Mystery Date (1991)

PG-13 | 98 mins | Comedy, Romance | 16 August 1991

Director:

Jonathan Wacks

Producer:

Cathleen Summers

Cinematographer:

Oliver Wood

Production Designer:

John Willett

Production Company:

Orion Pictures Corporation
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HISTORY

       An item in the 30 Jun 1990 issue of Screen International announced that Dennis Quaid was set to play the leading role, with production scheduled to begin in late Jul 1990. Ethan Hawke’s casting as the lead was noted in Army Archerd’s “Just For Variety” DV column of 2 Aug 1990.
       The 31 Jul 1990 HR production chart listed Mystery Date with a 27 Aug 1990 start date. The 3 Oct 1990 HR carried a notice stating that the film was scheduled for a ten-week shoot in Vancouver, British Columbia, Canada. Production notes in AMPAS library files stated that eight weeks of the schedule were taken up with night shooting. HR’s 4 Sep 1990 production chart listed Mystery Date as a working title, and the 23 Oct 1990 chart listed the new title as Just Another Night; however the title reverted to Mystery Date before release.
       Critical reaction to the film was mixed. In his 16-22 Aug 1991 Village View review titled “Misery Date,” Jon Matsumoto wrote, "Mystery Date has no pizzazz or sense of intrigue. It’s so self-consciously ponderous that the viewer can’t help but sit back and pick out its innumerable character and plot deficiencies.” However, Glenn Lovell, in his 16 Aug 1991 Long Beach Press Telegram “Weekend Plus” review noted that the film "is loads of undemanding fun and appears to have been put together by people who know movies.”
      An acknowledgment in the end credits states: "Robocop and ...

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       An item in the 30 Jun 1990 issue of Screen International announced that Dennis Quaid was set to play the leading role, with production scheduled to begin in late Jul 1990. Ethan Hawke’s casting as the lead was noted in Army Archerd’s “Just For Variety” DV column of 2 Aug 1990.
       The 31 Jul 1990 HR production chart listed Mystery Date with a 27 Aug 1990 start date. The 3 Oct 1990 HR carried a notice stating that the film was scheduled for a ten-week shoot in Vancouver, British Columbia, Canada. Production notes in AMPAS library files stated that eight weeks of the schedule were taken up with night shooting. HR’s 4 Sep 1990 production chart listed Mystery Date as a working title, and the 23 Oct 1990 chart listed the new title as Just Another Night; however the title reverted to Mystery Date before release.
       Critical reaction to the film was mixed. In his 16-22 Aug 1991 Village View review titled “Misery Date,” Jon Matsumoto wrote, "Mystery Date has no pizzazz or sense of intrigue. It’s so self-consciously ponderous that the viewer can’t help but sit back and pick out its innumerable character and plot deficiencies.” However, Glenn Lovell, in his 16 Aug 1991 Long Beach Press Telegram “Weekend Plus” review noted that the film "is loads of undemanding fun and appears to have been put together by people who know movies.”
      An acknowledgment in the end credits states: "Robocop and Married to the Mob sequences Courtesy of Orion Pictures Corporation" Another acknowledgment reads: "Sincere appreciation to the Motion Picture Studio Production Technicians; I.A.T.S.E. Local 891, Vancouver, Canada."

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
2 Aug 1990
---
Hollywood Reporter
31 Jul 1990
---
Hollywood Reporter
4 Sep 1990
---
Hollywood Reporter
3 Oct 1990
---
Hollywood Reporter
23 Oct 1990
---
Hollywood Reporter
12 Aug 1991
p. 9, 16
Los Angeles Times
16 Aug 1991
p. 15
Long Beach Press Telegram
16 Aug 1991
Weekend Plus, B16
New York Times
16 Aug 1991
p. 9
Screen International
30 Jun 1990
---
Variety
19 Aug 1991
pp. 43-44
Village View
16-22 Aug 1991
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A Cathleen Summers Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
1st asst dir
2d asst dir
3rd asst dir
DGC trainee asst dir
PRODUCERS
Assoc prod
WRITERS
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
Best boy
Key grip
Best boy grip
Stills photog
Rigging gaffer
Lamp op
Lamp op
Lamp op
Lamp op
Generator op
Generator op
Dolly grip
Grip
ART DIRECTORS
Prod des
Art dir
Asst art dir
FILM EDITORS
Post prod supv
1st asst ed (Los Angeles)
Asst ed (Los Angeles)
Asst ed (Vancouver)
Apprentice ed (Los Angeles)
Apprentice ed (Vancouver)
Apprentice ed (Vancouver)
Negative cutter
SET DECORATORS
Set dec
Asst set dec
Set dresser
Set dresser
Prop master
Asst prop master
Const coord
Const foreman
Head scenic artist
Lead hand painter
On set painter
Head greensman
COSTUMES
Cost des
Cost supv
Costumer
Costumer
MUSIC
Orig mus by
Mus supv
Mus ed
Asst mus ed
Asst mus ed
Scoring engr/mixer
Contractor
2nd engr
Mus transfers by
SOUND
Sd mixer
Boom op
Supv sd ed
Supv sd ed
Re-rec mixer
Re-rec mixer
Re-rec mixer
Sd ed
Sd ed
Sd ed
Sd eff rec
Asst sd ed
ADR ed
Asst ADR ed
Supv foley ed
Foley ed
Foley ed
Foley mixer
Foley artist
Foley artist
Foley artist
Sd engr
Dolby Stereo consultant
VISUAL EFFECTS
Spec eff coord
1st asst spec eff
Titles des by
Titles composited by
Opticals by
MAKEUP
Makeup artist
Hairstylist
Asst makeup artist
Asst hairstylist
PRODUCTION MISC
Casting
Casting
Casting
Asst prod coord
Scr supv
Prod auditor
Asst auditor
Loc mgr
Asst loc mgr
Asst loc mgr
Animal wrangler
Unit pub
Extras casting
Vancouver casting asst
Post prod auditor
Asst to Cathleen Summers
Asst to Jonathan Wacks
Prod asst
Prod asst
Prod asst
Prod asst
Post prod asst
Caterer
1st aid/craft service
Transportation coord
Transportation capt
Transportation co-capt
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Artwork supplied by
through the Diane Ferris Gallery
STAND INS
Stunt coord
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
COLOR PERSONNEL
Col timer
SOURCES
SONGS
"634-5789" performed by Wilson Pickett, written by Steve Cropper, Eddie Floyd, Irving Music, Inc./Pronto Music Inc., courtesy of Atlantic Recording Corp., by arrangement with Warner Special Products; "Crazy" performed and written by Seal, Beethoven Street Music Ltd./Perfect Songs Ltd., courtesy of Sire Records/Ztt Records Ltd./Warner Music UK Ltd. by arrangement with Warner Special Products; "Suicide Blonde" performed by INXS, words and music by Michael Hutchence and Andrew Farriss, published by Tol Muziek,rights administered by MCA Music Publishing, a division of MCA Inc., courtesy of Atlantic Recording Corp./Warner Music Australia Pty. by arrangement with Warner Special Products-Polygram Special Products, a division of Polygram Group Distribution, Inc; "Musette's Waltz," performed by Francoise Louvay Pro Musica Symphony Orchestra, written by Giacomo Puccini, Southern Library of Recorded Music; "Remember My Name" performed by Matinee, written by Patrick Leonard, Kevin Gilbert, Bill Bottrell, WB Music Corp./Canvas Mattress Music/No Tomato Music/Ignorant Music, courtesy of Reprise Records by arrangement with Warner Special Products; "Disappear" performed by INXS, words and music by Michael Hutchence and Jon Farriss, published by Tol Muziek,rights administered by MCA Music Publishing, a division of MCA Inc., courtesy of Atlantic Recording Corp./Warner Music Australia Pty. by arrangement with Warner Special Products-Polygram Special Products, a division of Polygram Group Distribution, Inc.; "Kitem Fe Safem" performed by Tabou Combo, written by Y. Joseph, H. Nau, courtesy of Zafem Records & Free World Music; "Zap, Zap" performed by Tabou Combo, written by Y. Joseph, H. Nau, R. Eugene, G. Resil, courtesy of Zafem Records & Free World Music; "Happy Birthday To You" written by Mildred J. Hill, Patty S. Hill, Summy-Birchard Music, a division of Summy-Birchard, Inc.; "Rockhead" performed by Tar Babies, written by Bucky Pope, Dan Bitney, Stephen Lewis, Cesstone Music, courtesy of SST Records; "The Horror of YG" performed by Gwar, written by Michael Bishop, Michael Derks, David Brockie, Brad Roberts, William Dewey Rowell, Dave Musel, BMG Songs, Inc., courtesy of Slave-Pit Enterprises/Metal Blade Records; "String Quartet in B Major Opus 10, No. 4 KV458 'Hunting Quartet,'" performed by The Mozarteum quartett, Salzburg, written by W. A. Mozart, courtesy of Sonia Classics, Associated Production Music; "Tunic (Song For Karen)," performed and written by Sonic Youth, Savage Conquest Music, courtesy of Geffen Records; "Funky Cold Medina," performed by Tone Loc, written by Marvin Young, Michael Ross, Matt Dike, Varry White Music, Inc. courtesy of Delicious Vinyl Records, Inc.; "On My Way," performed by INXS, words and music by Michael Hutchence and Andrew Farriss, published by Tol Muziek, rights administered by MCA Music Publishing, a division of MCA Inc., courtesy of Atlantic Recording Corp./Warner Music Australia Pty. by arrangement with Warner Special Products-Polygram Special Products, a division of Polygram Group Distribution, Inc; "Lily Was Here" performed by David A. Stewart, introducing Candy Dulfer, written by David A. Stewart, Careers-BMG Music Publishing, Inc. on behalf of BMG Music Publishing Limited courtesy of Anxious Records/BMG Records (UK) Ltd./Arista Records Inc.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Alternate Title:
Just Another Night
Release Date:
16 August 1991
Premiere Information:
Los Angeles opening: 16 Aug 1991; New York opening: week of 16 Aug 1991
Production Date:
began 27 Aug 1990 in Vancouver, Canada
Copyright Info
Claimant
Date
Copyright Number
Orion Pictures Corporation
5 September 1991
PA534565
Physical Properties:
Sound
Dolby Stereo in selected theatres
Color
Lenses/Prints
Filmed with Panavision cameras and lenses; Prints by DeLuxe
Duration(in mins):
98
MPAA Rating:
PG-13
Country:
United States
Language:
English
PCA No:
30994
SYNOPSIS

Bored at a party given by his parents, Tom McHugh heads to his room to gaze at the girl across the street through his telescope. He notices her reading  Saratoga Longshot,  and muses there has to be a way to find out more about her. He goes to the girl’s back porch to scout through her trash, and hears her phone ring upstairs. She picks up to speak with her mother, and explains that she cancelled her date for the evening. The next day, as Tom’s parents leave on a trip, his older brother, Craig, arrives wearing expensive clothes and driving a classic 1959 De Soto convertible. Craig will not let Tom drive it, but allows him to pull it into the garage. The De Soto has a push button automatic transmission, with no designated “Park” button, and Craig tells Tom he has to set the parking brake when he shuts off the car. From Tom’s room, Craig gets a look at the girl across the street and goes through the bag of trash Tom retrieved, discovering a discarded bill with her name, Geena Matthews, and phone number. Although Tom is afraid to call her, Craig does it for him, and when Tom refuses to get on the phone, Craig pretends to be him, asking Geena if it will be all right if he shows up at her house at 7:30. Craig takes Tom out for a makeover, remaking his brother in his own image. As it nears 7:30, the Sunnydale Florist deliveryman drops off flowers, but Craig refuses to give him a tip and leaves in Tom’s car. As he drives away, the deliveryman backs into ...

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Bored at a party given by his parents, Tom McHugh heads to his room to gaze at the girl across the street through his telescope. He notices her reading  Saratoga Longshot,  and muses there has to be a way to find out more about her. He goes to the girl’s back porch to scout through her trash, and hears her phone ring upstairs. She picks up to speak with her mother, and explains that she cancelled her date for the evening. The next day, as Tom’s parents leave on a trip, his older brother, Craig, arrives wearing expensive clothes and driving a classic 1959 De Soto convertible. Craig will not let Tom drive it, but allows him to pull it into the garage. The De Soto has a push button automatic transmission, with no designated “Park” button, and Craig tells Tom he has to set the parking brake when he shuts off the car. From Tom’s room, Craig gets a look at the girl across the street and goes through the bag of trash Tom retrieved, discovering a discarded bill with her name, Geena Matthews, and phone number. Although Tom is afraid to call her, Craig does it for him, and when Tom refuses to get on the phone, Craig pretends to be him, asking Geena if it will be all right if he shows up at her house at 7:30. Craig takes Tom out for a makeover, remaking his brother in his own image. As it nears 7:30, the Sunnydale Florist deliveryman drops off flowers, but Craig refuses to give him a tip and leaves in Tom’s car. As he drives away, the deliveryman backs into the rented limo that is to take Tom on his date. Tom notices the keys to Craig’s car on the dining room table. As Tom gets out at Geena’s, the De Soto rolls backward, but he sets the emergency brake before it gets away. When she finally answers the door, Tom hands Geena the flowers, but before she will go out with him she wants him to answer a few questions. She asks which novel he last read, and he answers, Saratoga Longshot. When asked if he has any personal heroes, Tom says he has always looked up to his older brother. Charmed, Geena agrees to join him. When she gets into the De Soto, she accidentally sits on an audiocassette tape, which Tom puts away in his jacket pocket. As they arrive at Kory’s restaurant, a black car pulls up, and the driver watches the couple go inside. Despite his efforts to be suave, Tom spills his drink all over himself, and goes in search of a towel. When he returns, Tom is confronted by a woman who slaps him before he can tell her he is not Craig. Tom asks Geena if she minds going someplace else. When they stop at a gas station, Geena goes to the restroom, and the sinister man reveals he is Police Detective Condon and puts Tom under arrest. The cop asks where the flowerpot is, and when Tom opens the trunk, they find a dead body inside. As Tom slams the trunk, the dead man’s gun goes off, shooting the detective. Tom shoves the detective’s body into the trunk before Geena returns. She tells Tom she is having a great time, but when he pays for the gas, the bill he proffers is covered in blood. He tells the attendant that he had a nosebleed, and asks if there is a pay phone. Tom calls home, but only gets the answering machine. He leaves a message outlining his plight. Finding a souvenir from the Club Voltaire in his brother’s jacket, he leaves a message for Craig to meet him there. As Tom and Geena leave the gas station, a pickup truck drives in, towing the damaged Sunnydale Florist truck. The deliveryman notices Condon’s hat on the ground in a pool of blood. As he picks it up two police cars arrive. The cops question the deliveryman about Craig, and he relates that Craig tried to run him off the road. At the Club Voltaire, a raucous teen nightclub, Tom apologizes for bringing Geena, but she is thrilled. Meanwhile, the cops tear apart the McHugh home looking for evidence, and hear Tom’s phone message. At the club, the bartender tells Tom his brother is upstairs. When he gets upstairs, Tom finds a dead Chinese man with a phone to his ear. He snatches a note with the name “McQ” written on it from the corpse’s hand and grabs Geena. Outside, as they are about to kiss, a police officer informs Tom he is missing a tire. The officer offers to help, but Tom diverts his attention as he pulls the spare from the trunk. The missing tire replaced, Tom and Geena start to drive away, but the cop calls them back to show Tom a pool of red liquid on the pavement. The Officer tells Tom it is time to have his transmission fluid flushed and replaced. As they drive, a cell phone goes off, and Geena wonders where the sound is coming from. The other police arrive at the club and learn that the person they believe to be Craig “McQ” was there and that there is a dead Chinese man upstairs. Tom and Geena drive through a Chinatown dragon festival, and are noticed by two Chinese thugs. As they walk through Chinatown, Tom leaves Geena to look for a restaurant while she goes to a shop. Tom finds a janitor who translates the symbol on the back of his shirt; it means “look in the pot,” which comes from a Chinese proverb about a poor boy who is given a beautiful pot but never looks inside and starves to death because he fails to discover the pot is filled with riches. When Tom returns, Geena is having her fortune told. She tells the fortune teller that Tom is really the one who needs predictions. The fortune teller calls Tom an imposter, and the young man beats a hasty retreat with Geena. However, just as he is about to explain what is going on, Tom is accosted and told his table is waiting at Chez Lew restaurant. He is persuaded to accept the invitation, when one of the men pulls a gun—a gesture unseen by Geena. At the restaurant, Geena asks how Tom knows Mr. Lew. He tells her he does not, but that Lew knows his brother—and dislikes like him, so he also dislikes Tom. An army of waiters arrives with an array of Chinese dishes. Tom tells the other patrons it is Lew’s birthday. As the crowd congratulates Lew, Tom and Gina escape. In the car, Tom reveals he is driving his brother’s car, wearing his clothes, using his credit card—and that everyone thinks he is Craig. All he knows is that they are after a vase that belongs to Lew. Geena discovers Craig’s phone number on the paper Tom took from the dead Chinese man, and using her experience in retail sales, calls a number to get an address based on the phone number. Craig breaks into an art gallery and makes a telephone call to say he has the vase and will deliver it. When Geena and Tom arrive at Craig’s address, they find the place has been ransacked. Geena wants Tom to tell her what is going on, but he tells her he cannot and she storms off. Craig’s cell phone rings and it is Mr. Lew calling from his car phone outside. As Geena walks away, three Chinese thugs grab her, and when Tom comes out they beat him up. Lew tells the boy he has until 2:00 a.m. to return his property or he cannot guarantee Geena’s safety. Meanwhile, Craig arrives back at the family home and is outraged to discover his De Soto is missing. Realizing he is being watched, Craig escapes out the back of the double-doored garage. Tom returns home hoping to find Craig, but finds the place has also been ransacked. He discovers the audiocassette tapes have been rifled through and realizes everyone is looking for a cassette that was inside the vase. He pulls the cassette from his coat pocket and notices Chinese characters written on it. On the recording is Condon, the detective, in conversation with Lew. As Tom tries to leave, police cars and helicopters descend on the house. Tom eludes them; however, he forgot to set the brake on the De Soto, and it starts to roll. Tom hops in the car, but is followed by a Sunnydale Florist truck. As he goes through his brother’s wallet looking for Lew’s business card, he loses control of the car and smashes into a construction barricade. He gets out of the De Soto and retrieves Lew’s card, but a truck drives by and runs him off the bridge. Tom holds onto the card as he dangles by a support wire. The Sunnydale deliveryman stops but refuses to help him because of the problems Craig has caused him. However, as he rants, the De Soto again starts to roll and knocks the deliveryman off the bridge. Although he survives, landing on the train track below, a passing train seemingly finishes the job. Tom drives to Lew’s house in the Sunnydale delivery truck and bluffs his way past the security guard. Discovering Craig’s wallet at the bridge, the police assume he was the one run over by the train. They realize the Chinese man in the trunk of the De Soto was Lew’s hit man, hired to kill Craig. Instead, the one shot he fired accidentally hit Condon. Tom sneaks into Lew’s house, but is captured. Geena punches Lew, but he recovers and his henchmen surround the young couple. Craig shows up with the real vase, but Lew does not want it, and demands the cassette tape from Tom. He hands it over, but tells Lew he has made copies, and says he can prove it with a phone call. He calls his home answering machine, and starts the tape copy playing. The police in the home hear the taped conversation. The police arrive, but turn out to be Lew’s colleagues. Lew tells the crooked cops to kill Tom, Geena, and Craig, but to save themselves they propose killing Lew instead. A gunfight ensues. Tom and Geena get out the door just as more police arrive. After their rescue, Tom confronts Craig, who tells them he has brought adventure into their lives and this will be the one date they will remember forever. The Sunnydale deliveryman emerges from the back of the van and demands his tip from Craig. Tom drives Geena home in silence. At her front door, she tells Tom she still knows nothing about him, then gives him a light peck on the lips and goes inside. He knocks on the door, tells her he has a couple of questions for her before he can say good night, and kisses her.

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GENRE
Genres:
Sub-genre:
Suspense


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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