Simple Men (1992)

R | 105 mins | Comedy-drama | 14 October 1992

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HISTORY

Hal Hartley does not receive an explicit onscreen credit for his work as writer or director. Rather, in the spirit of independent filmmaking, a title card reading, “a film by Hal Hartley,” concludes opening credits, establishing the fact that he played various key roles.
       The actor credited as “John MacKay” in opening credits is listed as “John Alexander MacKay” in end credits.
       A 7 Oct 1991 Var “International Update” indicated that Hartley planned to start filming Simple Men in TX in Nov 1991. An 11 Nov 1991 Var production chart confirmed that principal photography began 6 Nov 1991. At that time, Julia McNeal was listed among the cast; however, she does not appear in the film. On 1 Dec 1991, Film Journal reported that the $3 million picture was still in production. By Jan 1992, the film was in post-production, according to a 24 Jan 1992 Screen International article. Later that spring, various contemporary sources anticipated the picture’s 11 May 1992 screening at the Cannes Film Festival. Var gave Simple Men a glowing review on 18 May 1992, describing Hartley’s work as a “beautifully realized American art film.” The movie appeared on several festival programs in 1992, including the Edinburgh International, Toronto International, and Mill Valley, CA, film festivals.
       In an 11 Oct 1992 profile of Hal Hartley, the NYT revealed that the director also served as composer, performer, and recordist of the film’s “original music.” The name, “Ned Rifle,” listed in end credits was Hartley’s pseudonym, one that he used on several of his early 1990s films. The NYT also ...

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Hal Hartley does not receive an explicit onscreen credit for his work as writer or director. Rather, in the spirit of independent filmmaking, a title card reading, “a film by Hal Hartley,” concludes opening credits, establishing the fact that he played various key roles.
       The actor credited as “John MacKay” in opening credits is listed as “John Alexander MacKay” in end credits.
       A 7 Oct 1991 Var “International Update” indicated that Hartley planned to start filming Simple Men in TX in Nov 1991. An 11 Nov 1991 Var production chart confirmed that principal photography began 6 Nov 1991. At that time, Julia McNeal was listed among the cast; however, she does not appear in the film. On 1 Dec 1991, Film Journal reported that the $3 million picture was still in production. By Jan 1992, the film was in post-production, according to a 24 Jan 1992 Screen International article. Later that spring, various contemporary sources anticipated the picture’s 11 May 1992 screening at the Cannes Film Festival. Var gave Simple Men a glowing review on 18 May 1992, describing Hartley’s work as a “beautifully realized American art film.” The movie appeared on several festival programs in 1992, including the Edinburgh International, Toronto International, and Mill Valley, CA, film festivals.
       In an 11 Oct 1992 profile of Hal Hartley, the NYT revealed that the director also served as composer, performer, and recordist of the film’s “original music.” The name, “Ned Rifle,” listed in end credits was Hartley’s pseudonym, one that he used on several of his early 1990s films. The NYT also cited a more modest budget of $2 million.
       A 4 Sep 1992 Screen International article indicated that the film would be released in the U.S. in Sep 1992. However, Simple Men did not open in New York City until 14 Oct 1992. The picture arrived in Los Angeles, CA, one month later, on 13 Nov 1992.
       The following acknowledgments appear in end credits: “The producers wish to thank: Tom Mathews, Holiday Inn Crowne Plaza, Houston, Texas; Houston Film Commission; Texas Film Commission; Cinema Trucks of Texas; Mr. Thomas Booth; The City of Houston; Rick Ferguson; Commissioner Bud O’Sheiles; Ann Wright; Bruce Cooley; Dave Doernberg; G. Heileman Brewing; Jim Beam Brands; Pepsi-Cola Co.; Pabst Brewing Co.; Rockin’ Robin; Pfizer Co.; Allyn Ambulance; NY Police Dept.; Lens Crafters; 7 Up Co.; Melitta Coffee; Pig Supply; Carillon Importers; Creative Entertainment Services; Heinz, Johnson & Johnson, VISA; Hiram Walker & Sons Inc.; Norm Marshall & Associates; City of New York Sheriff Department; Fender Musical Instruments.”
       End credits include the following statement: “Produced in association with American Playhouse, with funds from The Public Broadcasting Service, The Corporation for Public Broadcasting, The National Endowment for the Arts and the Chubb Group of Insurance Companies.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
Dec 1992
---
Film Journal
1 Dec 1991
pp. 68-69
Film Journal
1 Oct 1992
p. 30
Hollywood Reporter
12 May 1992
pp. 5-6
Los Angeles Times
13 Nov 1992
Calendar, p. 14
New York Times
11 Oct 1992
pp. 11, 20-21
New York Times
14 Oct 1992
---
New York Times
1 Nov 1992
---
Reader (Los Angeles)
13 Nov 1992
---
Screen International
6 Sep 1991
p. 8
Screen International
11 Oct 1991
p. 57
Screen International
8 Nov 1991
p. 2
Screen International
24 Jan 1992
p. 5
Screen International
17 Apr 1992
p. 8
Screen International
29 May 1992
p. 8
Screen International
4 Sep 1992
p. 2
Variety
7 Oct 1991
p. 69
Variety
14 Oct 1991
p. 27
Variety
11 Nov 1991
p. 12
Variety
11 Nov 1991
p. 16
Variety
20 Apr 1992
p. 42
Variety
18 May 1992
p. 45
Variety
27 Jul 1992
p. 43
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
Zenith and
American Playhouse® Theatrical Films
in association with Fine Line Features
Film Four International
BIM Distribuzione present
A True Fiction Picture
a film by Hal Hartley
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
1st asst dir
2d asst dir
PRODUCERS
Prod
Exec prod
Exec prod
WRITER
PHOTOGRAPHY
1st asst cam
2d asst cam
Still photog
Richard Breen
Best boy
3d elec
3d elec
Key grip
Dolly grip
Best boy grip
3d grip
Cam & lighting
ART DIRECTORS
Prod des
FILM EDITORS
Apprentice ed
Negative matching
Dailies adv
SET DECORATORS
Prop master
Asst props
Set dec
Leadman
Set dresser
Set dresser
Scenic asst
Sign painter
Const asst
COSTUMES
Cost des
Ward supv
MUSIC
Orig mus
Orig mus prod by
SOUND
Sd mixer
Re-rec mixer
Post prod services
VISUAL EFFECTS
Opticals
MAKEUP
Makeup/Hairstyling
PRODUCTION MISC
Scr supv
Prod coord
Asst prod coord
Loc mgr
Asst loc mgr
Prod accountant
Asst prod accountant
Local casting
Extras casting
Transportation coord
Transportation capt
Driver
Driver
Driver
Driver
Driver
Driver
Asst to Mr. Hartley
Key prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Craft services
Intern
Intern
Intern
Intern
Intern
Intern
Completion bond
Legal counsel
Payroll services
COLOR PERSONNEL
Col timer
Col by
SOURCES
SONGS
“Kool Thing,” written & performed by Sonic Youth, published by Savage Conquest Music, BMI, Sonic Youth appears courtesy of DGC Records; “Always Something,” performed by Yo La Tengo, written by Georgia Hubley & Ira Kaplan, published by Roshashauna Music, BMI; “Some Kinda Fatigue,” performed by Yo La Tengo, written by Ira Kaplan, published by Roshashauna Music, BMI; “Sleeping Pill,” performed by Yo La Tengo, written by Georgia Hubley, Ira Kaplan, & James McNow, published by Roshashauna Music, BMI, Yo La Tengo appears courtesy of Alias Records, Inc.
PERFORMED BY
SONGWRITERS/COMPOSERS
+ −
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
14 October 1992
Premiere Information:
Cannes Film Festival screening: 11 May 1992; New York opening: 14 Oct 1992; Los Angeles opening: 13 Nov 1992
Production Date:
6 Nov--Dec 1991
Physical Properties:
Sound
Color
Duration(in mins):
105
MPAA Rating:
R
Countries:
United Kingdom, Italy, United States
Language:
English
SYNOPSIS

In the New York metropolitan area, Bill McCabe robs a computer store with the assistance of his girl friend, Vera, and friend, Frank. Before leaving, Frank hands Bill a consolatory $3,000, indicating that he and Vera have decided to partner and work on their own terms. Bill is stunned. He goes to a coffee shop, where his younger brother, Dennis McCabe, informs him that their father, William McCabe, suffered a stroke. At the hospital, a nurse fawns over the McCabe brothers, expressing admiration for their father, who was a professional baseball player in the 1950s. She refuses to believe allegations that he set off a bomb at the U.S. Pentagon twenty years ago, but another nurse retorts that if the old man was innocent, why did he flee his hospital room? Later, Dennis and Bill discuss the bizarre events with their mother. She gives them a photograph with a phone number and the word “Tara” scrawled on the back, leaving it to them to find the fugitive. Although the phone number is disconnected, the brothers follow a hunch to Lindenhurst, an unincorporated community on Long Island, New York. There, Dennis asks Kim, a sullen Catholic schoolgirl, for information about the area. A nun admonishes Kim for speaking to a stranger. Kim blurts out, “Sagaponack!” as she runs to the bus. That night, Dennis and Bill argue about whether or not their father is a criminal. Bill condemns the man as a radical, before declaring he is brokenhearted by Vera’s betrayal. He announces his intention to seduce the next blonde woman he meets. The next day, Bill swaps his handgun in exchange for a motorcycle. The McCabe brothers leave town ...

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In the New York metropolitan area, Bill McCabe robs a computer store with the assistance of his girl friend, Vera, and friend, Frank. Before leaving, Frank hands Bill a consolatory $3,000, indicating that he and Vera have decided to partner and work on their own terms. Bill is stunned. He goes to a coffee shop, where his younger brother, Dennis McCabe, informs him that their father, William McCabe, suffered a stroke. At the hospital, a nurse fawns over the McCabe brothers, expressing admiration for their father, who was a professional baseball player in the 1950s. She refuses to believe allegations that he set off a bomb at the U.S. Pentagon twenty years ago, but another nurse retorts that if the old man was innocent, why did he flee his hospital room? Later, Dennis and Bill discuss the bizarre events with their mother. She gives them a photograph with a phone number and the word “Tara” scrawled on the back, leaving it to them to find the fugitive. Although the phone number is disconnected, the brothers follow a hunch to Lindenhurst, an unincorporated community on Long Island, New York. There, Dennis asks Kim, a sullen Catholic schoolgirl, for information about the area. A nun admonishes Kim for speaking to a stranger. Kim blurts out, “Sagaponack!” as she runs to the bus. That night, Dennis and Bill argue about whether or not their father is a criminal. Bill condemns the man as a radical, before declaring he is brokenhearted by Vera’s betrayal. He announces his intention to seduce the next blonde woman he meets. The next day, Bill swaps his handgun in exchange for a motorcycle. The McCabe brothers leave town on the motorbike, but it soon breaks down. Stranded on the side of the road, they encounter the blonde-haired Kate, who indicates that one of the guests at her bed and breakfast suffered a seizure in a nearby meadow. After carrying the unconscious young woman to Kate’s establishment, Bill decides to make Kate the object of his conquest. Dennis reminds him that they are there to find their father. After scouring the phone book, Dennis comes up with a possible address for the mysterious “Tara.” Bill orders his brother to deal with the motorcycle, and persuades Kate to drive him around Long Island. When they arrive at the address, they find the property burned to the ground. Meanwhile, Dennis pushes the motorcycle to a gas station, and indicates that the clutch is broken. Mike, the attendant, expresses regret and returns to strumming his electric guitar. Dennis walks back to the bed and breakfast, where he meets Elina, the woman who had a seizure. Though aloof, she invites Dennis to sit and chat. However, when a red sports car pulls up outside, she ducks behind a barstool. Crouching beside her, Dennis observes a man get out of the car, only to drive away a moment later. Elina turns on Dennis, demanding to know what brought him to Long Island. Back at the fire site, Kate warns Bill that her psychotic ex-husband, Jack, has just been released from prison. She suggests that the McCabe brothers stay for a few days to allay her fears. Kate then digs up a small tree, intent on transplanting it at the bed and breakfast. Bill admires her love of nature, before kissing her. She slaps him and suggests they head back. That evening, Bill, Dennis, Kate, and Elina share an awkward dinner together. Afterward, Dennis learns that Elina has been waiting on Long Island to meet William McCabe. When he deduces that she is his father’s girl friend, he cannot help but remark on their age difference. Elina sighs. Meanwhile, Kate apologizes for slapping Bill, confessing that she would not mind if he kissed her. Having reconciled their earlier differences, the four adults spend the night drinking and socializing. They are joined by Kate’s longtime friend, Martin, who regards Bill with suspicion. When Kate falls asleep on the pool table, a drunken Martin reveals his affection for her, despite her rejections. Martin leaves and Kate awakens, wondering aloud if Bill is only out to seduce her. He claims that she has seduced him. Bill locates Dennis and announces his desire to stay on Long Island with Kate and run a tree farm. Just then, they hear a noise. Searching the property, Dennis notices that Elina is missing. He asks Kate who or what “Tara” might mean, and Kate instantly recognizes the name of Martin’s boat. At daybreak, Dennis drives to the docks to confront his father. Meanwhile, Bill and Kate have sex. Afterward, Kate slips out of bed to tend to her trees. Noticing a red car in the driveway, she alerts Bill that her ex-husband is on the premises. However, Bill discovers that Jack is not the dangerous lunatic Kate made him out to be. Kate makes breakfast for the ex-convict. Meanwhile, Dennis demands to know if his father bombed the Pentagon. William rejects the accusation, but wryly admits he has enjoyed being on the lam for twenty years. On the way back to the bed and breakfast, Dennis stops at the gas station. Mike warns him that the station owner is in no mood to discuss buying the broken motorcycle, but Dennis persists, shocked when the man pulls a gun and accuses him of stealing the bike and deceiving Kate. They call Kate to the gas station. The owner informs her that police are on their way to arrest Dennis for the stolen motorcycle, as well as for his involvement in a computer store robbery a few days ago. Kate realizes Bill is the suspect, not Dennis. She confronts her lover and suggests he leave Long Island with his father. Bill asks for her car keys, kisses her, and drives to where Martin’s boat is docked. However, at the sight of his father, he scowls and turns on his heel. Bill drives back to the bed and breakfast, prepared to turn himself in.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.