Cop & 1/2 (1993)

PG | 93 mins | Comedy | 2 April 1993

Writer:

Arne Olsen

Producer:

Paul Maslansky

Cinematographer:

Bill Butler

Production Designer:

Maria Caso

Production Company:

Imagine Films Entertainment
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HISTORY

       On 10 Aug 1990, DV announced that Imagine Films Entertainment paid a six-figure sum for writer Arne Olsen’s script for Cop & ½, outbidding offers from Twentieth Century Fox, Universal Pictures, and several other unnamed companies. Although Imagine had a first-look production and distribution deal with Universal, the company secured the property on its own, without additional financial backing. Production was originally expected to begin in late 1990 or early 1991.
       The following year, the 4 Mar 1991 Var reported that Henry Winkler, longtime friend and Happy Days (ABC Television Network, 15 Jan 1974—12 Jul 1984) co-star of Imagine founder Ron Howard, had been hired to direct. Although he is not credited onscreen, Imagine co-chairman Brian Grazer was named executive producer, and offered Macaulay Culkin $1.5 million to play “Devon Butler” after he completed shooting the company’s current feature, My Girl (1991, see entry). At the time, Culkin was also in negotiations to star in Warner Bros. Pictures’ Richie Rich (1994, see entry) and Fox’s sequel to Home Alone (1990, see entry), for which he requested salaries of $4-5 million. Over the next several months, the 13 May 1991 and 6 Jan 1992 Var reported that Culkin and lead star Kurt Russell were both dissatisfied with the long-delayed script changes and left the picture to pursue other projects. A 6 Dec 1991 Screen International brief suggested that Imagine could not meet Culkin’s salary demands, and the part was rewritten for a girl. Once Russell dropped out, Arne Olsen offered the lead role to James Caan and once again changed the ...

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       On 10 Aug 1990, DV announced that Imagine Films Entertainment paid a six-figure sum for writer Arne Olsen’s script for Cop & ½, outbidding offers from Twentieth Century Fox, Universal Pictures, and several other unnamed companies. Although Imagine had a first-look production and distribution deal with Universal, the company secured the property on its own, without additional financial backing. Production was originally expected to begin in late 1990 or early 1991.
       The following year, the 4 Mar 1991 Var reported that Henry Winkler, longtime friend and Happy Days (ABC Television Network, 15 Jan 1974—12 Jul 1984) co-star of Imagine founder Ron Howard, had been hired to direct. Although he is not credited onscreen, Imagine co-chairman Brian Grazer was named executive producer, and offered Macaulay Culkin $1.5 million to play “Devon Butler” after he completed shooting the company’s current feature, My Girl (1991, see entry). At the time, Culkin was also in negotiations to star in Warner Bros. Pictures’ Richie Rich (1994, see entry) and Fox’s sequel to Home Alone (1990, see entry), for which he requested salaries of $4-5 million. Over the next several months, the 13 May 1991 and 6 Jan 1992 Var reported that Culkin and lead star Kurt Russell were both dissatisfied with the long-delayed script changes and left the picture to pursue other projects. A 6 Dec 1991 Screen International brief suggested that Imagine could not meet Culkin’s salary demands, and the part was rewritten for a girl. Once Russell dropped out, Arne Olsen offered the lead role to James Caan and once again changed the gender of the child character. Filming was rescheduled for Mar 1992.
       9 Jan 1992 HR and 9-15 Jan 1992 Drama-Logue items announced that two casting sessions were to be held 11 Jan 1992 and 18 Jan 1992 in Florida and Hollywood, CA. The 10 May 1992 LAT stated that True Colors (Fox Television Network, 2 Sep 1990—23 Aug 1992) star Norman D. Golden II was one of four finalists among 1,500 child actors at the Hollywood casting call. Golden was selected to make his feature film debut in Cop & ½ after screen testing with Burt Reynolds, who had been cast as “Nick McKenna” in early 1992.
       5 Mar 1992 and 28 Apr 1992 HR production charts indicated that the start of principal photography was moved up from May 1992 to 13 Apr 1992. Various contemporary sources stated that production took place in Tampa, FL, at the insistence of Reynolds, a native Floridian. According to production notes in AMPAS library files, Imagine also had positive experiences in the state during the recent filming of Parenthood (1989, see entry) and My Girl, and planned to utilize the motion picture facilities at Universal Studios Florida. Exteriors of “Nick McKenna’s” apartment were shot in the Ybor City area, while the clock tower building of Old City Hall doubled as the downtown police headquarters. After three months in Tampa, the 10 Jul 1992 HR stated that the $14 million production was scheduled to complete principal photography in Los Angeles, CA.
       Despite largely negative reviews, the 5 Apr 1993 DV reported that the film earned $6.3 million its opening weekend.
      End credits acknowledge: “GTE Mobilnet Official cellular provider thanks to Dwaine Parker"; “The Major League Baseball trademarks depicted in this program were licensed by Major League Baseball Properties, Inc.”; and include the following statement: “Grateful appreciation to Mayor Sandy Freeman; Pat Hoyt, City of Tampa; Florida Film Commission; Motion Picture and Television Development; Richard Borrego, City of Tampa Traffic Operations and special thanks to Brad Sobel; Major Kenneth Taylor and the wonderful Police Department of Tampa.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
10 Aug 1990
p. 2, 26
Daily Variety
5 Apr 1993
---
Drama-Logue
9-15 Jan 1992
---
Hollywood Reporter
9 Jan 1992
---
Hollywood Reporter
5 Mar 1992
---
Hollywood Reporter
28 Apr 1992
---
Hollywood Reporter
10 Jul 1992
---
Hollywood Reporter
2 Apr 1993
p. 6, 31
Los Angeles Times
10 May 1992
---
Los Angeles Times
2 Apr 1993
Section F, p. 12
New York Times
2 Apr 1993
p. 17
Screen International
6 Dec 1991
---
Variety
4 Mar 1991
---
Variety
13 May 1991
---
Variety
6 Jan 1992
---
Variety
5 Apr 1993
p. 176
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
Imagine Films Entertainment Presents
An Imagine Films Entertainment Presentation
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
Dir, 2d unit
1st asst dir, 2d unit
2d asst dir, 2d unit
PRODUCERS
Assoc prod
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
Steadicam
1st asst cam
1st asst cam
2d asst cam
2d asst cam
Still photog
Chief lighting tech
Best boy
Lamp op
Lamp op
Generator op
Key grip
Best boy grip
Dolly grip
Rigging grip
Rigging grip
Rigging grip
Rigging grip
Rigging grip
Rigging grip
Rigging grip
Dir of photog, 2d unit
Cam op, 2d unit
Cam op, 2d unit
1st asst cam, 2d unit
1st asst cam, 2d unit
2d asst cam, 2d unit
2d asst cam, 2d unit
Gaffer, 2d unit
Elec, 2d unit
Key grip, 2d unit
ART DIRECTORS
Prod des
Art dir
Asst art dir
Storyboard artist
FILM EDITORS
Asst ed
Asst ed
Asst ed - Tampa
Asst ed - Tampa
Negative cutter
SET DECORATORS
Set des
Set dec
On set dresser
Draftsman
Leadman
Greensman
Prop master
Asst prop master
Propmaker
Propmaker
Propmaker
Asst props
Const coord
Const foreman
Carpenter
Carpenter
Carpenter
Head scenic artist
Lead scenic artist
Signwriter
Standby scenic
Scenic
COSTUMES
Cost des
Costumer for Mr. Reynolds
Cost supv
Cost supv
2d unit costumer
Costumer, 2d unit
MUSIC
Kenneth Karman
Supv mus ed
Mus ed
Asst mus ed
Asst mus ed
Auricle/Synclavier programmer
Electronic remix eng
Rec at
Marin County, CA
Orch contractor
SOUND
Sd mixer
Boom op
Sd utility
Supv sd ed
Dial ed
Dial ed
Sd eff ed
Sd eff ed
Sd asst
Sd asst
ADR ed
Foley rec mixer
ADR rec mixer
Foley stepper
Foley stepper
Loop group coord
Loop Du Jour
Loop group coord
Re-rec mixer
Re-rec mixer
Rec eng
Sd mixer, 2d unit
VISUAL EFFECTS
Spec eff coord
Asst spec eff
Spec eff
Spec eff
Main title des
Titles and opticals
MAKEUP
Key makeup artist
Mr. Reynolds makeup artist
Key hairstylist
PRODUCTION MISC
Casting
Casting
Florida and extras casting by
Visual consultant
Post prod supv
Projectionist
Prod coord
Asst prod coord
Asst prod coord
Prod secy
Scr supv
Asst to Mr. Maslansky
Asst to Mr. Winkler
Asst to Mr. Reynolds
Loc mgr
Prod accountant
Asst accountant
Marjorie Gayle Chodorov
2d asst accountant
Prod asst
Prod asst
Prod asst
Prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Casting asst
Casting asst
Scr supv, 2d unit
Scr supv, 2d unit
Prod asst, 2d unit
Prod asst, 2d unit
Prod asst, 2d unit
Transport capt, 2d unit
Transportation coord
Transportation capt
Dispatcher
Transportation coord trainee
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Teacher
Tutoring
Florida
Nurse
Catering
Craft service
Craft service
Caterer
Caterer
Boats supplied by
Boats supplied by
Boats supplied by
COLOR PERSONNEL
Florida processing
Col timer
Col by
SOURCES
SONGS
"Nothin' My Love Can't Fix," written by Joey Lawrence, Alexandra Forbes and Eric Beall, performed by Joey Lawrence, courtesy of Impact Records; "Free-For-All," written by Robert Hackl, performed by The Dadz; "Francine," written by Robert Hackl, performed by The Dadz; "Movin' Much Too Fast," written by Curtis Griffin, performed by The Men Of Note.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Alternate Title:
Cop and 1/2
Release Date:
2 April 1993
Premiere Information:
Los Angeles and New York opening: 2 Apr 1993
Production Date:
began 13 Apr 1992
Copyright Info
Claimant
Date
Copyright Number
Universal City Studios, Inc., & Imagine Films Entertainment, Inc.
13 July 1993
PA627389
Physical Properties:
Sound
Dolby Stereo® in selected theaters
Color
Lenses
Filmed with Panavision® Cameras & Lenses
Prints
Eastman Color Films
Duration(in mins):
93
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
32214
SYNOPSIS

During recess at a Tampa, Florida, elementary school, eight-year-old Devon Butler wields a water pistol while pretending to be a policeman. In the bathroom, he runs into two older bullies who dunk his head in the toilet and throw him back outside. Fed up with Devon’s antics, Principal Fleming telephones his grandmother. On his way home, Devon and his friend, Raymond Sanchez, witness a real police chase as detective Nick McKenna speeds after a drug dealer in his Chevrolet Super Sport. That evening, Devon’s grandmother works another night shift at the hospital, leaving him alone to watch his favorite television series, Miami Vice. Using binoculars, Devon sees a suspicious black vehicle drive past his apartment and follows on his bicycle. Inside an abandoned warehouse, he watches as organized crime leader Vinnie Fountain murders the drug dealer Nick McKenna caught earlier that day. When McKenna later arrives at the scene, he is frustrated to learn that Devon is the only witness. At the police station, Devon is eager take part in a real investigation, but only agrees to reveal pertinent information if he is allowed to shadow McKenna. With no other leads in the case, Captain Rubio decides to let him ride along with McKenna for eight hours the next day. Insisting he be allowed to carry a badge and handcuffs, Devon bolts out of McKenna’s car to chase a mugger across town. However, once McKenna catches up, they realize the supposed thief was only a man attempting to reach his wife, who forgot her purse. To make up for the mistake, Devon reveals the name of Fountain’s associate, “Bobo,” ...

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During recess at a Tampa, Florida, elementary school, eight-year-old Devon Butler wields a water pistol while pretending to be a policeman. In the bathroom, he runs into two older bullies who dunk his head in the toilet and throw him back outside. Fed up with Devon’s antics, Principal Fleming telephones his grandmother. On his way home, Devon and his friend, Raymond Sanchez, witness a real police chase as detective Nick McKenna speeds after a drug dealer in his Chevrolet Super Sport. That evening, Devon’s grandmother works another night shift at the hospital, leaving him alone to watch his favorite television series, Miami Vice. Using binoculars, Devon sees a suspicious black vehicle drive past his apartment and follows on his bicycle. Inside an abandoned warehouse, he watches as organized crime leader Vinnie Fountain murders the drug dealer Nick McKenna caught earlier that day. When McKenna later arrives at the scene, he is frustrated to learn that Devon is the only witness. At the police station, Devon is eager take part in a real investigation, but only agrees to reveal pertinent information if he is allowed to shadow McKenna. With no other leads in the case, Captain Rubio decides to let him ride along with McKenna for eight hours the next day. Insisting he be allowed to carry a badge and handcuffs, Devon bolts out of McKenna’s car to chase a mugger across town. However, once McKenna catches up, they realize the supposed thief was only a man attempting to reach his wife, who forgot her purse. To make up for the mistake, Devon reveals the name of Fountain’s associate, “Bobo,” and the duo track down two of three potential suspects. After finding the second “Bobo” in the midst of a domestic dispute, McKenna is impressed by Devon’s tact, but promptly returns him home at the end of the shift. As the detective drives away, Devon again notices the black car in his neighborhood and realizes Vinnie Fountain somehow knows he is helping the police. Devon finds Fountain waiting in his living room, posing as the new school counselor to ask why he was not in school that day. Devon pretends not to recognize the criminal, but informs his grandmother they are in danger. To keep him safe until the case is solved, Captain Rubio puts Devon under McKenna’s constant protection. At his apartment that night, the detective reluctantly reads Devon a bedtime story and tucks him under the covers, but is later startled when the boy awakens for a glass of milk. In the morning, Devon is heartbroken to discover that McKenna has dumped him off on the more paternal Officer McPhail. During their patrol shift, McPhail explains that McKenna developed a gruff demeanor after his partner’s death in a violent drug arrest. As Devon issues a speeding ticket to Principal Fleming, two of Fountain’s henchmen attempt to run him over, but McKenna appears and pushes Devon to safety. McPhail pursues the criminals while Devon and McKenna continue their search for Bobo at a grungy biker bar. A fight breaks out, allowing Bobo to escape on his motorcycle. Back at his apartment, McKenna becomes upset when Devon sneaks away to buy donuts. He screams at the boy, offering to pay for him and his grandmother to move away, but Devon refuses, having likened the detective to a father figure. Running away, Devon sneaks back to school to retrieve items from his locker. When accosted by the two bullies from the bathroom, he retaliates by handcuffing them to the fence. Fountain’s henchmen arrive, but the other schoolchildren execute various pranks to keep them from finding Devon. Leaving the playground in shame, the gangsters discover the boy hiding in the back seat of their car. Captive inside Fountain’s Tampa Port Authority office, Devon finds a telephone and calls Captain Rubio to warn that Fountain is a drug baron. Meanwhile, McKenna spots Bobo on his way to Fountain’s warehouse, and sneaks inside. Grabbing Devon, McKenna escapes on Bobo’s motorcycle then hijacks a speedboat. With McKenna nursing a gunshot wound in the shoulder, Devon steers the boat through the harbor. At a dead end, McKenna encourages the boy to speed up two inclined pipes onto the docks. When Fountain and his men attempt to imitate the maneuver, they crash into a shipping container, and Devon pulls a lever that douses them in fish entrails. As backup arrives, Devon decides to “put police business on hold” and enjoy “being a kid.” McKenna agrees, but the two continue their friendship by spending a leisurely day with Devon’s grandmother.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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