A Midnight Clear (1992)

R | 107 mins | Drama | 24 April 1992

Director:

Keith Gordon

Writer:

Keith Gordon

Cinematographer:

Tom Richmond

Editor:

Don Brochu

Production Designer:

David Nichols
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HISTORY

       According to a 3 Aug 1991 LAT article A & M Films purchased the film rights for William Wharton’s novel, A Midnight Clear, shortly after production concluded on another Wharton adaptation, Birdy (1984, see entry). The film's director, Alan Parker, and writers Sandy Kroopf, and Jack Behr were hired to adapt A Midnight Clear, the novel, changing the setting from World War II to the Vietnam War. However, Wharton voiced his displeasure over the changes. Subsequently, John Mackenzie and Trevor Griffiths wrote an adaptation, followed by screenwriters Patrick Duncan and Randa Haines. A & M Films President Dale Pollock stated that both teams were unsuccessful because they strayed from the source material. Pollock hired director-writer Keith Gordon after seeing his adaptation of The Chocolate War (1988, see entry).
       A 24 Mar 1992 NYT article reported that filming was supposed to have taken place in Yugoslavia in 1990, but financing fell through. This left Gordon and actor Ethan Hawkes, who had agreed to play “Will Knotts,” in a difficult situation of deciding whether to forgo working for a year, while waiting for winter in Yugoslavia. Finally, Beacon Pictures agreed to finance the film with a $5 million budget. However, a 3 Aug, 1991 LAT article reported the final budget was closer to $10 million.
       As reported in a 12 Feb 1991 HR, principal photography began 4 Feb 1991 outside Park City, UT. Shooting ended 23 Mar 1991 according to a 1 Mar 1991 brief.
       A 3 Aug 1991 LAT article noted that A ...

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       According to a 3 Aug 1991 LAT article A & M Films purchased the film rights for William Wharton’s novel, A Midnight Clear, shortly after production concluded on another Wharton adaptation, Birdy (1984, see entry). The film's director, Alan Parker, and writers Sandy Kroopf, and Jack Behr were hired to adapt A Midnight Clear, the novel, changing the setting from World War II to the Vietnam War. However, Wharton voiced his displeasure over the changes. Subsequently, John Mackenzie and Trevor Griffiths wrote an adaptation, followed by screenwriters Patrick Duncan and Randa Haines. A & M Films President Dale Pollock stated that both teams were unsuccessful because they strayed from the source material. Pollock hired director-writer Keith Gordon after seeing his adaptation of The Chocolate War (1988, see entry).
       A 24 Mar 1992 NYT article reported that filming was supposed to have taken place in Yugoslavia in 1990, but financing fell through. This left Gordon and actor Ethan Hawkes, who had agreed to play “Will Knotts,” in a difficult situation of deciding whether to forgo working for a year, while waiting for winter in Yugoslavia. Finally, Beacon Pictures agreed to finance the film with a $5 million budget. However, a 3 Aug, 1991 LAT article reported the final budget was closer to $10 million.
       As reported in a 12 Feb 1991 HR, principal photography began 4 Feb 1991 outside Park City, UT. Shooting ended 23 Mar 1991 according to a 1 Mar 1991 brief.
       A 3 Aug 1991 LAT article noted that A Midnight Clear was actor Gary Sinese’s theatrical feature debut.
The following statement appears in end credits: “The Producers wish to thank: The Utah Film Commission; Leigh von der Esch, Chris Gamvroulas; The Park City Commission; Nancy Volmer and the citizens of Park City; Utah, Toby Ross; Greg Lawson, John & Lori Cochran; Nick Condas & The Condas Family Ranch; White Pine Ranches; Mark Walsh Collecting; Dean Lyras; Liz Gordon; Michael O’Kelley; Caitlin Scanlon.”
      The following written epilogue appears before end credits: “After the war, I heard that Avakian married Janice. Miller just disappeared. And for ten years starting in 1946 I got Christmas cards from Mother, with a new ten dollar bill each time. No return address, not a word inside. Then I never heard from him again.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Hollywood Reporter
12 Feb 1991
---
Hollywood Reporter
23 Apr 1992
p. 5
Los Angeles Times
3 Aug 1991
Calendar, p. 8
Los Angeles Times
24 Apr 1992
Calendar, p. 6
New York Times
24 Mar 1992
---
New York Times
24 Apr 1992
Section C, p. 1
Variety
30 Mar 1992
pp. 79-80
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
Beacon Presents
An A & M Films Production
A Film by Keith Gordon
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
PRODUCERS
Assoc prod
Exec prod
Exec prod
Exec prod
WRITER
Wrt for the screen by
PHOTOGRAPHY
Dir of photog
Gaffer/2d cam op
1st asst cam
2d asst cam
Film loader
Best boy elec
Elec
Rigging gaffer
Key grip
Best boy grip
Dolly grip
Grip
Grip
Unit still photog
Spec photog
Still processing
Arriflex® cam and lenses from
ART DIRECTORS
Prod des
Art dir
Art dept coord
FILM EDITORS
1st asst ed
2d asst ed
Apprentice ed
ADR ed
Negative cutter
Negative cutter
SET DECORATORS
Set dec
Set des
Set des
Leadman
Swing gang
Swing gang
Swing gang
Const coord
Const foreman
Mill foreman
Asst const coord
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Laborer
Laborer
Scenic artist
Scenic artist
Scenic artist
Painting asst
Painting asst
Greensman
Greensman asst
Greensman asst
Snow management
Snow management
Prop master
Co-prop master
Asst prop
COSTUMES
Cost des
Cost supv
Alteration tailor
Wardrobe Intern
Addl ward
Cold weather gear
MUSIC
Mus comp
Mus consultant
SOUND
Boom op
Cableman
Re-rec mixer
Re-rec mixer
Prod sd ed
ADR ed
Asst sd ed
Asst sd ed
Apprentice sd ed
Apprentice sd ed
Foley mixer
Asst foley mixer
Foley artist
Foley artist
Sd services provided by
Post-prod coord
VISUAL EFFECTS
Spec eff coord
Asst spec eff
Titles and opticals
MAKEUP
Key make-up and hair
Asst make-up
Asst hairdresser
Asst hairdresser
Spec eff makeup
Development exec
PRODUCTION MISC
Casting
Prod coord
Asst coord
Prod auditor
Asst auditor
Scr supv
Utah casting by
Machine room supv
Machine room op/Projectionist
Machine room op
Military training by
Loc mgr
Loc scout
Key set prod asst
Prod asst
Prod asst
Unit pub, Susan Culley & Associates
Transportation coord
Transportation coord
Driver
Driver
Driver
Driver
Driver
Honey wagon driver
Miltary vehicles
Caterer, Unique Catering
Caterer, Unique Catering
Craft service
Craft service
Set medic
Set medic
Security
Security
Bond company, International Film Guarantors
Bond company, International Film Guarantors
Payroll services by
Telephone wiring and rentals
Post-prod accountant
Post-prod accountant
Prod assoc
Asst to dir
Development exec
Asst to Mr. Pollock
Prod exec
Prod exec
STAND INS
Stunt coord
Stunt man
Stunt man
Stunt man
Stunt man
COLOR PERSONNEL
Film processing
SOURCES
LITERARY
Based on the novel A Midnight Clear by William Wharton (New York, 1982).
LITERARY SOURCE AUTHOR
SONGS
"The Jersey Bounce," recorded by Studio Music Department, written by Buddy Feyne, Bobby Platter, Tiny Bradshaw and Edward Johnson, published by Lewis Music Publishing Co., Inc.; "It Came Upon A Midnight Clear," sung by Sam Phillips, arranged and produced by T-Bone Burnett and Sam Phillips, Sam Phillips appears courtesy of Virgin Records.
PERFORMED BY
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
24 April 1992
Premiere Information:
Los Angeles opening: 24 Apr 1992; New York opening: week of 24 Apr 1992
Production Date:
4 Feb --1 Mar 1991.
Copyright Info
Claimant
Date
Copyright Number
Beacon Communications Corporation
21 May 1992
PAu1645636
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Prints
Prints by CFI
Duration(in mins):
107
Length(in feet):
9,753
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

In December 1944, near the French-German border, six American soldiers, all geniuses, are defending a house in the snow-covered woods of the Ardennes Forest. Private Vance “Mother” Wilkins, a twenty-six year-old who has received word that his first child was delivered stillborn, runs out of his foxhole, tearing off his clothes, and kneels in a frozen stream. His comrade, Sergeant Will Knott, hands Mother his clothes and offers to report his action, claiming he could get a “Section Eight” for being crazy, and be sent home. However, Mother believes the charge would not be credible without other witnesses. They are relieved by Private Paul “Father” Mundy, an ex-seminarian, Bud Miller, the squad’s mechanic, and Stan Shutzer, the group’s “Jewish avenging angel.” The only remaining soldier, Mel Avakian, watches from a distance. Will reminisces that his original group of twelve soldiers was an experimental reconnaissance unit, made up of geniuses, which the U.S. Army hoped would improve the quality of intelligence about the Germans. When Major Griffin sent them on their first mission, only half the squad returned, and Will was promoted to sergeant. He receives orders from Griffin to move to a clearing ten miles west to alert the main force if they see signs of a German offensive. With a week’s food rations and two Jeeps, the six men move forward. They stop short upon finding the corpses of an American and a German soldier frozen together, as if dancing. Father orders the men to separate the bodies and uses grease from his rifle to anoint their foreheads with a cross. In the clearing, they discover an empty house and are pleased to find beds, quilted sheets, and ...

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In December 1944, near the French-German border, six American soldiers, all geniuses, are defending a house in the snow-covered woods of the Ardennes Forest. Private Vance “Mother” Wilkins, a twenty-six year-old who has received word that his first child was delivered stillborn, runs out of his foxhole, tearing off his clothes, and kneels in a frozen stream. His comrade, Sergeant Will Knott, hands Mother his clothes and offers to report his action, claiming he could get a “Section Eight” for being crazy, and be sent home. However, Mother believes the charge would not be credible without other witnesses. They are relieved by Private Paul “Father” Mundy, an ex-seminarian, Bud Miller, the squad’s mechanic, and Stan Shutzer, the group’s “Jewish avenging angel.” The only remaining soldier, Mel Avakian, watches from a distance. Will reminisces that his original group of twelve soldiers was an experimental reconnaissance unit, made up of geniuses, which the U.S. Army hoped would improve the quality of intelligence about the Germans. When Major Griffin sent them on their first mission, only half the squad returned, and Will was promoted to sergeant. He receives orders from Griffin to move to a clearing ten miles west to alert the main force if they see signs of a German offensive. With a week’s food rations and two Jeeps, the six men move forward. They stop short upon finding the corpses of an American and a German soldier frozen together, as if dancing. Father orders the men to separate the bodies and uses grease from his rifle to anoint their foreheads with a cross. In the clearing, they discover an empty house and are pleased to find beds, quilted sheets, and boxes of wine. Will remembers the day before they left the States. He, Avakian, Shutzer, and a boy named Eddie, were intent on losing their virginity to a prostitute, but met a nice girl who volunteered to sleep with them all. Once in the hotel room, she revealed that her boyfriend was killed in Italy, and she planned to commit suicide. They spent all night talking her out of it and fell asleep. Before dawn, the girl made love to each of them, and they put her on a bus home. The squad is thrown into confusion when they hear a German voice wishing them a good night. Will wants to investigate, but Avakian, who fears an ambush, holds him back. Avakian radios Griffin about their encounter, and orders Will to lead a patrol to find the enemy’s command post. They discover a hut, but Will retreats instead of ambushing the Germans, since the enemy refrained from attacking them the night before. As the soldiers walk back to the house, three Germans appear with rifles raised, but hold their fire and let the Americans run. Humiliated, Shutzer builds a snow “Hitler,” with an obscene message spelled out with pine needles. That night, as the clouds clear, Will sees a German a few yards away. He hurls a grenade, but the soldier does not fall, and he realizes it is a scarecrow. Will hears Germans reading the anti-Hitler obscenity that Shutzer left in the snowman. When Mother looks out of the foxhole, he is hit by a snowball. Soon, both sides are hurling snowballs at each other. As the Germans run away, Mother yells for them to sleep well. The next morning, Shutzer finds a map in the scarecrow’s hand with a location and time written on it, leading him to believe the Germans want to talk. He envisions that if the Germans want to surrender, they will make it look like Mother captured them single handedly, so that he will be sent home as a hero. Will and Shutzer go to the location at the designated time and find an old German officer waiting. Communicating in German and Yiddish, Shutzer learns there are seven old and very young Germans who want to surrender. However, they will only yield to an officer. Will lets the rest of the squad in on his scheme to help Mother and they disguise Avakian as an officer. That night, the Germans leave a Christmas tree lit with candles just outside the Americans’ perimeter and sing Christmas carols. The two sides swap wine for schnapps and celebrate Christmas Eve. The German officer surrenders his Lugar, and Mother gives him a grenade, which the soldier hangs on the Christmas tree. Later, Mother returns to the chateau, worried because he could not get anyone on the radio. He disapproves of fraternizing with the enemy. The next morning, the German officer meets with Avakian and states that a major German offensive is coming. He is willing to surrender his men, but fears their families will be shot if they give up without a fight. They agree to stage a fake battle. Will radios headquarters that he intends to capture a prisoner. Leaving Mother behind, the squad meets the Germans and fire into the air, but Mother races to the mock battle and shoots a German. As Father rushes to stop him, he is shot by the German officer. A gunfight ensues, Shutzer is wounded, and most of the Germans are killed. As Father bleeds to death, he makes Will promise he will not tell Mother the truth. The men return to the house, where Griffin orders them to await the German attack and then pull out. Two days later, the four survivors are attacked, and are unable to reach headquarters on the radio. As they drive away, one of the Jeeps skids off the road. Will and Mother grab Father’s body, leap into the remaining Jeep, and dodge enemy fire. They arrive at headquarters to find that Griffin has left with the entire unit. Lost and out of gas, the men push the Jeep off the road and sleep. The next morning, as they see a German Panzer division pass on the road, Will orders his comrades to bury their weapons. With the blood from Father’s corpse, they paint red crosses on their winter camouflage to disguise themselves as medics, and carry the body back to the American lines. After learning that Shutzer died, Mother is assigned to the motor pool while the other three are sent back to front. Before Will joins his new unit, he is forced to fill out paperwork for the lost Jeeps.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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