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HISTORY

According to a 3 May 1992 LAT story, writer and debut director Patrick Hasburgh developed the screenplay for Aspen Extreme based on his experiences working as a ski instructor in Aspen, CO. Among his pupils was Walt Disney Pictures chairman, Michael Eisner, who later agreed to distribute the picture through Disney’s Buena Vista Pictures Distribution, Inc.
       Production notes in AMPAS library files stated that prior to principal photography, second unit ski sequences were filmed over three weeks in the Monashee range of the Canadian Rockies.
       The 16 Mar 1992 DV estimated a budget of $10-$14 million, and a 31 Mar 1992 HR production chart reported that principal photography began 10 Mar 1992 in Aspen. Other CO locations included the skiing communities of Snowmass, Ajax, Highlands, and Buttermilk. The “Powder Eight” competition scene was shot in one day on a mountaintop location accessible only by helicopter. During the second week in Mar 1992, the second unit crew filmed real-life races of the Aspen Skiing World Cup, using the event spectators as background actors. Production designer Roger Cain spent three weeks constructing the interior set of “Bryce Kellogg’s” home using art and furniture from local galleries.
       After three months in Aspen, production moved to the Detroit, MI area for a total of four days, including one day at the Ford Truck Plant in Wayne, MI, one day at the Mt. Brighton ski area, and the surrounding suburbs. Avalanche and rescue scenes filmed over four days on a sound stage in North Hollywood, CA.
       The 10 Jan 1993 LAT reported that the film’s release coincided with the “Boycott Colorado” movement following the ...

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According to a 3 May 1992 LAT story, writer and debut director Patrick Hasburgh developed the screenplay for Aspen Extreme based on his experiences working as a ski instructor in Aspen, CO. Among his pupils was Walt Disney Pictures chairman, Michael Eisner, who later agreed to distribute the picture through Disney’s Buena Vista Pictures Distribution, Inc.
       Production notes in AMPAS library files stated that prior to principal photography, second unit ski sequences were filmed over three weeks in the Monashee range of the Canadian Rockies.
       The 16 Mar 1992 DV estimated a budget of $10-$14 million, and a 31 Mar 1992 HR production chart reported that principal photography began 10 Mar 1992 in Aspen. Other CO locations included the skiing communities of Snowmass, Ajax, Highlands, and Buttermilk. The “Powder Eight” competition scene was shot in one day on a mountaintop location accessible only by helicopter. During the second week in Mar 1992, the second unit crew filmed real-life races of the Aspen Skiing World Cup, using the event spectators as background actors. Production designer Roger Cain spent three weeks constructing the interior set of “Bryce Kellogg’s” home using art and furniture from local galleries.
       After three months in Aspen, production moved to the Detroit, MI area for a total of four days, including one day at the Ford Truck Plant in Wayne, MI, one day at the Mt. Brighton ski area, and the surrounding suburbs. Avalanche and rescue scenes filmed over four days on a sound stage in North Hollywood, CA.
       The 10 Jan 1993 LAT reported that the film’s release coincided with the “Boycott Colorado” movement following the passing of Amendment 2, which prohibited civil rights legislation for homosexuals and bisexuals. The article suggested that Aspen was a popular skiing destination for many Hollywood industry figures, and the film was likely to cause controversy due to prominent product placement from the “right-wing,” CO-based company, Coors.
       Upon its release, Aspen Extreme garnered largely negative reviews.
       End credits state: “The Producers wish to thank Mr. Marvin Davis; Aspen Ski Corporation; Bob Maynard, President Aspen Ski Corporation; Don Crumb, Head Ski Patrol Snow Mass; Erik Kinsman, Head Ski Patrol Aspen Mountain; the town of Aspen and its citizens; the Ford Motor Company; Revillon Furs; Vitruvian Design; ABC Sports, Inc.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
16 Mar 1992
---
Hollywood Reporter
31 Mar 1992
---
Hollywood Reporter
25 Jan 1993
p. 12, 54
Los Angeles Times
3 May 1992
---
Los Angeles Times
10 Jan 1993
Calendar
Los Angeles Times
23 Jan 1993
Section F, pp. 2-3
New York Times
23 Jan 1993
p. 16
Variety
25 Jan 1993
p. 133
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
Hollywood Pictures presents
in association with Touchwood Pacific Partners I
A Leonard Goldberg Production
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
Dir, 2d unit
UPM/1st asst dir, 2d unit
PRODUCERS
Assoc prod
Assoc prod
Exec prod
Prod, 2d unit
WRITER
PHOTOGRAPHY
Dir of photog
Dir of photog
1st asst cam
2d asst cam
Gaffer
Best boy elec
Best boy elec
Best boy grip
Dolly grip
Still photog
Dir of photog, 2d unit
Dir of photog, 2d unit
1st asst cam, 2d unit
1st asst cam, 2d unit
1st asst cam, 2d unit
2d asst cam, 2d unit
2d asst cam, 2d unit
2d asst cam, 2d unit
WesCam op, 2d unit
ART DIRECTORS
Prod des
Art dir
FILM EDITORS
Film ed
1st asst ed
Apprentice ed
Negative cutter
SET DECORATORS
Set dec
Leadman
Prop master
Asst prop master
Asst prop master
Const coord
Const foreman
Lead scenic artist
Set dresser
Rigger, 2d unit
Rigger, 2d unit
Props, 2d unit
Props, 2d unit
COSTUMES
Cost des
Cost supv
Men's costumer
Women's costumer
Seamstress/Ward asst
Ward, 2d unit
Ward, 2d unit
MUSIC
Mus ed
Asst mus ed
Song consultant
Mus scoring mixer
Sandy De Crescent
Orch contractor
Score rec at
SOUND
Prod sd
Boom op
Supv sd ed
Supv sd ed
Supv dial ed
Sd ed
Sd ed
Sd ed
Sd ed
Sd ed
Foley ed
Foley ed
ADR supv
Asst sd ed
Asst sd ed
Asst sd ed
ADR mixer
Foley mixer
Kevin Bartnoff
Foley artist
Foley artist
Re-rec mixer
Re-rec mixer
Re-rec mixer
VISUAL EFFECTS
Spec eff coord
Spec eff tech
Spec eff asst
Spec eff asst
Spec eff asst
Spec eff asst
Titles & opticals
MAKEUP
Makeup artist
Makeup asst
Hairstylist
Hair asst
PRODUCTION MISC
Casting
Scr supv
Prod coord
Aspen asst to Mr. Goldberg
Asst to Mr. Gallo
Asst to Mr. Hasburgh
Aerial coord
Asst loc mgr
Key prod asst
Prod asst
Prod accountant
1st asst accountant
2d asst accountant
Unit pub
Transportation coord
Transportation capt
Casting asst
Extra casting
Extra casting
2d unit prod by
Prod coord, 2d unit
Scr, 2d unit
Lead guide, 2d unit
Helicopter pilot, 2d unit
Helicopter pilot, 2d unit
STAND INS
Stunts
Stunts
Stunts
Pam Bebermeyer
Stunts
Liza Coleman
Stunts
Stunts
Stunts
Stunts
Stunts
Stunt coord
Snow hole stunt coord
Stunt coord, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
Skier, 2d unit
COLOR PERSONNEL
Ray Martin
Col timer
SOURCES
MUSIC
"Gluck: Che Faro Senza Euridice," arranged by G. Narholz, performed by the Prague National Theatre Orchestra; "Boccherini: Minuet," arranged and performed by Les Peel, courtesy of Capitol Prouction Music/Ole Georg; "The Driver (Pt. II)," written by Hans Zimmer, Trevor Horn and Terry Reid, performed by Terry Reid, courtesy of Warner Music U.K., Ltd., by arrangement with Warner Special Products.
SONGS
"Start The Car," written and performed by Jude Cole, courtesy of Reprise Records, by arrangement with Warner Special Products; "Bailando Con La Gitano," written by David Snell; "Feel Like A Number," written by Bob Seger, performed by Bob Seger and the Silver Bullet Band, courtesy of Capitol Records, by arrangement with CEMA Special Markets; "What She Will," written and performed by Billy Falcon, courtesy of Jambco/Mercury, by arrangement with PolyGram Special Markets; "Sierra," written and performed by John Beasley, courtesy of Windham Hill Jazz; "Blake's Southern Pick," written and performed by Mark Moulin and Kirk Moulin; "Try'n To Wait," written and performed by Phil Marshall, courtesy of Mersh Bros. Music; "The World Is Flat," written and performed by Aaron Barker, courtesy of Atlantic Recording Corp., by arrangement with Warner Special Products; "When The Whistle Blows," written by Benny Trowell, Alan Galbraith, Mark Matthews and Andrew McKay, performed by Ghost of an American Airman, courtesy of Hollywood Records; "Skiing Moguls," written and performed by Phil Marshall, courtesy of Mersh Bros. Music; "The Best Inside You," written and performed by David Baerwald, courtesy of A&M Records, Inc.; "When You Were Young," written by Justin Currie, performed by Del Amitri, courtesy of A&M Records, Inc.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
22 January 1993
Premiere Information:
Los Angeles and New York openings: 22 Jan 1993
Production Date:
began 10 Mar 1992 in Aspen, CO; Detroit and Wayne, MI; and North Hollywood, CA
Copyright Info
Claimant
Date
Copyright Number
Buena Vista Pictures Distribution, Inc.
28 January 1993
PA597008
Physical Properties:
Sound
Dolby Stereo® in selected theaters
Color
Lenses
Lenses and Panaflex® camera by Panavision®
Prints
Prints by Technicolor®; Produced and distributed on Eastman Film
Duration(in mins):
117
MPAA Rating:
PG-13
Country:
United States
Language:
English
PCA No:
32242
SYNOPSIS

In Detroit, Michigan, automobile factory assemblyman T. J. Burke completes his shift at the Ford Motor Company. He returns home to find a letter from Esquire magazine, rejecting his writing submissions. Frustrated with life, T. J. convinces his best friend, David “Dexter” Rutecki, to leave Michigan with him. Quitting their jobs, the two drive to the Rocky Mountain resort town of Aspen, Colorado, and apply for work as ski instructors. Dexter does not get hired, but T. J. pleads with ski school director, Karl Stall, to reconsider. Early one morning, the friends’ van runs out of propane and they seek temporary shelter with the local radio deejay, Robin Hand, who urges them to find a place to live. As T. J. uses his finesse to charm the tourists on the slopes, Dexter is stuck teaching children on the “bunny hill.” However, his methods earn him a large tip from one of his students’ parents, which he uses to treat T. J. to dinner at an upscale restaurant. As the friends scoff at the overpriced menu, a wealthy British woman named Bryce Kellogg sends a $600 bottle of champagne to their table. Smitten with T. J., Bryce invites them both to a party later that evening. At the event, she introduces T. J. to her jealous suitor, an accomplished German skier named Franz Hauser. Sometime later, the boys run out of places to park their van and move into a vacant train caboose on the edge of town. One day, T. J. and Dexter watch Franz Hauser and his ski partner, Rudy Zucker, practice for the annual “Powder Eight” competition, which requires the ...

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In Detroit, Michigan, automobile factory assemblyman T. J. Burke completes his shift at the Ford Motor Company. He returns home to find a letter from Esquire magazine, rejecting his writing submissions. Frustrated with life, T. J. convinces his best friend, David “Dexter” Rutecki, to leave Michigan with him. Quitting their jobs, the two drive to the Rocky Mountain resort town of Aspen, Colorado, and apply for work as ski instructors. Dexter does not get hired, but T. J. pleads with ski school director, Karl Stall, to reconsider. Early one morning, the friends’ van runs out of propane and they seek temporary shelter with the local radio deejay, Robin Hand, who urges them to find a place to live. As T. J. uses his finesse to charm the tourists on the slopes, Dexter is stuck teaching children on the “bunny hill.” However, his methods earn him a large tip from one of his students’ parents, which he uses to treat T. J. to dinner at an upscale restaurant. As the friends scoff at the overpriced menu, a wealthy British woman named Bryce Kellogg sends a $600 bottle of champagne to their table. Smitten with T. J., Bryce invites them both to a party later that evening. At the event, she introduces T. J. to her jealous suitor, an accomplished German skier named Franz Hauser. Sometime later, the boys run out of places to park their van and move into a vacant train caboose on the edge of town. One day, T. J. and Dexter watch Franz Hauser and his ski partner, Rudy Zucker, practice for the annual “Powder Eight” competition, which requires the athletes to ski down the mountain in perfect figure eight formations. Later that night, Bryce invites T. J. to her house and seduces him in her indoor swimming pool. Over breakfast the next morning, he reveals his failed attempts to become a writer. Eager to support him, Bryce loans him a stack of informational books on the subject. Back at the caboose, Dexter becomes annoyed that T. J. put his attraction to Bryce before their plans to practice for next year’s Powder Eight. After making amends, they attempt to ski down a dangerous mountainside beyond the resort’s permitted boundaries. Suddenly, T. J. falls through a hole in the ground and plummets into a secret spring. His skis hook onto rocks, leaving him suspended underwater until Dexter rappels into the cave to save him. T. J. refuses to jeopardize their jobs by going to the hospital, prompting Dexter to seek medical treatment from Robin. Once recovered from his head injury, T. J. returns to the slopes and is asked to fill in for Franz, who has taken ill. Preferring T. J.’s personable manner, the clients book him as their instructor, causing Franz to grow angry. After finding out that Bryce has left for the season, T. J. asks Robin to dinner. Breaking her rule against dating ski instructors, Robin accepts, and they kiss. As they date through the summer, T. J. resumes his passion for writing and has one of his stories published in a popular skiing magazine. With the arrival of the next winter snow, Dexter is assigned to private lessons with a seemingly hopeless student, and is ultimately suspended for failing to teach him. T. J. gives Robin a rough draft of his latest story, “Lady on the Radio.” Bryce returns to Aspen and attempts to rekindle her friendship with T. J. by hiring him for a day of lessons. Afterward, she invites him out for a drink and they make love. He regrets the decision when he finds his story pinned to his door with a bitter note from Robin. Apologizing, he insists that the Englishwoman was only encouraging his writing career. Meanwhile, Dexter begins using cocaine and agrees to deliver a $10,000 supply for a friend named Jake Neil, but suddenly grows nervous and dumps the drugs down a toilet. That night, T. J. finds Dexter crawling naked through the snow in a panic about the money he now owes the dealers. Frustrated with Dexter’s irresponsible behavior, T. J. repays the debt by borrowing money from Bryce before moving his belongings into her house. Saddened by the dissolution of the boys’ friendship, Robin barges into the caboose, discards Dexter’s drugs and alcohol, and drags him back to the ski slopes. Eventually, Dexter announces his intention to return to Detroit, but asks if T. J. will first help him win the Powder Eight. During one of their practices, however, an avalanche carries Dexter down the side of the mountain and kills him. T. J. returns to work, where Franz blames him for Dexter’s death. Back at the caboose, T. J. is packing his friend’s belongings when Robin stops by to assure him that the accident was not his fault. Depressed, he becomes intoxicated and breaks up with Bryce. On the slopes, he meets Dexter’s replacement, an Olympic hopeful named Todd Pounds, who eagerly offers to be T. J.’s partner in the next Powder Eight. T. J. refuses before putting on Dexter’s old baseball cap and skiing through a restricted avalanche zone, causing two mountain patrolmen to give chase. He evades their pursuit by slaloming down an icy cliff, but the incident is reported to Karl Stall. The ski school director urges him to get over Dexter’s death, and T. J. submits his autobiographical story, “Aspen Extreme,” to the skiing magazine. After its publication, T. J. reconsiders Todd’s proposal and joins him in the Powder Eight competition. In order to beat Franz and Rudy’s perfect score, T. J. leads Todd off-course as they continue to ski flawlessly down the backside of the mountain. While revelling in their victory, T. J. spots Robin on the sidelines. Apologizing for his past mistakes, he professes his love and kisses her.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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