The Dark Backward (1991)

R | 104 mins | Black comedy | 26 July 1991

Director:

Adam Rifkin

Writer:

Adam Rifkin

Cinematographer:

Joey Forsyte

Editor:

Peter Schink

Production Designer:

Sherman Williams
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HISTORY

According to production notes in AMPAS library files, writer-director Adam Rifkin was inspired to write The Dark Backward, his first screenplay, in 1985 after witnessing a “depressing” night of stand-up comedy. Shortly after its completion, a copy of the script was acquired by actor Judd Nelson, who hoped to play lead character “Marty Malt.” Rifkin initially balked at the idea, but later praised Nelson for his dedication, noting that the actor subjected himself to a heated booth between takes, enabling him to produce authentic perspiration for the camera. Entertainer Wayne Newton was originally considered for a minor role as nightclub owner, but insisted on playing talent agent “Jackie Chrome” after reading the screenplay. Actor Rob Lowe requested the role of “Dirk Delta,” the antithesis of the attractive characters he normally played. Although the character, “Gus,” was reportedly written for actor, Bill Paxton, a casting notice for the role appeared in a news item in the 12 Jun 1988 LAT.
       he 8 Jun 1988 Var reported 20 Jun 1988 as the start date, however, more than two years passed before principal photography finally got underway on 14 Aug 1990 in Los Angeles, CA, according to the 11 Sep 1990 HR production chart. Production notes report a five-week shooting schedule, with interiors filmed on soundstages, and various back alleys around the city serving as exteriors. The 1 Apr 1990 LAT estimated the budget at $2 million.
       “Marty Malt’s” prosthetic arm was modeled on the arm of actor Loren Gitthens, who substituted his own limb in scenes where the hand and ...

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According to production notes in AMPAS library files, writer-director Adam Rifkin was inspired to write The Dark Backward, his first screenplay, in 1985 after witnessing a “depressing” night of stand-up comedy. Shortly after its completion, a copy of the script was acquired by actor Judd Nelson, who hoped to play lead character “Marty Malt.” Rifkin initially balked at the idea, but later praised Nelson for his dedication, noting that the actor subjected himself to a heated booth between takes, enabling him to produce authentic perspiration for the camera. Entertainer Wayne Newton was originally considered for a minor role as nightclub owner, but insisted on playing talent agent “Jackie Chrome” after reading the screenplay. Actor Rob Lowe requested the role of “Dirk Delta,” the antithesis of the attractive characters he normally played. Although the character, “Gus,” was reportedly written for actor, Bill Paxton, a casting notice for the role appeared in a news item in the 12 Jun 1988 LAT.
       he 8 Jun 1988 Var reported 20 Jun 1988 as the start date, however, more than two years passed before principal photography finally got underway on 14 Aug 1990 in Los Angeles, CA, according to the 11 Sep 1990 HR production chart. Production notes report a five-week shooting schedule, with interiors filmed on soundstages, and various back alleys around the city serving as exteriors. The 1 Apr 1990 LAT estimated the budget at $2 million.
       “Marty Malt’s” prosthetic arm was modeled on the arm of actor Loren Gitthens, who substituted his own limb in scenes where the hand and elbow were required to move. The prosthesis was attached to Nelson’s costumes with a harness, or applied directly to his skin for scenes in which he was shirtless. The actor reportedly caused a traffic jam while taking a walk between shots with the arm attached to his back.
       The Dark Backward screened on 9 Mar 1991 at the Santa Barbara Film Festival in Santa Barbara, CA, as stated in the 14 Mar 1991 LAT. The picture’s 26 Jul 1991 New York City opening at the Angelika Film Center, advertised in the 30 Jul 1991 Village Voice as its “world premiere,” featured personal appearances by Judd Nelson, Bill Paxton, and Wayne Newton. Audience members received “Blump’s Pig Newtons,” a fictional pork-filled cookie that appeared in the film. The scheduled Oct 1991 Los Angeles opening at the Nuart Theatre was postponed until 22 Nov 1991, due to a held-over engagement of the film, Blade Runner (1982, see entry).
       Reviews were mixed, and several noted similarities to the films of unconventional directors John Waters and David Lynch.
       Wayne Newton received the Golden Scroll Award of Merit from the Academy of Science Fiction, Fantasy and Horror Films for his performance, as reported in the 30 Oct 1991 HR.
       End credits state: “The filmmakers would like to gratefully acknowledge the support of: Ken Kamins; Valerie Breiman; Larry Estes; John Landis; Karen Gaunty; Rif Coogan; Betty Wyman Taylor; Kurt Woolner; Dallas Taylor; Marion Spiegelman; Mark Barenholtz; Elliott Kastner; Art Vargas; and David Creigh, Hiuka American Corporation.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
11 Sep 1990
---
Hollywood Reporter
11 Sep 1990
---
Hollywood Reporter
12 Mar 1991
p. 12, 18
Hollywood Reporter
30 Oct 1991
---
Los Angeles Reader
18 Oct 1991
---
Los Angeles Reader
22 Nov 1991
p. 34
Los Angeles Times
12 Jun 1988
---
Los Angeles Times
1 Apr 1990
---
Los Angeles Times
14 Mar 1991
---
Los Angeles Times
22 Nov 1991
p. 15
New York Times
26 Jul 1991
p. 18
Variety
8 Jun 1988
---
Variety
18 Mar 1991
pp. 84-85
Variety
22 Jul 1991
---
Village Voice
30 Jul 1991
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
An Elwes/Wyman & Talmadge/L.A. Dreams production
An Adam Rifkin Film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
1st asst dir
2d asst dir
Unit prod mgr
2d 2d asst dir
PRODUCERS
Prod
Assoc prod
Assoc prod
Exec prod
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
1st asst cam
1st asst cam
2d asst cam
B cam op
Steadicam op
Steadicam op
Cam pa
Video playback
Steph Blakemore
Best boy elec
Key grip/Dolly grip
Best boy grip
Grip
Still photog
Asst stills
Prod lighting
Prod lighting
ART DIRECTORS
Prod des
Art dir
Asst to prod des
Art dept asst
Art dept asst
Blumps concept
Blumps original artwork
Storyboard artist
FILM EDITORS
1st asst ed
Asst ed
Apprentice ed
Apprentice ed
Negative cutter
Negative cutter
SET DECORATORS
On set dresser
Set dresser
Set dresser
Set dresser
Set dresser
Set dresser
Key scenic artist
Scenic artist
Scenic artist
Scenic artist
Billboard artist
Const coord
Carpenter
Carpenter
Carpenter
Prop master
Prop asst
Addl prop asst
COSTUMES
Ward asst
Addl wardrobe asst
Seamstress
Mr. Rifkin's ward provided by
MUSIC
Orig score comp & cond by
Mus prod
Accordian player
Accordion lessons for Bill Paxton
Harmonica lessons for Bill Paxton
Accordian supplied by
SOUND
Sd mixer
Boom op
Supv sd ed
Rec eng
Rec eng
Digital sd des
ADR rec
ADR rec
Foley rec
Foley rec
Foley artist
Foley artist
Tech support
Tech support
Dolby stereo consultant
VISUAL EFFECTS
Spec eff
Main title trmt by
Opt and end titles by
Montage opt des
MAKEUP
Makeup eff by
Makeup eff by
Key makeup & hair
Hairstylist
Addl makeup
Addl makeup
Addl makeup
Principal artist, Alterian Studios makeup eff crew
Principal artist, Alterian Studios makeup eff crew
3d arm impersonator, Alterian Studios makeup eff c
Studio coord, Alterian Studios makeup eff crew
Arm beautifier, Alterian Studios makeup eff crew
Harness fabrication, Alterian Studios makeup eff c
Harness fabrication, Alterian Studios makeup eff c
Mechanical cyclops des by, Alterian Studios makeup
Fabricator of parts, Alterian Studios makeup eff c
Fabricator of parts, Alterian Studios makeup eff c
Fabricator of parts, Alterian Studios makeup eff c
Fabricator of parts, Alterian Studios makeup eff c
Polyfoam pourer, Alterian Studios makeup eff crew
Polyfoam pourer, Alterian Studios makeup eff crew
Nasal applicator, Alterian Studios makeup eff crew
Harness maintenance, Alterian Studios makeup eff c
3d arm anatomical reference expert, Alterian Studi
PRODUCTION MISC
Casting
Scr supv
Loc mgr
Prod accountant
Asst to prod
Asst to dir
Transportation coord
Honeywagon driver
Driver
Driver
Craft service
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Extras casting
Casting asst
Casting asst
Unit pub
Legal services provided by, Wyman, Isaacs & Green
Legal services provided by
Prod financing, First Interstate Bank
Prod financing
Insurance provided by
Completion guarantor
STAND INS
Stunt coord
ANIMATION
"Cat and Mouse" anim perpetrated by
"Cat and Mouse" anim perpetrated by
Cell painter
Cell painter
Cell painter
Cell painter
Cell painter
COLOR PERSONNEL
Col timer
DETAILS
Release Date:
26 July 1991
Premiere Information:
Premiered in Santa Barbara, CA: 9 Mar 1991; New York opening: 26 Jul 1991; Los Angeles opening: 22 Nov 1991
Production Date:
14 Aug--mid Sep 1990
Physical Properties:
Sound
Color
Lenses
Filmed with Panavision® cameras & lenses
Duration(in mins):
104
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

Garbage collector Marty Malt debuts his stand-up comedy act at Syd’s nightclub to an unresponsive audience. Despite Marty’s poor delivery and unfunny jokes, Syd pays him to appear at the club two nights per week. Afterward, Marty’s friend, Gus, praises the performance, hoping to join the act as an accordion player. Rosarita, a waitress at the neighborhood diner, spends the night with Marty, ignoring him as he concocts new jokes in bed. At the city dump, Gus discovers the corpse of a young woman and removes a pair of earrings clutched in her hand, which he later presents to his obese girl friend, Nicolette. The following evening, Gus tells Marty about his chance encounter with talent agent Jackie Chrome, who has been convinced to attend the next performance. Concerned about a large pimple on his back, Marty consults Dr. Scurvy, who charges $250 for his opinion that the blemish will vanish over time. Marty delivers groceries to his chain-smoking mother, who suffers from emphysema. She responds to the news of her son’s burgeoning comedy career by reminding him that he is not funny. Jackie Chrome attends Marty’s performance and walks out in disgust after two jokes. Gus spares Marty’s feelings, attributing Jackie’s disdain to a lack of sophistication. When they reach Marty’s apartment, Gus discovers a tiny hand protruding from his friend’s back. The next day, Dr. Scurvy dismisses the appendage as an everyday occurrence, while Rosarita is appalled by it and ends her romance with Marty. That night, Gus brings Nicolette and two other obese women, Pickles and Shirley, to Marty’s apartment, asking to see ...

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Garbage collector Marty Malt debuts his stand-up comedy act at Syd’s nightclub to an unresponsive audience. Despite Marty’s poor delivery and unfunny jokes, Syd pays him to appear at the club two nights per week. Afterward, Marty’s friend, Gus, praises the performance, hoping to join the act as an accordion player. Rosarita, a waitress at the neighborhood diner, spends the night with Marty, ignoring him as he concocts new jokes in bed. At the city dump, Gus discovers the corpse of a young woman and removes a pair of earrings clutched in her hand, which he later presents to his obese girl friend, Nicolette. The following evening, Gus tells Marty about his chance encounter with talent agent Jackie Chrome, who has been convinced to attend the next performance. Concerned about a large pimple on his back, Marty consults Dr. Scurvy, who charges $250 for his opinion that the blemish will vanish over time. Marty delivers groceries to his chain-smoking mother, who suffers from emphysema. She responds to the news of her son’s burgeoning comedy career by reminding him that he is not funny. Jackie Chrome attends Marty’s performance and walks out in disgust after two jokes. Gus spares Marty’s feelings, attributing Jackie’s disdain to a lack of sophistication. When they reach Marty’s apartment, Gus discovers a tiny hand protruding from his friend’s back. The next day, Dr. Scurvy dismisses the appendage as an everyday occurrence, while Rosarita is appalled by it and ends her romance with Marty. That night, Gus brings Nicolette and two other obese women, Pickles and Shirley, to Marty’s apartment, asking to see his third hand. Marty removes his shirt, revealing a fully developed arm. The mutant limb titillates the women, and Marty is told to stay in the kitchen while Gus conducts an orgy in the living room. Marty is fired from Syd’s and replaced with Rufus Bing, an equally bad comedian with a more enthusiastic delivery style. Gus believes the third arm can revive Marty’s career, and takes him to Jackie Chrome’s office. The agent is impressed with Marty’s extra limb, and assigns Marty the name, “Desi, the Three-Armed Wonder Comic.” Gus joins the act as musical accompanist, and the team is booked into several nightclubs. Jackie also commissions a custom suit for his client, with a third sleeve in the back. Marty and Gus debut the act, in which the comedian spins slowly to display his third arm after each joke. The weak audience response inspires Gus to “add motion” by repositioning himself on either side of Marty throughout the performance. Aware that Marty is saddened by his failed romance, Gus offers to intervene, but uses the opportunity to disparage his friend and seduce Rosarita. Their next performance is interrupted by Sloppy, owner of the nightclub, who ejects the team with a warning to never return. However, Jackie convinces his clients that Sloppy loved the act, and was angry over being refused an exclusive engagement. That night, Marty dreams that Rosarita emerges from the ocean and declares her love, then screams in terror as Marty’s body is engulfed in extraneous arms. In the morning, Jackie informs his clients of their upcoming television debut on the local program, Twinkie Doodle’s Amateur Spotlight. The performance is poorly received by the studio audience, comprised of small children. Mrs,. Malt can only tolerate a few seconds of her son’s act before changing the channel, while Rosarita watches attentively at the diner. Afterward, Marty, Gus, and Jackie are greeted backstage by Dirk Delta, talent scout for The Danny Dugan Show in Hollywood, California, who hires the act for the following week’s broadcast. As Jackie and his clients leave the studio, Marty stops in front of the diner and gazes through the window at Rosarita, who sits sobbing. In the morning, Marty and Gus discover that the third arm has disappeared. Furious over this development, Gus threatens Marty with a baseball bat, then decides to fashion the bat into a prosthetic arm. The team enters Jackie’s office to confirm their booking with Dirk Delta, but when the agent asks Marty to spin several times “for good luck,” the false arm flies across the room. Although Jackie believes their chances are ruined, he agrees to call Dirk and explain the loss of Marty’s third arm. The talent scout surprises Jackie by honoring his promise, but invites only Gus to perform on the program, as Marty is no longer remarkable. The following Tuesday, Marty says goodbye to Gus and Jackie as they leave for Hollywood, certain of their imminent success. Later, Marty visits the diner to find that Rosarita no longer works there. He returns to Syd’s with a new comedy routine, and regales the audience with jokes about his third arm.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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