Full page view
HISTORY

Although the Var review notes a Dec 1936 opening of the film in Sydney, Australia, contemporary sources indicate that the film did not open in the United States until mid-1939. Although modern sources claim that Rangle River was released in the United States in 1939 as Men with Whips, information contained in the NYSA suggests that no such title change was registered with that state. It is possible that the film is based on a published short story, as opposed to an original story for the screen, however, no information has been located to determine this. A Jul 1936 DV news item noted that Nance O'Neil was originally set to play the female lead. Var indicates that director Clarence Badger assisted with the editing, and that the film was the first picture made in Australia by an American organization in association with a local studio. Modern sources list the following additional credits: Co-photog Damien Parer; Adpt Elsa and Charles Chauvel; Art dir Harry Whiting; Mus Alfred Lawrence; Prod mgr Bert Fontanella; Asst dir George Hughes; and Sd Denis Box. Rangle River was voted the country's second best film of the year by the Australian Film Critics Guild. According to modern sources, filming took place in Gloucester and at the Burragorang Valley in Australia. ...

More Less

Although the Var review notes a Dec 1936 opening of the film in Sydney, Australia, contemporary sources indicate that the film did not open in the United States until mid-1939. Although modern sources claim that Rangle River was released in the United States in 1939 as Men with Whips, information contained in the NYSA suggests that no such title change was registered with that state. It is possible that the film is based on a published short story, as opposed to an original story for the screen, however, no information has been located to determine this. A Jul 1936 DV news item noted that Nance O'Neil was originally set to play the female lead. Var indicates that director Clarence Badger assisted with the editing, and that the film was the first picture made in Australia by an American organization in association with a local studio. Modern sources list the following additional credits: Co-photog Damien Parer; Adpt Elsa and Charles Chauvel; Art dir Harry Whiting; Mus Alfred Lawrence; Prod mgr Bert Fontanella; Asst dir George Hughes; and Sd Denis Box. Rangle River was voted the country's second best film of the year by the Australian Film Critics Guild. According to modern sources, filming took place in Gloucester and at the Burragorang Valley in Australia.

Less

GEOGRAPHIC LOCATIONS
LOCATION
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
8-Jul-36
---
Daily Variety
7-Oct-36
---
Film Daily
17 May 1939
p. 6
Monthly Film Bulletin
30 Apr 1937
p. 78
Motion Picture Daily
18 May 1939
p. 3
Variety
20 Jan 1937
p. 14
DETAILS
Premiere Information:
Sydney, Australia opening: 19 Dec 1936
Production Date:
1936
Physical Properties:
Sound
Black and White
Duration(in mins):
72 or 80-81
Countries:
Australia, United States
SYNOPSIS

Australian Marion Hastings has been living the good life abroad while her father, a rancher at the Rangle River station, has had a difficult time. Tough foreman Dick Drake takes it upon himself to write Marion and tell of her father's hardships. Marion and her amusing Aunt Abbie fly home, meeting silly Reginald Mannister along the way. Reggie, an Oxford flyer, invites himself to join them. Although Dick falls in love with Marion, she takes an immediate disliking to him. Conditions deteriorate at the ranch as a drought looms, and Reggie discovers that rival rancher Lawton has constructed a dam across the river to deprive them of water, in the hopes of forcing the Hastings out of business. Following a gun fight and a duel with whips, the dam is blown up and the ranch is saved. Marion is caught in the ensuing flood, but Dick rescues her and the couple realize that they are meant for each ...

More Less

Australian Marion Hastings has been living the good life abroad while her father, a rancher at the Rangle River station, has had a difficult time. Tough foreman Dick Drake takes it upon himself to write Marion and tell of her father's hardships. Marion and her amusing Aunt Abbie fly home, meeting silly Reginald Mannister along the way. Reggie, an Oxford flyer, invites himself to join them. Although Dick falls in love with Marion, she takes an immediate disliking to him. Conditions deteriorate at the ranch as a drought looms, and Reggie discovers that rival rancher Lawton has constructed a dam across the river to deprive them of water, in the hopes of forcing the Hastings out of business. Following a gun fight and a duel with whips, the dam is blown up and the ranch is saved. Marion is caught in the ensuing flood, but Dick rescues her and the couple realize that they are meant for each other.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

The Long Haul

Onscreen credits contain the following written acknowlegment: "The producer gratefully acknowleges the assistance and facilities made availabe to the producer by Leyland Motors Limited." Tom Morahan's onscreen credit reads ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.