mgr, Berlin crew
Unit loc mgr, Berlin crew
Loc mgr, Berlin crew
Asst loc mgr, Berlin crew
Loc mgr asst, Berlin crew
Prod secy, Berlin crew
Casting, Berlin crew
Accountant, Berlin crew
Cashier, Berlin crew
Prod asst, Berlin crew
Armorer, Berlin crew
Transportation mgr, Berlin crew
Cont, 2d unit
Loc mgr, Paris crew
Loc mgr asst, Paris crew
Loc mgr asst, Paris crew
Loc, Paris crew
Loc, Paris crew
Prod coord, Paris crew
Secy, Paris crew
Auditor, Paris crew
Accountant, Paris crew
Accountant, Paris crew
Transportation mgr, Paris crew
Loc mgr, Washington, DC crew
Loc mgr asst, Washington, DC crew
Prod coord, Washington, DC crew
Cont, Washington, DC crew
Unit pub, Washington,DC crew
Office prod asst, Washington, DC crew
Office prod asst, Washington, DC crew
Office prod asst, Washington, DC crew
Asst accountant, Washington, DC crew
Transportation capt, Washington, DC crew
Prod asst, Washington, DC crew
Prod asst, Washington, DC crew
Prod asst, Washington, DC crew
Prod asst, Washington, DC crew
Helicopter pilot, Flying unit
STAND INS
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt coord, Berlin crew
ANIMATION
Computer anim, Berlin crew
COLOR PERSONNEL
Col by
SOURCES
SONGS
“The Boys In The Back Room,” written by Frederick Hollander and Frank Loesser, arranged & produced by Tony Bremmer, performed by Adele Anderson, published by EMI Robbins Catalogue Inc.
PERFORMED BY
SONGWRITER/COMPOSER
DETAILS
Alternate Titles:
Dinosaurs
Patriots
Russian Roulette
Release Date:
6 September 1991
Premiere Information:
Los Angeles opening: 6 Sep 1991; New York opening: 24 Apr 1992
Production Date:
began 19 Mar 1990 in Berlin, Germany
Copyright Info
Claimant
Date
Copyright Number
MGM-Pathe Communications Company
1 November 1991
PA543194
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Duration(in mins):
98
MPAA Rating:
PG-13
Countries:
Germany, United States
Language:
English
PCA No:
30830
SYNOPSIS

In Fort Worth, Texas, retired Central Intelligence Agency (CIA) agent Sam Boyd breaks into a cosmetics manufacturing facility and photographs confidential documents. Later, while waiting to deliver the data to his client, he learns that his approach was outdated. A younger man recovered the same information by hacking into the facility’s computer system. That night, Sam receives a call instructing him to come to CIA headquarters in Langley, Virginia. There, CIA director Elliot Jaffe tasks him with swapping Pyiotr Grushenko, a Russian mole in American custody, for Ernest Sobel, an American spy who was captured by the KGB decades ago. When Sam remarks that Grushenko is no one of significance, Jaffe informs him that the Russians are also expecting $2 million. Sam finds the deal strange, but looks forward to working again, and accepts the assignment. En route to collect Grushenko in Fargo, North Dakota, Sam listens to a news report about a missing Texas A&M University economics professor. Arriving at the penitentiary, he meets a disgruntled Pyiotr Grushenko, who dismisses the swap as a cover for some other agenda. The two men fly to Berlin, Germany, and head to a deserted subway station, where CIA agent Mike Flinn instructs Sam to accompany Grushenko on an empty train car into East Berlin. Flinn reminds Sam to let the Russian continue, alone and with the suitcase of cash, to the exchange point. At an abandoned rail line in East Berlin, Sam observes the swap through binoculars. When he notices that the person walking toward Grushenko does not appear to be Ernest Sobel, he cries out to abort the mission. Gunshots ring out as Sam and Grushenko take the subway car ...

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In Fort Worth, Texas, retired Central Intelligence Agency (CIA) agent Sam Boyd breaks into a cosmetics manufacturing facility and photographs confidential documents. Later, while waiting to deliver the data to his client, he learns that his approach was outdated. A younger man recovered the same information by hacking into the facility’s computer system. That night, Sam receives a call instructing him to come to CIA headquarters in Langley, Virginia. There, CIA director Elliot Jaffe tasks him with swapping Pyiotr Grushenko, a Russian mole in American custody, for Ernest Sobel, an American spy who was captured by the KGB decades ago. When Sam remarks that Grushenko is no one of significance, Jaffe informs him that the Russians are also expecting $2 million. Sam finds the deal strange, but looks forward to working again, and accepts the assignment. En route to collect Grushenko in Fargo, North Dakota, Sam listens to a news report about a missing Texas A&M University economics professor. Arriving at the penitentiary, he meets a disgruntled Pyiotr Grushenko, who dismisses the swap as a cover for some other agenda. The two men fly to Berlin, Germany, and head to a deserted subway station, where CIA agent Mike Flinn instructs Sam to accompany Grushenko on an empty train car into East Berlin. Flinn reminds Sam to let the Russian continue, alone and with the suitcase of cash, to the exchange point. At an abandoned rail line in East Berlin, Sam observes the swap through binoculars. When he notices that the person walking toward Grushenko does not appear to be Ernest Sobel, he cries out to abort the mission. Gunshots ring out as Sam and Grushenko take the subway car back into West Berlin. Alerted to the situation, Mike Flinn tries to intercept the two, but to no avail. Sam and Grushenko take cover inside a German cabaret. There, Sam calls Elliot Jaffe and explains that the swap was a deception. Another man, possibly the missing economics professor, was impersonating Ernest Sobel. Jaffe tells Sam to go to a safe house in West Berlin and await further instructions. After the call, Jaffe reports the botched job to his superior, Colonel Grissom. Meanwhile, Sam and Grushenko steal an exhaust-spewing East German car and proceed to the safe house. Suspicious of the CIA’s instructions, Grushenko holds Sam at gunpoint and insists they separate. Sam continues to the safe house, but just before he rings the doorbell, Grushenko steps out of the shadows and beckons him across the street. The Russian fires his weapon at the doorbell, and the building explodes. Realizing they have been set up, they seek the assistance of passport forger Horst von Hoven. Jaffe and his aides in Washington, D.C., deduce the fugitives’ whereabouts, and send Mike Flinn to Horst’s apartment to capture them. However, Sam and Grushenko elude the agent. That night, Sam asks Faisal, an old friend and a Saudi Arabian arms dealer, for lodgings. In the morning, Grushenko notices that the residence is under surveillance. He and Sam jump from a window and escape into the forest. There, Grushenko reveals that Ernest Sobel, after being captured in 1969, began working for the Russians, who sent him back to the U.S. to serve as a “handler” for Grushenko and other Russian spies. Sam realizes that Sobel and the missing economics professor are, in fact, the same man. The professorship was a cover, and the spy swap was his chance to return to his original identity. When Grushenko mentions that Sobel also had a handler, a man named “Donald,” Sam muses that someone within the CIA had to have known that Sobel was a double agent. Meanwhile, Jaffe and his aides arrive in Berlin, where they are confronted by Colonel Grigori Golitsin, head of the KGB. Golitsin predicts that Sam and Grushenko are en route to Paris, France. Jaffe sends a security team to the train station in Paris, but Sam and Grushenko evade detection. Under cover of darkness, they meet Natasha Grimaud, an acquaintance of Grushenko’s, and entrust her with the $2 million. In the morning, Natasha offers to put the money into a Swiss bank account, but points out that Grushenko must go to Zurich to withdraw the funds in person. When Sam asks for confirmation about the financial exchange, Natasha agrees to meet him at a Parisian cafe that night. There, she remarks that spies like Sam and Grushenko are no longer relevant in the changing political landscape. On returning to her apartment, Natasha is apprehended by Golitsin and Jaffe, who calls Sam to reveal that Natasha is Grushenko’s daughter. The CIA director insists that Sam bring in Grushenko, along with the $2 million, in exchange for Natasha. Sam coordinates a meeting with Grushenko at the top of the Eiffel Tower, and informs Jaffe to expect them at noon. Disguised as the elevator operator, Sam accompanies the unsuspecting Grushenko to the top of the Parisian landmark. However, when the doors open, he pulls Grushenko back into the car, exchanging gunfire with Jaffe’s agents. Although Grushenko is shot, Sam determines that the wound is not life threatening, and suggests they hide in the restaurant on the Tower’s second level. Grushenko dials a telephone number he memorized years ago, and leaves a message for “Donald,” notifying him that Sobel has returned to the CIA. In Washington, D.C., an answering machine plays the message to Colonel Grissom’s empty office. Sam and Grushenko order vodka and make a toast to their future.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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