The Object of Beauty (1991)

R | 97 mins | Comedy | 12 April 1991

Producer:

Jon S. Denny

Cinematographer:

David Watkin

Editor:

Ruth Foster

Production Designer:

Derek Dodd
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HISTORY

       Although actress Elizabeth Perkins was originally cast as “Joan,” a 6 Feb 1990 DV news item announced that Lolita Davidovich had replaced her.
       Four weeks after the film’s 12 Apr 1991 release, a 9 May 1991 HR news brief indicated that The Object of Beauty had grossed approximately $2.24 million at the box office.
       End credits include the following acknowledgements: “Special thanks: The Henry Moore Foundation; Perrier UK Ltd; Alfred Dunhill Ltd; TAJ International Hotels; Louis Vuitton; Jean Marsh; Nick Silver; Ernest Nives; Anton Mosimann; Derek Howarth; Sally Bulloch; Chick Anstis; Simon Hume; Gary Tieche.”
      On 2 Dec 1989, Screen International reported that filming was scheduled to begin Jan 1990 in London, UK. A16 Jan 1990 start date was confirmed by the 20 Jan 1990 Screen International production chart. End credits indicate that the picture was: “Filmed at Ealing Studios, London, and on location in London, England and Sardinia, Italy.” The 1 Apr 1990 LAT noted that the British Broadcasting Company (BBC) had contributed the Ealing Studios soundstage, as well as crew and post-production facilities, as part of their co-production agreement with American-owned Avenue Pictures. Filming on the $5 million picture ended in early Mar 1990.
...

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       Although actress Elizabeth Perkins was originally cast as “Joan,” a 6 Feb 1990 DV news item announced that Lolita Davidovich had replaced her.
       Four weeks after the film’s 12 Apr 1991 release, a 9 May 1991 HR news brief indicated that The Object of Beauty had grossed approximately $2.24 million at the box office.
       End credits include the following acknowledgements: “Special thanks: The Henry Moore Foundation; Perrier UK Ltd; Alfred Dunhill Ltd; TAJ International Hotels; Louis Vuitton; Jean Marsh; Nick Silver; Ernest Nives; Anton Mosimann; Derek Howarth; Sally Bulloch; Chick Anstis; Simon Hume; Gary Tieche.”
      On 2 Dec 1989, Screen International reported that filming was scheduled to begin Jan 1990 in London, UK. A16 Jan 1990 start date was confirmed by the 20 Jan 1990 Screen International production chart. End credits indicate that the picture was: “Filmed at Ealing Studios, London, and on location in London, England and Sardinia, Italy.” The 1 Apr 1990 LAT noted that the British Broadcasting Company (BBC) had contributed the Ealing Studios soundstage, as well as crew and post-production facilities, as part of their co-production agreement with American-owned Avenue Pictures. Filming on the $5 million picture ended in early Mar 1990.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
6 Feb 1990
---
Daily Variety
8 May 1990
---
Daily Variety
22 Mar 1991
p. 2, 30
Hollywood Reporter
23 Jan 1990
---
Hollywood Reporter
22 Mar 1991
p. 9, 51
Hollywood Reporter
9 May 1991
---
Los Angeles Times
1 Apr 1990
pp. 31-32
Los Angeles Times
12 Apr 1991
Calendar, p. 1
New York Times
12 Apr 1991
Section C, p. 14
Screen International
2 Dec 1989
---
Screen International
20 Jan 1990
---
Variety
25 Mar 1991
p. 88
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
Avenue Pictures and BBC Films Present
A Jon S. Denny Production
A Michael Lindsay-Hogg Film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
1st asst dir
2d asst dir
3d asst dir
Prod mgr, Sardinia
Prod mgr, Sardinia
PRODUCERS
Prod, BBC films
Assoc prod
Exec prod
PHOTOGRAPHY
Dir of photog
Cam op
1st asst cam
2d asst cam
Stills photog
Cam supv
Gaffer
Best boy
Elec
Elec
Key grip
Dolly grip
Elec, Sardinia
Elec, Sardinia
Generator op, Sardinia
Grip, Sardinia
Grip, Sardinia
Grip, Sardinia
Grip, Sardinia
Grip, Sardinia
Grip, Sardinia
Arriflex equip supplied by
ART DIRECTORS
Prod des
Des asst
Des asst
FILM EDITORS
Asst film ed
2d asst film ed
Apprentice film ed
Ed facilities provided by
SET DECORATORS
Prop master
Prop buyer
Const mgr
Standby const op
Standby carpenter
Standby painter
COSTUMES
Cost des
Asst cost des
Ward supv
Ward asst
Watches provided by
Ward for John Malkovich and Andie MacDowell provid
Shoes by
MUSIC
Mus ed, Triad Music
Mus ed
Mus arr by/Keyboards
Ewi/Pan pipe
Trumpet
Drums
Guitar
Acoustic bass
Rec eng
SOUND
Sd mixer
Dubbing ed
Dial ed
Eff ed
Asst sd ed
Asst sd ed
Asst sd ed
Dubbing mixer
Asst dubbing mixer
Foley artist
Foley artist
Dubbing facilities
VISUAL EFFECTS
Title des
MAKEUP
Makeup and hair des
Makeup asst
Makeup asst
PRODUCTION MISC
Avenue prod exec
Spec acknowledgment
Asst to Mr. Brokaw
Asst to the prod & the dir
Prod assoc
Loc mgr
Loc mgr
Scr supv
Finance coord
Prod secy
Prod services mgr
Asst prod services mgr
Prod op supv
Prod op
Prod op
Prod op
Rigger/Driver
Driver
Driver
Driver
Addl accounting services
Addl accounting services
Prod coord, Sardinia
Prod asst, Sardinia
Casting, Howard Field Assoc. (UK)
Catering by
Place Invaders by
and
Place Invaders by
STAND INS
Stand-in
Stand-in
COLOR PERSONNEL
DETAILS
Release Date:
12 April 1991
Premiere Information:
Los Angeles opening: 12 Apr 1991; New York opening: week of 12 Apr 1991
Production Date:
16 Jan--early Mar 1990
Copyright Info
Claimant
Date
Copyright Number
Avenue Entertainment, Inc.
26 June 1991
PA526690
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Photographed using AGFA XT negative
Duration(in mins):
97
MPAA Rating:
R
Countries:
United Kingdom, United States
Language:
English
SYNOPSIS

At an elegant restaurant in London, England, Americans Jonathan “Jake” Bartholomew and Tina Leslie Oates regale their dining companions with stories of their European travels. Jake pays the bill, but the waiter discretely informs him that his credit card has been declined. Exasperated, he writes a check. The next morning, Jake and Tina enjoy room service in their luxury hotel suite, and Jake sulks over the fact that the bank wants him to repay his debts. With all his money tied up in a cocoa shipment in Sierra Leone, Africa, Jake ponders his options. He sets a small statue on the table and asks Tina how much it is worth, but she insists she will not part with “her little Henry Moore.” Meanwhile, Mr. Mercer, the hotel manager, responds to a discrimination complaint, and agrees to hire Jenny Finn, a young deaf-mute woman. Later, Jake and Tina ask an art evaluator to appraise the Henry Moore statue. Jake feels that the $32,000 valuation is too low. On the way back to the hotel, Tina suggests that if the statue was stolen from their room, they could cash in on the insurance money. When Jake remarks that such an act would be illegal, Tina laughs and nibbles his ear. At dinner that night, Jake and Tina run into Lawrence “Larry” Oates, Tina’s estranged husband. Jake wonders why the man is so dismissive of him, and Tina feigns surprise. Elsewhere, Jenny Finn returns home from her first day as a hotel housekeeper, oblivious to her brother Steve’s loud music. Tina meets her girl friend, Joan, the next day, and confides that Jake is broke. Concerned that he might try to sell ...

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At an elegant restaurant in London, England, Americans Jonathan “Jake” Bartholomew and Tina Leslie Oates regale their dining companions with stories of their European travels. Jake pays the bill, but the waiter discretely informs him that his credit card has been declined. Exasperated, he writes a check. The next morning, Jake and Tina enjoy room service in their luxury hotel suite, and Jake sulks over the fact that the bank wants him to repay his debts. With all his money tied up in a cocoa shipment in Sierra Leone, Africa, Jake ponders his options. He sets a small statue on the table and asks Tina how much it is worth, but she insists she will not part with “her little Henry Moore.” Meanwhile, Mr. Mercer, the hotel manager, responds to a discrimination complaint, and agrees to hire Jenny Finn, a young deaf-mute woman. Later, Jake and Tina ask an art evaluator to appraise the Henry Moore statue. Jake feels that the $32,000 valuation is too low. On the way back to the hotel, Tina suggests that if the statue was stolen from their room, they could cash in on the insurance money. When Jake remarks that such an act would be illegal, Tina laughs and nibbles his ear. At dinner that night, Jake and Tina run into Lawrence “Larry” Oates, Tina’s estranged husband. Jake wonders why the man is so dismissive of him, and Tina feigns surprise. Elsewhere, Jenny Finn returns home from her first day as a hotel housekeeper, oblivious to her brother Steve’s loud music. Tina meets her girl friend, Joan, the next day, and confides that Jake is broke. Concerned that he might try to sell her prized possession, she asks Joan to keep the statue. When Jenny enters Jake and Tina’s room with fresh towels, she sees the couple making love, and retreats to the hallway until they leave for dinner. The following morning, Tina notices the statue is missing from her nightstand, and confronts Jake, but he assumes she is following through on her plan to file an insurance claim. He plays along, “lamenting” the statue’s disappearance before calling hotel management. Mr. Mercer assigns his assistant, Victor Swayle, to investigate. Later, Jake and Tina accuse each other of hiding the statue, while elsewhere in London, Jenny Finn admires her new possession. Mr. Mercer calls the maid into his office the next day, and informs Jenny that they will be searching her apartment. Meanwhile, Jake and Tina are questioned by Mr. Slaughter, the claims investigator, who delays processing the claim. At Jenny’s modest flat, Victor Swayle searches for the statue, but does not find it. Without Jenny’s knowledge, Steve Finn tries to sell the figurine to unscrupulous shopkeeper Frankie Sedgwick. When Frankie shows no interest, Steve tosses the bronze object into the trash. Jake pays a visit to Tina’s friend, Joan, to determine if she has the statue. He makes a pass at her, and she accepts his advances. After they have sex, Jake looks through her drawers and cupboards for the precious object, but his search is fruitless. Meanwhile, Tina asks her estranged husband, Larry, for money, but he refuses the request. Jake and Tina reconvene at the hotel suite, where, Tina passes out after drinking too much. Sometime later, Frankie sees a newspaper advertisement offering a reward for information about the Henry Moore statue. Recalling the object Steve showed him, Frankie contacts the insurance company. At the hotel, Jake and Tina despair about their lack of funds, and Jake realizes that Tina had nothing to do with the statue’s disappearance. Jenny is distraught that her statute has gone missing, and Steve innocently leads her to the trash heap where he abandoned the object. Spotting the bronze sculpture, she falls to her knees with relief. When they return home, however, Jenny finds a note from Frankie Sedgwick asking Steve to bring “the ornament” back to the shop, and she angrily stuffs the message in her pocket. Later that day, Jake notices the Henry Moore statue has returned to their hotel nightstand. He rushes to Joan’s apartment to tell Tina. Returning from work, Jenny finds her brother bound and gagged in their apartment. Frankie steps out of the shadows and demands she hand over the statue. When Jake and Tina return to their suite, the figure has, again, gone missing. They profess their love for each other and accept the fact that they are destitute. Jenny’s employer, Mr. Mercer visits her, but she cannot communicate, and Steve is uncooperative. Deciding not to press charges, he lets them know that Frankie returned the statue to the insurance company. Sometime later, Jake and Tina put the statue up for auction, and with the money from its sale, they vacation on the Italian island of Sardinia.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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