Toys
(1992)
PG-13 | 123 mins | Comedy, Fantasy | 18 December 1992
Director:
Barry LevinsonWriters:
Valerie Curtin, Barry LevinsonProducers:
Mark Johnson, Barry LevinsonCinematographer:
Adam GreenbergEditor:
Stu LinderProduction Designer:
Ferdinando ScarfiottiProduction Company:
Twentieth Century FoxToys was scheduled to be the directorial debut for screenwriter Barry Levinson, who developed the story in the late 1970s with his co-writer and then wife, Valerie Curtin, after reading a newspaper article stating that Russian naval intelligence had gained secret information about American nuclear submarines by studying model submarine kits. According to the 13 Dec 1992 NYT, the couple initially found the idea absurd, but the notion stuck. They wrote their screenplay about children’s toys being used as military weapons on “spec,” and sold the idea to Twentieth Century Fox.
The 14 Jan 1980 DV announced an Apr 1980 start date for the $6-$7 million production, which had a ten-week shooting schedule in Northern California and Los Angeles, CA. Levinson was to direct, and an Easter 1981 release was planned. Six weeks before filming was set to start, however, the Fox team that approved Toys – Paula Weinstein, Lucy Fisher, and Sandy Lieberson – were fired as new management took over. Sherry Lansing, the new studio head, did not want to take a chance on an unproven director and cancelled the production.
Levinson moved on to make his directorial debut with the critically acclaimed Diner (1982, see entry), but took Toys to other studios. In Jan 1982, CBS Theatrical Films announced that Toys was one of thirty-nine films it planned to produce in the next several years, the 23 Jan 1982 Screen International reported.
Still, the project remained in limbo as Levinson built his career throughout the 1980s. On 3 Apr 1987, HR announced that that Toys ...
Toys was scheduled to be the directorial debut for screenwriter Barry Levinson, who developed the story in the late 1970s with his co-writer and then wife, Valerie Curtin, after reading a newspaper article stating that Russian naval intelligence had gained secret information about American nuclear submarines by studying model submarine kits. According to the 13 Dec 1992 NYT, the couple initially found the idea absurd, but the notion stuck. They wrote their screenplay about children’s toys being used as military weapons on “spec,” and sold the idea to Twentieth Century Fox.
The 14 Jan 1980 DV announced an Apr 1980 start date for the $6-$7 million production, which had a ten-week shooting schedule in Northern California and Los Angeles, CA. Levinson was to direct, and an Easter 1981 release was planned. Six weeks before filming was set to start, however, the Fox team that approved Toys – Paula Weinstein, Lucy Fisher, and Sandy Lieberson – were fired as new management took over. Sherry Lansing, the new studio head, did not want to take a chance on an unproven director and cancelled the production.
Levinson moved on to make his directorial debut with the critically acclaimed Diner (1982, see entry), but took Toys to other studios. In Jan 1982, CBS Theatrical Films announced that Toys was one of thirty-nine films it planned to produce in the next several years, the 23 Jan 1982 Screen International reported.
Still, the project remained in limbo as Levinson built his career throughout the 1980s. On 3 Apr 1987, HR announced that that Toys was one of twenty-five movies Columbia Pictures planned to produce in the coming year under the recently installed studio chief, David Puttnam. However, Fox's then president, Leonard Goldberg, refused to give up the rights to Toys when he learned of Columbia’s interest.
While Levinson directed Robin Williams in Good Morning, Vietnam (1987, see entry), the actor became interested in playing the lead, the 6 Jan 1988 Long Beach Press Telegram reported. With a star attached, Fox considered making the film with a $20 million budget. The studio finally approved the project in 1990, once Joe Roth replaced Barry Diller as the studio head. Levinson told the 13 Mar 1992 NYT that he had planned to make Toys before directing Bugsy (1991, see entry), but pre-production delays forced him to move ahead with Bugsy.
Principal photography began on 25 Feb 1992, according to a 20 Mar 1992 DV production chart, and ended in late Jun 1992, according to the 13 Dec 1992 LAT. The film had fifty to sixty sets on five sound stages on the Fox lot in Los Angeles, and the set was closed throughout filming, the 14 Apr 1992 DV reported. Location shooting took place in the Palouse River Valley in southeastern Washington. While he 13 Dec 1992 NYT listed a $40 million budget, the 17 Mar 1992 DV said the final cost was reduced to $30 million when Levinson, Williams, and producer Mark Johnson agreed to defer their salaries.
Toys opened on 1,272 screens on 18 Dec 1992, grossing $4.8 million its opening weekend, according to a 22 Dec 1992 DV box office report.
Reviews were mixed, but tended to be negative. The 18 Dec 1992 NYT called it a “magnificent mess,” while the 18 Dec 1992 LAT commented that it was “an earnest attempt to create an enduring fable [that] ends up a monument to tedium, the kind of soggy marshmallow that could make a Scrooge out of anyone.” The 18 Dec 1992 DV said, “only a filmmaker with Barry Levinson’s clout would have been so indulged to create such a sprawling, seemingly unsupervised mess as Toys.” However, the 18 Dec 1992 HR praised the film saying, “Toys will undoubtedly confound those seriosos who mistakenly equate hypertensive narrative with deep complexity. Yet, if you want to get serious about it, it’s Levinson’s version of Brazil; A minimalist contraption about a factory of happy innocents who must fend off a military mindset. Best about Toys, you don’t have to have your thinking cap on to appreciate the depth of all the screwy stuff that spills out.”
The 31 Jan 1992 Screen International reported that actors Tracy Ullman and Jonathan Winters were part of the cast, but neither appeared onscreen.
Despite its poor critical reception, Toys received Academy Award nominations for Best Costume Design and Best Art Direction.
End credits state: “Fortunato Depero Artwork courtesy of Museo D’Arte Moderna e Contemporoneo di Trento e Rovereto, Italy/VAGA, New York/SIAE, Rome; MTV: Music Television Logo used courtesy of MTV Network © 1992 MTV Networks, All rights reserved; ‘Tank Gunner’ video game footage created by Absolute Entertainment, Inc."; and, "The Producers with to thank: Madame Alexander Dolls and Hildegard Gunzel Dolls; Steiff USA, L. P.; Marx Toys."
Near death, Zevo Toys founder Kenneth Zevo summons his brother, Leland Zevo, a three-star military general, to take over as president of the company. Kenneth explains that neither his son, Leslie, nor his daughter, Alsatia, are ready to take charge, but he hopes Leslie will be prepared once Leland retires. Privately, Kenneth tells his assistant, Owen Owens, that putting Leland in charge will force Leslie to grow up and learn to take responsibility. Leland is initially unwilling to leave his beloved military post, but when Kenneth dies, he has no other option but to run the company. After the funeral, Leland tours the factory where staff show off the company’s whimsical toys and novelty items. However, Leland is unimpressed, chiding the inefficient production and eccentric staff, especially his niece, Alsatia, and nephew, Leslie. When Leland learns that industrial espionage is common, he calls in his son, Patrick Zevo, who works in military covert operations, to take over security. Patrick introduces heavy protocols, which make the employees uncomfortable. Leland announces the company will start a line of military toys and deemphasize the existing product. However, he is unhappy with the war toy prototypes. Patrick reminds him that other companies have had years to develop their military toys, so it will take the Zevo designers time to catch up. When Leslie argues that military toys represent a philosophical contradiction with the company’s traditions, Leland agrees to cancel the new line, but says he needs restricted space to work on projects of his own. Leland and his son, Patrick, go a video arcade and see children playing combat video games. Leland dreams of creating remote controlled, toy-sized planes with deadly fighting capability. ...
Near death, Zevo Toys founder Kenneth Zevo summons his brother, Leland Zevo, a three-star military general, to take over as president of the company. Kenneth explains that neither his son, Leslie, nor his daughter, Alsatia, are ready to take charge, but he hopes Leslie will be prepared once Leland retires. Privately, Kenneth tells his assistant, Owen Owens, that putting Leland in charge will force Leslie to grow up and learn to take responsibility. Leland is initially unwilling to leave his beloved military post, but when Kenneth dies, he has no other option but to run the company. After the funeral, Leland tours the factory where staff show off the company’s whimsical toys and novelty items. However, Leland is unimpressed, chiding the inefficient production and eccentric staff, especially his niece, Alsatia, and nephew, Leslie. When Leland learns that industrial espionage is common, he calls in his son, Patrick Zevo, who works in military covert operations, to take over security. Patrick introduces heavy protocols, which make the employees uncomfortable. Leland announces the company will start a line of military toys and deemphasize the existing product. However, he is unhappy with the war toy prototypes. Patrick reminds him that other companies have had years to develop their military toys, so it will take the Zevo designers time to catch up. When Leslie argues that military toys represent a philosophical contradiction with the company’s traditions, Leland agrees to cancel the new line, but says he needs restricted space to work on projects of his own. Leland and his son, Patrick, go a video arcade and see children playing combat video games. Leland dreams of creating remote controlled, toy-sized planes with deadly fighting capability. He speculates they could decrease the cost of a fighter plane from $450 million per plane to $5,000 by reducing the size, thereby creating a million planes for the cost of one human-sized aircraft. The remote controlled planes could be operated by children on video panels, just like at arcade games. In the following weeks, Leland appropriates more space within the factory until other divisions are shut down entirely, and many toy designers quit. Meanwhile, Owen Owens observes that buses deliver school children to the factory each day, all of whom go to the restricted area where Leland is working on his secret project. Leslie meets Gwen Tyler, who was hired by Kenneth Zevo just before his death to work in the copy room. They flirt, and soon go on dates to the few remaining whimsical areas of the toy factory. Leslie confronts Leland about his restricted space, but the general refuses to give him any answers, and denies that he has hired school children to work in the factory. Leslie steals a security pass to get into Leland’s domain, where he discovers youth at video game stations, doing battle in various war scenarios. Security guards discover Leslie and he runs away, but falls into a water tank where a mechanical toy “sea swine” attacks. Leslie escapes unharmed, but Leland dismisses the monster, saying it is just a new “water toy” he is testing. Military officials from Washington, D.C., tour Leland’s restricted area and are impressed, believing they can get money appropriated to fund the general’s military-style toy planes. Patrick Zevo visits his girl friend, Nurse Debbie, who inadvertently reveals she has also been having an affair with his father, Leland. Debbie also reveals that Patrick’s mother did not die of appendicitis, but was killed while on an undercover mission for Leland to Vietnam, disguised as anti-war sympathizer, actress Jane Fonda. Devastated, Patrick tells his cousins, Leslie and Alsatia, that his father has been making a “deadly war machine.” Leland’s next phase will be to establish daycare centers in poor neighborhoods. There, children will be trained to use computers and lock on military targets. Eventually the youths will fly remote controlled planes on real combat missions, navigating from computers. The cousins and Owen Owens go to the restricted area while Leland monitors them on security cameras. The general sends in small toys, outfitted with real guns and bombs, to attack. The group escapes to a warehouse where the old, whimsical toys Zevo used to produce are stored. The old toys become active and release them to confuse their military counterparts. A battle among the toys ensues, and Leland’s toy tanks break into the warehouse, followed by model helicopters equipped with miniature missiles. Leslie escapes and goes to Leland’s office, where he destroys the main computer, causing the electricity throughout the factory to shut down. Leslie and Leland fight, while the backup generator comes on, activating the mechanical “sea swine.” The monster shoots Alsatia, who turns out to be a robot that Kenneth Zevo created when a young Leslie wanted a sister. The sea swine also attacks Leland, knocking him unconscious. When he regains consciousness, the general is crippled and bedridden. Leslie takes control of the factory, shuts down the military operation, and Zevo Toys resumes manufacturing its signature toys. Patrick returns to the military, while Leslie rebuilds Alsatia. Leslie, Gwen, and Alsatia visit Kenneth Zevo’s grave to tell him the company is in good hands now that Leslie is in charge.
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