Directors:
Robert Zemeckis, Ian Sharp, Frank Marshall, Max KlevenWriters:
Jeffrey Price, Peter S. SeamanProducers:
Robert Watts, Frank MarshallCinematographer:
Dean CundeyEditor:
Arthur SchmidtProduction Designers:
Elliot Scott, Roger CainProduction Companies:
Touchstone PicturesThe summary and note for this entry were completed with participation from the AFI Academic Network. Summary and notes were written by participant Michelle Bjornas, a student at Georgia Institute of Technology, with Vinicius Navarro as academic advisor.
Who Framed Roger Rabbit had several working titles throughout production, including Dead Toons Don't Pay Bills, Eddie Goes to Toon, Murder in Toontown, The Toontown Trial, Toons, Trouble in Toontown, Who Censored Roger Rabbit, and Who Shot Roger Rabbit. The filmmakers give credit to the novel Who Censored Roger Rabbit? by Gary Wolf, although the only similarities between the book and the film are the characters of “Eddie Valiant,” “Roger Rabbit,” “Jessica Rabbit,” and “Baby Herman.” These characters were altered in the movie; in the book, “Roger” was a murderer, “Jessica” hated him, and “Herman” always used “Roger” as a foil, not the other way around.
All of the credits appear at the end of the film. As noted in a Jun 1988 Time article, a total of 739 people were listed, but Kathleen Turner, the voice of Jessica Rabbit, was not credited.
A DV review from 20 Jun 1988 reports that the idea to turn Who Censored Roger Rabbit? into a film was first proposed in 1981, when the book was published, and that it was originally planned to be a Disney animated feature. It was not until 1986, however, when Roger Rabbit changed to a mix of live action and animation in ...
The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and notes were written by participant Michelle Bjornas, a student at Georgia Institute of Technology, with Vinicius Navarro as academic advisor.
Who Framed Roger Rabbit had several working titles throughout production, including Dead Toons Don't Pay Bills, Eddie Goes to Toon, Murder in Toontown, The Toontown Trial, Toons, Trouble in Toontown, Who Censored Roger Rabbit, and Who Shot Roger Rabbit. The filmmakers give credit to the novel Who Censored Roger Rabbit? by Gary Wolf, although the only similarities between the book and the film are the characters of “Eddie Valiant,” “Roger Rabbit,” “Jessica Rabbit,” and “Baby Herman.” These characters were altered in the movie; in the book, “Roger” was a murderer, “Jessica” hated him, and “Herman” always used “Roger” as a foil, not the other way around.
All of the credits appear at the end of the film. As noted in a Jun 1988 Time article, a total of 739 people were listed, but Kathleen Turner, the voice of Jessica Rabbit, was not credited.
A DV review from 20 Jun 1988 reports that the idea to turn Who Censored Roger Rabbit? into a film was first proposed in 1981, when the book was published, and that it was originally planned to be a Disney animated feature. It was not until 1986, however, when Roger Rabbit changed to a mix of live action and animation in association with Steven Spielberg, that the project began in earnest. The film was eventually released under Disney’s Touchstone Pictures brand because the adult themes in the film were at odds with the typical Disney film, according to DV. Multiple contemporary news items reported the budget at $45 million, making Who Framed Roger Rabbit one of the most expensive animated movies of its time.
In an 1 Aug 1988 NYT article, director of animation Richard Williams was quoted as saying: “I just hate animation and live action together; it just doesn't work, it's ugly.” He decided to take on the project, however, under the premise that he would “remove all the inhibitions” and use new techniques for “blending animation and live action.” The article describes how the animators used highlights and shading to give the characters a three-dimensional feel in order to make them appear to be actually interacting with the real world characters. Additionally, the technical crew had to find ways to manipulate the objects that the characters would be moving in the final cut, such as “Baby Herman's” cigar. The technical crew used various resources, such as puppets, mannequins, and even robotics to create the effect of cartoons truly interacting with their human counterparts.
Live action footage was filmed in both the United Kingdom and in California. According to a 12 Aug 1988 Backstage column, the animation studio in California was already working on another film at the time, so most of the animators were transferred to the British studio.
Touchstone Pictures struck deals with Warner Bros. allowing the studio’s trademark cartoon characters to appear in the film. Some of the more famous Warner Bros. characters to make appearances include “Bugs Bunny,” “Daffy Duck,” “Porky Pig,” and “Tweety.” However, agents for Warner Bros. characters placed the stipulation that Disney characters, such as “Donald” and “Mickey,” had to have the same amount of screen time as their Warner Bros. counterparts, according to a 25 Aug 1988 article in Rolling Stone. In fact, most of the classic Warner and Disney characters only appear together: “Daffy” and “Donald” are seen playing a piano duet, while “Bugs” and “Mickey” go skydiving.
According to a news item in the 24 Jun 1988 issue of DV, Who Framed Roger Rabbit? opened on 995 screens and generated an average $1817 per screen, earning a total of nearly two million dollars on opening night and breaking Disney’s record for the biggest weekday opening gross. The critical reviews of the film were generally positive. Janet Maslin of NYT wrote in her 22 Jun 1988 review: “Although this isn't the first time that cartoon characters have shared the screen with live actors, it's the first time they've done it on their own terms.” A 31 Dec 1987 Var review praised the movie's unique animation techniques, saying “Who Framed Roger Rabbit is an unparalleled achievement in which animation is brilliantly integrated into live-action.” However, some critics, such as Janet Maslin, questioned what audience the filmmakers were targeting, and pointed to the suggestive themes and racial undertones scattered throughout. Richard Corliss, in his 27 Jun 1988 Time review, claims that the cartoon segment that opens the film outshines the film itself. Later in her article, Janet Maslin mentions that “the film's only problem, and it's a minor one, is that the gumshoe plot of the screenplay... is relatively ordinary.”
According to a 30 May 2001 LAT article, Gary Wolf, author of the novel on which the film is based, filed a lawsuit against Disney, claiming that the company had not paid him millions of dollars in “gross receipts” which he believed to include all non-monetary promotional partnerships. Disney denied the claim, saying that Wolf was only entitled to contingent compensation. The court ruled against Wolf, who appealed the case in 2004. This time, the court ruled in favor of Wolf, but only granted him $180,000 in compensation instead of the $8 million he sought, according to a 21 May 2008 HR article. In the same article, Disney lawyers are said to have discovered that the studio had been overpaying Wolf and that he owed Disney up to $1 million. The legal battle has reached no conclusive end. In addition to this controversy, some of the animators working on the movie hid racy images in the original Roger Rabbit footage. According to a 17 Mar 1994 article in the LAT, the X-rated frames were not noticeable with the action running at speed on film or in video cassette format, but became obvious on DVD when users could freeze on a single frame. Disney responded by censoring the offending images and re-reissuing the DVD.
The film received three Academy Awards for Sound Effects Editing, Visual Effects and Film Editing. The lead animator, Richard Williams, was given a Special Achievement Award for animation direction and the creation of the cartoon characters. Additionally, Roger Rabbit received several Academy Award nominations, including Best Art Direction-Set Direction, Best Cinematography and Best Sound. The film also won the Saturn Award for Best Fantasy Film in 1990 and was nominated for a Golden Globe award in the category Best Motion Picture-Comedy/Musical. The movie's success led Disney to produce several animated theatrical shorts featuring “Roger Rabbit,” and talk of a feature-length live-action/animation sequel, which was planned for release in 1992, according to the Jun 1989 edition of Screen International. However, due to cost concerns, the sequel was never produced. More recently, according to a Guardian (London) article posted to its website on 3 Nov 2009, director Robert Zemeckis has hinted that Who Framed Roger Rabbit 2 is still a possibility.
In 1947, cartoon producer R. K. Maroon hires Eddie Valiant, a private detective, to investigate cartoon star Roger Rabbit's wife, Jessica, who has been seen with gag king Marvin Acme. Valiant, although reluctant to work with cartoons, “Toons” for short, takes the job. He makes his way to a local bar and asks the waitress, his girlfriend, Dolores, for her camera. A bar regular taunts Valiant about how he works for Toons, sending Valiant into a fit of rage. He storms out of the bar, leaving the patron perplexed, until Dolores explains that a Toon killed Valiant’s brother. Valiant heads to the Ink and Paint Club to watch Jessica perform and runs into Marvin Acme, who is also the owner of Toontown, home of all cartoon characters. Valiant expects Jessica to be another rabbit, but is shocked to find that she is a beautiful female human cartoon. After the show, Valiant follows Acme to Jessica's dressing room and manages to get photos of Jessica and Acme playing patty-cake. He revisits Maroon, who breaks the news to Roger, using the pictures as proof. Valiant tries to console Roger by telling him he will find someone new. Roger becomes agitated, declaring that Jessica is the only one for him. He then bursts out the window, leaving a Roger-shaped hole in the blinds. The next morning, Valiant is awakened by a police lieutenant named Santino, who tells him that Acme was killed the night before, presumably by a jealous Roger Rabbit. They travel to Acme's workshop, the scene of the crime. As Valiant investigates, a forbidding man enters ...
In 1947, cartoon producer R. K. Maroon hires Eddie Valiant, a private detective, to investigate cartoon star Roger Rabbit's wife, Jessica, who has been seen with gag king Marvin Acme. Valiant, although reluctant to work with cartoons, “Toons” for short, takes the job. He makes his way to a local bar and asks the waitress, his girlfriend, Dolores, for her camera. A bar regular taunts Valiant about how he works for Toons, sending Valiant into a fit of rage. He storms out of the bar, leaving the patron perplexed, until Dolores explains that a Toon killed Valiant’s brother. Valiant heads to the Ink and Paint Club to watch Jessica perform and runs into Marvin Acme, who is also the owner of Toontown, home of all cartoon characters. Valiant expects Jessica to be another rabbit, but is shocked to find that she is a beautiful female human cartoon. After the show, Valiant follows Acme to Jessica's dressing room and manages to get photos of Jessica and Acme playing patty-cake. He revisits Maroon, who breaks the news to Roger, using the pictures as proof. Valiant tries to console Roger by telling him he will find someone new. Roger becomes agitated, declaring that Jessica is the only one for him. He then bursts out the window, leaving a Roger-shaped hole in the blinds. The next morning, Valiant is awakened by a police lieutenant named Santino, who tells him that Acme was killed the night before, presumably by a jealous Roger Rabbit. They travel to Acme's workshop, the scene of the crime. As Valiant investigates, a forbidding man enters wearing black clothes. Lt. Santino introduces the man as Judge Doom. Doom is convinced that Roger killed Acme. Doom explains that since Toontown is in his jurisdiction, he has been trying to make Toons respect the law, and has come up with a mix of turpentine, acetone, and benzene, known as dip, that is the only known way to kill a Toon. Doom's enforcers begin the search for the fugitive Roger. Outside his office, Valiant runs into Roger's coworker, Baby Herman, who claims that Roger did not kill Acme. He also informs Valiant that Acme left a will, even though the newspapers reported otherwise. Once inside the office, Valiant takes a closer look at the patty-cake pictures and notices that Acme actually has the will in his pocket. When Valiant goes to bed, he finds Roger. Panicking, Valiant attempts to throw Roger out, but the Toon explains that he didn't kill anyone. When Valiant tries to call the police, Roger handcuffs himself to Valiant, only to realize that the handcuffs have no keys. Just then, Doom's Toon Patrol weasels park outside, sending Roger scrambling for cover with Valiant in tow. The weasels shoot the door open, but only see Valiant. As the leader tries to question him, Valiant forces him to eat soap, sending the other weasels into fits of laughter. The weasels give up the search and leave. Roger pops out of the sink, thanking Valiant for saving his life. They head to the bar where Dolores has a secret room with tools they use to get out of the handcuffs. Valiant shows Dolores the picture of Acme's will and asks her to look into the situation. He then returns to his office, where Jessica tells him that Maroon wanted to blackmail Acme and set up Valiant to take the patty-cake pictures in order to manufacture damaging evidence against Acme. Just then, Dolores bursts into the room and explains that Maroon is not after Toontown. Instead, a previously unknown company, Cloverleaf Industries, has put in the highest bid for the area and if Acme's will does not turn up by midnight, Toontown will belong to Cloverleaf. Valiant seems confused at this turn of events, but when they hear what sounds ominously like Roger singing, Valiant and Dolores return to the bar, where they find Roger dancing on the tables and entertaining the customers. Valiant quickly throws Roger into the hidden room, furious that Roger put everything on the line for a few laughs. Doom enters the bar and tries to bribe the customers into turning in Roger, but no one provides information. However, when the judge finds a phonograph record with a “loony” tune on it, he is certain Roger is hiding somewhere in the bar. Doom captures Roger and attempts to execute him, but Valiant frees Roger and they escape. Roger releases a cartoon taxicab named Benny from the back of the Toon Patrol car. Eager to escape from the weasels, Benny takes them through the streets of Los Angeles and drops the pair off at a movie theater. A newsreel reveals that Maroon has made a deal with Cloverleaf to sell Maroon Cartoon Studios. Finally seeing a connection, Valiant drives to the studio to confront Maroon. When Valiant and Roger pull into the studio parking lot, Roger agrees to stay behind and watch Valiant's back. As soon as Valiant walks away, a mysterious figure knocks Roger out and throws him in the back of a car. Meanwhile, as Valiant faces off against Maroon, the cartoon producer pulls a gun. The men struggle, but Valiant gets the upper hand and demands to know what is really going on. Maroon claims that he had a chance to sell his studio, but the buyer would not make the purchase until Acme sold his land as well and that he only wanted to blackmail Acme into selling. Before he can continue, Maroon is shot and killed by an unknown gunman. Valiant looks through the blinds and sees Jessica running down the alleyway. He races downstairs to his car and gives chase through the Toontown tunnel. After several misadventures in Toontown, he finds Jessica in an alleyway. She pulls a gun on Valiant, but actually saves his life by shooting at the mystery killer behind him, who turns out to be Judge Doom. The killer flees to avoid being shot. Jessica tells Valiant that Doom is the one behind both the frame-up and the murders. Valiant summons Benny, who gets them out of Toontown, but Doom is waiting on the other side of the Toontown tunnel. Doom pours dip on the road, which causes Benny to crash, then takes Valiant and Jessica prisoner, and transports them to the Acme factory. Meanwhile, Roger drives Valiant's car out of Toontown. He sees Benny along the way and picks him up. At the Acme factory, Doom reveals that he is the sole stockholder of Cloverleaf Industries, and that he recently bought the local trolley system. He plans to completely erase Toontown to make way for a freeway, knowing that without the trolley, people will be forced to drive on the new road. Doom unveils a large vehicle filled with enough dip to destroy Toontown. Just then, Roger bursts through a manhole and threatens Doom with his gun, but he is knocked out by a weasel. Struck with an idea, Valiant starts singing, dancing, and even juggling in an attempt to get the weasels to laugh. His plan works, and the weasels laugh themselves to death. Valiant rushes to stop the machine, but Doom forces Valiant to face him. The two fight, using various Acme inventions, and in the struggle it is revealed that Doom is actually a Toon. Laughing maniacally, Doom declares that he murdered Valiant's brother as he attacks. Thinking quickly, Valiant opens the drain on the dip vehicle, turning Doom into a puddle of ink. The dip vehicle is destroyed, and Acme's will is revealed to have been written with disappearing-reappearing ink. An apparently blank piece of paper he gave to Jessica is the will that gives Toontown to its cartoon inhabitants. Roger, Jessica, Valiant, and Dolores walk into the Toontown sunset, followed by a crowd of celebrating cartoon characters.
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