Kiss Me a Killer (1991)

R | 84 mins | Drama | 5 April 1991

Producer:

Catherine Cyran

Cinematographer:

Nancy Schreiber

Editor:

Glen Garland

Production Designer:

James R. Shumaker

Production Company:

Concorde
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HISTORY

While the 20 Nov 1990 HR announced the start of principal photography as 26 Nov 1990, the 24 Dec 1990 DV reported that filming was scheduled to begin 3 Jan 1991 in Los Angeles, CA. The plot was based on the 1934 novel, The Postman Always Rings Twice by James M. Cain, as noted in the 18 Jan 1991 Screen International. The review in the 14 Jun 1991 LA Reader stated that principal photography was completed in twenty days on a small budget, and was the first directorial effort by Marcus De Leon.
       Kiss Me a Killer opened 5 April 1991 in New York City, with a running time of approximately ninety-one minutes, and opened 14 Jun 1991 in Los Angeles, with a running time of eighty-four minutes. Reviews were mixed.
...

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While the 20 Nov 1990 HR announced the start of principal photography as 26 Nov 1990, the 24 Dec 1990 DV reported that filming was scheduled to begin 3 Jan 1991 in Los Angeles, CA. The plot was based on the 1934 novel, The Postman Always Rings Twice by James M. Cain, as noted in the 18 Jan 1991 Screen International. The review in the 14 Jun 1991 LA Reader stated that principal photography was completed in twenty days on a small budget, and was the first directorial effort by Marcus De Leon.
       Kiss Me a Killer opened 5 April 1991 in New York City, with a running time of approximately ninety-one minutes, and opened 14 Jun 1991 in Los Angeles, with a running time of eighty-four minutes. Reviews were mixed.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
9 Apr 1991
---
Hollywood Reporter
20 Nov 1990
---
Hollywood Reporter
18 Apr 1991
p. 8, 15
LA Reader
14 Jun 1991
---
Los Angeles Times
14 Jun 1991
Calendar, p. 8
Screen International
18 Jan 1991
---
LA Weekly
14 Jun 1990
---
Variety
24 Dec 1990
---
Variety
15 Apr 1991
p. 195
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
Califilm presents
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
Addl 2d asst dir
2d 2d asst dir
Dir, 2d unit
1st asst dir, 2d unit
PRODUCERS
Assoc prod
Exec prod
PHOTOGRAPHY
Dir of photog
1st asst cam
1st asst cam
2d asst cam
Addl 1st asst cam
Best boy elec
Best boy elec
3rd elec
Key grip
Best boy grip
Grip
Pre-rig grip
Pre-rig grip
Pre-rig grip
Pre-rig grip
Still photog
Dir of photog, 2d unit
Gaffer, 2d unit
Gaffer, 2d unit
Key grip, 2d unit
Grip/Elec, 2d unit
Grip/Elec, 2d unit
Pre-rig grip, 2d unit
1st asst cam, 2d unit
2d asst cam, 2d unit
ART DIRECTORS
Art dir
Art dept asst
FILM EDITORS
Assoc ed
Post prod supv, Post prod
Post prod coord, Post prod
Post prod asst, Post prod
Asst ed, Post prod
2d asst ed, Post prod
Apprentice ed, 2d unit
William Williams
Apprentice ed, 2d unit
Negative cutter
SET DECORATORS
Set dec
Prop master
Set dresser
Leadman
Stand by props/Dresser
Swing gang
Swing gang
Const coord
Carpenter
Carpenter
Key scenic
Scenic
Scenic
COSTUMES
Cost des
MUSIC
Spec songs by
Exec mus prod
Mus supv, Post prod
Mus ed, Post prod
Mus ed, Post prod
Mus coord, Post prod
1st guitar, Underscore musicians
2d guitar, Underscore musicians
1st percussion, Underscore musicians
2d percussion, Underscore musicians
Keyboards, Underscore musicians
Underscore rec at
SOUND
Boom op
Sd des supv, Post prod
Re-rec mixer, Post prod
Re-rec mixer, Post prod
Sd asst, Post prod
Asst re-rec eng, Post prod
Studio tech consultant, Post prod
Foley mixer, Post prod
Dial ed, Post prod
Dial ed, Post prod
FX ed, Post prod
Loop group
Foley artist
Foley artist
ADR rec
Sd transfer eng
Ultra Stereo consultant
VISUAL EFFECTS
Titles and opticals
DANCE
Choreog
MAKEUP
Key make-up & hair
Asst make-up
PRODUCTION MISC
Casting dir
Prod coord
Prod controller
Prod accountant
Stage mgr
Asst stage mgr
Asst to the dir
Asst to the prod
Transportation coord
Transportation capt
Casting asst
Casting asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Scr supv, 2d unit
Character casting
STAND INS
Stunt coord
COLOR PERSONNEL
SOURCES
SONGS
“Yo Te Quiero,” written and arranged by Marcos Loya, vocals by Robert Beltran, recorded at Livewire Studios, Jay Bolton, chief engineer; “Teresa,” written and arranged by Marcos Loya, vocals by Robert Beltran, recorded at Livewire Studios, Jay Bolton, chief engineer; “Palomita,” written and arranged by Marcos Loya, vocals by Robert Beltran, recorded at Livewire Studios, Jay Bolton, chief engineer; “Bastante,” written and arranged by Marcos Loya, vocals by Robert Beltran, recorded at Livewire Studios, Jay Bolton, chief engineer; “Bombarica,” written and arranged by Marcos Loya, vocals by Robert Beltran, recorded at Livewire Studios, Jay Bolton, chief engineer; “Six Of Eight,” written and arranged by Marcos Loya, vocals by Robert Beltran, recorded at Livewire Studios, Jay Bolton, chief engineer; “El Rey De Los Congeros,” written and arranged by Marcos Loya, vocals by Robert Beltran, recorded at Livewire Studios, Jay Bolton, chief engineer; “Glad You Kept The Fish,” written and arranged by Marcos Loya, vocals by Robert Beltran, recorded at Livewire Studios, Jay Bolton, chief engineer; “Ya Me Voy,” written and arranged by Marcos Loya, vocals by Robert Beltran, recorded at Livewire Studios, Jay Bolton, chief engineer; “Cielito Lindo” (Traditional), arranged by Marcos Loya, performed by Ray Victor; All songs published by Califas Music (ASCAP) and Roger and Julie Music (ASCAP); “Ven Por Tu Amor,” performed by George Gamez, written by George Gamez and Roger Cruz, published by Creative Soulutions (ASCAP) and Roger and Julie Music (ASCAP); “Quiero Ser Tuyo,” performed and written by George Gamez, published by Creative Soulutions (ASCAP) and Roger and Julie Music (ASCAP); “Hoy Hemos Terminado,” performed and written by Juan Hernandez and Tokash, published by Hernandez Music (ASCAP) and Roger and Julie Music (ASCAP); “Salte De Tu Soledad,” performed by Harold Payne, written by Janet Fisher and Tim Herrigan, published by Goodnight Kiss Music (BMI), Young Buck Music (BMI) and Little Shop of Music (BMI); “Del Cielo Tu Viernes,” performed by Juan Jose Almaguer, written by Billy Woo and Juan Jose Almaguer, published by Woo Tunes (ASCAP) and Roger and Julie Music (ASCAP); “Paloma Blanca,” performed by Juan Jose Almaguer, written by Billy Woo and Juan Jose Almaguer, published by Woo Tunes (ASCAP) and Roger and Julie Music (ASCAP); “Que Sea Manana,” performed and written by Juan Jose Almaguer, produced and arranged by Billy Woo; “Después Me Voy,” performed and written by Billy Woo and Robert Nieto, published by Woo Tunes (ASCAP) and Roger and Julie Music (ASCAP); “Hace Tanto Tiempo,” performed by Ray Victor, written by George Hernandez, published by George Hernandez Music and Little Shop of Music (BMI).
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
5 April 1991
Premiere Information:
New York opening: 5 Apr 1991; Los Angeles opening: week of 14 Jun 1991
Production Date:
began 26 Nov 1990 or 3 Jan 1991
Physical Properties:
Sound
Recorded in Ultra-Stereo
Color
Duration(in mins):
84
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
31055
SYNOPSIS

At the Circle Club in East Lost Angeles, owner and bartender Jake Bozman ejects Ruben, a young Hispanic man, for starting a fight. Jake spends the night drinking with his friends, Pedro and Tom, while his ex-stripper wife, Teresa, complains about the cost to their struggling business. The next day, Father Dominguez advises Teresa to be patient with her alcoholic husband, but she believes the marriage is doomed. Ex-convict Tony Montero offers his services as a handyman, and although Teresa discourages him, Tony returns to the bar that night, hoping to see her again. When the band’s drunken singer passes out, Tony volunteers to replace him and wins over the sparse audience. Impressed with Tony’s performance, Jake offers $250 per week, as well as room and board if he does chores around the club. The following day, Tony and Teresa make love while Jake is out fishing. Ruben returns to the club that evening, accompanied by his friends, Ramon Martinez and Carlos. Jake threatens Ruben, prompting Ramon to come to his defense. Tony dissuades Ramon, reminding him that he is on probation, and an assault charge could land him in prison. By the end of the evening, Jake is happy about the new clientele Tony is attracting, unaware of Teresa’s infidelity. In the morning, police lieutenant Dennehy offers Jake the opportunity to sign a complaint against Ramon Martinez, but Tony discourages him, claiming it would generate negative publicity for the club. Sometime later, Tony asks Teresa to leave her husband, but she refuses to abandon her thriving nightclub. Unwilling to share Teresa, Tony quits his ...

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At the Circle Club in East Lost Angeles, owner and bartender Jake Bozman ejects Ruben, a young Hispanic man, for starting a fight. Jake spends the night drinking with his friends, Pedro and Tom, while his ex-stripper wife, Teresa, complains about the cost to their struggling business. The next day, Father Dominguez advises Teresa to be patient with her alcoholic husband, but she believes the marriage is doomed. Ex-convict Tony Montero offers his services as a handyman, and although Teresa discourages him, Tony returns to the bar that night, hoping to see her again. When the band’s drunken singer passes out, Tony volunteers to replace him and wins over the sparse audience. Impressed with Tony’s performance, Jake offers $250 per week, as well as room and board if he does chores around the club. The following day, Tony and Teresa make love while Jake is out fishing. Ruben returns to the club that evening, accompanied by his friends, Ramon Martinez and Carlos. Jake threatens Ruben, prompting Ramon to come to his defense. Tony dissuades Ramon, reminding him that he is on probation, and an assault charge could land him in prison. By the end of the evening, Jake is happy about the new clientele Tony is attracting, unaware of Teresa’s infidelity. In the morning, police lieutenant Dennehy offers Jake the opportunity to sign a complaint against Ramon Martinez, but Tony discourages him, claiming it would generate negative publicity for the club. Sometime later, Tony asks Teresa to leave her husband, but she refuses to abandon her thriving nightclub. Unwilling to share Teresa, Tony quits his job, prompting Jake to consider selling the club. Teresa goes to church, asking God to solve her dilemma. Tony follows her and they make love in a pew as Father Dominguez looks on in shock. Teresa decides to elminate Jake, and convinces Tony to trick Ramon Martinez into committing the murder. Convinced that Jake intends to sign a complaint against him, Ramon and his comrades attack Jake in the alley behind the bar, stabbing him repeatedly. Lt. Dennehy arrests Ramon and suspects Tony as an accomplice, but the singer insists he has risen above his criminal past. While Jake is hospitalized, Tony and Teresa redecorate the nightclub, and increase their clientele by hiring percussionist Pancho Sanchez. Father Dominguez confronts Teresa about her affair, warning that God will punish her. Upon his return from the hospital, Jake informs Teresa that he no longer feels safe in the city, and has decided to sell the club to finance their new home in a desert community. Desperate to retain control of the Circle Club, Teresa reveals her intention to kill Jake while confessing to Father Dominguez, forcing the priest to keep her secret. Late the following night, Tony pushes the inebriated Jake down a flight of stairs, making his death appear accidental. After the funeral, Tony and Teresa make love on the beach while Lt. Dennehy photographs them from a distance. In the days that follow, Teresa is wracked with guilt, trying to convince herself that Jake’s death was the will of God. Lt. Dennehy presents the couple with photographs of their tryst on the beach and their tape-recorded voices planning the murder. He demands the $35,000 they received from Jake’s life insurance in exchange for his silence, and the couple reluctantly complies. Afterward, Teresa and Tony reopen the Circle Club with the goal of financing a long vacation. However, Ramon escapes from prison and stabs Tony for exploiting him. Teresa comes to her lover’s defense and shoots Ramon, then prays for Tony’s life as he dies in her arms. She continues to operate the nightclub, renaming it “Café Teresa.”

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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