Cop & 1/2
(1993)
PG | 93 mins | Comedy | 2 April 1993
Cast:
Burt Reynolds, Ray Sharkey, Ruby Dee [ More ]Directors:
Henry Winkler, Glen WilderWriter:
Arne OlsenProducer:
Paul MaslanskyCinematographer:
Bill ButlerEditors:
Daniel Hanley, Roger Tweten, C. Timothy O'MearaProduction Designer:
Maria CasoProduction Company:
Imagine Films Entertainment
On 10 Aug 1990, DV announced that Imagine Films Entertainment paid a six-figure sum for writer Arne Olsen’s script for Cop & ½, outbidding offers from Twentieth Century Fox, Universal Pictures, and several other unnamed companies. Although Imagine had a first-look production and distribution deal with Universal, the company secured the property on its own, without additional financial backing. Production was originally expected to begin in late 1990 or early 1991.
The following year, the 4 Mar 1991 Var reported that Henry Winkler, longtime friend and Happy Days (ABC Television Network, 15 Jan 1974—12 Jul 1984) co-star of Imagine founder Ron Howard, had been hired to direct. Although he is not credited onscreen, Imagine co-chairman Brian Grazer was named executive producer, and offered Macaulay Culkin $1.5 million to play “Devon Butler” after he completed shooting the company’s current feature, My Girl (1991, see entry). At the time, Culkin was also in negotiations to star in Warner Bros. Pictures’ Richie Rich (1994, see entry) and Fox’s sequel to Home Alone (1990, see entry), for which he requested salaries of $4-5 million. Over the next several months, the 13 May 1991 and 6 Jan 1992 Var reported that Culkin and lead star Kurt Russell were both dissatisfied with the long-delayed script changes and left the picture to pursue other projects. A 6 Dec 1991 Screen International brief suggested that Imagine could not meet Culkin’s salary demands, and the part was rewritten for a girl. Once Russell dropped out, Arne Olsen offered the lead role to James Caan and once again changed the ...
On 10 Aug 1990, DV announced that Imagine Films Entertainment paid a six-figure sum for writer Arne Olsen’s script for Cop & ½, outbidding offers from Twentieth Century Fox, Universal Pictures, and several other unnamed companies. Although Imagine had a first-look production and distribution deal with Universal, the company secured the property on its own, without additional financial backing. Production was originally expected to begin in late 1990 or early 1991.
The following year, the 4 Mar 1991 Var reported that Henry Winkler, longtime friend and Happy Days (ABC Television Network, 15 Jan 1974—12 Jul 1984) co-star of Imagine founder Ron Howard, had been hired to direct. Although he is not credited onscreen, Imagine co-chairman Brian Grazer was named executive producer, and offered Macaulay Culkin $1.5 million to play “Devon Butler” after he completed shooting the company’s current feature, My Girl (1991, see entry). At the time, Culkin was also in negotiations to star in Warner Bros. Pictures’ Richie Rich (1994, see entry) and Fox’s sequel to Home Alone (1990, see entry), for which he requested salaries of $4-5 million. Over the next several months, the 13 May 1991 and 6 Jan 1992 Var reported that Culkin and lead star Kurt Russell were both dissatisfied with the long-delayed script changes and left the picture to pursue other projects. A 6 Dec 1991 Screen International brief suggested that Imagine could not meet Culkin’s salary demands, and the part was rewritten for a girl. Once Russell dropped out, Arne Olsen offered the lead role to James Caan and once again changed the gender of the child character. Filming was rescheduled for Mar 1992.
9 Jan 1992 HR and 9-15 Jan 1992 Drama-Logue items announced that two casting sessions were to be held 11 Jan 1992 and 18 Jan 1992 in Florida and Hollywood, CA. The 10 May 1992 LAT stated that True Colors (Fox Television Network, 2 Sep 1990—23 Aug 1992) star Norman D. Golden II was one of four finalists among 1,500 child actors at the Hollywood casting call. Golden was selected to make his feature film debut in Cop & ½ after screen testing with Burt Reynolds, who had been cast as “Nick McKenna” in early 1992.
5 Mar 1992 and 28 Apr 1992 HR production charts indicated that the start of principal photography was moved up from May 1992 to 13 Apr 1992. Various contemporary sources stated that production took place in Tampa, FL, at the insistence of Reynolds, a native Floridian. According to production notes in AMPAS library files, Imagine also had positive experiences in the state during the recent filming of Parenthood (1989, see entry) and My Girl, and planned to utilize the motion picture facilities at Universal Studios Florida. Exteriors of “Nick McKenna’s” apartment were shot in the Ybor City area, while the clock tower building of Old City Hall doubled as the downtown police headquarters. After three months in Tampa, the 10 Jul 1992 HR stated that the $14 million production was scheduled to complete principal photography in Los Angeles, CA.
Despite largely negative reviews, the 5 Apr 1993 DV reported that the film earned $6.3 million its opening weekend.
End credits acknowledge: “GTE Mobilnet Official cellular provider thanks to Dwaine Parker"; “The Major League Baseball trademarks depicted in this program were licensed by Major League Baseball Properties, Inc.”; and include the following statement: “Grateful appreciation to Mayor Sandy Freeman; Pat Hoyt, City of Tampa; Florida Film Commission; Motion Picture and Television Development; Richard Borrego, City of Tampa Traffic Operations and special thanks to Brad Sobel; Major Kenneth Taylor and the wonderful Police Department of Tampa.”
During recess at a Tampa, Florida, elementary school, eight-year-old Devon Butler wields a water pistol while pretending to be a policeman. In the bathroom, he runs into two older bullies who dunk his head in the toilet and throw him back outside. Fed up with Devon’s antics, Principal Fleming telephones his grandmother. On his way home, Devon and his friend, Raymond Sanchez, witness a real police chase as detective Nick McKenna speeds after a drug dealer in his Chevrolet Super Sport. That evening, Devon’s grandmother works another night shift at the hospital, leaving him alone to watch his favorite television series, Miami Vice. Using binoculars, Devon sees a suspicious black vehicle drive past his apartment and follows on his bicycle. Inside an abandoned warehouse, he watches as organized crime leader Vinnie Fountain murders the drug dealer Nick McKenna caught earlier that day. When McKenna later arrives at the scene, he is frustrated to learn that Devon is the only witness. At the police station, Devon is eager take part in a real investigation, but only agrees to reveal pertinent information if he is allowed to shadow McKenna. With no other leads in the case, Captain Rubio decides to let him ride along with McKenna for eight hours the next day. Insisting he be allowed to carry a badge and handcuffs, Devon bolts out of McKenna’s car to chase a mugger across town. However, once McKenna catches up, they realize the supposed thief was only a man attempting to reach his wife, who forgot her purse. To make up for the mistake, Devon reveals the name of Fountain’s associate, “Bobo,” ...
During recess at a Tampa, Florida, elementary school, eight-year-old Devon Butler wields a water pistol while pretending to be a policeman. In the bathroom, he runs into two older bullies who dunk his head in the toilet and throw him back outside. Fed up with Devon’s antics, Principal Fleming telephones his grandmother. On his way home, Devon and his friend, Raymond Sanchez, witness a real police chase as detective Nick McKenna speeds after a drug dealer in his Chevrolet Super Sport. That evening, Devon’s grandmother works another night shift at the hospital, leaving him alone to watch his favorite television series, Miami Vice. Using binoculars, Devon sees a suspicious black vehicle drive past his apartment and follows on his bicycle. Inside an abandoned warehouse, he watches as organized crime leader Vinnie Fountain murders the drug dealer Nick McKenna caught earlier that day. When McKenna later arrives at the scene, he is frustrated to learn that Devon is the only witness. At the police station, Devon is eager take part in a real investigation, but only agrees to reveal pertinent information if he is allowed to shadow McKenna. With no other leads in the case, Captain Rubio decides to let him ride along with McKenna for eight hours the next day. Insisting he be allowed to carry a badge and handcuffs, Devon bolts out of McKenna’s car to chase a mugger across town. However, once McKenna catches up, they realize the supposed thief was only a man attempting to reach his wife, who forgot her purse. To make up for the mistake, Devon reveals the name of Fountain’s associate, “Bobo,” and the duo track down two of three potential suspects. After finding the second “Bobo” in the midst of a domestic dispute, McKenna is impressed by Devon’s tact, but promptly returns him home at the end of the shift. As the detective drives away, Devon again notices the black car in his neighborhood and realizes Vinnie Fountain somehow knows he is helping the police. Devon finds Fountain waiting in his living room, posing as the new school counselor to ask why he was not in school that day. Devon pretends not to recognize the criminal, but informs his grandmother they are in danger. To keep him safe until the case is solved, Captain Rubio puts Devon under McKenna’s constant protection. At his apartment that night, the detective reluctantly reads Devon a bedtime story and tucks him under the covers, but is later startled when the boy awakens for a glass of milk. In the morning, Devon is heartbroken to discover that McKenna has dumped him off on the more paternal Officer McPhail. During their patrol shift, McPhail explains that McKenna developed a gruff demeanor after his partner’s death in a violent drug arrest. As Devon issues a speeding ticket to Principal Fleming, two of Fountain’s henchmen attempt to run him over, but McKenna appears and pushes Devon to safety. McPhail pursues the criminals while Devon and McKenna continue their search for Bobo at a grungy biker bar. A fight breaks out, allowing Bobo to escape on his motorcycle. Back at his apartment, McKenna becomes upset when Devon sneaks away to buy donuts. He screams at the boy, offering to pay for him and his grandmother to move away, but Devon refuses, having likened the detective to a father figure. Running away, Devon sneaks back to school to retrieve items from his locker. When accosted by the two bullies from the bathroom, he retaliates by handcuffing them to the fence. Fountain’s henchmen arrive, but the other schoolchildren execute various pranks to keep them from finding Devon. Leaving the playground in shame, the gangsters discover the boy hiding in the back seat of their car. Captive inside Fountain’s Tampa Port Authority office, Devon finds a telephone and calls Captain Rubio to warn that Fountain is a drug baron. Meanwhile, McKenna spots Bobo on his way to Fountain’s warehouse, and sneaks inside. Grabbing Devon, McKenna escapes on Bobo’s motorcycle then hijacks a speedboat. With McKenna nursing a gunshot wound in the shoulder, Devon steers the boat through the harbor. At a dead end, McKenna encourages the boy to speed up two inclined pipes onto the docks. When Fountain and his men attempt to imitate the maneuver, they crash into a shipping container, and Devon pulls a lever that douses them in fish entrails. As backup arrives, Devon decides to “put police business on hold” and enjoy “being a kid.” McKenna agrees, but the two continue their friendship by spending a leisurely day with Devon’s grandmother.
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